• Language and Information
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• v.2 no.2
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• pp.155-183
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• 1998

The purpose of this paper is to explore the syntactic criteria for determining a secondary predicates as a predicate modifier or a conjunction, and to formalize the semantic aspects of the [-ke] structure as a predicate in Korean. Syntactically, the [-ke] structure is considered to be a secondary predicate when the shared arguments appear in both the [-ke] structure and the main verb structure. On the other hand, if they do not appear in both structures, the [-ke] structure is considered to be a connective element. Semantically the [-ke] structure has numerous aspects such as depictives, resultatives, objectivity, and emphasis. The depictives of the secondary predicate can be formalize as $p{\wedge}q$ where p represents a propositional expression of the secondary predicate and q is a propositional expression of the main verb. Resultatives have the logical form $q{\rightarrow}{\Box}p$, because the consequence has to always be true. However, objectivity has the logical form $q{\rightarrow}{\diamondsuit}p$, because the consequence can be either true or false. Emphasis is represented as $q{\rightarrow}p{\uparrow}$ because the secondary predicate represents the polarity of the event.

• Proceedings of the Korea Contents Association Conference
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• 2008.05a
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• pp.367-371
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• 2008

This system is not only for a foreigner but also for everyone in Korea who doesn't know Hangeul (Korean language). It is difficult to study Hangeul themselves without any helper. This paper would show the AR based system that could help people to learn basic Hangeul letters and pronunciations in their home without any helper by applying the characteristics of consonant and vowel. We also suggest the Word Studying Methods using the proposed system. At this time, it is developed based on the pattern matching function of ARToolKit, we could improve the system by applying the character recognition function.

• Journal of Korean language education
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• v.28 no.1
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• pp.1-21
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• 2017

The purpose of this study is to investigate the aspect of production and perception of Korean vowels /${\Lambda}$/ and /o/ and to discuss the correlation between production and perception of the two vowels. For this purpose, two separate experiments were conducted. 19 Chinese learners and 20 Korean native speakers produced Korean vowels /${\Lambda}$/ and /o/. Production experiments indicated that Koreans and Chinese female groups revealed common features in production, showing that they all pronounced /${\Lambda}$/ and /o/ in a distinguishable manner in the acoustic space. On the other hand, the Chinese male group failed to show that they could pronounce two vowels distinctively. The Chinese male group seemed to be confused in vowel height between the two vowels. A perception experiment was carried out on a continuum consisting of 11 synthesized stimuli. The perceptual judgment from referred Chinese and Korean subjects showed that Koreans and Chinese female groups had the same phonological boundaries (stimulus '04') for the two vowels on the continuum. However, the Chinese male group made perceptual criterion on stimulus '03'. These results confirmed that there was strong correlation between the aspect of production and perception.

• Journal of English Language & Literature
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• v.64 no.3
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• pp.307-327
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• 2018

In light of Korean inclusion of its diaspora as part of the nation, a "creolized" approach that brings together constructions of the bad subject of Asian American studies with conceptions of the Korean minjung grounds an analysis of two poets as they might be considered from a bi-national, Korean and U.S. American, perspective. The poets Ed Bok Lee and Jason Koo show different ways of being the bad subject. Lee is clearly a bad American subject, resisting American white racial hegemony, and his poetry often addresses a kind of American minjung multiculturalism, as is shown in poems from his first two books Real Karaoke People and Whorled. He challenges some aspects of contemporary Korea, and might be a kind of Korean bad subject in those challenges. Koo, on the other hand, resists the call to bad subjectivity, so that his poetry may not fit the preferred paradigm of Asian American studies, as he recognizes. As he resists that paradigm, he also gives little attention to his Korean heritage, so his not-bad American subjectivity becomes bad Korea subjectivity. He recovers some measure of badness in the final poem of Man on Extremely Small Island when he connects briefly to his Korean heritage and his Asian American present. The creolized juxtaposition of the bad subject with the minjung suggests the use of these poems in considering both American and Korean society.

• Journal of Korean Classical Literature and Education
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• no.16
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• pp.207-235
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• 2008

This study investigated the formation of communication education which is based on the contemporary language education. Concretely I watched chronologically the proportion of culture element and behavior element, its change, and the contents of writing education. To achieve this, I took the ancient Greek language education as the main materials. The sophists are right if we think only the empirical world, because of the changeability of external world and the relativity of sense. On the other hand, Platon emphasized the ability of abstract thought which is inherent in the human inside. But today's education only emphasizes the 'expression' which came from the Platonic thought. So students fills their devastated inside with arbitrary idea in this history-forgotten social circumstance. It is very beneficial to make subject have some cultural studies and to enhance the sensation on the world through the writing of representation because these can be good to the growth of subject. It is our-not as educator but as a predecessor of human being-duty to set the catalogue of cultural studies of this age and to make students feel the fundamental harmony and the beauty of the world.

• Phonetics and Speech Sciences
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• v.11 no.2
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• pp.1-13
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• 2019

This study explored the relationship between accurate vowel production and proficiency levels in L2 English produced by Korean EFL adult learners. To this end, nine English vowels /i, ɪ, ɛ, æ, ʌ, ɔ, ɑ, ʊ, u/ were selected and adjacent vowels paired up (e.g., /i/-/ɪ/, /u/-/ʊ/, /ɛ/-/æ/, /ʌ/-/ɔ/, /ɔ/-/ɑ/). The spectral features of the pairs were measured instrumentally, namely F1 (indicating tongue height) and F2 (indicating tongue backness). Meanwhile, the durations as well as spectral features of the tense and lax counterparts in /i/-/ɪ/ and /u/-/ʊ/ were measured, as both temporal and spectral features are important in distinguishing them. The findings of this study confirm that higher-rated speakers were better able to distinguish the contrasts in the front vowel pairs /i/-/ɪ/ and /ɛ/-/æ/ than lower-rated learners, but in the central and back vowel pairs /u/-/ʊ/and /ʌ/-/ɔ/ (though not /ɔ/-/ɑ/), Korean EFL learners generally showed difficulty distinguishing adjacent vowels with spectral cues. On the other hand, the durations of the tense and lax vowels showed that the lower-rated speakers were less able to use the temporal feature to differentiate tense vowels from their lax counterparts, unlike previous studies that found that in general Korean learners depend excessively on the temporal cue to distinguish tense and lax vowels.

• Journal of English Language & Literature
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• v.55 no.6
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• pp.993-1011
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• 2009

Generally, the parts narrated by Esther in Bleak House has been considered less convincing and reliable than those by the anonymous narrator for some problematic qualities in her character and narration. However, Esther's narrative shows Dickens' masterly depiction of emotional deprivation, the psychic consequences of the Victorian sexual repression on its victim. Therefore, to restore the reliability of Esther's narrative is the prerequisite for claiming its value as an appropriate locus of the meanings of the text. On the other hand, the anonymous narrator is not so omniscient as he has been regarded. As the chapters proceed, his omniscient power and authority is conspicuously weakened, and even transferred to other characters such as Esther and Mr. Bucket. This shows that the identity of the omniscient voice is unstable and that Dickens does not intend his voice to be the sole center of meanings of the text. In short, these two narratives are the necessary partners in imagining and understanding the society in its wholeness. Alternating and sometimes intersecting each other throughout the novel, these opposing viewpoints make us see the contradictory multi-leveledness of the Victorian society. The equality of them implies Dickens' notion that more than single unified voice is needed to portray ideological conflicts of his age.

• Journal of Information Processing Systems
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• v.19 no.3
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• pp.355-369
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• 2023

Since the widespread adoption of deep-learning and related distributed representation, there have been substantial advancements in part-of-speech (POS) tagging for many languages. When training word representations, morphology and shape are typically ignored, as these representations rely primarily on collecting syntactic and semantic aspects of words. However, for tasks like POS tagging, notably in morphologically rich and resource-limited language environments, the intra-word information is essential. In this study, we introduce a deep neural network (DNN) for POS tagging that learns character-level word representations and combines them with general word representations. Using the proposed approach and omitting hand-crafted features, we achieve 90.47%, 80.16%, and 79.32% accuracy on our own dataset for three morphologically rich languages: Uyghur, Uzbek, and Kyrgyz. The experimental results reveal that the presented character-based strategy greatly improves POS tagging performance for several morphologically rich languages (MRL) where character information is significant. Furthermore, when compared to the previously reported state-of-the-art POS tagging results for Turkish on the METU Turkish Treebank dataset, the proposed approach improved on the prior work slightly. As a result, the experimental results indicate that character-based representations outperform word-level representations for MRL performance. Our technique is also robust towards the-out-of-vocabulary issues and performs better on manually edited text.

• Asia Pacific Journal of Corpus Research
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• v.4 no.1
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• pp.1-23
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• 2023

The Japanese language, as a typical agglutinating language, permits large noun phrases (NP) containing ten or more morphemes. In this paper, we argue that the nature of the NP in Japanese is changing. Our data are drawn from the Balanced Corpus of Contemporary Written Japanese. We conduct a series of apparent-time studies of ongoing changes in complex NPs. We first examine the length of compound nouns, followed by the usage of bound suffixes. We then examine ongoing changes in complex NPs that contain genitive case markers. Finally, we examine noun incorporation. All of our studies show a trend towards shorter, less complex NPs. Furthermore, our results suggest that the usage rate of phrases that modify the noun inside the NP (compound nouns, bound nouns, NPs containing genitive case, noun incorporation) appears to be decreasing over time. On the other hand, the usage rate of modifying material outside of the NP (positional phrases, relative clauses) appears to be increasing over time. We conclude by suggesting that our results reflect a diachronic change of decreasing synthetic morphology and increasing analytic morphology. We end by pointing out the implications of this work on our understanding syntheticity and analyticity.

• Journal of English Language & Literature
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• v.56 no.3
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• pp.409-427
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• 2010

In this paper, I revisit and problematize "blackness" in THH by building on Toni Morrison's call for the theorization of "blackness" in American literature. THH has received much critical attention in the decades that followed its revival, but this paper argues that the meaning of "Africanist presence" has not been adequately addressed in 19th-century women writers' works. This paper is an effort to fill in this gap, and examines the ways in which "blackness" informed and shaped this most popular text of 19th-century America. This paper argues that THH demonstrates contemporary America's fear of "blackness," and rather than celebrating Capitola's feminist credentials or criticizing the lack of sensitivity to racial issues in THH, shows that the significance of the text lies in the ways in which it prophesies an impending national crisis mediated through the disruptive force of Capitola and Black Donald. THH certainly reiterates the popular, contemporary racial paradigms and excludes blacks from the conceptualization of "manhood," and it may seem that the issue of race is subsumed under gender issues when the text continuously privileges gender over race. However, at the same time, Black Donald and Capitola's disruptive energies signify the fear of explosive "blackness," and the disruptive stirrings of "blackness" permeate the novel as the energy that might rupture the seemingly tranquil order of antebellum South. The novel encodes and reflects the fear of blackness in the minds of its readers, and the popularity of this novel foretells nothing less than the explosion of Civil War.