• 제목/요약/키워드: furniture

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이용자 상호간 감성교류를 위한 의자디자인 연구 - 의자의 구조와 기능을 중심으로 - (A Study on Chair Design for User's Interpersonal Exchange of Emotion - Focused on Chair Structure and Function -)

  • 김경원
    • 한국가구학회지
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    • 제21권2호
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    • pp.157-166
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    • 2010
  • Furniture in the modern living environment, inclusive the importance of its practical value, is a plastic element of indoor space, and its artistic value also holds an important position. Moreover, emotional design based on the emotional engineering in a structural change of modern society such as urbanization, small family, aging society is proposed as an important keyword in the modern design. Namely, furniture as an component of modern residential space has been advanced as a human-oriented environmental element considering people's emotional and mental value to the functional satisfaction and artistic and emotional satisfaction. Furniture is a living tool that is much contacted to people, which affects highly on people's body and mind. This means that people's volition action can be naturally induced by furniture design, and that furniture can display a role as an active tool of means to make people's interpersonal communication and interchange. Namely, I think furniture design of emotional interchange that understands furniture user's pattern behavior and pattern, and observes furniture form and structure and functionality on users' relationship affecting on people's emotional stability and interpersonal interchange of emotion, as an indispensable element necessary for producing more human and prosperous environment of life.

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Study for the Expression for Various Models of Furniture and Wooden Trifling Article Made of Layered Plywood

  • Cha, Sung-Hee;Lee, Jae-Young;Park, Byung-Ho;Choi, Ki
    • 한국가구학회지
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    • 제19권6호
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    • pp.466-474
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    • 2008
  • We suggest layered sculpture method and color painting method with new materials for the preparation of various expressions for aesthetic model of the furniture and interior articles made of river birch. Through the analysis of the layered sculpture method and preference, we try to set a new direction for the enhancement of the decoration for the furniture or article design made of birch plywood. Also, we study the fittest manufacturing process after selecting color painting materials different from the existing painting method and goes well with the furniture or article made of river birch. Color painting which systemic application of the layered plywood from birch and new paints such as Oriental dye is one of the best schemes to realize various possibility of the furniture and wooden article made of the layered plywood, and this research result has affected positive effect on the development fields such as wooden furniture and interior articles.

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Experiencing the Art/Craft/Handmade/Studio Furniture Aesthetics in Postmodernism Theoretically(II) -Interpreting the Postmodern Furniture Aesthetics in terms of Symbol and Metaphor-

  • Moon, Sun-Ok
    • 한국가구학회지
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    • 제19권6호
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    • pp.498-506
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    • 2008
  • This study explored interpretation of the symbolical and metaphorical aesthetics in experiencing art/craft/handmade/studio furniture theoretically for 'wood culture experience class' or 'wood love experience class' by the Korea Forest Service because the class tends to focus on making simple wood works involved just in the practical part. Qualitative conceptual analysis as the principal methodology was used to achieve the theoretical context in the experience programs. After the lesson one on defining the postmodern aesthetics in New Design furniture as metaphor in the previous paper, I developed lesson two for an aesthetics of art and everyday life with wood furniture which expresses the metaphorical and symbolical aesthetics appeared as New Design furniture in postmodernism. As statement of objective in the second lesson, I explored that students in elementary schools personally transform and interpret the postmodern aesthetics of New Design furniture metaphorically with the meanings of symbol. As a result, the students will be able to write about the aesthetics of New Design furniture as metaphor in interpretation transformed by his/her perspective of a piece of selected New Design furniture.

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노인을 위한 가구디자인 개발 방향 연구 (A Study on Development Direction in Furniture Design for the Elderly)

  • 조숙경;염순교
    • 한국가구학회지
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    • 제27권4호
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    • pp.343-351
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    • 2016
  • This study was jointly conducted by the department of nursing science in a college of natural sciences and the furniture design department in the art and physical education to research the critical factors for the furniture development for the Elderly in consideration of the surging number of senior citizens not only in Korea but also globally. On the basis of the Elderly's physical and mental characteristics investigated by the department of nursing science, the furniture design guideline for the Elderly was presented. The following points should be considered at designing the furniture for the Elderly. First, multiple functions like chair with removable toilet bowl and part lighting in bed are advantageous. Second, the dimension of furniture such as chair, bed and sofa should be ergonomically thought in terms of structure for the Elderly's convenience. Third, the bright and vivid color of furniture should be chosen from the aspect of the design, while the different kinds of blue should be avoided. Small patterns and high glossy are not recommendable, but various kinds of feelings in different shapes are suggested. Forth, the material should contribute to the fracture prevention and for that sponge, fabric and leather smoothing the surface of furniture are recommendable as the finishing treatment in a wide variety of colors.

대학교 기숙사가구 디자인방향 제안 - 기숙사 개인실을 중심으로 - (A Proposal on Dormitory furniture Design for University Students - Focusing on Dorm Units -)

  • 박영순;정의철;김은정;오세환
    • 한국실내디자인학회논문집
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    • 제17권6호
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    • pp.197-206
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    • 2008
  • This study aimed to suggest practical and useful design directions for furniture for the rapidly-increasing university dormitory population. The process of the study took four steps; theoretical research, in-depth interview based on questionnaire, analysis, and development of design directions. Interviews were conducted with 25 university students living in dormitories in Seoul to find out problems with the existing furniture, students' satisfaction with the furniture, and their needs for other options. From these interviews, we found a few problems with dorm units, such as insufficient storage space, spaces too small for privacy, monotonous & standardized furniture design, and lack of multi-purpose furniture, etc. To support college students' complex lifestyles, five design directions were suggested from the analysis, such as a furniture design with highly multiple uses, modular furniture design, sufficient storage space, an application of various colors & materials, and practical use of dead space. Among these, two items were selected to be manufactured by the furniture design company. We expect that our suggested design directions for dorm furniture will support students' complex lifestyles, and satisfy students' needs with highly enhanced and better designed environments.

가구재로써 노령 밤나무재의 효율적 이용에 관한 연구 (Study on Effective Use of Aged Chestnut Woods as Furniture Materials)

  • 문선옥;김철환;김종갑
    • 한국가구학회지
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    • 제15권2호
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    • pp.53-62
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    • 2004
  • This study explored the development of wood furniture made of aged Castanea crenata Sieb. et Zucc, which has been largely planted in the southern area since 1960s and has hardly been used as furniture materials. First, the physical properties of the chestnut wood including specific gravity, stiffness, and shrinkage were compared with Zelkova serrata, Acer palmatum Thunb., Fagus crenata var. multinevis, Quercus, Tagayasan, Prunus serrulata var. spontanea, Juglans sinenis, Pteronrpus santalinus, Diospyros ebenum, and Fraxinus rhynchophylla, which have largely been used in manufacturing furniture. The chestnut wood had appropliate physical properties for wood furniture like other furniture woods. A piece of small table 50 cm in width, 50 cm in length and 60 cm in height by the chestnut tree was created for a current interior space. Since the diameter of the chestnut tree planted since 1960s is below around 30 cm, the top plate of the table had to be put together by an end-joint technique using a small strip. Finally, it is expected that this study will create a greate motivation for furniture designers, furniture studios and furniture companies in Korea to use the woods from the aged chestnut tree in developing furniture in the future.

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백제시대의 목공예 연구 (A Study on Woodcraft in Baekje)

  • 조숙경
    • 한국가구학회지
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    • 제25권2호
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    • pp.139-147
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    • 2014
  • This paper researched the woodcraft in the Baekje kingdom since the study on the Baekje furniture has not been established due to the absence of the artifacts or remains related to the furniture in the Baekje period. Accordingly, the study focused on the excavated Baekje wooden products and wood crafts on the basis of ancient documents and investigated the ancient documents supposedly related to the Baekje furniture: The Chronicles of the Three States and Japan Scribe. As the result of the study, it could be summarized as follows. First of all, the woodcraft materials were wood, whagak, ivory, silver, gold and they were domestic or imported. Secondly, the woodcraft was finished naturally or lacquered with black or red color or varnishing with lacquer. Thirdly, the kinds of furniture used in the Baekje were a desk, a small portable dinning table, a table and folding stool. Even though there has been no heritage of the Baekje furniture and woodcraft and it is difficult to explain the characteristics or give an example of the Baekje furniture in detail, this study seems to be significant now that it researched the documents and related artifacts or remains which could give some hints or hypothesis of the furniture and woodcraft in the Baekje. What is more, there have been no sound studies on the Baekje furniture.

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조선시대 목가구의 비례미 연구 - 사랑방가구(책장, 서안, 사방탁자)를 중심으로 - (A Study of Beauty Proportion of Wooden Furniture of the Joseon Dynasty - Focusing on Furniture of the Hall (Book Chest, Writing Table, Open Etagere) -)

  • 김정호
    • 한국가구학회지
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    • 제25권2호
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    • pp.129-138
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    • 2014
  • Beauty of the proportion of the furniture of the Joseon Dynasty, have been studied by many researchers along with the ideological background. Furniture Joseon, can know that it has emphasized the beauty by placing the base with simplicity and to base the natural view. However, efforts are missing try to find a logical answer about what is configured by any principle view of nature we are talking about. Therefore, in the present study, we study the beauty of proportion to the center of the hall furniture Korea dynasty, and it was studied perspective of view of nature of the times. Around the neck of the Joseon Dynasty furniture, it is going to become an opportunity to say fundamentally the culture of their own ingenious with uniqueness by reviewing the discrimination of the cultural identity. That illuminates the housing culture through the characteristics of furniture and space, to pursue the unity is going to be able to find a lot of information from a wider point of view. In this paper we present a visual furniture material for efficient survey through use of research results, it is expected that it is used as related documents that can be usefully employed in the development process of the furniture design.

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학생용가구 표면재에 관한 연구 - 책상을 중심으로 - (Study on the Surface Materials of Junior Furniture - Focused on a Desk -)

  • 강신우;김상권
    • 한국가구학회지
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    • 제22권2호
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    • pp.83-90
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    • 2011
  • In the radically changing market situation, surface materials of student furniture are a very important element to decide the consumption pattern and the market price. Thus, this study examined the characteristics of surface materials by classifying the student furniture into children's, juniors', and seniors' furniture while accessing the features of such surface materials through Glulam, veneer, poly paper, finishing foil, high pressure melamine (HPM), and low pressure melamine (LPM), and PVC vinyl. When taking a look at the surface materials that were most frequently produced in each domestic furniture company, the combined materials that used more than 2 elements (31.88%), LPM (23.19%), and Glulam (20.29%) were introduced at the market in the order. Regarding the analysis made on colors, the combination colors took more than half (55.32%) followed by brown (13.83%) and beige (11.7%) in the order. Based on the results derived from the analysis, the study suggests to stress more importance to surface materials when developing student furniture and to exert efforts for the consistent development of new materials and quality improvement, as a way to accelerate the development of the furniture industry in Korea.

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환경 친화적 관점에 기초한 현대 가구의 Minimalism적 고찰 (Study of Minimalism of Contemporary Furniture Based on Environment-fiendly Aspect)

  • 문선옥;김종만
    • 한국가구학회지
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    • 제13권1호
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    • pp.71-83
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    • 2002
  • This study was carried out to develop colored-wood furniture using veneer, small-round log and fiberboard to protect forest resources through the study of minimalism. which advocates the environmental issue inherent to contemporary furniture in the postmodern era. Based on the historical and theoretical context of minimalism closely related to the environmental protection, this study suggested the technical way how to produce the environment-friendly furniture with the least use of valuable and natural log. Finally, the color-wooden furniture was developed based on the asceticism, simplification, and repetition of the minimalism in a trend of contemporary furniture design. By soaking a veneer, Psuedotsuga menziesii and small-round log, Pinus densiflora into a very-diluted organic dye, the environment-friendly and colored-wood furniture could be created in harmony with contemporary interior space, which has showed various colors such as yellow, blue, red, and green with a pastel tone. The spring wood of the colored softwood was deeply stained, while the summer wood was lightly done. By utilizing such valueless used woods which have been little in furniture production, it was possible to decrease the consumption of precious raw log such as zelkova, ebony, rose, maple, cherry, mahogany and so on. Thus, it became obvious to be able for contemporary furniture designers to produce beautiful furniture with dyed fiberboard and small-round logs pregnant with minimalism.

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