• Title/Summary/Keyword: excavated costume

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Conservation of Golden Decorative(Jikgeumdan) Jeogori and Chima of Costumes Excavated from Hangju Gi' Tomb of Angang, Kyungsangbukdo Province - Re-adhesion of Gold Leaves in Gilt Paper Strips - (경상북도 안강 행주 기씨 묘 출토 직금단 치마와 저고리 보존처리 - 직금단 편금사의 금박 재접착을 중심으로 -)

  • Oh, Joon-Suk;Noh, Soo-Jung
    • Journal of the Korean Society of Costume
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    • v.57 no.9
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    • pp.67-75
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    • 2007
  • The purpose of this research is to conserve of golden decoration(Jikgeumdan) of Chima(skirt) and Jeogori(Korean jacket) of the costumes excavated from Hangju Gi' tomb(17th Century) of Joseon dynasty$(1392{\sim}1910)$ and to focus on the development of conservation skill to prevent flakings of gold leaves in gilt paper strips. Up to the present, in case of golden decorations of costumes excavated from tombs of Joseon dynasty, some of gold leaves in gilt paper strips of costumes were flaked away by deterioration of adhesives in tombs. However, most of gold leaves were flaked away and totally lost by wet cleaning for eliminating contaminants after excavation. In order to prevent flaking, preliminary experiments for re-adhesion of gold leaves have been carried out. Firstly, simulation was performed using gold leaf which was available in the market. Adhesives used in this research were water-soluble adhesives(hide glue(cow, rabbit), glue made from air bladders of sciaenoid fish and Primal AC-3444 of acrylic emulsion) and solvent-soluble adhesives(acrylic adhesive Paraloid B-67 and B-72). Because of difficulty in wetting and spreading of adhesive solutions into the interface between gold leaf and Korean paper, water-soluble adhesives were not proper for adhesion of gold leaf and Korean paper. Solvent-soluble adhesives were easily infiltrated into interface between gold leaf and Korean paper and the adhesive force was also satisfied. From this result, the researchers chose more flexible Paraloid B-72$(Tg\;40^{\circ}C)$ 1% solution than Paraloid B-67$(Tg\;50^{\circ}C)$ for adhesion of gold leaf and Korean paper. Secondly, using Paraloid B-72 1% solution, the estimations of re-adhesions of gold leaves in gilt paper strips of Jeogori were carried out. When Paraloid B-72 1% solution was injected three times into the interface between gold leaf and Korean paper, the re-adhesion was most effective. On the basis of the results in these preliminary experiments, re-adhesions of gold leaves in gilt paper strips of Chima and Jeogori were carried out on condition of three times injections of Paraloid B-72 1% solution before wet cleaning. After wet cleaning, the most of the gold leaves were survived, which was confirmed by both the examination with the naked eye and the microscopic examination.

The Characteristics of Textiles Excavated in Goryeong Jeesandong Tomb No.73 (고령 지산동 제73호분 출토 직물의 특성)

  • Park, Yoon-Mee;Choi, Jae-Hyun
    • Journal of the Korean Society of Costume
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    • v.59 no.6
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    • pp.118-125
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    • 2009
  • Goryeong Jeesandong tombs No.73 from the 5th century located in Gyeongsangbookdo is the most representative remains of the Daegaya. They were excavated and examined by the Daedong Research Center for Cultural Properties. In this study, the textiles in the Goryeong Jeesandong tomb No.73 is identified and their features are examined through scientific analysis. Due to the fact that the remains were not treated for preservation, we were able to observe many samples under the microscope. Within the hemp textiles both hemp and ramie were made using s-twist threads and the thread count distribution is calculated to be 8.0${\sim}$20.0/$cm^2$. Among the silk, the taffeta was categorized into five types. First, there was plain woven silk which the thickness of the warp and the weft is the same and their rate of threadcount was the same. The second type was thin tabby which is spacious between threads. The third kind was woven by warp and weft which had very different thickness. The fourth type used two threads for each warp. The fifth kind used two threads for the warp threads and used thick threads for the weft for a modified plain weave, and it is the first of its kind to be found. Also, there was a compound weave with warp-faced compound weave among silk.

A Study on the Characteristics of Women's Danryeong from the mid Joseon Period - mainly by comparing them with men's Danryeong-

  • Lim, Hyun-Joo;Cho, Hyo-Sook
    • International Journal of Costume and Fashion
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    • v.11 no.1
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    • pp.85-106
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    • 2011
  • This study analyzes excavated Danryeong of the same period to understand differences between female and male Danryeong, and to identify characteristics of female Danryeong, including their purpose, then-name and women's wearing of them. The subject female Danryeong were estimated to be worn in the late 15th century and the early 17th century, and newly-discovered female Danryeong, along with those examined in the Song Mi-kyeong's study, were studied. This study found that female Danryeong have distinctive characteristics from male's in many aspects such as ease of a garment, sleeve design, Hansam (a layered sleeve to cover hands), shape of Moos (side pleats), Goreum (a coat string), Dae (a belt). From this finding, the purpose of female Danryeong can be assumed: a ceremonial robe, which is different from that of mem's official robe. Female Danryeong began to disappear as Wonsam, a ceremonial topcoat, emerged. From the transitional Danryeong and excavated Wonsam, female Danryeong were estimated to be used as ceremonial robes in the mid Joseon period when Wonsam had yet to be created; and they were estimated to be called "Dansam" or "Wonsam."

A Study on the Acid Degradation Properties of Cellulose Fabrics for Costume Heritage Restoration (유물 복원을 위한 천연 셀룰로오스 직물의 산에 의한 열화 특성 연구)

  • Jeon Cho-Hyun;Kwon Young-Suk;Lee Sang-Joon;Cho Hyun-Hok
    • Textile Coloration and Finishing
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    • v.17 no.4 s.83
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    • pp.35-40
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    • 2005
  • Researches to preserve and restore the excavated cellulose fabrics as costume heritages have been carried out. In this study, in order to artificially restore an excavated cellulose fabrics, acid-treated cellulose fabrics were prepared. Three kinds of cellulose fabrics were used for an experiment. Three kinds of cellulose fabrics were treated by the acid aqueous solution for the various strength retention ($100\%,\;80\%,\;60\%,\;40\%,\;20\%$). The fine structure and physical properties of acid treated cellulose fabrics were investigated with various techniques such as wide-angle X-ray diffraction, tensile test, weight loss, shrinkage, SEM etc. Tensile strength and strain of cellulose fabrics decreased with increasing acid treatment time. However, weight loss and shrinkage increasing slightly. The crystal diffraction intensity was not changed. SEM results of acid-treated cellulose fabrics show that the surface was damaged.

A Study on the Alkaline Degradation Properties of Silk Fabrics for Costume Heritage Restoration (유물 복원을 위한 실크 직물의 알칼리에 의한 열화 특성 연구)

  • Jeon Cho-Hyun;Kwon Young-Suk;Lee Sang-Joon;Cho Hyun-Hok
    • Textile Coloration and Finishing
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    • v.17 no.4 s.83
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    • pp.41-47
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    • 2005
  • Costume heritages of an excavated silk fabrics should be preserved without damage. In order to artificially restore the excavated silk fabrics, alkaline aqueous solution, as a simulated corpse, and two kinds of silk fabrics were used. Two kinds of silk fabrics were treated by aqueous alkaline solution according to strength retention value(100, 80, 60, 40, 20$\%$). The fine structure and physical properties of alkaline treated silk fabrics were investigated with various techniques such as wide-angle X-ray diffraction, tensile test, weight loss, shrinkage, SEM. and yellowness. As the alkaline treatment time increased tensile strength of silk fabrics decreased. However, weight loss and shrinkage slightly increased. The diffraction intensity of $\beta-form$ crystal declined and $\alpha-form$ crystal diffraction intensity disappeared with the treatment.

Weave Composition of the Patterned Silks Excavated from Lady Lee(from Hansan)'s Tomb - Focusing on the Satin Damask(緞) and Simple Gauze(紗)- (한산이씨 문직물저고리에 나타난 문양과 직물구성 - 단(緞)과 사(紗)를 중심으로 -)

  • Chang, In-Woo
    • Journal of the Korea Fashion and Costume Design Association
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    • v.15 no.4
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    • pp.143-155
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    • 2013
  • This study examined the motif, weave structure, fabric density, and thread thickness of the patterned silks excavated from the Lady Lee's Tomb to trace the weave composition of the 18th Century in Korea. Different weave compositions were adopted depending on the weave structure. Two weave structures appeared in these patterned silks : simple gauze and satin damask. In the case of simple gauze Jergori, all the components, Gil(bodice), Somae(Sleeve) had similar fabric density and thread thickness. On the other hand, the satin damask Jergoris was composed of the components of different fabric density and thread thickness. According to the fabric density and thread thickness, the motif sharpness of damask Jergori was represented in three different ways : smooth and clear, rough and clear, and rough and vague. This revealed that Lady Lee selected not only pattern but also fabric density and thread thickness in the design of damask Jergori.

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A Study on the Hair Ornaments in the Period of the Three Kingdom States (삼국시대 머리 장신구에 대한 연구)

  • 김문자
    • The Research Journal of the Costume Culture
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    • v.9 no.5
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    • pp.712-722
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    • 2001
  • The purpose of this study is to classify of the Hair ornaments in old tombs of the Three Kingdom States. Hair ornaments was divided into Combs, Rod-like hairpins, Chae[;釵], Boyo[;步搖] Combs were 2 type in according to the tooth's space, wide-tooth comb[;梳] and fine-tooth comb(;比). The general name of two type was called Jeul(;櫛). Combs were excavated from the only ancient Silla tombs. Rod-like hairpins were called Gha(叉) or Jam(:簪). They were found in most of the old tombs in Goauryeo, Baekje, ancient Silla tombs. The style was L-type and embellished circular head-type. Chae(;釵) was understand Cha(:叉) that had two tongs. Chae(:釵) was generally U-type and rarely hairtweezers -type. Jakchae(;爵釵) was understand distinctive Chae(;釵) hanged with phoenix. This type was excavated from the only Baekje tombs of King of Muryeong. Boyo(;步搖) was originally a hair decoration of the northern nomadic tribes which had been introduced to the Wijin period. Boyo gained its popularity by the women in Dang Dynasty, hair ornaments were considered indicators of status and wealth. Boyo(;步搖) hair accessory features of which are suspended from a elaborate hairpin structure. Such pieces were designed to sway as their wearer walked. The bequest was not found, but we catch the Boyo(; 步搖) that was women'head decoration in painting of old tombs in Goguryeo.

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Conservation of Embroidered Textiles and Textile Works (자수 및 직물 공예품의 보존처리)

  • Ryu, Hyo-Seon
    • Journal of the Korean Society of Costume
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    • v.58 no.5
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    • pp.198-210
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    • 2008
  • The purpose of this study is to establish the conservation methods of embroidered textiles and textile works. The conservation of remained textiles is consisting of examination, cleaning, support and consolidation, restoration, and storage and display process. It aims to prevent the damage on textile remains for long time display and storage and to prolong their aesthetics and functionality. The embroidered textiles and textiles works, which are remained by handed down or excavated or included in the Buddhist are embossed with colorful threads on the fabrics: the stitches include embroideries on clothing, bed clothes, wrapping clothes, utensil pouches, panels and Buddhist goods; textile works include hats, ornaments, shoes, attachments of clothes etc. These are composed of mainly fabrics, precious metals, leathers and precious stones, etc., and are fabricated by several techniques such as braiding, twining, sewing as well as weaving. Metal threads were also used to add a decorative effect on these goods. In order to conserve and preserve the remained goods, a special care must be taken on the metal threads, which are the most fragile material among the constituents. Hence, characteristics of metal threads and its cleaning methods, general conservation techniques of a rank badge, which is brocaded and partly attached to Cheogori and Samo(men's hat) from the excavated old tombs are introduced here.

A Study on the Ancient Excavated Clothing in Xinjiang (新疆의 古代 出土服飾에 관한 硏究)

  • 김용문
    • The Research Journal of the Costume Culture
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    • v.4 no.2
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    • pp.187-206
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    • 1996
  • The Purpose of this study is to analyze the clothing excavated in Xinjinag, concerned with the study of clothing culture in Central Asia. The results are as follows : A headwear is a corn hat or round hat, the material is field, fur or woolen textiles. For hair accessories, feathers or wooden pins were used. The corn hats of the Scythians and the Huns also had same design and did not change even after being influenced from the culture of Han Dynasty. A woman's hair styles was many strips of braid, a man's hair style was a braid or a topknot. Regarding the clothing, a woman wore pull-over type and a man wore caftan for a jacket. Both a man and a woman wore widened coat and trousers as well as felt socks and leather boots, and longer socks than boots are the characteristics of the clothing of nomadic horsemen. The textiles was mainly wool, but silk was used for coats, socks and gloves in high society imported from China through the Silk Road after the 2nd century B.C. Compared with Korea clothing, a corn hat, widened coat, trousers and leather boots are similar with those of Koguryo. The influence of western culture is shown in a man's short hair, animal design, W1-Kum, a woman's pull-over type and a round neckline.

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Conservation of Textiles and Costumes of Cheonngyeongunju (a princess)(II) (청연군주묘(淸衍郡主墓) 출토복식(出土服飾)의 보존(II))

  • Kim, Jooyoung;Lee, Jihyun;Park, Seungwon
    • Conservation Science in Museum
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    • v.11
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    • pp.17-30
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    • 2010
  • Here is an introduction of the conservation process and storing method of 26 garments for exhibition among the excavated garments of Cheonngyeongunju(a princess) preserved in the National Museum of Korea. Before processing, the artifacts were investigated to find out the type of material and the damaged parts, and then surface and wet cleaning were conducted. After that, it were dried and fixed while held by hand for stability of the artifacts. When stored, the artifact was folded minimally in large parts to prevent damage and placed in a neutral box with buffers in between.