• 제목/요약/키워드: dualism

검색결과 108건 처리시간 0.026초

향나무추출물의 광손상으로부터 피부세포 보호와 자극완화 효과에 대한 연구 (Protection of UV-derived Skin Cell Damage and Anti-irritation Effect of Juniperus chinensis Xylem Extract)

  • 김진화;박성민;심관섭;이범천;표형배
    • 대한화장품학회지
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    • 제30권1호
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    • pp.63-71
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    • 2004
  • 태양광선과 산소는 피부세포에 자유라디칼(free radical)과 활성산소종(Reactive oxygen species, ROS)을 생성시켜 DNA의 손상과 세포막 지질의 과산화를 유발한다. 또한 콜라겐과 같은 세포 외 기질을 파괴하는데 관여하는 효소(matrix metallo-proteinhse, MMPs)의 발현에 영향을 주어, 결합조직을 손상시키며, 피부 염증을 유발시켜 조직을 파괴하고 노화를 가속화시킨다. 본 연구는 자외선과 SLS에 의한 피부손상에 대한 향나무추물물의 피부 보호 효과에 대한 것이다. 실험 결과 프리라디칼 및 슈퍼옥사이드 라디칼 소거 효과가 우수하게 나타났으며, 피부 콜라겐과 같은 메트릭스를 분해하는 효소인 MMP-1의 활성 및 발현 저해 효과는 섬유아세포에서 UVA 조사에 의한 실험에서 우수하게 나타났으며, 피부세포 배양액에 대해 zymography를 실시하여 활성이 감소됨을 확인하였다. 피부 각질형성세포에서 자외선에 의해 유도된 염증관련 사이토카인인 인터루킨 6의 발현량 실험에서도 무처리군에 비해 향나무추출물이 인터루킨 6를 30% 정도 저해효과가 나타났으며, 염증반응 중 cyclooxygenase (COX)에 의한 경로에서 생성되는 프로스타글란딘 E$_2$의 생성량도 감소시켰다. 사람 피부에서 SLS (0.5%)첩포로 유발된 자극성 피부염의 항염증 효과 평가 시 SLS에 의해 유발되는 자극정도가 피검자의 피부상태에 따라 다양하게 나타났으며, 향나무추출물 함유 에멀젼 제품 도포 실험에서는 피부 홍반 완화 효과와 피부장벽 회복 효과가 우수하게 나타났다. 따라서 향나무추출물은 자외선 조사 및 SLS에 의한 피부손상에 대한 보호 효과를 가진 화장품에서 우수한 소재로 적용될 수 있다. 녹두추출물을 화장품에 사용하였을 경우 우수한 항자극 효과를 보임을 확인하였다.완화시키는데 기여하였다. 이러한 결과를 종합하여 한국에서 삼림쇠퇴를 유발할 수 있는 스트레스요인들의 잠재적 상호작용을 모식화하였다. 나아가 그것을 완화할 수 있는 복원방안을 토양개량과 식생복원의 측면에서 제시하였다. mg/l)치 농도가 높을지라도 이것이 낮은 cinnamic acid와 protocatechuic acid에서 현저한 억제현상을 보였다. 서양등골나물 임상의 토양보다 서양등골나물이 분포하지 않는 토양의 중금속 함량이 전반적으로 높았다. 특히 Al, Fe 및 Mn의 함량이 높았으며 이들 중금속은 total phenolic compound 함량이 높은 잎에 대부분이 축적되었다." separating himself from the real world. Thirdly, The nature of "Gang-Ho" is 'absence of worldly desire' and 'cordiality' that one could be deserved his diligency becoming a part of the harmonious idealistic living place. Fourthly, on the character of story teller. Originally he is a incomer of "Gang-Ho" from real world. so that reason, he is showing dualism not to deny the loyalty oath to his king, while he intends to satisfy with the life in "Gang- Ho" separating himself from real world. As

복식에 나타난 해체주의 양식연구 -건축과 복식의 비교- (A Study of Deconstruction in Clothing -Comparison of Clothing with Architecture-)

  • 전혜정
    • 복식
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    • 제32권
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    • pp.293-312
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    • 1997
  • Deconstructionism is a philosophical stream in the latter half of 20'th century which goes against western metaphysics and tries to deconstruct the dualism e.g. eastern/west-ern man/woman. Its main concepts are 'indi-vidual' 'other' 'difference' 'restoration of the repressed' 'decentralization' 'Today it shows strong influences in literature art, and other social fields. This study investigated inner meanings and exterior forms represented in clothing on the base of Jacques Derrida's theory in order to re-search modes of deconstruction in is. And it compared clothing with architecture among other genres of art in order to discover similarities between through and modes of art in a certain period. For illuminating concept of deconstruction I referred to the literatures of preceding studies and for deconstruction's characteristics in both clothing and architec-ture I referred work's collection book $\ulcorner$collec-tions$\lrcorner$ and other related books dealing from 1960's to this point. As a rsult there are four modes of decons-truction in both clothing and architecture as follows; 1) Differenance which is a concept of the dif-ference in time and space as being trace. 2) In termeaning of meanings which is not present in reality but re-interpreted a new in the future. 3) Interxtuality in which a texte is not alone but with others 4) Dis.De phenomenon in which distortion and fragmentation forms occur as the result of the denial of perfection and reson. There are characteristics of modes of de-construction in clothing as follows; 1) Differance; R.Gigli, P. Rabanne. G.Bersace, V.Westwood are representatives of the cloth-ing which is combined with the past the pres-ent and the future or is re-viewed as the clothing of the past in the present point of view. J. Watanabe R. Dawakubo I miyake are representatives of the clothing which is out-date but re-viewed in the sense of recollec-tion and re-usage. 2) Intermeaning of meanings: R. kawakubo I, Miyake Y,Yamamoto are representatives of the clothing which is incomplete but re-interpreted in the future and appears to be new-fashioned according to ways of bnding wearing throwing on and tying J.C. Castel-bajac K.Hamnett S.Sprouse are representa-tives of the clothing which is made up of ab -stract forms scribbling or symbolic letters which appears to be different according to view-point of observers. 3) Intertextuality ;J.P.Gaultier K.Hamnett, Comme des Gar ons are representatives of intertextuality of gender which avoids the 여-ality of man/woman J.P Gaultier G,Versace J. galliano are representatives of the intertex-tuality of time place and occasion which mixes temporality extensity and purposiveness. J.P Gaultier G,Versace are representatives of the intertextuality of coordination which combines items different in image purpose and use. P.Rabanne A,Courr ges R,Gernreic I,Miyake are representatives of the intertextuality of mat-ter which uses heterogeneous matter different from cloth. 4) Dis.De-phenomenon: R, Kawakubo I.Mi-yake J.P.Gaultier are representatives of the de-composition which discloses distortion and exag-geration of form through destructing the estab-lished way of construction J.Galliano R.Kawa-kubo Devota Y Lomba arte representatives of the decentring which restores the repressed and the alienated on the one hane and shows front-centrality on the other. Comme des Gar ones is representative of the discontinuity because of which right and left up and down are not in har-mony with one another. J,Galliano J.P,Gaultier T,Mugler are representatives of the disruption by way of which one makes one's body exposed through intentional slashes or holes. As a consequence deconstructionism enabled us to investigate similarities between through of deconstruction and modes of art interms of diffrance Intermeaning of meanings intertextuality and Dis De-phenomenon. And we found that deconstruction was a phase of development in that it as a all-comprising and multiple concept tries to pursue the new through deconstruction.

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우리 복식에 중국복식이 미친 영향 (Chinese Influences on Traditional Korean Costume)

  • 김문숙
    • 대한가정학회지
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    • 제19권2호
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    • pp.123-133
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    • 1981
  • If we are to define that the traditional costume is a comprehensive expression of the culture, thoughts, and arts of a country, it is needless to say that the traditional costume would have always reflected the social and cultural aspects of the times. In order words, the cultural contemplation of a certain people at some point the history is only possible when we observe the distintive features of the costume worn by the people of respective times. Although the Korean people had the native costume of its own from the times of the Ancient Choson to the Three Kingdoms of Koguryo, Paekche, and Silla, the Chinese influence on Korean traditional costume became somewhat pronounced ever since the Silla strenghtened the political ties with the T'ang dynasty in China, and it came to a climax when the dual structure in Korean native costume, being compounded with the Chinese touch, continued to be prevailed from the era of the Unified Silla to the Koryo and throughout the succeeding Yi dynasty, thereby copying the typical aspects of Chinese pattern in clothing and dresses worn by the ruling classes, namely the goverment officials including the Kings. Therefore, it is our aim to study the pattern of Chinese influence on our traditional costume, as well as social and cultural aspects by way of contrasting and comparing our official outfit system, which had been developing in dualism since the era of the Unified Silla, with that of China, and to trace in part the Korean traditional costume. In comparing our traditional official outfit system with that of China, we have basically concentrated on the comparison of the official outfit systems during the periods of the Three Kingdoms, the Koryo, and The Yi dynasty with that of corresponding era of Chinese history, namely the dynasties of T'ang, Sung, and Ming, and followed the documentary records for the comparison. Koreans had fallen into the practice of worshipping the powerful in China and begun to adopt the culture and institutions of the T'ang dynasty since the founding of the Unified Silla. From this time forth, Korean people started to wear the clothes in Chinese style. The style of clothing during the period of the Koryo Kingdom was deeply influenced by that of the T'ang and Sung dynasties in China, and it was also under the influenced of the Yuan dynasty(dynasty established by the Mongols) at one time, because of the Koryo's subordinative position to the Yuan. At the close of the Koryo dynasty, the King Kongmin ordered the stoppage on the use of 'Ji-Joung', the name of an era for the Yuan dynasty, in May of the eighteenth year of his rule in order to have the royal authority recognized by a newly rising power dominating the Chinese continent, the Mind. Kind Kongmin presented a memorial, repaying a kindness to the Emperor T'aejo of the Ming dynasty in celebration of his enthronement and requested that the emperor choose an official outfit, thereby the Chinese influence being converted to that of the Ming. As a matter of course, the Chinese influence deepened all the more during the era of the Yi dynasty coupled with the forces of the toadyic ideology of worshipping the China, dominant current of the times, and the entire costume, from the imperial crown and robe to the official outfit system of government officials, such as official uniforms, ordinary clothes, sacrificial robes, and court dresses followed the Chinese style in their design. Koreans did not have the opportunity of developing the official outfit system on its own and they just wore the official outfit designated on separate occasions by the emperors of China, whenever the changes in dynasty occurred in the continent. Especially, the Chinese influence had greatly affected in leading our consciousness on the traditional costume to the consciousness of the class and authority. Judging from the results, Koreans had been attaching weight to the formulation of the traditional outfit system for the ruling classes in all respective times of the history and the formulation of the system was nothing more than the simple following of the Chinese system.

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하야시 라잔(林羅山)의 이기관(理氣觀) (A View about Li(理) and Ki(氣) of Hayasi Razan(林羅山))

  • 이용수
    • 한국철학논집
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    • 제31호
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    • pp.347-374
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    • 2011
  • 후지와라 세이카(藤原惺窩)와 함께 에도 시대 일본 유학의 개조로 일컬어지는 하야시 라잔(林羅山)의 사상의 특징을 규명하기 위해 그가 이기론을 어떻게 이해했는가를 파악하는 것은 필요한 일이다. 왜냐하면 신유학 이론체계의 집약점인 이기론은 하나의 완결된 세계관으로서 이해되고 있고, 따라서 그것을 어떻게 이해했는가에 따라 그 사상가의 사상적 태도가 결정될 뿐만 아니라 그의 세계관 및 인간관의 구조를 파악할 수 있기 때문이다. 따라서 본고의 목적은 라잔이 이기(理氣)를 어떻게 해석했는가를 규명하는 데에 있다. 라잔은 초기에는 주자의 이기이원론적 이기관을 받아들이지 않고, 주자학도이었으면서도 왕양명의 이기일원론적 이기관에 더 기울었던 것으로 보인다. 그러나 그렇다고 하여 그가 양명학자였다는 것은 아니다. 다만 존재와 당위의 문제를 규명하는 과정에서 논리적 모순에 봉착하자 그것을 심학적 기론(氣論)으로 해명하고자 했을 따름인 것이다. 한편 이(理)와 성(性)이 순선(純善)이라고 가정하고 이(理)외에 물(物)이 없다고 할 때, 그렇다면 악(惡)의 근원은 과연 어디에 있는가에 대해서도 스스로 자문하고 해명코자 했음을 볼 수 있다. 만년에 라잔은 자신의 이기관의 심학적 경향에서 벗어나 다시 주자의 입장을 취하게 된다. 결론에서 언급하지만, 라잔의 이러한 사상적 동요의 원인은 곧 사실과 당위의 문제를 천착하지 않았던 데에 있었다는 것이 선행연구의 결과이다. 그러나 이기(理氣)를 인식 과정에서 빚어진 그의 사상적 동요가 사안의 핵심이 아니고 논점은 초기에 라잔이 이기(理氣)를 심일원(心一元)으로 파악한 결과 주자학을 이해함에 있어서 존재론적 사고를 배제하고 사사물물의 당위적인 측면으로만 이해하게 된 결과를 초래했다는 것이고, 이것이 라잔학을 규명하는 단서가 될 것으로 본다.

인공지능시대에도 종교는 가능한가? - 칸트와 블로흐의 종교철학적 관점에서 - (Is Religion Possible in the Age of Artificial Intelligence? - From the View of Kantian and Blochian Philosophy of Religion -)

  • 김진
    • 철학연구
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    • 제147권
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    • pp.117-146
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    • 2018
  • 이 논문은 인공지능시대에도 종교는 가능한가, 오직 인간만이 종교신앙의 주체일 수 있는가, 인간의 마음을 탑재한 초지능기계들도 신앙의 주체일 수 있는가를 다룬다. 초지능기계들이 인간과 동일한 조건에서 신앙의 주체가 되려면, 인간의 고유한 특성인 감정, 의지, 자의식 등을 가질 수 있어야 한다. '특이점' 이후의 초지능기계들은 종교신앙의 주체를 넘어서서, 신과 같은 존재로서 인간과 자연과 세계를 지배하게 될 것이다. 이는 모라벡, 커즈와일, 하라리의 공통된 견해이다. 칸트가 구상한 '순수이성의 이념'과 '실천이성의 요청'으로서 신 개념은 제시 베링이 앞서 말한 것처럼 '간극의 신'처럼 보일 수 있다. 종교적 신앙 주체는 항상 도덕적인 선을 행하려고 부단하게 노력해야 하지만, 그런 노력 자체만으로는 완전선(完全善)에 도달할 수 없기 때문에 영혼불멸성을 요청하였다. 그러나 특이점을 넘어서 출현한 초지능기계가 지능폭발로 신적 지위를 가질 수 있다면, 인공지능로봇은 칸트적인 의미에서 종교적 수행을 불필요하게 여길 것이다. 에른스트 블로흐의 경우에는 초지능기계가 신적 존재라고 하더라도, 그것이 악신인가 선신인가를 비판적으로 물어야 한다. 칸트의 매트릭스에서는 선신일 수 있는 초지능기계가 블로흐의 매트릭스에서는 악신으로 추락할 수도 있다. 따라서 초지능기계-신이 우리를 유일한 종교신앙의 완성으로 이끌어 가는지, 인류와 지구촌의 몰락으로 내몰아갈 것인지를 부단하게 비판적으로 성찰해야 한다.

우담(愚潭) 정시한(丁時翰)은 퇴계(退溪)를 어떻게 이해하였는가? - 『사칠변증(四七辨證)』을 중심으로 - (Woodam Jeong Si-han's Understanding of Toegye)

  • 강희복
    • 한국철학논집
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    • 제29호
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    • pp.33-54
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    • 2010
  • 이 논문에서는 퇴계학파가 형성되고 전개되는 과정에 있어서 중요한 인물인 우담(愚潭) 정시한(丁時翰)(1625-1707)이 퇴계(退溪)(1501-1570)의 사상을 어떻게 이해하였는가 하는 문제에 대하여, 『사칠변증(四七辨證)』에 나타난 우담의 관점과 견해를 중심으로 살펴보았다. 우담(愚潭)은 17세기의 일원론(一元論)과 이원론(二元論)이 양립하는 시대를 살았다고 할 수 있는데, 퇴계의 사상에 대한 우담의 이해를 요약해보면 다음과 같다. 첫째, 우담은 기본적으로 퇴계를 주자의 정통으로 보면서, 이기(理氣)에 대한 변론(이기지변(理氣之辨))과 성정(性情)의 근원(성정지원(性情之原))에 대한 퇴계의 진지(眞知)·실득(實得)을 따르고 실천하려고 하였다. 둘째, 우담은 옛날과 지금 사람들의 학문(學問)이 어긋난 이유는 다만 '이(理)'자(字)를 알기 어렵기 때문이라고 하면서, "발(發)하는 것은 기(氣)이고, 발(發)하는 까닭은 이(理)이다"라는 율곡(栗谷)의 주장을 비판하고, 이치(理)의 궁극적 실재성·운동성(작용성)·근원성(주재성)과 이치(理)의 체용(體用)을 주장하는 퇴계의 견해를 따르지만, "이기(理氣)가 묘합(妙合)한 가운데, 이(理)는 항상 주(主)가 되고 기(氣)는 항상 보(輔)가 된다"(이주기보(理主氣輔))고 하면서 퇴계의 학설을 더욱 발전시켰다고 할 수 있다. 셋째, 우담은 같음(동(同)) 가운데서도 다름(이(異))을 볼 수 있고 다름(이(異)) 가운데서도 같음(동(同))을 볼 수 있으며, 분석(분개(分開))할 때는 분석하고 종합(혼륜(渾淪))할 때는 종합하면서도 이를 입체적(통간(通看))으로 이해할 수 있어야 한다는 퇴계의 정신을 따르면서, 율곡의 학설을 비판하고 퇴계의 호발설(互發說)을 옹호하였다. 이렇게 볼 때 우담은 퇴계의 이기(理氣)와 심성(心性)에 관한 견해를 깊고 바르게 이해하고, 보다 구체적으로 설명하면서, 퇴계의 정신에 따라서 실천하며 살려고 노력하였다고 할 수 있다.

'아유르베다'($\bar{A}yurveda$)의 의경(醫經)에 관한 연구 (A Study of The Medical Classics in the '$\bar{A}yurveda$')

  • 김기욱;박현국;서지영
    • 대한한의학원전학회지
    • /
    • 제20권4호
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    • pp.91-117
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    • 2007
  • Through a simple study of the medical classics in the '$\bar{A}yurveda$', we have summarized them as follows. 1) Traditional Indian medicine started in the Ganges river area at about 1500 B. C. E. and traces of medical science can be found in the "Rigveda" and "Atharvaveda". 2) The "Charaka" and "$Su\acute{s}hruta$(妙聞集)", ancient texts from India, are not the work of one person, but the result of the work and errors of different doctors and philosophers. Due to the lack of historical records, the time of Charaka or $Su\acute{s}hruta$(妙聞)s' lives are not exactly known. So the completion of the "Charaka" is estimated at 1st${\sim}$2nd century C. E. in northwestern India, and the "$Su\acute{s}hruta$" is estimated to have been completed in 3rd${\sim}$4th century C. E. in central India. Also, the "Charaka" contains details on internal medicine, while the "$Su\acute{s}hruta$" contains more details on surgery by comparison. 3) '$V\bar{a}gbhata$', one of the revered Vriddha Trayi(triad of the ancients, 三醫聖) of the '$\bar{A}yurveda$', lived and worked in about the 7th century and wrote the "$A\d{s}\d{t}\bar{a}nga$ $A\d{s}\d{t}\bar{a}nga$ $h\d{r}daya$ $sa\d{m}hit\bar{a}$ $samhit\bar{a}$(八支集)" and "$A\d{s}\d{t}\bar{a}nga$ Sangraha $samhit\bar{a}$(八心集)", where he tried to compromise and unify the "Charaka" and "$Su\acute{s}hruta$". The "$A\d{s}\d{t}\bar{a}nga$ Sangraha $samhit\bar{a}$" was translated into Tibetan and Arabic at about the 8th${\sim}$9th century, and if we generalize the medicinal plants recorded in each the "Charaka", "$Su\acute{s}hruta$" and the "$A\d{s}\d{t}\bar{a}nga$ Sangraha $samhit\bar{a}$", there are 240, 370, 240 types each. 4) The 'Madhava' focused on one of the subjects of Indian medicine, '$Nid\bar{a}na$' ie meaning "the cause of diseases(病因論)", and in one of the copies found by Bower in 4th century C. E. we can see that it uses prescriptions from the "BuHaLaJi(布哈拉集)", "Charaka", "$Su\acute{s}hruta$". 5) According to the "Charaka", there were 8 branches of ancient medicine in India : treatment of the body(kayacikitsa), special surgery(salakya), removal of alien substances(salyapahartka), treatment of poison or mis-combined medicines(visagaravairodhikaprasamana), the study of ghosts(bhutavidya), pediatrics(kaumarabhrtya), perennial youth and long life(rasayana), and the strengthening of the essence of the body(vajikarana). 6) The '$\bar{A}yurveda$', which originated from ancient experience, was recorded in Sanskrit, which was a theorization of knowledge, and also was written in verses to make memorizing easy, and made medicine the exclusive possession of the Brahmin. The first annotations were 1060 for the "Charaka", 1200 for the "$Su\acute{s}hruta$", 1150 for the "$A\d{s}\d{t}\bar{a}nga$ Sangraha $samhit\bar{a}$", and 1100 for the "$Nid\bar{a}na$", The use of various mineral medicines in the "Charaka" or the use of mercury as internal medicine in the "$A\d{s}\d{t}\bar{a}nga$ Sangraha $samhit\bar{a}$", and the palpation of the pulse for diagnosing in the '$\bar{A}yurveda$' and 'XiZhang(西藏)' medicine are similar to TCM's pulse diagnostics. The coexistence with Arabian 'Unani' medicine, compromise with western medicine and the reactionism trend restored the '$\bar{A}yurveda$' today. 7) The "Charaka" is a book inclined to internal medicine that investigates the origin of human disease which used the dualism of the 'Samkhya', the natural philosophy of the 'Vaisesika' and the logic of the 'Nyaya' in medical theories, and its structure has 16 syllables per line, 2 lines per poem and is recorded in poetry and prose. Also, the "Charaka" can be summarized into the introduction, cause, judgement, body, sensory organs, treatment, pharmaceuticals, and end, and can be seen as a work that strongly reflects the moral code of Brahmin and Aryans. 8) In extracting bloody pus, the "Charaka" introduces a 'sharp tool' bloodletting treatment, while the "$Su\scute{s}hruta$" introduces many surgical methods such as the use of gourd dippers, horns, sucking the blood with leeches. Also the "$Su\acute{s}hruta$" has 19 chapters specializing in ophthalmology, and shows 76 types of eye diseases and their treatments. 9) Since anatomy did not develop in Indian medicine, the inner structure of the human body was not well known. The only exception is 'GuXiangXue(骨相學)' which developed from 'Atharvaveda' times and the "$A\d{s}\d{t}\bar{a}nga$ Sangraha $samhit\bar{a}$". In the "$A\d{s}\d{t}\bar{a}nga$ Sangraha $samhit\bar{a}$"'s 'ShenTiLun(身體論)' there is a thorough listing of the development of a child from pregnancy to birth. The '$\bar{A}yurveda$' is not just an ancient traditional medical system but is being called alternative medicine in the west because of its ability to supplement western medicine and, as its effects are being proved scientifically it is gaining attention worldwide. We would like to say that what we have researched is just a small fragment and a limited view, and would like to correct and supplement any insufficient parts through more research of new records.

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아유르베다'($\bar{A}yurveda$) 의경(醫經)에 관한 연구 (A Study of The Medical Classics in the '$\bar{A}yurveda$')

  • 김기욱;박현국;서지영
    • 동국한의학연구소논문집
    • /
    • 제10권
    • /
    • pp.119-145
    • /
    • 2008
  • Through a simple study of the medical classics in the '$\bar{A}yurveda$', we have summarized them as follows. 1) Traditional Indian medicine started in the Ganges river area at about 1500 B. C. E. and traces of medical science can be found in the "Rigveda" and "Atharvaveda". 2) The "Charaka(閣羅迦集)" and "$Su\acute{s}hruta$(妙聞集)", ancient texts from India, are not the work of one person, but the result of the work and errors of different doctors and philosophers. Due to the lack of historical records, the time of Charaka(閣羅迦) or $Su\acute{s}hruta$(妙聞)s' lives are not exactly known. So the completion of the "Charaka" is estimated at 1st$\sim$2nd century C. E. in northwestern India, and the "$Su\acute{s}hruta$" is estimated to have been completed in 3rd$\sim$4th century C. E. in central India. Also, the "Charaka" contains details on internal medicine, while the "$Su\acute{s}hruta$" contains more details on surgery by comparison. 3) '$V\bar{a}gbhata$', one of the revered Vriddha Trayi(triad of the ancients, 三醫聖) of the '$\bar{A}yurveda$', lived and worked in about the 7th century and wrote the "$Ast\bar{a}nga$ $Ast\bar{a}nga$ hrdaya $samhit\bar{a}$ $samhit\bar{a}$(八支集) and "$Ast\bar{a}nga$ Sangraha $samhit\bar{a}$(八心集)", where he tried to compromise and unify the "Charaka" and "$Su\acute{s}hruta$". The "$Ast\bar{a}nga$ Sangraha $samhit\bar{a}$" was translated into Tibetan and Arabic at about the 8th$\sim$9th century, and if we generalize the medicinal plants recorded in each the "Charaka", "$Su\acute{s}hruta$" and the "$Ast\bar{a}nga$ Sangraha $samhit\bar{a}$", there are 240, 370, 240 types each. 4) The 'Madhava' focused on one of the subjects of Indian medicine, '$Nid\bar{a}na$' ie meaning "the cause of diseases(病因論)", and in one of the copies found by Bower in 4th century C. E. we can see that it uses prescriptions from the "BuHaLaJi(布唅拉集)", "Charaka", "$Su\acute{s}hruta$". 5) According to the "Charaka", there were 8 branches of ancient medicine in India : treatment of the body(kayacikitsa), special surgery(salakya), removal of alien substances(salyapahartka), treatment of poison or mis-combined medicines(visagaravairodhikaprasamana), the study of ghosts(bhutavidya), pediatrics(kaumarabhrtya), perennial youth and long life(rasayana), and the strengthening of the essence of the body(vajikarana). 6) The '$\bar{A}yurveda$', which originated from ancient experience, was recorded in Sanskrit, which was a theorization of knowledge, and also was written in verses to make memorizing easy, and made medicine the exclusive possession of the Brahmin. The first annotations were 1060 for the "Charaka", 1200 for the "$Su\acute{s}hruta$", 1150 for the "$Ast\bar{a}nga$ Sangraha $samhit\bar{a}$", and 1100 for the "$Nid\bar{a}na$". The use of various mineral medicines in the "Charaka" or the use of mercury as internal medicine in the "$Ast\bar{a}nga$ Sangraha $samhit\bar{a}$", and the palpation of the pulse for diagnosing in the '$\bar{A}yurveda$' and 'XiZhang(西藏)' medicine are similar to TCM's pulse diagnostics. The coexistence with Arabian 'Unani' medicine, compromise with western medicine and the reactionism trend restored the '$\bar{A}yurveda$' today. 7) The "Charaka" is a book inclined to internal medicine that investigates the origin of human disease which used the dualism of the 'Samkhya', the natural philosophy of the 'Vaisesika' and the logic of the 'Nyaya' in medical theories, and its structure has 16 syllables per line, 2 lines per poem and is recorded in poetry and prose. Also, the "Charaka" can be summarized into the introduction, cause, judgement, body, sensory organs, treatment, pharmaceuticals, and end, and can be seen as a work that strongly reflects the moral code of Brahmin and Aryans. 8) In extracting bloody pus, the "Charaka" introduces a 'sharp tool' bloodletting treatment, while the "$Su\acute{s}hruta$" introduces many surgical methods such as the use of gourd dippers, horns, sucking the blood with leeches. Also the "$Su\acute{s}hruta$" has 19 chapters specializing in ophthalmology, and shows 76 types of eye diseases and their treatments. 9) Since anatomy did not develop in Indian medicine, the inner structure of the human body was not well known. The only exception is 'GuXiangXue(骨相學)' which developed from 'Atharvaveda' times and the "$Ast\bar{a}nga$ Sangraha $samhit\bar{a}$". In the "$Ast\bar{a}nga$ Sangraha $samhit\bar{a}$"'s 'ShenTiLun(身體論)' there is a thorough listing of the development of a child from pregnancy to birth. The '$\bar{A}yurveda$' is not just an ancient traditional medical system but is being called alternative medicine in the west because of its ability to supplement western medicine and, as its effects are being proved scientifically it is gaining attention worldwide. We would like to say that what we have researched is just a small fragment and a limited view, and would like to correct and supplement any insufficient parts through more research of new records.

  • PDF