• Title/Summary/Keyword: deity

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A Study on the Goddess Demeter in The Homeric Hymn to Demeter (<데메테르 찬가>에 구현된 '어머니 데메테르'의 특성과 그 신화사적 위상)

  • Jeong, Jinhee
    • Cross-Cultural Studies
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    • v.51
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    • pp.73-101
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    • 2018
  • This essay deals with The Homeric Hymn to Demeter, a aetiological myth about the Eleusis Mysteria. The narrative of the hymn shows how Demeter, the goddess of grain, became the deity of the Mysteria. In the hymn, Demeter is characterized as a mother: She is the mother of Persephone and the motherlike nurse of Demophone. As the mother of Persephone and Demophone, the roles of are nursing and mediating. She care her children and linked the earth and the world below, the heaven of gods and the earth of mortals. Demeter the deity of the Mysteria by a mother. The and the maternity of Demeter is connected with patriarchal politics. Demeter in the hymn is not so much the goddess who derived her character from The Great Mother as the goddess who had been characterized the influence of Greek-patriarchy.

A Study on the Sanctuary of the Residence in East China Sea Skirts Area (동중국해권 민가의 성역(聖域)에 관한 연구)

  • Youn, Lily;Onomichi, Kenji
    • Korean Journal of Heritage: History & Science
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    • v.43 no.2
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    • pp.60-81
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    • 2010
  • Jeju Island, in Korea, shows many characteristics that are differentiated from the rest of Korea. Its culture is rooted in mythology which advocates a egalitarian, rather than hierarchical, social structure, the place of women in the home is relatively high, and the formation of buildings, the separation of cooking and heating facilities, and the living format of residential homes is dissimilar. These disparities in culture indicate that Jeju Island's heritage was not formed only from influences from the North, but also from other places as well. To fill in the blanks, residential homes in Jeju Island were compared with those scattered throughout the East China Sea, which connect the southern coastline of the Korean peninsula and Jeju Island. The regions encompassed by the East China Sea, sharing the Kuroshio current and a seasonal wind, can be considered as one cultural region integrating cultural aspects from the continental North and the oceanbound South. The unique characteristics of southern culture as seen in southern residences was examined through an investigation of the sacred places in which gods were considered to dwell. First, the myths of these areas usually concerned with the ocean, and a sterile environment made sustenance impossible without a dual livelihood, usually taking on the forms of half-farming and half-fishing, or half-farming, half-gardening. Although family compositions were strongly matricentric or collateral thanks to southern influence, a patriarchical system like those found in the North were present in the upper classes and in the cities. Therefore, residential spaces were not divided based on age or gender, as in hierarchical societies, but according to family and function. Second, these areas had local belief systems based on animism and ancestor worship, and household deities were closely related to women, agriculture and fire. The deities of the kitchen, the granary and the toilet were mostly female, and the role of priest was often filled by a woman. After Buddhism and Confucianism were introduced from mainland Korea, China and Japan, the sacred areas of the household took on a dual form, integrating the female-focused local rites with male-centered Buddhist and Confucian rites. Third, in accordance with worship of a kitchen deity, a granary deity, and a toilet deity led to these areas of the home being separated into disparate buildings. Eventually, these areas became absorbed into the home as architectural technology was further developed and lifestyles were changed. There was also integration of northern and southern cultures, with rites concerning granary and toilet deities coming from China, and the personality of the kitchen deity being related to the southern sea. In addition, the use of stone in separate kitchens, granaries, and toilets is a distinguishing characteristic of the East China Sea. This research is a part of the results gained from a project funded by the Korea Research Foundation in 2006.

Communal Coherence, Spirituality and Clothing Symbolism of the Chief Priest in the Ga Traditional Governance

  • Kwakye-Opong, Regina
    • International Journal of Costume and Fashion
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    • v.14 no.2
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    • pp.33-50
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    • 2014
  • Investigations on the symbolic role, spiritual health benefits and efficacy of the clothing items of the Ga wolomo (chief priest) have received little attention. Highlighting the relevance of these clothes, this paper focuses on the chief priest's dress code for his appointment, confinement, ordination, ceremonial and daily life activities. Data were collected through content analysis, participant observation and interviews with people from selected Ga communities, such as La, Teshie and Ga Mashie. The findings revealed that the selection of the chief priest is confirmed with a special clothing item. His traditional clothes and adornment also have meanings, importance and symbolic interpretations; explained in their uses, colour and style. As the spiritual head, the role of the chief priest's costume is very distinguished and symbolic in executing his duties; protecting, strengthening faith, confidence and assurance during spiritual healing, and when solving pertinent problems in the community. The paper concludes by recommending further research and documentation on other aspects of the Ga clothing culture, such as hand items and hair styles from the pre-colonial period to the present.

The Scenic Loss and Preservation of District Shrines at the Fringe of Tokyo

  • Poggendorf, Lorenz
    • Proceedings of the Korean Institute of Landscape Architecture Conference
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    • 2007.10b
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    • pp.99-104
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    • 2007
  • With their deity groves, Japanese Shinto shrines form unique green spaces. Further, many shrines are located between a settlement and the rural or natural environment. This location relates to the nature-worship of the Shinto tradition. However, when visiting present shrine precincts, it gives the impression that their original landscape location and green space is impaired by urban changes. This study focuses on the point how the scenic condition of district shrines at the fringe of Tokyo is challenged in the present, and presents an example of a successful preservation in the urban area. The key point of such preservation is that it goes beyond the shrine precinct itself. If there still exists a natural or beautiful scenery next to a shrine with some distinct historical or religious relationship, both shrine and scenery should be preserved together.

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Choui Uisun's Philosophy on Tea Ceremony and Tradition of Korean Thought (초의의순(艸衣意恂)의 다도철학(茶道哲學)과 한국사상(韓國思想)의 전통(傳統))

  • Choi, Young-sung
    • The Journal of Korean Philosophical History
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    • no.43
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    • pp.81-105
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    • 2014
  • For a lack of books on tea ceremony, 'Dongdasong (東茶頌)' by Buddhist priest Choui occupies a prominent position. Along with 'Dabu (茶賦)' by Yi Mok (李穆: 1471~1498) and 'Gida (記茶)' by Yi Deok-ri (李德履: 1728~ ?), Dongdasong forms the three peaks of tea work. These books are all based on Tea Classic (茶經) by Ryukwoo (陸羽). Assuming that Tea Classic serves as introduction (起), Dabu is development (承), Gida for turn (轉) and Dongdasong for conclusion (結). Dongdasong is inextricable from Dasinjeon (茶神傳). Dasinjeon is the abstract of Jangwon's Darok (茶錄). The keyword of Dasinjeon is 'tea deity (茶神).' Extracting key concepts of Darok as his perspective, Choui established his own philosophy on tea ceremony. In the process of making into his philosophy, he reorganized the system by introducing the principle of 'subtle combination (妙合),' one of traditions in Korean thought, which is characterized by not separating spirit and material. It is 'subtle combination' that does not make a division between spirit and material, which are undeniably different things. Subtle combination is a relation of two things' being one and one thing's being two. Choui's philosophy on tea ceremony can be assessed as valuable inheritance from traditions of Korean thought.

The Upper Thearch of the Nine Heavens (Jiutian shangdi 九天上帝) and The Upper Thearch of Manifest Luminosity (Mingming shangdi 明明上帝) : Research on "Upper Thearch" Beliefs in Contemporary Emergent Religions (九天上帝與明明上帝: 當代新興宗教「上帝」信仰之研究)

  • Lin, Jungtse
    • Journal of the Daesoon Academy of Sciences
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    • v.34
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    • pp.107-139
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    • 2020
  • This paper primarily focuses on the highest deity, the Upper Thearch of the Nine Heavens (officially translated as 'The Supreme God of the Ninth Heaven'), in the Korean new religious movement (NRM) Daesoon Jinrihoe and the true minister of the myriad spirits in the Taiwanese NRM, Yiguan Dao, the Upper Thearch of Manifest Luminosity. As the two both serve as highly representative "Upper Thearch" beliefs in emerging NRMs, I attempt a comparative analysis of the source of these beliefs, their characteristics, and the links that exist between them. On the basis of ancient Chinese classics and Daoist texts, along with Daesoon Jinrihoe's scriptures and works from Yiguan Dao's Canon, I try to understand the distinguishing features of cosmological ideas from both religious movements. For example, because the Upper Thearch of the Nine Heavens could not bear to see the human realm growing ever more disordered and in order to improve worldly conditions, he traveled to the harmonized realm of deities, and therefore descended into the world to make a great itineration and enlighten the people through his teachings. In the end, he came to Korea and was reborn as Kang Jeungsan (secular name: Kang Il-Sun) in Gaekmang Village. In the Human Realm, he spread his transformative teachings to the people which were later became the doctrines of the Virtuous Concordance of Yin and Yang, Harmonious Union between Divine Beings and Human Beings, the Resolution of Grievances for Mutual Beneficence, and Perfected Unification (jingyeong 真境) with the Dao. Yiguan Dao; however, explains that the source of humanity is the "Heaven of Principle" (Litian 理天), and people are "Buddha's Children of the Original Embryo" (Yuantai Fozi 原胎佛子), created by the Upper Thearch of Manifest Luminosity, who came to world to govern and impart spiritual refinement, before returning to his native place in the Heaven of Principle. Yet, because he became infatuated with the world of mortals, he forgot the path of his return. Therefore, the Eternal Mother sent Maitreya Buddha, the Living Buddha Jigong 濟公, and the Bodhisattva of Moon Wisdom (Yuehui pusa 月慧菩薩) to descend to the human world and teach the people, so that they may acknowledge the Eternal Mother as the root of return, achieve their return to the origin, and go back to the home of the Eternal Mother in the Heaven of Principle. Both Daesoon Jinrihoe and Yiguan Dao refer to their highest deity, the true ministers of the myriad spirits, with the simple title "Upper Thearch." This phenomenon also has some ties to God in the western Biblical tradition but also has some key differences. In investigating the sources of these two deities, we find that they likely took shape during the Yinshang (殷商) period and have some relationship to the Upper Thearch of Chinese antiquity. The questions raised in this research are quite interesting and deserving of deeper comparative study.

A Study on the Connection of Layout and BIBO Landscape of Agricultural Villages in Gangwon Youngseo Province (강원 영서지역 농촌마을의 입지와 비보(裨補)경관과의 관계)

  • You, Jong-Duk;Yoon, Young-Hwal;Choi, Jang-Soon
    • Journal of the Korean Institute of Rural Architecture
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    • v.11 no.1
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    • pp.9-16
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    • 2009
  • This research surveyed the native resources which BiBo(replenishing shortages by helping each other) landscapes have been preserved by aiming at the village settlement spaces of five cities and counties in Gangwon Youngseo province. This research reveals that BiBo landscape patterns of 41 village forests, 23 BiBo symbols, and 6 BiBo ponds were surveyed. The village forests are all 41 places, and were mainly made on the plains in front of villages. BiBo functions of the forests were in the order of the land obstructing the view of the mouth of a river which is the most as 13 places, the land obstructing the view of the mouth of river, situation complements, village protection, and protection against wind. Bibo symbols were all 23 places. Towers, stone towers, menhirs, and Maitreya stones were 12 places, Jangseungs(a signpost raising on the entrance of the village or a temple) were 6 places, Sotdae(a pole raising at the entrance of the village as the symbol of a board or a village protecting deity) was 1 place, and the others were made multiply in 4 places. Bibo symbols were located at 21 places in front of villages. The village protection in Bibo functions was 6 places. 6 Bibo ponds were surveyed. Most Bibo ponds were made for earth power leakage prevention.

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Astronomy and the Hermitages developed by Scholars in the Middle Era of Choseon -The case of Chang Hyon-gwang(1554-1637)- (조선중기 은거선비의 집터와 별자리의 관계 -장현광(張顯光)(1554-1637)의 "입암기(立巖記)"에 대해서 -)

  • Kim, Dong-Uk
    • Journal of architectural history
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    • v.10 no.2 s.26
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    • pp.7-19
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    • 2001
  • Ip-am valley, located at the eastern remote part of Korean peninsular was the place where a remarkable Confucian scholar Chang Hyon-gwang spent his secluded days. A large upright stone, called Ip-am, and undulating streams nearby were surrounded by mountains, which formed a large enclosed valley. After selecting 28 natural and artificial places, Chang named each of them. Chang compared the relationship between Ip-am and the 28 places with that of the Polestar and 28 Lunar Lodgings, which were known as the ancient Chinese astronomical concept. Also, Chang regarded the valley as a place where the Taoistic Deity could stay. Chang, who had deep knowledge of astronomy, wrote some books on it. It could be said that the comparison of his hermitages with the Polestar and the 28 Lunar Lodgings resulted from his deep passion for astronomy. He considered the Ip-am valley to be the core of the universe like the Polestar is the core of the celestial world. Some stars like the Polestar or the Dipper were regarded as the Deities of Taoism. We can find that Confucian scholars of the middle Choseon, like Chang Hyon-gwang, also tended to have some concern about Taoism.

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Temple and Maternity Ward Security using FPRS

  • Ambeth Kumar, V.D.;Ramakrishnan, M.;Jagadeesh Kannan, R.
    • Journal of Electrical Engineering and Technology
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    • v.8 no.3
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    • pp.633-637
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    • 2013
  • A wide range of applications for Foot Print Recognition System is discussed in this paper. The whole concept works under the principle that foot print is a parameter associated with biometrics that is very common as well as distinct. Its foremost application is at the government hospitals in the under developed and third world nations where there aren't the best of facilities. This system can be applied in the maternity ward of the hospitals for the identification or differentiation of the infants. Till date there has been no specialized system adopted for this purpose. The Foot Print Recognition System will overcome all the defects of any biometrics when applied here. Since the child will be very delicate for an iris scan and it will not be able to open its eyes wide or to correctly place its finger print on the sensor since the hands of a new born infant will be closed for a while. The Foot Print Recognition system can also be implemented in temples where there are cases of theft often reported. This can be used to grant access to the karpagraham of the deity by authorized users alone. These 2 applications of FPRS are discussed in this paper.

A Study of Hindu God's and Goddess' Hairstyle

  • Choi, In-Ryu;Choi, Mi-Ra
    • The International Journal of Costume Culture
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    • v.12 no.1
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    • pp.26-37
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    • 2009
  • This study has begun as to identify various forms of personified Hindu deitiesand its goal is to understand the symbols of Hindu which are the backgrounds of the modern Hindu culture and present the hairstyle images of ancient Indians through the Hindu deities of the era. Scope of the research has been determined to six major deitiesamong those from Hindu culture that affect the Indian society and the images of Hindu deitiesappeared in the Indian miniatures and sculptures were studied as times changed. The deities could be identified by symbols maintained in common by each divinity as the Hindu deities were diversified through the long history. Examining the transitions in hairstyles and headstyles of Hindu deities, hair shapes of spiraling curls were expressed in the ancient Hindu sculptures from $2^{nd}$ century to $6^{th}$ century due to the influence of early Indian Buddhism. In Hindu paintings from $15^{th}$ century to $19^{th}$ century, beards and sideburns were expressed in male deities due to the influence from Mugul arts, while feminine characters were emphasized in goddesses with long loose hair. Works are each presented encapsulating the results of the researches on Vishnu and Lakshmi from these Hindu deities. It is attempted to find Hindu image and present directions for developments of modern beauty by supplying motives to modern hair design by researching the hairstyles of Hindu deities.

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