• 만화애니메이션 연구
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• 통권27호
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• pp.199-219
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• 2012

극영화 <걸어도 걸어도>는 3세대가 한자리에 모인 가족모임을 만 하루동안 다루고 있는 고레에다 히로카즈의 6번째 극영화다. 일본의 지방 소도시 고향집과 그 근처에서 일어나고 있는 사건을 길고 정적인 숏들로 담아낸 관찰자적인 시선의 영화다. 극영화의 관습적인 규범에 구성요소들을 맞추기 보다는 복잡한 현실을 복잡함 그대로 표현하기 위해서 규범을 파괴하고 변형하는 영화다. 그의 작품이 현실 세계에 대한 다큐멘터리적인 관찰과 극영화의 정제된 형식미를 결합시킨 영화로 불리는 이유도 바로 이 때문이다. 본 논문은 <걸어도 걸어도>가 만들어내는 사실적인 느낌과 정서적인 감동이 어떤 내러티브와 영화적인 장치들을 통해서 가능했는지를 분석한다. 그리고 이러한 내러티브와 영화적인 장치들이 현실은 정서적으로 정의됐을 때 진실에 가까워진다는 그의 다큐멘터리 제작경험으로부터 비롯되었다는 것을 밝힌다. 사건의 당사자와 그것의 관찰자를 분리해서, 현실에 대한 감독의/관찰자의 개입을 강조하는 양식, 극적인 드라마를 가진 사건을 선택해서 그러한 드라마를 따라가는 대신에 인물의 내면이나 드라마의 사회적인 배경을 차분하게 관찰하는 방식, 사물과 공간을 통해서 인물의 내면으로 접근해 들어가는 그의 다큐멘터리적인 방식이 어떻게 극영화 <걸어도 걸어도>에서 반복되고 관객에게 비슷한 정서적 효과를 만들어내는지를 분석한다.

• 한국콘텐츠학회논문지
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• 제14권3호
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• pp.59-68
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• 2014

김묵은 1950년대 후반부터 1970년대 초반까지 한국영화계에서 주목받는 액션영화 감독이었다. 1958년 <흐르는 별>에서 각본, 감독으로 데뷔한 이후, 연출 초창기에는 통속멜로물에 관심을 가졌으나 <피 묻은 대결> 이후 본격적인 액션활극과 스릴러풍의 액션영화를 주로 만들었다. 김묵의 액션영화를 세부적으로 구분하면 항일투쟁영화, 월남전영화, 시대물, 멜로물, 반공물, 스릴러 등 6가지의 액션활극으로 나눌 수 있다. 본 연구는 액션영화 감독의 작품에 대한 미학적인 평가보다 우선하여 활동업적을 평가, 소개하는 작업을 시도하였다. 1950년대 후반부터 1970년대 초까지 김묵이 발표한 전 작품을 소개하고 이를 토대로 그의 연출스타일을 살펴 한국 액션영화에 대한 김묵의 영화작가적 태도를 논의하였다.

• KSBB Journal
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• 제31권4호
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• pp.291-299
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• 2016

In this study, Indomethacin, the poorly water soluble drug, was selected and prepared dispersing oral disintegrating films according to the molecular weight of polyethylene glycol (PEG) which are sort of dispersing agents. Also the molecular weight and content of PEG were evaluated effect on the degree of dispersion, physical property and dissolution when making oral dispersing film containing indomethacin to find appropriate condition and suggested guidelines of making oral dispersing film. The appropriate dispersing ratio of the amount of surfactants and dispersing agent were 1% and 4%, also the stability dropped in the PEG molecular weight of 4000 or more. Drying time of oral dispersing film was $90^{\circ}C$ for 10 minutes to 12 minutes that dispersing film's property about flexibility, detachability were very good. The oral dispersion film's content used PEG 400 was $98.6{\pm}0.5%$ and the most uniform. As the molecular weight of PEG increased, dissolution time also increased. On the basis of evaluation parameter, PEG with 400~600 of molecular weight was selected as good dispersing agent in oral dispersing film. Therefore, it can be suggested guideline of preparation application study in oral dispersing film.

• 제어로봇시스템학회논문지
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• 제12권12호
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• pp.1209-1214
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• 2006

This paper presents an application of Dividing Wall Column(DWC) to the recovery of the waste solvent from the film making processes. The waste solvent feed contains MEK(Methyl-Ethyl-Ketone), Toluene, Cyclohexanone, and water. The commercial software $HYSYS^{TM}$ was used for rigorous simulation and analysis. Sensitivity analysis for several major design variables were carried out to achieve the optimal design of the process. Distribution of the internal vapor and liquid flows to the prefractionator and main sections is shown to be the most dominant design factor for energy saving efficiency in the DWC process. The simulation results also show that the solvent recovery process using the DWC significantly improves both the energy efficiency and the compactness of the solvent recovery process.

• Journal of Advanced Marine Engineering and Technology
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• 제13권2호
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• pp.64-77
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• 1989

In this study, the experiments were carried out for the purpose of establishment of aluminium cementation to steel surface by diffusible heat treatment after making the coated film onto the substrate by arc spray method. Also, the microstructure and mechanical properties of the cementation layer produced by this study were inspected for various heat treatment and spraying conditions. Main results obtained are as follow ; 1. The coating film characteristics which have excellent errosion-resistance, high temperature oxidation-resistance are obtained by aluminium penetration heat treatment after making the sprayed aluminum coating film onto the steel substrate. 2. Aluminium diffusion penetration takes place at higher temperature than 660.deg.C, and the more heat treatment time and the higher heat treatment temperature adopted, the deeper diffusion layer obtained. 3. Insert gas arc spraying using argon gas as the carrier gas higher improvement of mechanical property than that of compressed air environment. 4. The coating film characteristics appeared to be improvement of adhesive property, porosity plugging effect by heat treatment in air environment.

• 한국인쇄학회지
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• 제26권1호
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• pp.73-85
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• 2008

We have manufactured a photoresist which has excellent dispersity and good applying property due to 330cps of viscosity for environment-friendly and economical maskless screen plate making. And the photoresist applied on the screen stretched was exposed without mask by beam projector with CRT light source. Then it was developed by air spray with $1.7kgf/cm^2$ of injection pressure. The pencil hardness and solvent resistance of curing photoresist film were worse than those of conventional photoresist film and the maximum resolution of line image formed by maskless screen plate making was 0.5 mm since the exposure system for maskless plate making has weak light intensity and the diffusion of light. But we could obtain maskless screen plate which has sharp edges of line image and confirm a possibility of dry development process by air spray method.

• 만화애니메이션 연구
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• 통권11호
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• pp.1-10
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• 2007

만화가 가지는 원작산업으로서의 특징과 영화산업의 발전에 따라 만화원작의 영화화가 최근 늘고 있다. 이와 같은 현상은 역사적으로 소설과 연극에서 차용되었던 영화원작 소스가 만화적 감성시대로 접어들면서 만화로 상당부분 이동했음을 보여주는 것이다. 또한 2차원의 만화를 영상작업으로 전환한다는 의미 이외에도 장르 간, 매체 간 호환성에 주목할 필요가 있다. 앞으로 만화가 가지는 풍부한 소재와 매력적인 캐릭터, 그리고 배경과 인물 이미지들은 영화자체의 외연확장 추세와 더불어 앞으로도 두 매체 간 상호작용을 가속화 시킬 것이다.

• 한국의류산업학회지
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• 제25권4호
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• pp.429-438
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• 2023

In the 21st century fashion industry, the rise of digital environments has transformed it into a dynamic medium, expanding the horizons of media utilization. Consequently, digital fashion film has emerged as a pivotal tool for fashion communication. Functioning as a visual expression medium, fashion film animates fashion concepts into immersive moving images. Proficiency in digital fashion communication has become imperative, considering the attributes of fashion media. Notably, the role of creative directors in ensuring coherent communication across diverse fashion media platforms has gained prominence, underscoring the need for systematic fashion education to nurture specialized talent. This study, therefore, devised a comprehensive curriculum amalgamating fashion communication and practical digital media skills, implemented within fashion major courses. Through this approach, students gained experimental media proficiency and explored innovative approaches to crafting fashion films that eloquently convey fashion narratives. The participants were exposed to the entire spectrum of fashion media production, encompassing digital storytelling, fashion film conceptualization, filming techniques, meticulous editing, and adept utilization of special effects technology. The study's pedagogical strategy, characterized by a focused learning trajectory, garnered significant acclaim. In essence, this study holds significance by formulating a curriculum that nurtures the imaginative and pragmatic aptitudes of fashion majors, immersing them in the dynamic realm of rapidly evolving digital fashion films and their integration with fashion content.

• 한국인쇄학회지
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• 제26권2호
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• pp.55-64
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• 2008

We designed a UV-LED exposure system which has 365nm dominant wavelength due to the environment-friendly and economical maskless screen plate making. And the photoresist applied on the screen stretched was exposed without mask by beam projector with UV-LED light source. Then it was developed by air spray with $1.7\;kgf/cm^2$ of injection pressure. The pencil hardness and solvent resistance of curing photoresist film were excellent as those of conventional photoresist film and the maximum resolution of line image formed by maskless screen plate making. was $100{\mu}m$, so we could establish the possibility of environment-friendly maskless screen plate making technology. But the sharpness of the patterns were ${\pm}40{\mu}m$ since the exposure system for maskless plate making has weak light intensity and the diffusion of light.

• 한국정보디스플레이학회:학술대회논문집
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• 한국정보디스플레이학회 2006년도 6th International Meeting on Information Display
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• pp.1419-1424
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• 2006

We could reduce the reflection from PET(polyethylene terephthalate) film surface by natural plasma etching which does not use etch masks. The plasma etched PET film showed lower reflectance and higher transmittance which is resulted by making subwavelength structure(SWS) on the film surface by the plasma etch rate difference between the amorphous and crystalline region in the surface of PET film.