• Journal of the Chungcheong Mathematical Society
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• v.34 no.4
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• pp.369-378
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• 2021

In this paper, we give an upper bound for the fundamental tone of stable constant mean curvature hypersurfaces in hyperbolic space. Let M be an n-dimensional complete non-compact constant mean curvature hypersurface with finite L²-norm of the traceless second fundamental form. If M is weakly stable, then λ₁(M) is bounded above by n² + O(n^2+s) for arbitrary s > 0.

• Speech Sciences
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• v.11 no.3
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• pp.111-128
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• 2004

In English, a focused word with new information receives a pitch accent. This paper examines how English native speakers and Korean speakers produce and perceive focus in English yes-no questions. The production experiments show that native speakers realize an appropriate intonation of yes-no questions, in which a focused word has a low pitch accent followed by a high phrasal accent and a high boundary tone. However, Korean speakers usually give a high tone to a focused word. In a like manner, the perception experiments show that English native speakers judge a word with a low tone to be focused, while Korean speakers have difficulty in comprehending a focused word realized as a low tone. And it is found that Korean speakers tend to perceive low tones on sentence initial and final focused words better than those on sentence medial focused words, and they often perceive a word with a relatively high fundamental frequency or a sharp rise of fundamental frequency as a focused word. This paper shows that Korean speakers have trouble to produce and perceive an appropriate tonal pattern of a focused yes-no question, and that can cause confusion in a conversation with native speakers.

• The Journal of the Acoustical Society of Korea
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• v.9 no.3
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• pp.11-23
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• 1990

In order to investigate the acoustical characteristics of the Hae-keum (Korean traditional musical instrument) tone quality, the spectrum and wave form of Hae-keum sounds were analyzed by the FFT Analyzer. The analysis was carried out by the varying of the tension of Hae-keum strings, the positions of bridge and the top plate's thickness of Hae-keum respectively. According to the experiment, the following results are obtained ; the over tone's amplitude nearby the top plate resonance frequency is greater than the fundamental tone's amplitude because the top plate resonance frequency is higher than the fundamental tone's frequency. Tone qualities are better when the bridge is situated in the middle of top plate and the tension of strings is larger. The inharmonicity coefficient of the Hae-keum's second string is 0.049 cents/$n^2$. The brilliance and richness is poor, because we seldom found the over tone over 5kHz and the inharmonicity of the Hae-keum is greater than that of a violin. Also we confirmed that we are able to get the best tone quality in 4.5mm thickness of the Hae-keum's top plate.

• Phonetics and Speech Sciences
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• v.9 no.4
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• pp.77-89
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• 2017

This study investigates the phonetic meaning of clarity and turbidity(淸濁) that has been used in psychoacoustics, musicology, and linguistics in both the East and the West. With a view to clarifying the phonetic meaning of clarity and turbidity, this study conducts three perception tests. First, 34 subjects were asked to take one of Clear and Turbid by forced choice for 5 pure and complex tones, respectively, ranging from A2 to A6 differing by octave. Second, they were asked to select between the two choices for 25 pure and complex tones, respectively, ranging from A2 to A4 differing by semitone. Third, they were asked to opt for one of the two choices for 8 different vowels of different formant and fundamental frequencies. Results showed that there is a certain range of tone which is perceived as clear, that clarity level increases as fundamental frequency increases, and that pure tones have a higher level of clarity than complex ones, fundamental frequency being equal. Results also showed that vocal tract resonance enhances clarity level on the whole, and that lower vowels have a higher level of clarity than higher ones. This study is significant in that it demonstrates that clarity level is proportional to fundamental frequency and the first formant frequency, all else being equal.

• Proceedings of the KSME Conference
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• 2004.04a
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• pp.1921-1926
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• 2004

The tone generation mechanism and aeroacoustic characteristics have been investigated for flow over open cavities using direct acoustic numerical simulations. Physically the tone generation mechanism of open cavity is more complicated when flow instabilities are excited by the correlation effects of flow parameters. From non-dimensional parameter studies in very low Mach number range, it is shown that characteristics of cavity resonance inherently involve typical acoustic pattern at each discrete tone frequency, and especially in laminar flow the fundamental tone frequency is determined within flow instability criterion of laminar shear layer as well as cavity geometry, length to depth ratio.

• Journal of the Korean Society of Costume
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• v.57 no.9
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• pp.88-96
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• 2007

The purpose of this study is to present examples for modern application with traditional color on ceremonial costume of Korean folk belief which is regarded as representative research material standing for Korean cultural archetype. The arrangements of color on the ceremonial costume of Korean folk belief were selected from 11 items specified as an import intangible cultural asset. These color arrangements were composed of fundamental colors from the viewpoint of modern color sensation, but had a excellent harmony in Hue. Therefore, not shifting Hue of color arrangement on ceremonial costume, traditional color arrangement was apply to contemporary it by shifting tone. Brilliant and deep chromatic tone that belong to 3, 4 area was converted into toned light grey, light clear, dark deep, toned dark grey, and greyish chromatic tone that belong to 1, 2 area or 5, 6, 0 area or 2, 7, 9 area. The plan that applies arrangement color with brightness contrast of traditional fundamental colors on a modern color harmony was presented from that. Like this, we can combine traditional color into modern color sensation, stylize and apply it on a production of character, logogram design, fashion design for characters in animation or game. From this, we'll be able to be close to the color arrangement sensation including our racial emotion in the everyday life.

• Journal of electromagnetic engineering and science
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• v.10 no.2
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• pp.73-77
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• 2010

This paper proposes a novel memory effect measurement technique in RF power amplifiers(PAs) using a two-tone intermodulation distortion(IMD) signal with a very simple and intuitive algorithm. Based on the proposed predistortive tone cancellation technique, the proposed measurement method is capable of measuring the relative phase and magnitude of the third-order and fifth-order IMDs, as well as the fundamental signal. The measured relative phase between the higher and lower IMD signal for specific tone spacing can be interpreted as the group delay(GD) information of the IMD signal concerned. From the group delay analysis, we can conclude that an adaptive control of GD as well as the magnitude and phase is a key function in increasing the linearization bandwidth and the dynamic range in a predistortion(PD) technique.

• The Journal of the Acoustical Society of Korea
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• v.2 no.1
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• pp.1-10
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• 1983

The presence of the sound tube and resonance cavity is unique in Korea Brahman Bells which is no examples in other country bells in the world. The sound tube erected in the crown is effective to emit the fundamental tone of the bell when the condition of resonant transmissibility is satisfied. The results of our analysis shows that the optimum length of the sound tube in the Bell Emile is 96cm but is not the present length, 77cm. The resonance cavity erected underneath the lip of the Bell Emile is found to be for the resonance of standing waves in the space including both bell cavity and resonance cavity and resonance cavity to the fundamental tone of the bell itself, in order that the strongest vibration can last long by least energy and lengthen the reverberation of the bell. Some historical remarks are also made on the magic flute, MANPASIKJUK, which was in existence in Shilla that can lull all evil waves, such as plagues, storms, droughts, famines and even enemies. The sound tube erected in the crown of the bell was originated in this magic flute. Finally, a strong proposal is advanced on the new national symbol of Korean traditional cultural assets. Indeed, it should be highly recommended that the Great King's Bell Emile would be the only real symbol of our national cultural assets by its own right of excellency and richness in every aspect of arts and sciences.

• Journal of the Korean Society of Laryngology, Phoniatrics and Logopedics
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• v.18 no.1
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• pp.56-61
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• 2007

Introduction: Actually classification of classic singers' voice depends on habitual judgment by voice teachers or voice trainer referring to vocal timbre, vocal range and vocal quality. Such judgments, however, may turn out to be incorrect because they are based on subjective opinions. Therefore, more objective methodology is required. Method: Foreign dissertations searched through Pub Med, along with foreign and domestic journals, were reviewed regard ing how singers' voice has been categorized. Results: Vocal range, vocal timbre, voice quality, fundamental frequency of habitual speaking, length of vocal tract, the length from cricoid cartilage to thyroid cartilage's thyroid notch and length of vocal fold, tone of passaggio as well as traditional approaches such as perceptual judgment used by professional singers have been used for categorize the voice classification. Conclusion: To optimize categorizing singers' voice, vocal range, vocal timbre, voice quality, fundamental frequency of habitual speaking, length of vocal tract, the length from cricoid cartilage to thyroid cartilage's thyroid notch and length of vocal fold, tone of passaggio may be totally recommended.

• Korean Journal of Audiology
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• v.24 no.1
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• pp.35-39
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• 2020

Background and Objectives: The cortical auditory evoked potential (CAEP) is a useful objective test for diagnosing hearing loss and auditory disorders. Prior to its clinical applications in the pediatric population, the possible influences of fundamental variables on the CAEP should be studied. The aim of the present study was to determine the effects of age and type of stimulus on the CAEP waveforms. Subjects and Methods: Thirty-five healthy Malaysian children aged 4 to 12 years participated in this repeated-measures study. The CAEP waveforms were recorded from each child using a 1 kHz tone burst and the speech syllable /ba/. Latencies and amplitudes of P1, N1, and P2 peaks were analyzed accordingly. Results: Significant negative correlations were found between age and speech-evoked CAEP latency for each peak (p<0.05). However, no significant correlations were found between age and tone-evoked CAEP amplitudes and latencies (p>0.05). The speech syllable /ba/ produced a higher mean P1 amplitude than the 1 kHz tone burst (p=0.001). Conclusions: The CAEP latencies recorded with the speech syllable became shorter with age. While both tone-burst and speech stimuli were appropriate for recording the CAEP, significantly bigger amplitudes were found in speech-evoked CAEP. The preliminary normative CAEP data provided in the present study may be beneficial for clinical and research applications in Malaysian children.