• 복식
• /
• 제67권4호
• /
• pp.71-88
• /
• 2017

The purpose of this study is to reveal that the deconstructive dis de phenomenon in contemporary fashion beauty design can be interpreted from the viewpoint of Korean aesthetics by having an open mind of coexistence. The typical characteristics of dis de phenomenon are decomposition, decentralization, and discontinuity, and these can be compared with beauty of non-artificialness, unity, and humor, which are characteristics of Korean aesthetics. In other words, the dis de-phenomenon rejects traditional composition and uniformized expression, and seeks various images by accepting the bi-national confrontation concept, this is similar to Korean aesthetics, which experienced atypical diversity by concentrating on the inner spirit rather than the outer form through indifference to technique, form, and honest human emotion.

• 한국실내디자인학회논문집
• /
• 제6호
• /
• pp.28-37
• /
• 1995

As we approach the end of the twentieth century, it seems we need a new way to express the thoughts, needs, and values that are undergoing a drastic change and a new strategy to create diverse cultural forms that would reflect and incorporate such changes. In this study, I am introducing the chaos theory as a new way of thinking that would help counterbalancing the deter-ministic world-view and forging a harmonious unity of man and his environment. As a creative principle, the theory seems to offer an unlimited number of structural possibilities for art and design. In fine, this study discuss-es the reductive nature of modernist approach and offer instead the chaos theory that is more probabilistic and capable of greater diversity.

• 한국의류산업학회지
• /
• 제7권1호
• /
• pp.13-22
• /
• 2005

In order to convey exactly what a work is intended to project, it is necessary to select appropriate materials, those whose features are suitable for the work to be accomplished. Among the recent trends in dyeing involve the use of the designers' own techniques and a variety of materials, as well as the designers' efforts at promoting the value of plastic art. According I choose splendid butterfly patterns that diversity in shape and color, among nature patterns offer unlimited imaginative power. I designed the fabric pattern, using tie dyeing, cone dyeing, transfer dyeing and rub dyeing that can best express my intentions. Therefore a total of four works were designed with aesthetically appealing revised shapes of a butterfly, using materials developed using the same method, to suggest the possibility of creating a new design while maintaining the original beauty of plastic art.

• 산업경영시스템학회지
• /
• 제21권47호
• /
• pp.289-302
• /
• 1998

Concurrent Engineering(CE) can provide a competitive edge for companies that have confronted with rapidly changing market requirements, such as shortening of product life cycles, high quality, low cost, diversity of customer demand, and so on. We construct a prototype of integrated information system to support a new product development process by CE concept. This integrated information system can be useful for considering concurrently all of the aspect in the product design process. In this system, an Engineering Database is constructed for gathering data of four departments; i.e. marketing, production, quality control and design department. Also DFM(Design For Manufacturability) is applied for analysis of product design.

• ETRI Journal
• /
• 제40권5호
• /
• pp.592-603
• /
• 2018

In order to obtain better target identification performance, an efficient waveform design method with high range resolution and low sidelobe level for orthogonal frequency division multiplexing (OFDM) multiple-input multiple-output (MIMO) radar is proposed in this paper. First, the wideband CP-based OFDM signal is transmitted on each antenna to guarantee large bandwidth and high range resolution. Next, a complex orthogonal design (COD) is utilized to achieve code domain orthogonality among antennas, so that the spatial diversity can be obtained in MIMO radar, and only the range sidelobe on the first antenna needs suppressing. Furthermore, sidelobe suppression is expressed as an optimization problem. The integrated sidelobe level (ISL) is adopted to construct the objective function, which is solved using the Broyden-Fletcher-Goldfarb-Shanno (BFGS) algorithm. The numerical results demonstrate the superiority in performance (high resolution, strict orthogonality, and low sidelobe level) of the proposed method compared to existing algorithms.

• 한국실내디자인학회:학술대회논문집
• /
• 한국실내디자인학회 2005년도 춘계학술발표대회 논문집
• /
• pp.275-278
• /
• 2005

This study suggests experimental designs for interior products utilizing LEDs that are ideal for expressing diversity of light. It also attempts to develop various products by incorporating economic efficiency and diverse colors of LEDs into interior elements. LED door handles offer a range of 6-color LED lighting strips as a safety lighting system, while multi-function furniture (CUBE-scape) consists of LEDs with double-sided emitted lighting on completely transparent track structures. Both products are designed to make interior elements more user-friendly as they make most use of unique effects of LED such as light vibration and changes. Also the combination of plastic material-Technogel$^{\circledR}$, polypropylene, polycarbonate- maximize the LED lighting effect and diversify the designed item selection.

• 한국초등수학교육학회지
• /
• 제14권2호
• /
• pp.287-314
• /
• 2010

알고리즘을 지도하는 전통적인 방법은 우선 '표준 알고리즘'을 완성된 형태로 제시하고 이어서 간단한 사례를 통하여 이해한 다음, 보다 일반적인 문제에 적용함으로써 표준 알고리즘을 연습하는 형태이다. 그러나 이 방법은 표준 알고리즘에 지나치게 집중되어 있다는 문제점과 함께, 학생 스스로 문제에 적합한 알고리즘을 선택하거나 알고리즘 자체를 개발하는 경험을 제공하지 못한다는 제한점을 갖고 있다. 이 논문에서는 자연수 곱셈 알고리즘의 다양성을 활용하여 학생 스스로 알고리즘을 개발하고 발명할 수 있도록 지도하는 방안을 상세하게 구안하였고, 그에 따른 교수실험을 통하여 초등학교 3학년 학생의 곱셈 알고리즘에 대한 이해 과정을 분석하였다. 그 결과는 첫째, 실험적인 지도안으로 학습한 실험반은 자리값의 원리와 분배법칙의 이해에 있어서 비교반보다 높은 성취를 보였으나, 계산 능력에 있어서는 그렇지 못했다. 둘째, 비교반은 물론 실험반에서도 표준 알고리즘의 선호도가 가장 높았으며, 실험반에서는 표준 알고리즘 다음으로 격자곱셈의 선호도가 높은 것으로 나타났다. 격자 곱셈을 교육 소재로 활용하는 것을 적극 고려할 필요가 있다. 셋째, 비례표는 그것이 가지는 이론적인 장점에도 불구하고 우리나라 초등학교 3학년 학생이 배우기에는 다소 무리가 따르는 것으로 나타났다.

• 한국실내디자인학회논문집
• /
• 제20권6호
• /
• pp.153-160
• /
• 2011

Some problems facing the cities in modern times begin to be highlighted due to the development into the information-oriented society via the stage of industralization. The structures built centering on the second industries have become superannuated to degenerate as horrid objects while losing their purposefulness with the emergence of the information age. In designing a hotel space where people stay temporarily unlike the housing space for a permanent stay, housing designers are making efforts to work on space design that could be more imprinted in the mind of the users. As the fruit of their sheer labor, the space design in modern hotel design comes to direct a diversity of atmospheres by virtue of various art genres which try to apply it to a space by borrowing it and changing its appearance. Thus, this study aims to look into how the gradually evolving conversion design hotel come to be recreated as an urban regeneration space while retaining the value of the space used in the past, and to analyze & systematize its subsequent design patterns applied to conversion design hotel space with focus on the recent cases.

• International Journal of Costume and Fashion
• /
• 제11권2호
• /
• pp.37-52
• /
• 2011

The purpose of this thesis is to study how Physical Distortion has been developed on the fashion from a surrealistic point of view and how it could be contributed to development of clothing design. This body distortion phenomenon has been started from primitivism times and it is still going on with various ways. Each era's distortion has been changed due to social cultural and environment matters. Especially influences of surrealism on the 20th century art transcended the limit of thought. Since appearance of surrealism 21th century fashion design has been opened up for new possibilities. There are no stereotypes no boundaries and our society is getting increasingly diversified. People in those society is longing to have another esthetic requirements. Also surrealistic physical distortion in the contemporary fashion has been produced unique design with new technology and new material. Physical distortion in fashion possess an infinite possibilities that could concoct the most amazing clothes. Also it has another strong potential that conducting us the way to produce design in novel ways. There is no doubt that surrealistic physical distortion in the contemporary fashion is absolute necessity to continue on evolution of clothing design.

• 한국실내디자인학회논문집
• /
• 제22권5호
• /
• pp.106-113
• /
• 2013

Since the 1960's, diverse movements that oppose the uniform design tendency of modernism appears in Italy. Especially, Gaetano Pesce, who opposed uniformity and standardization that are based on mass production system, had interests in making unique product, not an identical product, while accepting modern production technology. Therefore, the purpose of this study is to comprehend Pesce's design, which creates diversity by arranging contingent, non-predictive, and episodic aspects in creative and acceptance processes according to the intension of the designer within mass production system, as a non-representational characteristic, which appears widely in modern thought and the arts, and examine how it is materialized in detailed design work. The study methods are first examining non-representation with theoretical contemplation and dealing with the design philosophy of Pesce based on the examination. Next, in order to discover non-representational characteristics that appear in the work of Pesce, it examines from introducing worker's creativity, user's possibility of choice, openness in the working process, and the aspects of researching materials. And a specific application method will be drawn through case analysis centered on furniture design. Gaetano Pesce's design that denies the world of representation based on the sameness comes to possess non-representational characteristics that acknowledge contingency and ceaselessly create difference by intentionally arranging during the working process.