• 인문언어
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• 제2권2호
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• pp.203-221
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• 2002

The ideal of middle class British masculinity and the representative of the new Victorian respectability, the ″gentleman″ was difficult to define amidst the class mobility and social change of the nineteenth century. Was the gentleman to be identified by class and by money\ulcorner By behavior and clothing\ulcorner By religion and morality\ulcorner This essay focuses on the problem of the ″gentleman″ as it was debated in the Victorian era and as it was reflected in the biography and work of the mid-nineteenth century's most important English writer, Charles Dickens. I examine the critical debate surrounding the Victorian idea of the ″gentleman″ by comparing the arguments of Shirley Robin Letwin's The Gentleman in Trollope(1982) and Robin Gilmour's The Idea of the Gentleman in the Victorian Novel(1981). Letwin views the ″gentleman″ as largely transcending class structure, while Gilmour's more historically-conscious view locates the gentleman as emerging out of, and even enabling, the class negotiations of this period. Against the backdrop of such debates, I discuss Charles Dickens's struggles with the idea of the gentleman in theory and in practice. In his novels, especially his semi-autobiographical bildungsromane about the growth and development of boys into adulthood, Dickens prominently engages with the identity and definition of the gentleman. As I demonstrate in this essay, this interest originated from Dickens's own childhood trauma and his subsequent drive to attain gentility, a necessity complicated by the vicissitudes of his personal and professional life.

• 한국조경학회지
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• 제26권4호
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• pp.113-124
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• 1999

The purpose of this study is to search into the relation between the chinese seclusion culture and the gentleman's gardens by means of the historical and aesthetic approach. The periodic limits of this study is from pre-Qin to Tand. For gentleman's gardens in Tang dynasty at once got out of the noble's gardens which had imitated the imperial gardens until Tang, and became the origin of the gardens of the literati appearing in post-Tang dynasty. The major findings are as follows : First, in pre-Qin period, the origin of the seclusion culture is classified as the metaphysical seclusion of Taoism and the physical seclusion of Confucianism. Although Pu, Yuan, and Uou which could be said the first step of the chinese gardens were inquired, the clear relation between the seclusion and them is not found. Second, during Qin-Han dynasty, the role of the gardens, as the settings of the seclusion, are comparatively minor, too. But uan Kuang-Han's garden considerably escaped from that of pre-Qin in the aspect of function, and it has the characteristics of recreation. Third, during Wei-Chin and Liu dynasty, two types of the seclusions emerged. One is the small seclusion, and the other the Great Seclusion. Though, as formerly, the contemporary gardens did not escaped from the imperial gardens, Shi Chong's garden can be the setting of the Court Seclusion. But the seven Righteous in Bamboos' and Tao Yuan-Ming's settings of the seclusion were real natural environments rather than gardens. Forth, in Tang dynasty, in spite of relatively low status, Bai Ju-Yi's theory of the middle Seclusion enabled gentlemen to make seclusion in sinecures unlike the court Seclusion. The theoretical background of the Middle Seclusion was Zen Buddhism and the State Examinations System and Bai Ju-Yi's private social position also had an important effect on it. In Tang dynasty, there being nobiliary gentleman's gardens, Bai Ju-Yi's garden, Lushan Caotangyuan, was the setting of the Middle Seclusion. It can be called a real gentleman's garden, for it is simple and small unlike the imperial gardens or the nobiliary gentleman's gardens.

• 한국언론정보학보
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• 제73권
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• pp.92-128
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• 2015

본 연구는 싸이의 <강남스타일>과 <젠틀맨>의 성공적 요인에 대하여 선행연구인 음악적인 관점, 정보통신 관점, 안무적인 관점 등과는 다른 관점으로 뮤직비디오에서 인기를 상승시킨 장면들은 어떤 유형이 있는가를 분석하였다. 이를 위해 Q 방법론을 적용하여 분석한 결과, <강남스타일>에서의 장면들에 대한 수용자 유형은 즐거움을 추구하는 유락유형, 전진 발전 유형, 피로해소 유형, 다양한 성인문화 유형으로 분류되었고, <젠틀맨>은 공동체적 군무 유형, 시건방진 춤 유형, 유쾌한 포장마차 유형, 괴롭힘 유형으로 장면들이 수용자들에게 인식되었다. <강남스타일>과 <젠틀맨>에서 발견된 공통적인 장면 유형은 안무유형과 한국에서 볼 수 있는 문화 유형이 발견되었다. 특히 <강남스타일>에서 발견된 장면 유형은 한국적인 문화유형이 많이 내포되어 있는 것으로 파악되었고, <젠틀맨>은 포장마차 유형만이 한국적인 문화유형으로 파악되었다.

• 한국철학논집
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• 제32호
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• pp.7-41
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• 2011

퇴계(退溪)의 철학사상은 '이기호발론(理氣互發論)과 경사상(敬思想)'으로 대변된다. 이기호발론(理氣互發論)은 개인적 차원에서는 '천리(天理)와 인욕(人欲)' 또는 '도심(道心)과 인심(人心)'의 대립을 반영하고, 사회적 차원에서는 '군자(君子)와 소인(小人)'의 대립을 반영하는 것이다. 한편 경사상(敬思想)은 '천리(天理)의 주재(主宰)' 또는 '군자(君子)의 주도권'을 확립하는 것과 관련된 것이다. 퇴계의 후학들 역시 이러한 구도를 그대로 따랐다. 이들의 현실인식의 특징은, 만사(萬事)를 '근본(根本)과 말단(末端)'으로 구분하여 '먼저 근본(根本)에 치중했다'는 점과 '군자(君子)와 소인(小人)' 또는 '의(義)와 리(利)'를 엄격히 구별하여 '타협을 용납하지 않았다'는 점이다. 요컨대 이들은 '의(義) 리(利)의 구별'을 '만사(萬事)의 근본'으로 설정하고, 근본에 힘쓴다면 변통(變通)이 없이도 아름다운 세상을 만들 수 있다고 본 것이다. 이들의 이러한 태도는 율곡이 '종본이언(從本而言)과 종사이언(從事而言)'을 적절하게 구사하면서 변통(變通)을 모색했던 것, 그리고 동(東) 서(西)의 조제(調劑)를 추구했던 것과는 구별되는 것이다.

• 응용통계연구
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• 제25권3호
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• pp.503-512
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• 2012

Detecting outliers in a linear regression model eventually fails when similar observations are classified differently in a sequential process. In such circumstances, identifying clusters and applying certain methods to the clustered data can prevent a failure to detect outliers and is computationally efficient due to the reduction of data. In this paper, we suggest to implement a clustering procedure for this purpose and provide examples that illustrate the suggested procedure applied to the Hadi-Simonoff (1993) method, reverse Hadi-Simonoff method, and Gentleman-Wilk (1975) method.

• 문화기술의 융합
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• 제5권1호
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• pp.37-43
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• 2019

2000년대 이후의 한국 드라마는 새로운 서사적 가능성을 지속적으로 실험하고 있다. 특히 최근의 한국 드라마에는 다양한 양태의 혼종과 혼합, 그리고 변형의 시도가 나타난다. 그러므로 본 연구는 2010년대애 대중적으로 성공한 드라마를 통해 문학과 드라마의 통섭을 검토하고자 한다. 본 연구는 김은숙 작가의 <쓸쓸하고 찬란하신(神) 도깨비>와 <신사의 품격>을 통해 드라마 내에서 문학 텍스트가 어떻게 활용되며, 이로써 어떠한 서사적, 영상적 효과를 얻어내는가를 세밀히 검토한다. 이 두 편의 드라마는 한국 내에서 대중적으로 성공한 드라마일 뿐만 아니라, 문학 텍스트를 드라마 내에서 적극적으로 활용하고 있어 문학과 드라마 통섭을 해석하는 데에 중요한 시사점을 제시한다. 이는 문학이 드라마와 통섭하는 주요한 장면을 해석하고, 그 의의를 파악하는 과정이다. 이 연구를 통해 드라마라는 영상 텍스트가 문자 텍스트의 한 부분을 차용하고, 그 물질성으로서의 '책'을 활용함으로써 스토리텔링의 효과를 얻어내는 과정을 해석한다. 이로써 다양한 장르가 하나의 영상 텍스트 내에 혼합되고 병치되는 양상과 그 효과를 확인하게 될 것이다.

• 복식문화연구
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• 제20권5호
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• pp.766-774
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• 2012

Ancient Chinese philosophy has had a profound influence on Chinese clothing culture. The researchers reviewed five ancient Chinese philosophical thoughts on Chinese clothing culture. The results show that they had different view of point. The Confucianism advocated "being elegant and refined in manner". Dong Zhongshu believed "Interaction between heaven and mankind is the center of Dress rules". Mohist insisted "Clothing should meet warm first, and then seek for beauty ". Taoism believed "Although a gentleman wears coarse clothes, he has gem in his chest". Legalism believed "Clothing should focus on quality rather than decoration". These philosophy thoughts all have had a profound influence on Chinese clothing culture.

• 복식문화연구
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• 제6권4호
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• pp.203-212
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• 1998

During the Baroque Ages, the underclothes of both sexs developed a new significance. They ceased altogether to be merely utilitarian in function, and were exploited, to a striking degree, to indicate class distinction and sex attraction. Up to this period, as e have seen, the underclothes of men and women had very much the same significance, but from now on there is a division. The male garments are designed mainly to express social rank, the female mainly to attract. The man's shirt is an integral part of the visible costume of the find gentleman. After 1660, The fashion portrayed by the men, exhibiting the shirt extruding between the bottom of the waistcoat and the top of the breeches is still more remarkable and significant. The period is important in that it was the last time that the male attempted to give his under clothing an erotic suggestion. It was their experience that silk and linen garments next to the skin were less liable than wool to harbour lice. Until the era of physical cleanliness opened a century later, woollen undergarments were rarely worn. the nineteenth century accepted cleanliness as a sign of class distinction.

• Journal of Chest Surgery
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• 제35권4호
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• pp.322-324
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• 2002

2개월동안의 연하곤란으로 입원한 56세남자 환자로 술전 원발성 식도 악성 흑색 종으로 판명되었으며 수술을 시행한 증례를 보고한다. 술전 식도내시경상 폴립(용종)양 종양이었으며 우측개흉술을 통해 식도 전절제술 및 위를 사용한 식도 재건술을 시행하였다. 종양은 술후 시행한 조직검사 및 면역조직화학검사상 원발성 식도 악성 흑색종이었다. 병리학적 병기는 IIa였고, 술후 다른 보조요법은 받지 않았다. 환자는 간전이에 의해 술후 8개월에 사망하였다.

• 한국도서관정보학회지
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• 제35권2호
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• pp.31-45
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• 2004

The purpose of this study is analyze physical and textual characteristics of the fold screen with Gosi(고시), tour ancient poems own by Beopjusa temple(법주사) in Mt. Sokrisan(속리산). The calligraphic specimen of this fold screen is written by King Seonjo(선조), and it seems to be made by between 1725 and 1758. On the view of physical point, the size of the fold screen is 190.0cm high, and 67.2cm wide each fold. And its format is made by 8 fold screen and its calligraphic style is a ‘cursive’ style. It was printed by wood block printing with chinese ink on the Geonji(견지). On the view of textual point, the fold screen of Gosi(고시) is consist of four ancient poems, and its content is describe to yearning for the appearance of the true gentleman possessed with high principles and virtue. And the four ancient poems is arranged by a well organized passage.