• 수산경영론집
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• 제40권3호
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• pp.107-125
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• 2009

Research on culture has been widespread across social science researches. But there has not been any cultural research in the fisheries industry. This study tried to identify whether the culture of the fishery organization had a convergent or divergent characteristic. To do so, fishery distributors and wholesalers, who affiliated with their professional associations or wholesale seafood markets, were surveyed across supplying and consuming areas(Busan and Seoul). If fishery organizations have always been culture-bound, rather than culture free, then their members show the divergent characteristic of culture. Despite a similarity in tasks, size and market segments, if this fact is proved, fishery distributors and wholesalers in different areas will differ in many of their managerial practices such as marketing policies, communication patterns, motivation techniques, etc. And it is expected that national and industrial cultures are major determinants of their behaviors. Depending on the results of this study, fishery distributors and wholesalers had a divergent characteristic. So, it was concluded that fishery distributors and wholesalers of wholesale seafood markets in supplying area were different from those in consuming area. It was found that this difference was attributed to individualism/collectivism and masculinity/femininity dimensions. In individualism/collectivism dimension, fishery distributors and wholesalers of consuming area were stronger than those of supplying area. That is, fishery distributors and wholesalers of consuming area were more collective than those of supplying area. But in masculinity/femininity dimension, fishery distributors and wholesalers of supplying area were stronger than those of consuming area. And the divergent characteristic was moderated by demographic variables (gender, age, education level, career). Especially, masculinity/femininity dimension was more moderated by demographic variables than individualism/ collectivism dimension.

• 디지털융복합연구
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• 제16권6호
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• pp.371-383
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• 2018

본 연구의 목적은 성별과 성역할 정체감이 대학 생활적응에 미치는 영향을 살펴봄으로써 대학생의 적응향상을 위한 기초자료를 제공하는 데에 있다. 연구 참여자는 4년제 대학교에 재학 중인 남학생 142명과 여학생 146명이다. 연구도구는 대학생활 적응 척도와 성역할 정체감 척도를 사용하였으며, SPSS와 Process macro를 활용하여 병렬다중매개모형 검증을 실시하였다. 그 결과, 적응의 수준과 자원에 대한 성별의 영향은 유의하나 성 역할 정체감의 영향이 함께 고려되었을 때에 설명력이 의미 있는 수준으로 증가하는 것으로 나타났다. 적응 수준에 대한 남성성과 여성성의 영향은 유사하였으나 적응 자원에서는 남성성이 여성성보다 더 긍정적인 영향을 미치는 것으로 나타났다. 끝으로 남학생은 남성성이, 여학생은 여성성이 매개하여 적응에 긍정적인 영향을 미치는 것으로 나타났는데 이러한 결과는 성과 정체감에 따라 지도방향이 달라야 함을 제안하며 진취적이고 도전적인 정신의 중요함을 보여준다.

• 한국융합학회논문지
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• 제11권7호
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• pp.345-350
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• 2020

현대사회에서 외모는 타인과 경쟁 시 우위를 점하는 중요한 수단이기 때문에 사회생활에서 간과할 수 없는 요인으로 작용한다. 정보과학기술의 비약적인 발전으로 인해 현대사회는 당당하고 독립적인 인생 설계를 위한 진취적 자조론(自助論)과 새로운 패러다임의 역량을 겸비한 여성성을 요구하고 있기 때문에 1920, 30년대 봉건적 사회 분위기 속에서도 독립적이며 자주성을 표출한 모던걸이 구사하던 헤어스타일의 앞머리 커트, 아웃라인 표출, 층 단차, 질감 변화 등 구성요소들과 사회적 여성성(女性性)과의 상관성을 미용학 전공 여대생들 관점에서 분석하고자 한다. 본 연구 결과를 통해 현대 여성의 자립과 사회적 역할을 견고히 확립할 수 있는 참신하고 혁신적인 헤어 트렌드의 제시가 가능해진다. 또한 현대사회 여성리더의 사고(事故)와 심리에 대한 표준화를 도출하며, 창조적인 미(美)의 발현을 통해 개인 역량을 최대한 발휘하는 사회 주체로서 자주적 여성성의 정립을 위한 초석(礎石)을 다질 것으로 사료된다.

• 한국의상디자인학회지
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• 제16권1호
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• pp.27-39
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• 2014

The purpose of this study is to investigate the formative characteristics and the aesthetic values of denim dresses from the 19th century until the $20^{th}$ century and analyze those changes shown in Paris Milan London New York collections from 2001 S/S to 2013/14 F/W. The results of this study are as follows; 1) In the mid-$19^{th}$ century, the denim pants were working suits. In the 1920's, they started to be recognized as ordinary clothing and they were supplied to women in World War II. In the 1950's, denim pants stood for youth and resistance, and they became popular among teenagers. In the 1960's, hippies who protested against the Vietnamese War would wear worn-out denim pants symbolizing peace and freedom. As they became more common in the 1970's, people all around the world wore the clothes. In the 1980's~90's, the waves of high class brand fashions brought in sensualism, extravagance, reactionary tendency, and so forth. Consequently, the aesthetic values of denim dresses have connotations of practicality, resistibility, ornamentation and femininity. 2) Practicality in recent collections is represented in classic fashion which features typical details and raw denim and modern fashion which is made with glossy denim and minimized details. Resistibility is represented in avant-garde fashion which features deformed or over-layered jackets and pants with damaged denim and vintage fashion which is made with wash-out and wild stone denim. Ornamentation is represented in ethnic fashion which is made with wash-out denim and ethnic prints and romantic fashion which features details such as ruffle, frill and shirring as well as lace and flowery decorations. Femininity is represented in sexy fashion which designs to expose or to focus in women's body and elegant fashion which is made with soft and glossy denim and hourglass silhouette.

• 한국의류학회지
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• 제37권3호
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• pp.371-385
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• 2013

This study considers types of expression and examines aesthetic characteristics through analyzing designs (such as the Coca-Cola contour bottle as fashion) which has actively progressed in the collaboration of fashion designers and fashion brands. The conclusions of this study are as follows. The types of fashion expression on the Coca-Cola contour bottle are a presentation of diverse fashion images through a digital print expression that allow people-friendly images to be three-dimensional (or by adding a formative element) and the use of accessories or clothes. The symbolism characteristic were first indicated for the aesthetic characteristics on the Coca-Cola contour bottle. Symbolism is indicated through the identification of an implicit meaning towards a specific object. The symbolism of fashion was highlighted by designing the Coca-Cola's contour bottle with a typical material and pattern pursued by fashion designers and fashion brands. Second, the characteristic of playfulness was presented to expresses the instinctive desire in human nature for pleasure. The expression of visual playfulness is emphasized through the combination of item and image or by changing and re-analyzing a form through refuting stereotypes. Third, the characteristic of femininity was shown to express beauty in external image or a woman's delicate and soft inner propensity. Femininity was created by presenting a sensual femininity that recognized the voluminous curve silhouette of the Coca-Cola bottle such as a sexy female body or through the combination of a women's inner beauty with the sensory image of the object.

• 한국의류학회지
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• 제1권2호
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• pp.65-70
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• 1977

The purpose of this study was to investigate the relation of attitudes and usage of denim cloth-ing to masculinity femininity, attitudes toward women's role, and four aspects of clothing interests. Masculinity-femininity was assessed by The Fe Scale of the California Psychological Inventory. Attitudes toward women's role was measured by selected items from The Inventory of Feminine Values and The Sex Ideology Scale. Measures of attitudes toward denim clothing consisted of: 1) attitudes regarding practicality and youth symbol, 2) possession, and 3) frequency of wearing denim clothing. Four aspects of clothing interests in general were assessed by statements dealing with choice of design, conformity-individuality, fashion and practicality in clothing. The sample consisted of 388 students in Sookmyung Women's University in Seoul, Korea. The data, collected by means of a self-administered questionnaire, were analyzed by correlation. The results indicate that: 1) Masculinity-femininity was related to youth symbol attitudes, possession, and frequency of wear-ing denim clothing. 2) Attitudes toward women's role was related to practicality attitudes, and frequency of wearing denim clothing. 3) Practicality attitudes toward denim clothing was related to conformity-individuality, and practicality in clothing. 4) Youth symbol attitudes toward denim clothing was related to fashion in clothing. 5) Possession of denim clothing was related to fashion and the choice of design in clothing. 6) Frequency of wearing denim clothing was related to the choice of design, and conformity-individuality in clothing.

• 디지털융복합연구
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• 제18권7호
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• pp.405-410
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• 2020

패션은 미용과 함께 신분, 지위, 혼인 여부, 개인 성향 등을 표현하는 시각적 수단이며 과거의 생활습관까지 유추할 수 있는 중요한 실용문화 유산이다. 현대사회에서는 헤어, 메이크업, 네일아트 등의 미용뿐만 아니라 여성 정장, 하이힐, 모자, 장갑, 핸드백, 목걸이 등과 같은 패션도 여성의 사회적 존재를 부각하면서 경쟁력을 배가시키는 요인으로 작용한다. 봉건적 가치관과 고정관념에 저항하면서 시대적 선도성을 발휘한 일제 강점기 신여성은 혁신적 여성상의 모범이며 21세기 과학기술의 급진적 발전에 부응하는 여성성의 표본을 제시하기 때문에 진정한 양성평등(兩性平等) 사회를 향한 원동력이자 발전적 미래설계를 위한 발판으로 작용한다. 신여성들의 패션스타일에서 발산되는 여성성에 대하여 뷰티 전공 여대생 관점으로 요인을 분석한 본 연구를 통하여 건설적 자조론(自助論)을 정립한 여성성의 표본 제시가 가능해짐과 동시에 현대 여성들의 자존감 정립과 성공하는 혁신적 여성성의 확고한 기틀도 마련되리라 사료된다.

• 복식문화연구
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• 제14권6호
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• pp.945-955
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• 2006

The purpose of this study was to examine the effect of hair style and hair color on women's impression formation. The experimental design was $2{\times}3{\times}3$ (hair wave$\times$hair length$\times$hair color) factorial design by 3 independent variables. Subjects were 343 women in Seoul. Four factors were derived to account for the dimensions of impression formation. These were neatness, sociability, attractiveness, and femininity. The straight hairs were evaluated neater than the permed hairs, and the permed hairs were evaluated higher in sociability and attractiveness. The short hairs were perceived highest in sociability, and the long hairs were perceived high in attractiveness and femininity. The black hairs were perceived highest in neatness, the bright brown were perceived high in sociability and attractiveness, and dark brown were perceived high in femininity. Attractiveness had significant interaction effects depending on three independent variables: hair wave, lengths, and colors. Long black straight hair was perceived most attractive, and midium length black straight hair was least attractive. The light brown permed hairs were perceived high in attractiveness regardless of hair length. In the case of straight hair, the longer the hair length was, the younger the object women were perceived. The women with the long permed hair were perceived older than the women with short and midium length permed hair.

• 영미문화
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• 제18권1호
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• pp.53-92
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• 2018

This essay aims to examine chick lit written within the Asian American context. For the most part, the chick lit genre has been typically regarded as a site to study contemporary white women's experiences and to debate the genres' credentials as feminist literature. Though some may disagree, there is general consensus that chick lit has fallen out of vogue after reaching its peak in the first decade of the new millenium.; nevertheless, it is being revisited by readers and critics alike as it has recently re-emerged as a location upon which to examine how race and gender inform notions of national belonging and female subject formation in the twenty-first century. To this end, this essay reads Kim Wong Keltner's The Dim Sum of All Things (2004). Keltner's protagonist Lindsey Owyang is yet another twentysomething "chick" looking for love, self, independence, and success in the huge megalopolis of San Francisco. What sets Lindsey apart from the chick prototype is that she is a third-generation ABC (American-born Chinese) and issues relevant to Asian America frequently make their way into Lindsey's narrative. Though it is generally considered as standing a "few notches above the standard chick-lit fare" (Stover n. pag), I would argue that meaningful reflections on many of the major pillars of Asian American literature, history, and cultural politics are glossed over in favor of cursory musings about the daily vicissitudes of Lindsey's life. This essay thus takes to task Ferriss's claim that a "serious" consideration of chick lit "brings into focus many of the issues facing contemporary women and contemporary culture - issues of identity, of race and class, of femininity and feminism, of consumerism and self-image" (2). I contend that a close examination of Keltner's The Dim Sum of All Things discloses that the chick lit format undermines a "serious consideration" of Asian American issues by presenting in particular a highly problematic representation of race and of Asian American femininity.

• 동남아시아연구
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• 제28권3호
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• pp.75-110
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• 2018

본 연구에서는 과거 위안부 사건에 대한 기억의 표상으로서 만들어진 '필리핀 위안부 동상'의 이미지를 분석하여 필리핀인의 지역성, 즉 문화적 정체성에 대한 이해를 모색했다. 본 연구는 지역연구 방법론에 대한 새로운 시도로서 문학 분야의 텍스트 이해 방법인 '상호텍스트성' 개념을 도입하여 활용했다. 위안부 동상이 전쟁 시기 여성의 피해와 관련된 위안부의 기억에 대한 표상이라는 점에서 '여성성'과 '민족주의'의 특성에 초점을 맞추었다. 상호텍스트성 접근법의 일환으로 한국의 평화의 소녀상을 대비하여 분석했다. 필리핀 위안부 동상의 이미지에 대한 분석을 통해 필리핀인들의 여성성에 대한 인식이 한국의 평화의 소녀상에 표현된 순결주의와는 달리 아름다움을 더욱 강조하고 있음을 볼 수 있다. 또한 위안부 동상을 통해 표현된 필리핀 민족주의의 특성이 한국의 민중적이며 저항적인 특성과는 달리 엘리트적이며 포용적인 특성을 발견할 수 있다.