• 인지과학
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• 제13권2호
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• pp.15-23
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• 2002

This paper reports an experiment on Broca's aphasics' comprehension of a class of English constructions involving empty categories. Based on Grodzinsky's (1986) account of chance-level performance of agrammatic understanding of movement constructions and their thematic role assignments. I show that Grodzinsky's notion of invisible empty categories can be further extended to include pronomical anaphors (PRO's) in Chomsky's (1981) sense and that the asymmetry in their poor comprehension of subject- and object-control constructions can be explained by the heuristic mechanism of the default thematic role assignment rule. eventually supporting Grodzinsky's claim that empty categories are not visible In agrammatic's syntactic representation.

• 대한음성학회지:말소리
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• 제19_20호
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• pp.58-87
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• 1990

According to Government Phonology, at 1 phonological positions save the domain's head must be licensed in order to appear in the syllable structure. A non-nuclear head is licensed by the following nucleus, and the nuclei with phonetic content are licensed through government by the nuclear head of the domain at the level of the nuclear projection. Therefore, in the theory of Government Phonology it is claimed that words always end with a nucleus. With regard to the licensing of empty nuclei, Kaye(1990a) proposes the 'Empty Category Principle' and its sub-theory of 'Projection Government'. Government Phonology claims that a nucleus which dominates a vowel that regularly undergoes elision in certain contexts is underlyingly empty. This underlying empty nucleus is not manifested phonetically when it is properly governed by an unlicensed(i, e, a nucleus filled with a full vowel). It is when proper government fails to apply, that the empty nucleus is phonetically Interpreted. The purpose of this paper is to present a principled account of the process of $[i]{\Leftrightarrow}{\emptyset}$ alternation in Korean. Following Kaye's proposal, we assume that [i] of Korean is underlyingly empty. This position is pronounced as [i] if it is unlicensed, and is not phonetically realized if is licensed. Empty nuclei ape devided into two categories: domain-internal and domain-final. Firstly, we consider the question why Korean has little word ending with [i]. As for this, ECP states that domain-final empty nuclei are not pronounced if the language licenses domain-final empty nuclei. Whether a final empty nucleus may occur in the structure is parametric variation. This property is seen from the fact that words may appear to end in consonants in this language. Since Korean abounds with words ending in a consonant, it licenses domain-final empty nuclei. Therefore, it is quite natural that Korean has little word ending with [i]. Secondly, word-internal empty nuclei of Korean respect proper government and inter-onset government. That is, an empty nucleus in word-internal position will be pronounced with the vowel [i] if either proper government or inter-onset government fail to apply. Inter-onset government refers to the government established between two onsets across an empty nucleus. Thirdly, we consider words ending with [i], which seems to be exceptional to the final licensing. Host of them are. either mono-syllabic verbs(for instance, [s'i-] 'to write') or derived adjectives ending with [p'i] (for instance, [kip'i-] 'be happy'). As for the former, the 'inaccessibility for proper government' is applied because the empty nucleus appears in the first syllable. In latter case, domain-final empty nuclei are pronounced as [i] because of government-licensing. That is, final empty nucleus is pronounced to license the preceding onset dominating negatively charmed segments which empty nucleus of Korean cannot license.

• 인지과학
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• 제2권1호
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• pp.109-142
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• 1990

Chomsky(1986b)가 제안한 장벽이론은 하위인접조건과 공범주원리를 장벽 이라는 하나의 개념으로 통합하려는 시도이다. 그럼에도 불구하고 그의 장벽 이론은 의도한 목적을 달성하지 못하고 있다. 본고는 공범주원리가 이접적으로 적용되도록 하고, 어휘지배를 핵인가조건으로 재정의하고, 선행어지배를 선행어 조건으로 대치함으로써, 후자가 하위인접조건과 선행어지배를 동시에 포괄할 수 있도록 하였다.이러한 시도는 의문사구 섭제약, 복합명사구제약, 주어조건, 부가어조건 등을 적적하게 설명해준다. 이러한 시도에 전제되는 것은 IP와 함께 VP가 의문사구이동에서 뿐만아니라 명사구이동에 있어서 예외적 범주로 취급되는 것을 막기 위해 Chomsk가 제안한 이동이론을 수정하여 통사부의 이동규칙은 부가를 허용하지 않는 것으로 보았다.

• 시큐리티연구
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• 제6호
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• pp.327-340
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• 2003

As a countermeasure under accidental occurrence situation, First, as application form of martial arts, A security guard foster ability that can protect a target person of guard and own body under accidental occurrence situation through incessant martial arts practice. To achieve this purpose, incessant training mental power and physical strength reinforcement should be kept on to prevent, therefore make a safety control function for such as weapon, small arms, explosive, vehicles terror etc. happened under accidental occurrence situation. Second, according to the contents of training based on the classification category of martial arts for security guard under accidental situation, a security guard must keep safety distance necessarily lest a target person of gurad should be attacked by attacker, therefore, intercept an attack opportunity if a safety distance between a target person of guard and attacker is not kept. Third, It is to practice confrontation techniques based on the type of attack. A security guard must develp situation disposal ability that can cope properly with the attack using empty hands, murderous weapon, small arms, explosive by case or individual or mass of threat that impose danger and injury in a target person's body of guard.

• 음성과학
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• 제9권2호
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• pp.89-108
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• 2002

Deaccentuation' means the phenomenon that the accent on the particular element which deserves to be accented, disappears and loses the property of intonational prominence. Based on some theoretical background, we divided the cases where deaccentuation can be placed into six categories : the first, the case that the words already mentioned are repeated in the context; the second, the case that the element can be recovered anaphorically or situationally; the third, the case that the elements are semantically weightless; the fourth, the case that the meaning of the word is empty; the fifth, the case that the elements are less informative, so that they are easy to predict; the sixth, the case that the elements are located after the focused words. Then we organized the context and the experimental sentences corresponding to each category. The utterances of Korean and English native speakers were recorded and analysed based on the ToBI system and compared to each other, in order to find out that Korean speakers can distinguish the difference within each sentence pair, and produce them with appropriate intonation similar to that of native speakers.

• Pediatric Gastroenterology, Hepatology & Nutrition
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• 제22권6호
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• pp.554-564
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• 2019

Purpose: This study verified the reliability and validity of the Diet Quality Index for Indian children (DQIIC). Methods: The study sample included 100 school going boys and girls (7-9 years). The dietary behavior of children was studied using a questionnaire and 24-hour dietary recall. The DQIIC comprises 21 items which aimed to assess the diet of Indian children on the basis of variety, adequacy of consumption of dietary components, and moderation in the amount of nutrients that are associated with diseases and dietary habits. The reliability of the DQIIC was assessed using the split half method, Cronbach's alpha, and test retest reliability. Content validity was evaluated using content validity ratio (CVR). Results: The intake of iron was found to be less than the recommended dietary allowances. There was frequent consumption of empty calorie packaged foods and higher than the recommended amount of sodium. Reliability of the DQIIC was 0.85 by split half method and the correlation coefficient for test retest reliability was 0.87. Cronbach's alpha was 0.62 and CVR was 0.85 for this index. Most of the children fell in the moderately healthy category. Conclusion: The DQIIC is a reliable and valid tool to assess the diet quality of Indian children between 7-9 years.

• 한국시조학회지:시조학논총
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• 제30집
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• pp.9-20
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• 2009

본고는 조선조 사인(士人)들이 산수 유람을 하는 중 산수의 감상 태도로 중시한 원망(遠望)의 시선과 표현 원리 및 기본적인 미적 범주를 고찰한 것이다. 원망(遠望)의 '원(遠)'은 물리적 거리이면서 심미적 거리이다. 이 원망은 산수 전체를 조망(眺望)하면서 산수의 기세(氣勢) 및 기묘(奇妙)와 곡절(曲折)함을 파악하기 위해서이다. 이는 산수 자연의 물상(物象)의 국한성을 벗어나게 되고, 정신적 초월과 고양을 얻을 수 있다. 궁극적으로 산수자연의 무궁한 변화와 조화(造化)의 이치를 감득(感得)하기 위함이다. 원망의 원의 시선은 관조자의 마음을 염정(恬靜)하고 허정(虛靜)하게 한다. 이 시선은 인간과 자연의 조화를 이루는 계기를 만든다. 원망은 산수의 유한한 형질에서 무한의 세계로 향하게 한다. 이 무한 속에서 시가 창조를 이루는 의경을 생성시킨다. 이 원망은 유한의 속박으로부터 무한의 자유한 경지로 비약해 가는 심미안(審美眼)이다. 원망은 현실적 가치, 관념, 인위로부터 초월하여 인간 본래의 자연성과 자연이 합일케 되는 시점으로서의 의미를 지닌다. 이는 주관적인 감정과 외재하는 산수 자연의 무한함과 조화통일시키는 안목이다. 즉, 관조자의 의상(意象)과 물상(物象)과의 조화를 이루게 하는 원이다. 이 조화의 세계를 형상화시킴에 있어서는 사물의 외형의 집착을 꺼리고 표현 기교에 의존하지 않고 자유하고 자연스러운 형상을 이상적인 표현법으로 삼는다. 원망은 관조자의 심리 상태를 염정(恬靜)하게 하기 때문에, 산수와 인생의 양쪽 감정이 합일하는 경지에 이르게 되고, 그렇게 되면 세속과 초월한 경지인 자연 속에서 더 깊고 넓은 유정(有情)의 세계를 창조하게 된 것이다. 그 세계를 형상화하는 방법이 고원(高遠), 평원(平遠), 심원(深遠)의 삼원법(三遠法)이다. 이 표현법에 의해 풍격, 염담(恬淡)의 미가 성립된다. 염담은 현실적 갈등에서 정신적 해방과 산수자연의 표리를 맛볼 수 있게 한다.

• 헤리티지:역사와 과학
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• 제44권1호
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• pp.196-221
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• 2011

조선시대 종묘(宗廟)에 모실 수 없는 왕의 사친, 등극하지 못한 세자와 같은 왕족의 신위를 모신 공간, 사묘(私廟)는 왕명에 의해 건립되고 관리되었다. 또한 사묘의 영건은 각 의궤(儀軌)에 담겼고 이와 함께 왕실사묘의 평면배치도 등이 남겨졌다. 정조의 후궁으로 순조(純祖)를 생산한 수빈박씨(綬嬪朴氏)의 신위를 모신 경우궁의 영건기록인 1824년 "현사궁별묘영건도감의궤(顯思宮別廟營建都監儀軌)"가 현존하기에 그간 소개된 바도 없고 연대조차도 알 수 없었던 <경우궁도(景祐宮圖)>의 제작 연대, 사용재료 및 장황(粧潢) 등을 살펴볼 수 있다. 즉 <경우궁도>는 1822년에 타계한 수빈박씨의 신위를 모시기 위해 궁내에 설치했던 혼전(魂殿)을 폐하고 궁밖에 별도로 마련한 터에 왕명에 의해 1824년 현사궁별묘를 영건하면서 영건도감(營建都監)에서 제작한 <현사궁별묘전도>인 것으로 확인된다. 영건도감에서 <경우궁도>의 제작이 이루어졌을 것이기에 의궤에 제시된 화원(畵員)들이 주목되지만 이들의 현존작이 없어 화풍을 비교할 수 없음은 아쉬움으로 남는다. 하지만 <경우궁도>는 <동궐도(東闕圖)>에서 볼 수 있는 완벽한 평행사선구도로 일목요연하게 많은 전각 등을 묘사하고 있는 점이 가장 큰 양식적 특징으로 지적할 수 있다. 주지하듯 건축물을 다룬 그림들은 해당 건축그림 제작 의도에 맞게 시점을 택해 그리거나 아니면 다시점을 이용해 그리게 된다. 우리 회화에서 건축물을 다룬 그림은 일찍부터 평행사선구도, 정면부감시 또는 다시점 등을 적절히 활용하여 제작되었다. 18세기에 이르면 평행사선구도로 정확하게 그리면서도 회화성도 높은 작품들이 등장하기 시작하는데 19세기 전반기에 이와 같은 현상이 최고로 발전한 듯 <동궐도>가 등장한다. <경우궁도> 또한 완성된 평행사선구도로 200칸 가까운 많은 전각들을 한눈에 알아볼 수 있도록 치밀하게 표현하고 있어 <동궐도>와 같은 계열에 속하는 건축그림으로 볼 수 있다. 이는 또한 수지법, 옥우법, 지면의 표면질감 표현 등 구체적 화법의 비교를 통해 알 수 있다. 다만 사당공간 중 가장 중요한 정당권역만은 의궤도설 '정당이하제처(正堂以下諸處)'라는 평면배치도와 그대로 일치하여 평행사선구도를 버리고 정면부감시 및 사방전도식묘법으로 표현된 점은 <경우궁도>만이 갖는 특징으로 지적될 수 있다. 동시대 영건과 관계된 그림은 아닌 개인의 거주지를 표현한 그림에 이와 같이 시점을 각각 달리하여 표현한 예가 있기도 하여 사당공간을 그린 그림만이 가지는 특성인지는 아직 정확히 알 수 없다. 한편 왼편 하단으로 향하는 평행사선구도를 택해 그릴 경우 화면 왼편 상단과 오른편 하단은 비게 된다. 경우궁도가 이에 부합되는 화면을 보여주는데 반해 동궐도는 다양한 나무 등을 채워 빈 여백 없는 완벽한 화면 구성을 보여준다. 이와 같은 현상은 두 작품의 장황의 현황과도 일치하는데 지본 낱장으로 완성된 경우궁도는 화첩으로 표제까지 달아 완성된 동궐도와는 완성도의 면에서 차이가 있다고 판단된다. 이는 마치 동궐도가 그 묘사의 사실성, 기록성을 넘어 감상의 목적까지도 고려하여 작품제작 및 장황까지 마친 것이었다면 경우궁도는 영건의 상황을 있는 그대로 화면에 옮겨 그리는 기록이 가장 중요한 목적으로 제작되었음을 알게 해주는 것이다.

• 미술이론과 현장
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• 제14호
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• pp.125-158
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• 2012

After liberation from Japanese colonial rule in 1945, there was the three-year period of United States Army Military Government in Korea. In 1948, Democratic People's Republic of Korea, and Republic of Korea were established in the north and south of the Korean Peninsula. The Republic of Korea is now a modern state set in the southern part of the Korean. We usually refer to Koreans as people who belong to the Republic of Korea. Can we say that is true exactly? Why make of this an obsolete question? The period from 1945 when Korea was emancipated from Japanese colonial rule to 1948 when the Republic of Korea was established has not been a focus of modern Korean history. This three years remains empty in Korean history and makes the concept of 'Korean' we usually consider ambiguous, and prompts careful attention to the silence of 'some Koreans' forced to live against their will in the blurred boundaries between nation and people. This dissertation regards 'Koreans' who came to live in the border of nations, especially 'Korean-Japanese third generation women artists'who are marginalized both Japan and Korea. It questions the category of 'Korean women's art' that has so far been considered, based on the concept of territory, and presents a new perspective for viewing 'Korean women's art'. Almost no study on Korean-Japanese women's art has been conducted, based on research on Korean diaspora, and no systematic historical records exist. Even data-collection is limited due to the political situation of South and North in confrontation. Representation of the Mother Country on the Artworks by First and Second-Generation Korean-Japanese(Zainich) Women Artists after Liberation since 1945 was published in 2011 is the only dissertation in which Korean-Japanese women artists, and early artistic activities. That research is based on press releases and interviews obtained through Japan. This thesis concentrates on the world of Korean-Japanese third generation women artists such as Kim Jung-sook, Kim Ae-soon, and Han Sung-nam, permanent residents in Japan who still have Korean nationality. The three Korean-Japanese third generation women artists whose art world is reviewed in this thesis would like to reveal their voices as minorities in Japan and Korea, resisting power and the universal concepts of nation, people and identity. Questioning the general notions of 'Korean women' and 'Korean women's art'considered within the Korean Peninsula, they explore their identity as Korean women outside the Korean territory from a post-territorial perspective and have a new understanding of the minority's diversity and difference through their eyes as marginal women living outside the mainstream of Korean and Japanese society. This is associated with recent post-colonial critical viewpoints reconsidering myths of universalism and transcendental aesthetic measures. In the 1980s and 1990s art museums and galleries in New York tried a critical shift in aesthetic discourse on contemporary art history, analyzed how power relationships among such elements as gender, sexuality, race, nationalism. Ghost of Ethnicity: Rethinking Art Discourses of the 1940s and 1980s by Lisa Bloom is an obvious presentation about the post-colonial discourse. Lisa Bloom rethinks the diversity of race, ethnicity, sexuality, and gender each artist and critic has, she began a new discussion on artists who were anti-establishment artists alienated by mainstream society. As migration rapidly increased through globalism lead by the United States the aspects of diaspora experience emerges as critical issues in interpreting contemporary culture. As a new concept of art with hybrid cultural backgrounds exists, each artist's cultural identity and specificity should be viewed and interpreted in a sociopolitical context. A criticism started considering the distinct characteristics of each individual's historical experience and cultural identity, and paying attention to experience of the third world artist, especially women artists, confronting the power of modernist discourses from a perspective of the white male subject. Considering recent international contemporary art, the Korean-Japanese third generation women artists who clarify their cultural identity as minority living in the border between Korea and Japan may present a new direction for contemporary Korean art. Their art world derives from their diaspora experience on colonial trauma historically. Their works made us to see that it is also associated with postcolonial critical perspective in the recent contemporary art stream. And it reminds us of rethinking the diversity of the minority living outside mainstream society. Thus, this should be considered as one of the features in the context of Korean women's art.

• 한국학교보건학회지
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• 제10권2호
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• pp.271-283
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• 1997

This study is designed for the school health education, contributing experience of life from middle school students from broken homes by describing specifically what they go through. And on this basis this study works out a grounded theory on the experience of life for middle school students from broken homes. The data was collected through a series of interviews with nine subjects singled out at each stage of research. With the permission of the subjects, the interviews were recorded and transcribed. The interviews lasted from 30 minutes up to one hour and 20 minutes. The in-depth interviewing methods and observations was used for data collection. The data was analyzed in the framework of grounded theory as mapped out by Strauss & Corbin (1990). By analyzing the materials eighty-three concepts were extracted, and they were united into 21 subordinate categories through the course of analysis. These were classified into nine precedence categories. The core category was found to be the adaptation of 'Wichookdem" or "Shrinkage". "Shrinkage" widows experienced was showed as the results "Self-reliance" and "Overcoming" through the course of generation and reaction, confrontation, and adaptation. According to the analysis findings of materials, the central phenomenon was showed as "shrinkage", the causal condition as "surprise", "Darkness", "Grudge", "Desolate", "Empty". The veins as presence of those around people and existence of support, and the meditate situation as self-support. For the strategy in solving "shrinkage", preparations of countermeasure and self-reinforcement were showed. And self-reliance and overcoming were the results. Through the contrast to the cases of ground materials, relation statements as follows were induced; (1) The weaker the suffering is, the weaker the "shrinkage" tends to be. (2) The stronger the suffering is, the stronger the "shrinkage" tends to be. (3) The more frequent and serious the suffering, the stronger the "shrinkage" tend to be. (4) The more infrequent and not serious the suffering is, the weaker the "shrinkage" tends to be. (5) The weaker the "shrinkage" is, the more self-control1ed the responses tends to be. (6) The stronger the "shrinkage" is, the more impulsive the responses tends to be. (7) The more satisfying the support is, the more self-controlled the responses to the "shrinkage" tends to be. (8) The more dissatisfying the support is, the more impulsive the responses to the "shrinkage" tends to be. (9) The more concrete the type of support is, the more self-controlled the responses to the "shrinkage" tends to be. (10) The more superficial the type of support is, the more impulsive the responses to the "shrinkage" tends to be. (11) The more self-controlled the responses are, the more self-reliant the subjects tends to be. (12) The more impulsive the responses are, the more conflict and wandering the subjects tends to be. (13) Whether the responses to the "shrinkage" express themselves in self-control or an impulse, it will be resulted in the form of either tension or pain. The following two were confirmed on the basis of repetitive relations; (1) If a subject's suffering is weak, infrequent and not serious, the "shrinkage" is weak. Also the subject's support is highly satisfying, and the support type is concrete. The responses to the "shrinkage" result in self-control which consequence is self-reliance with part. of it resulting in tension and pain. (2) If a subject's suffering is strong, frequent and serious, the "shrinkage" is strong. Also the subject's support is dissatisfying, and the support type is superficial. The responses to the "shrinkage" result in an impulsion whose consequence is wandering with part of it resulting in tension and pain. Through the results in this study, the following is to be suggested; O This research is basically aimed at analyzing the experience of the middle school students living in broken homes, for the more inclusive approach, the study for them is made systematically according to the type of their problems.