• KIPS Transactions on Software and Data Engineering
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• v.12 no.10
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• pp.455-460
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• 2023

Text augmentation is a methodology that creates new augmented texts by transforming or generating original texts for the purpose of improving the performance of NLP models. However existing text augmentation techniques have limitations such as lack of expressive diversity semantic distortion and limited number of augmented texts. Recently text augmentation using large language models and few-shot learning can overcome these limitations but there is also a risk of noise generation due to incorrect generation. In this paper, we propose a text augmentation method called TAGS that generates multiple candidate texts and selects the appropriate text as the augmented text. TAGS generates various expressions using few-shot learning while effectively selecting suitable data even with a small amount of original text by using contrastive learning and similarity comparison. We applied this method to task-oriented chatbot data and achieved more than sixty times quantitative improvement. We also analyzed the generated texts to confirm that they produced semantically and expressively diverse texts compared to the original texts. Moreover, we trained and evaluated a classification model using the augmented texts and showed that it improved the performance by more than 0.1915, confirming that it helps to improve the actual model performance.

• Journal of Korean Library and Information Science Society
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• v.13
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• pp.85-111
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• 1986

Dewey Decimal Classification (DDC) was first published in 1876. Since its first edition it has been revised, on an average, 6 years, and now it has become the widely used library classification system of which the scheme was translated in various languages. The purpose of this study is to find out the chief causes for the development of the DDC. The results of the study can be summarized as follows: 1. It allows materials to be shelved in a relative location as the collection expands. before the DDC was introduced, libraries used a fixed location for materials in which each item was assigned to a certain location set aside for a subject. 2. It is a practical system. The fact that it has survived many storms in the past hundred years and is still the most widely used classification scheme in the world today attests to its practical value. 3. The pure notation of arabic numerals is universally recognizable. People from any cultural or language background can adapt to the system easily. 4. The use of the decimal system enable infinite expansion and sub-division. And it has adaptability for use in libraries of various size and kinds because of its hierarchically expressive notation which permits varying degrees of inclusiveness and exclusiveness within its decimal structure. 5. The notation is simple and easily understood. The self-evident numerical sequence facilitates filing and shelving. And the mnemonic nature of the notation helps the readers to memorize and recognize the class numbers. 6. The relative index brings together different aspects of the same subject scattered in different disciplines. 7. We can avail of DDC numbers for specific titles easily because of its use by many central bibliographic services. 8. It is being continuously revised by a permanent office established in the library of congress in 1933. This office has been responsible for editing all editions of the DDC since the 16th (1958). And the periodic revision at regular intervals ensures the currentness of the scheme. 9. It has adaptability both for conventional (manual) shelf or classed catalogue analysis and also, through its meaningful nation, for retrieval through mechanization and computerized systems.

• Korean Institute of Interior Design Journal
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• no.13
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• pp.150-160
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• 1997

The tendency of the Minimalism in the contemporary a architecture is based on Mies van der Rohe s saying ‘나SS IS m more" as the principle of the Minimal art and its formative c composition. It can be divided into technical Minimalism p prevailed in Northern Europe and the zone of German l language, and the regional one in Southern Europe and S Southern America. The former is interested in the experiences of the techniques and materials, and the latter in that of the s space and the place through the simple forms. The minialistic approach to the architecture is nat only m methodological one. It accepts the concept and the construction of architecture as 2 axes for making it keeps the tradition and c communication with the master builder, the materials, and i염 m means to compound. The expressive characteristics of works in M Minimalism are 1) as the formal issue, it is simple, self-referring. without any symbol or any allusion, and compounds the r repetitive forms as the comceptual aspec않 of architecture, 2) it h has the characteristies such as the approach directly to the m means by which architecture made, the critical interests to the m material attributes, and the capacity to the contemporary t technology as the issue of technique and materials, 3) regarding t the space and the place, it shows the good sense to the site in t the sphere intervention of architecture 1e Maininlalism architecture has i않 impotance in the point t that it seeks to the qualities immanent in architecture by s showing the marvelous status through discovering the i immanent properties of the site, program materials, and the s structure, and also it begins new way of interpreting a architecture with new viewpoint to the its essence as well as a architecture itself.self.

• Journal of KIISE:Computing Practices and Letters
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• v.14 no.7
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• pp.718-722
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• 2008

Ontology plays an important role of the Semantic Web to describe meaning and reasoning of resources. Ontology has more rich expressive power through OWL that is a next standard representation language recommended by W3C. As the Semantic Web is widely known, an amount of information resources on the Web is growing rapidly and the related information resources are placed in distributed systems on the Web. So, for providing seamless services without the awareness of far distance, efficient management of the distributed information resources is required. Especially, sear ching fast for local repositories that include data related to user's queries is important to the performance of systems in the distributed environment. In this paper, first, we propose an index structure to search local repositories related to queries in the distributed Semantic Web. Second, we propose a query rewriting strategy to extend given user's query using various expression of OWL. Through the proposed index and query strategy, we can utilize various expressions of OWL and find local repositories related to all query patterns on the Semantic Web.

• Journal of the Korean Society for information Management
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• v.19 no.4
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• pp.298-319
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• 2002

The Semantic Web is a new technology that attempts to achieve effective retrieval, automation, integration, and reuse of web resources by constructing knowledge bases that are composed of machine-readable definitions and associations of resources that express the relationships among them. To have this kind of Semantic Web in place, it is necessary to have the following infrastructures: capability to assign unchangeable and unique identifier (URI) to each resource, adoption of XML namespace concept to prevent collision of element and attribute names defined by various institutions, widespread use of RDF to describe resources so that diverse metadata can be interoperable, use of RDF schema to define the meaning of metadata elements and the relationships among them, adoption of DAML+OIL that is built upon RDF(S) to increase reasoning capability and expressive power, and finally adoption of OWL that is built upon DAML+OIL by removing unnecessary constructors and adding new ones based on experience of using DAML+OIL. The purpose of this study is to describe the central concepts and technologies related to the Semantic Web and to discuss the benefits of metadata interoperability based on XML/RDF schemas and the potential applications of diverse ontologies.

• Cartoon and Animation Studies
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• s.16
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• pp.49-65
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• 2009

I try to extract typological factors from the historically relevant works of animation, for that we can refer 'style.' creator's individuality, general tendencies and restraints of his time, the national properties work on them. It is the individual aspect that excels in the works of Jiri Trnka, Tim Burton, Yuri Norstein, so they stand out not only in their own specific sensibility, vision but also in the elucidation of themes and the technology of dealing medium. On the other hand the Walt Disney's animation has so distinctive characteristics that we could identify them. Disney's so-called classical model accomplished a typically American animation form as full of expressive visual language, over reaction, full animation describing detail action. We could tell, Miyajaki Hayao's Gibri Studio represents Japanese animation, which works on traditional motives of Japan and expresses unique humanity.

• Journal of Fashion Business
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• v.24 no.2
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• pp.136-153
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• 2020

In the second half of the twentieth century, fashion shows were a long-standing promotional medium and changed form and styles as times changed. In the past, if a model were on the stage simply to showcase a brand's work, the stage would have been transformed into a more active space, displaying various performances or seasonal themes combined with art. Then in the 2000s, there was an increasing number of instances when the global fashion industry of used figurative objet in organizing a fashion show's stage. In particular, because fashion shows require audience response and satisfaction, producing displays using objet is an effective marketing method. In the early 2000s, many brands were already introducing runway displays using objet, and these cases are expected to increase further in the future. This collection of 23 ready-to-wear models, which constituted the runway display, was by utilizing the objet more than five times from the 485 brands listed in Vogue's runway category. Based on our previous research, we classified the objet expressive characteristics as reproducibility, simplicity, non-artificiality, and fantasy. Among the 207 collections that we analyzed, the collection that utilized objet in its runway display had 170 circuits. Using objet in the runway display leverages visual language which allows one to communicate the season's concept, brand identity, and desired message more easily. Futhermore, it was spatially expressed to create feeling of satisfaction.

• Journal of the korean academy of Pediatric Dentistry
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• v.38 no.1
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• pp.68-74
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• 2011

Rett syndrome is a X-linked genetic neurological disorder characterized by developmental regression, particularly in relation to expressive language and use of the hands, together with profound mental retardation, that almost exclusively affects females. Oral manifestations of the disease are commonly associated with the clinical conditions such as convulsion activity, difficulties for oral hygiene behavior, walking problems and oral/digitalmanual habits. Bruxism is the most frequently observed oral habit in patients with Rett syndrome. Two cases with the Rett syndrome were reported. Both patients had the typical manifestations like stereotypic hand movement, bruxism and digit-hand sucking. Caries control for the patients was perfomed under general anesthesia.

• Journal of Science of Art and Design
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• v.2
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• pp.5-41
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• 2000

The purpose of this thesis is to study about destructive method in late twentieth Century Paintings. To do this we will consider the examples of Frank Stella and Anselm Kiefer's expressive methods. And this thesis is designed to investigate the change of the two Modes. The centering change is in the destructive manner of them, and they are traced systematically. In these chapters we will study the procedure of the destruction and specification of the Modes; the subject which contains the special element, the relation between it and the artist's willful meaning, morphological specification, symbol system formative language, subject, material and coloring way. etc. The origin of the methodology is systematically studied and the procedures of the content applicated are considered. In the special characteristics of the methodology, the special feactures it contains will be considered. The basis of the deconstructive idea from Nietsche, Derrida, Saussire, Andrew Benjamin and others will be applied to understand the two Modes of artistic methodology, and whether or not they can be tools of explaining the methodology of our time is distinguished. Next, the methodologically founded contents and concepts from Chapter#2 are related and intertwined together. The outer destructive aspect and inner destructive specification are centrally uncovered by the Interpretation. The resulting background of the Mode, the factor of destruction and central concept, along with the works, applied ideas, and pre-scholar's writings, are conjoined and explained. The characteristics of S Mode are revealed as being similar to those of Vandalic Destruction and Baroque formalistic Style, while K Mode is closely related to Iconoclastic Destruction and Neoclassical Antiformal Style.