• Proceedings of the Korean Information Science Society Conference
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• 2007.06c
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• pp.287-292
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• 2007

본 연구에서는 동적 수신호 패턴에 대한 효과적인 인식을 위하여, 특징추출 단계와 패턴 분류 단계의 두 모듈로 이루어지는 복합형 신경망 모델을 제안한다. 특징추출 모듈을 위하여 고유의 특징표현 기법과 3차원 수용영역 구조의 CNN 모델을 제안한다. 이는 3차원 형식의 데이터로 표현되는 수신호 패턴으로부터 특징점의 공간적 변이뿐만 아니라 시간적 변이에 강인한 특징추출 기능을 제공한다. 패턴 분류 모듈에서는 효율적인 학습과 인식 기능을 위하여 수정된 구조의 GFMM 모델을 제안한다. 또한 학습패턴의 빈도를 고려한 활성화 특성과 학습 방법을 정의함으로써 기존의 GFMM 모델이 갖는 단점인 학습결과가 학습순서에 종속되는 특성과 비정상적 패턴 및 노이즈 패턴에 민감한 현상을 개선한다.

• Proceedings of the Korea Information Processing Society Conference
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• 2012.11a
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• pp.385-388
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• 2012

본 논문에서는 스마트 폰에 내장된 3축 가속도 센서를 이용해 제스처 훈련 및 테스터 데이터를 수집하고, DTW(Dynamic Time Warping) 알고리즘을 근간으로 하는 효과적인 제스처 인식 방법을 제안한다. 본 논문에서 제안하는 제스처 인식 방법의 성능을 분석하기 위해 안드로이드 스마트 폰에서 동작하는 제스처 인식 프로그램을 개발하였고, 이것을 이용해 수행한 성능실험 결과를 소개한다.

• Proceedings of the Korea Information Processing Society Conference
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• 2020.05a
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• pp.633-634
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• 2020

본 논문에서는 미디어영상을 기반한 무대 공연의 다양한 미디어 효과를 분석하고, 무대 공연을 위한 제스처 기반 동적 프로젝션 맵핑 프레임워크를 설계 구현한다. 이를 위하여, 동적 프로젝션 맵핑 기반 기존 공연에서 공연자의 제스처와 이에 따른 미디어 효과를 분석하고, 동적 프로젝션 맵핑기술을 효율적으로 구현하기 위하여 모션 히스토리 이미지를 이용한 CNN(Convolutional Neural Network) 기반의 제스처 인식 기술을 구현한다. 또한, 구현된 제스처인식 기술을 기반으로 공연자의 서로 다른 제스처와 미디어 효과를 매칭시킬 수 있는 프레임 워크 구현 내용을 소개한다.

• Proceedings of the Korea Information Processing Society Conference
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• 2007.05a
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• pp.459-462
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• 2007

본 연구에서는 동적 수신호 인식문제를 위하여 CNN 모델을 사용한 특징추출 기법과, FMM 신경망을 사용한 특징 분석 기법을 상호 결합한 형태의 패턴 인식 모델을 제안한다. 수신호 인식을 위하여 영상패턴에서 대상물의 움직임 정보에 기초한 3 차원 형식의 데이터 표현 기법과, 이로부터 인식을 위한 특징추출 기법을 제시한다. 특징추출 모듈에서는 3 차원으로 확장된 구조의 수용영역을 고려한 CNN 모델을 제안하며, 이로부터 학습패턴에서 특징점의 공간적 변이에 대한 영향을 최소화할 수 있음을 고찰한다. 또한 인식효율의 개선을 위하여 방대한 양의 특징집합으로부터 효과적인 특징을 선별하기 위한 방법론으로서 WFMM 모델 기반의 특징분석 기법을 정의하고 이로부터 선별된 특징을 사용하는 인식 기법을 소개한다.

• Phonetics and Speech Sciences
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• v.10 no.4
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• pp.77-89
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• 2018

Speech articulators are coordinated for the purpose of segmental constriction in terms of a task. In particular, vertical jaw movements repeatedly contribute to consonantal as well as vocalic constriction. The current study explores vertical jaw movements in conjunction with bilabial constriction in bilabial stop /p/ in the context /a/-to-/a/. Revisiting kinematic data of /p/ collected using the electromagenetic midsagittal articulometer (EMMA) method from seven (four female and three male) speakers of Seoul Korean, we examined maximum vertical jaw position, its relative timing with respect to the upper and lower lips, and lip aperture minima. The results of those dependent variables are recapitulated in terms of linguistic (different word boundaries) and paralinguistic (different speech rates) factors as follows. Firstly, maximum jaw height was lower in the across-word boundary condition (across-word < within-word), but it did not differ as a function of different speech rates (comfortable = fast). Secondly, more reduction in the lip aperture (LA) gesture occurred in fast rate, while word-boundary effects were absent. Thirdly, jaw raising was still in progress after the lips' positional extrema were achieved in the within-word condition, while the former was completed before the latter in the across-word condition. Lastly, relative temporal lags between the jaw and the lips (UL and LL) were more synchronous in fast rate, compared to comfortable rate. When these results are considered together, it is possible to posit that speakers are not tolerant of lenition to the extent that it is potentially realized as a labial approximant in either word-boundary condition while jaw height still manifested lower jaw position in the across-word boundary condition. Early termination of vertical jaw maxima before vertical lower lip maxima across-word condition may be partly responsible for the spatial reduction of jaw raising movements. This may come about as a consequence of an excessive number of factors (e.g., upper lip height (UH), lower lip height (LH), jaw angle (JA)) for the representation of a vector with two degrees of freedom (x, y) engaged in a gesture-based task (e.g., lip aperture (LA)). In the task-dynamic application toolkit, the jaw angle parameter can be assigned numerical values for greater weight in the across-word boundary condition, which in turn gives rise to lower jaw position. Speech rate-dependent spatial reduction in lip aperture may be able to be resolved by means of manipulating activation time of an active tract variable in the gestural score level.

• Journal of English Language & Literature
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• v.55 no.3
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• pp.383-398
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• 2009

Based on the Greek myth of Pygmalion and the fairy tale of Cinderella, Shaw's Pygmalion demonstrates a masterful coalescence of these two narrative motifs into a coherent plot scheme. Even more significant is his keen insight into the conflicts created at the tripartite intersection of human activity concerning language/class/culture, which, as the leitmotif, revolves around lessons in language learning. This play basically deals with human transformation and by its very nature, Higgins's experimentation with transforming Eliza cannot stop at language alone. Her cultural transformation ripples over into the realms of gesture and even a unique way of living (modus vivendi) intimately associated with taste and manners, which Bourdieu terms as habitus. By acquiring a new fashion and language, Eliza is reborn as a new lady aspiring to be filled with a newly acquired habitus. While separating her from her old Cockney style, Higgins inculcates Queen's English in Eliza, in which process her changed speech styles gradually transforms and restructures her deportment and manners, finally generating new practices, perceptions and attitudes. The gist of Pygmalion is however less Eliza's ascent into the middle class than her battle for symbolic capital waged at the level of language. By problematizing his contemporary practice of habitus conventionalized and warped by class distinctions based on economic, social and cultural capitals, Shaw creates a new humanist model of man founded on spiritual and rational virtues. In conclusion, Eliza is not a frigid Galatea but a dynamic character that goes through a brilliant transformation of three stages: 1) linguistic; 2) cultural, and 3) humanist. Finally she is built into a "consort battleship" on an equal standing with her sculptor. The process of her character-building cannot be illuminated without resorting to the dynamic notion of habitus, which highlights the process of inculcation, structuring, generation and transposing. Given the overwhelming weight of the heroine's role and the dynamic process of her transformation as the major plot scheme, this play should be christened Galatea in lieu of Pygmalion.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.38C no.4
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• pp.344-350
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• 2013

It is essential to consider geometry in the early design stage for rational design decisions. However, a crucial decision had been taken by conversation, physical model, and gesture rather than BIM mode which can analyze geometry efficiently. This research proposes the framework of interaction between BIM model and physical model for real-time BIM analysis. Through this real-time system framework of two models, architects can adopt BIM data at early design stage to review analysis of BIM model. It should facilitate dynamic design based on rich BIM information from an early stage to a final stage.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2007.06a
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• pp.861-864
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• 2007

본 논문에서는 카메라-투영 시스템에서 비전에 기반을 둔 팔동작 인식을 위한 새로운 알고리즘을 제안하고 있다. 제안된 인식방법은 정적인 팔동작 분류를 위하여 푸리에 변환을 사용하였다. 팔 분할은 개선된 배경 제거 방법을 사용하였다. 대부분의 인식방법들이 같은 피검자에 의해 학습과 실험이 이루어지고 상호작용 이전에 학습단계가 필요하다. 그러나 학습되지 않은 다양한 상황에 대해서도 상호작용을 위해 동작 인식이 요구된다. 그러므로 본 논문에서는 인식 작업 중에 검출된 불완전한 동작들을 정정하여 적용하였다. 그 결과 사용자와 독립되게 동작을 인식함으로써 새로운 사용자에게 신속하게 온라인 적용이 가능하였다.

• Journal of the Korean Society of Costume
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• v.54 no.5
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• pp.1-12
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• 2004

This Study has examined characteristics of the popular culture of the contemporary fashion show by each element as follows The fashion show place expanded its area when It moved its center because of not only the use of ordinary and public friendly place but also adjacent places post-modernism thought. The installation stage was produced by organic combination with the stage using object: The technology for the stage has produced dynamic variability and variety enough to expand the stage. The dramatic element of production technique was introduced to the fashion show to shorten gap with ordinary life and transfer a theme by facial expressions, gesture and pose. etc of a model In addition. its performance element combines other genre freely to be one time and viewers' participating type technique. At the minimalism element, clothing functions moderately as main factor of the fashion show: Technical elements are added to emphasize future Images. At sound tracks and sound effects, the show's overall atmosphere has been revived to remake various genre of music and improve images. At the fashion model, objective appearance boundary is collapsed to expand model concept and make tools of their own. The fashion show has external values of active movement of associated industry as well as economic boost enough to produce jobs, and internal values to provide aesthetic rest and satisfactions to let the ones. who are isolated from recreation values and the society, establish friendly relations with the society

• International Journal of Naval Architecture and Ocean Engineering
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• v.10 no.2
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• pp.188-200
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• 2018

This paper proposes a single control strategy to solve the problem of trans-media vehicle difficult control. The proposed control strategy is just to control the vehicle's air navigation, but not to control the underwater navigation. The hydrodynamic model of a vehicle when entering water obliquely at low speed has been founded to analyze the motion characteristics. Two methods have been used to simulate the vehicle entering water in the same condition: numerical simulation method and theoretical model solving method. And the results of the two methods can validate the hydrodynamic model founded in this paper. The entering water motion in the conditions of different velocity, different angle, and different attack angle has been simulated by this hydrodynamic model and the simulation has been analyzed. And the change rule of the vehicle's gestures and position when entering water has been obtained by analysis. This entering water rule will guide the follow-up of a series of research, such as the underwater navigation, the exiting water process and so on.