• 원예과학기술지
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• 제32권5호
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• pp.721-729
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• 2014

본 연구에서는 소비자들의 주요 절화류에 대한 구매행동과 인식을 파악하여 시장을 예측하고, 소비 활성화 방안을 제시하고자 하였다. 설문조사를 전문 리서치 기관에 대행하여 실시하였고, 주요 절화류를 대상을 조사를 하여 컨조인트 및 군집분석을 하였다. 설문조사결과, 장미의 경우는 선택 속성별 중요도는 가격과 절화수명이 비슷하게 높았으며, 그 다음으로 화색, 화형의 순으로 분석되었다. 각 속성별 부분가치를 보면, 가격은 1000원, 꽃의 형태는 군집1의 남성의 경우만 빼고 여성 군집 2,3,4,5,6,7의 경우 모두 스프레이 형태의 장미를 선호하였다. 꽃의 절화수명에 대한 중요도는 높은 수준을 보여 모든 군집에서 7-8일로 나타났고 화색은 빨강색을 가장 선호하였다. 국화의 경우 선택속성별 중요도는 화색이 가장 높고, 그 다음으로 절화수명, 화형, 가격 순으로 분석되었다. 부분가치를 보면 가격은 1000원, 화형은 스탠다드, 절화수명은 16-20일, 화색은 노란색이 가장 높았다. 백합의 경우 선택속성별 중요도는 화형이 가장 높았고, 그 다음으로 절화수명, 가격, 화색 등의 순으로 분석되었다. 부분가치를 보면, 가격은 2000원, 화형은 대형을, 절화수명은 4-7일, 화색은 노란색이 가장 높았다. 주요 절화(장미, 국화, 백합)을 대상으로 컨조인트 분석 결과, 장미의 경우 가격과 절화수명이 가장 높게 나타났으며, 국화는 절화수명과 화색, 백합은 화형과 절화수명으로 나타났다. 주요 절화 모두 공통적으로 절화수명의 중요도가 높은 것으로 나타났다. 본 연구에서는 소비자 조사를 통해 주요 절화류에 대한 소비자의 선호 패턴을 분석하고 이를 근거로 소비자의 기호에 맞는 상품을 기획 생산하여 화훼류 소비 활성화 방안을 위한 기초조사 자료를 제시하고자 하였다.

• 농촌계획
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• 제23권3호
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• pp.53-60
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• 2017

In order to export Korean spray roses to the China, it is needed to analyse chinese preferences, rose attributes, and purchase intentions. The purpose of this study is to present the implications on the production and distribution of roses for export by analyzing the quality preference attributes and purchase intention of Korean rose for Chinese flower experts. A survey on the preference and purchase intention of Korean flower roses by Chinese flower experts was conducted through face - to - face interviews with flower show participants in China. Approximately 100 Chinese flower experts who participated in the Flower Show in 2016 received the questionnaire, and 86 survey results could be used for analysis. Survey data were analyzed using ordered probit and bivariate probit models. As a result of an analysis, it was found that Chinese flower experts were more likely to buy Korean roses than Chinese roses even if they consider flower color, leaf shape and size and color diversity. The probability of purchasing more than twice the price was higher than that of the color diversity considering the flower shape, leaf shape and size, but the bivariate order probit model was larger than that of flowers, leaves and size, and the order of probability size was changed. In order to increase the export of Korean spray roses to the Chinese market, We need to increase Chinese experts' preferences and satisfaction. For this purpose, it is very important to develop export varieties of roses with large flower buds and shape / coloring, and to apply the useful post-harvest technology that can extend freshness and distribution period of export roses.

• 농업생명과학연구
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• 제43권6호
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• pp.53-57
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• 2009

동양꽃꽂이는 고대에 신에게 헌화한 공화양식으로 좌우대칭의 삼존형식의 엄격한 삼각형의 조형미를 갖추고 있었으며 침봉을 사용하여 꽃을 고정하므로 쉽게 꽂을 수 있었다. 서양꽃꽂이는 이집트시대에 꽃을 연속반복으로 쌓아 올려 원추형의 형태를 이루어 현재 vertical form의 근원으로 보고 있다. 그리이스 시대에는 부드러운 S라인 형식을 주로 사용하였고, 로마시대에는 꽃들의 중심을 풍성하고 화려하게, 갈수록 낮고 가늘며 긴 수평형으로 연결하였다. 페르시아 시대에는 동양의 삼존형식과 비슷한 triangular 조형을 나타내고 있다. 그리고 르네상스 시대에 꽃꽂이도 고전의 바탕위에 기본형이 창조되었으며, 19세기말 동양미술의 온화한 색과 단순미, 사실적 묘사 등에 영향을 받아 20세기 미국을 중심으로 양적 mass에서 공간미학까지 꽃꽂이의 영역이 광범위하게 표현되는 art nouveau 시대로 이어졌다. 서양꽃꽂이는 조형성에 기초를 두는 것은 동양꽃꽂이와 같으나 자연성이 거의 무시되고 실용성에 근거를 삼는 것이 특징이다.

• International Journal of Costume and Fashion
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• 제7권1호
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• pp.32-48
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• 2007

Korean traditional flower motifs have often been used in traditional embroidery on personal products and on decorations. The flower motifs seen on embroidery with a variety of techniques show the shapes and colors changing to more and more brilliant and colorful design. Even today the flower motifs in embroideries continue to be reinterpreted in both modern ways and also in traditional ways with their fancy beauty in the design industry. This research is based on documentary and demonstrative studies conducted to find out the formative properties of these motifs through and analyzing the shapes and colors of flower motif embroideries from the Choseon Dynasty as applied in developing modern designs in harmony with their traditional beauty. A summary of the research is as follows. First, the peony blossom appears the most, with its gorgeous flower shape. It was used in a variety of ways for decorative purposes as well as in wishing for wealth and harmony on clothes or on personal products. Second, the result of analyzing the flower motifs on embroidery shows that 'realistic-complex- flower patterns' and 'stylized-complex-flower patterns' are mostly seen. Third, many of the peony blossoms, chrysanthemums, and Japanese apricots were in a radial shape and front facing with stamens, and the lotus flowers were mostly shown on the lateral side. Fourth, as a result of analyzing the colors of the flower motifs on embroideries, a tendency is shown toward the R and RP colors of v, b tone and the shades YR, Y, GY, and G colors of lt and p tone.

• International Journal of Industrial Entomology and Biomaterials
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• 제41권1호
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• pp.11-14
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• 2020

This work was preliminary report on the shape of mulberry fruits and mulberry flowers. The shape of mulberry was varied with mulberry cultivars as bended oval shape (Daeshim), oval shape (Gwasang No. 2), oval-cylindrical shape (Sagyeppong), uneven heart shape (Suwonppong), and roundish shape (Cheonggangsang). The style of female flowers was also varied with cultivars as no style (Palchung), short style (Gwasang No. 2), cone style (Susungppong), and rectangular style (Daedangsang). This observation suggested that the shape and flower of mulberries are different among mulberry cultivars. It needs to further systematic study to know the shape and flower of mulberry cultivars and to elucidate the relationship between the morphological characters and mulberry cultivars.

• 복식
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• 제44권
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• pp.57-75
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• 1999

The purpose of this study is to infer the shape and change as auspicious symbolic meaning and figures of a peony pattern. For this study. I analyzed the example of a peony pattern, which is traditional Chinese pattern appeared on a ceramic and textile. The results of this study are as following. First, a peony has particular title, such as 'the king of flowers' and 'the most beautiful woman in country and the smell in heaven' originated in a verse of a poet at Dang's Dynasty. It is reputed to be the best of all flowers, representing beauty, and a beauty. Second, the basic meaning of a peony pattern used as auspicious pattern is prosperity and it has various meanings of it's similar kind through several auspicious objects and combination. Also, it was used for the purpose of adequating the desire of man's blessing mentality. Third, four kinds of characteristics of a peony pattern are as following. 1) A peony pattern has similar shape with 'Bosanghwamoon', which was used as a pattern at formerly period of peony flowers. It was used as realistic shape gave vividness to the characteristic of peony on the shape of 'Bosanghwamoon'. 2) 8-petaled, unique leaves and veins were described in detail by vivid sketching shape of real peony flower. 3) Laying stress on the characteristics of peony flower, which is large and magnificent, several folds petals were described abundantly by exaggerated shape or a shape of big honeycomb. And unique leaves were described realistically on these. 4) It was also expressed peculiar characteristic of peony flower composed of several pieces by weakened design shape.

• Journal of Advanced Marine Engineering and Technology
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• 제40권4호
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• pp.314-319
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• 2016

플랜지 볼트는 체결하중을 분산시키기 위한 와셔와 같은 역할을 하는 플랜지를 가지고 있으며, 주로 냉간단조로 성형된다. 플랜지의 단조 시 꽃무늬 모양의 결함이 발생할 수 있다. 이 결함은 치수 정밀도 및 품질 저하 등의 문제점을 야기할 수 있어 이에 대한 개선이 요구된다. 본 논문에서는 플랜지 볼트의 플라워 형상 결함을 개선하기 위한 금형 설계방법을 제안하고자 하였다. 이를 위해 기존의 단조 공정에서 앞판의 내경을 변수로 금형을 수정하였다. 수정된 금형을 적용한 단조 공정은 상용 유한요소해석 코드인 DEFORM-3D를 이용하여 시뮬레이션 하였고, 해석결과를 기준으로 단조 실험을 하여 결과의 신뢰성을 검증하였다.

• 복식
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• 제54권4호
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• pp.113-127
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• 2004

This study examined the trend of pattern which appeared throughout men's clothing fashion magazine from 1999 to 2002 and the influence which the demographic characteristic have on the sensibility dimension of pattern and the preference degree of kinds of pattern. The results of study were as follows. 1) The pattern which was used most frequently on recent men's clothing was a length stripe, and the representation technique which was used most frequently on recent men's clothing was the technique of a geometric expression. 2) The pattern which men and women preferred most out of ten kinds of patterns-length stripe, width stripe, oblique stripe, check, square, waterdrop, paisley, flower of style shape, flower of realistic shape, flower of shape-was a length stripe. 3) The sensibility dimension of pattern image was composed of fascination, dignity, daring, gentleness, and reality. 4) Because sensitivity dimension and kinds of pattern were significant according to the distinction of sex, vocation, academic career, income, this study can conclude the demographic characteristic have an influence on sensitivity dimension and kinds of pattern.

• 한국육종학회지
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• 제42권2호
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• pp.188-194
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• 2010

시클라멘의 꽃 및 꽃눈의 색, 잎의 모양과 무늬 등의 질적 형질에 대한 유전 분석을 위하여 이들의 특성이 다른 계통을 교잡한 후, $F_1$, $F_2$ 및 여교잡 세대에서 분리비를 조사하였다. 화색은 $F_1$이 양친의 중간색을 나타냈고, $F_2$는 자방친 화색: 중간 색($F_1$과 동일): 화분친 화색이 1: 2 : 1로 분리되어 한 쌍의 대립유전자가 불완전우성으로 유전하는 것으로 나타났다. 꽃눈 색은 흰색 ${\times}$ 빨간색 계통의 조합에서 $F_1$이 빨간색으로 나타났고, $F_2$에서 빨간색 3: 흰색 1로 분리되어 한 쌍의 대립유전자가 우성으로 작용하는 것으로 밝혀졌다. 모인 꽃잎 형태는 흐트러진 꽃잎 형태에 대하여 완전우성으로 유전하는 것으로 나타났다. 잎 형질에 있어서는 넓은 은색 무늬 잎이 선형 무늬 잎에 대하여, 그리고 피침형 잎 끝이 타원형 잎 끝에 대하여 각각 우성으로 작용하는 한 쌍의 대립유전자가 관여하는 것으로 나타났다. 이와 같이 시클라멘의 질적형질의 발현에는 한 쌍의 대립 유전자가 작용하며 꽃의 색은 불완전우성으로, 꽃눈의 색, 잎의 형태 및 무늬는 완전우성으로 유전되는 것으로 밝혀졌다.

• 한국의류산업학회지
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• 제4권2호
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• pp.117-127
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• 2002

Patterns presented at baroque were mostly floral pattern. Abstract anonymous flower, tulip, Acandus leaf, pomegranate were blended with one another and had a distinct leaning toward continuation and repetition. Components of design could be classified into flower and leaf, flower and fruit, flower and circumferential ornament, bunch of flowers, flower and pot, flower and geometry, and flower and animal. Floral patterns in this era were mostly fullness type being large, simple, and having more formalized motive and were fronted with unit type and vine shape. Unit type shows reflection of baroque style which aims to present absolute unification rather than freedom, which was inherent property of baroque style, by using symmetric pattern. Vine type were unfolded with C type curved line which was main characteristics of that time and showed flowage as a whole and pliable beauty. Floral pattern was filled the whole surface of fabric, thus background of fabric can not be discerned. So, it showed extreme decorative tendency and lavishness.