• 대한수학교육학회지:학교수학
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• 제16권2호
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• pp.303-315
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• 2014

우리나라 초등학교 수학에서 다양한 식을 취급하고 있음에도 불구하고, 식 지도 내용의 체계화는 아직 미흡하다. 이것은 기본적으로 초등학교 수학에서 취급하는 식의 정체를 명확하게 드러내지 못하고 있기 때문이다. 본 논문에서는 이 상황을 개선하기 위한 기초 작업으로, 식에 ${\square}$, ${\triangle}$ 등과 단어 또는 연어(連語)와 같은 과도기적 기호를 사용하는 초등학교 수학을 고려하는 입장에서, 먼저 식을 구성하는 요소로서의 기호를 분류하고, 그것에 바탕을 두어 식을 정의하고 분류하였다. 이러한 정의와 분류를 통해 초등학교 수학에서의 식 지도 내용의 체계화를 도모하는데 도움을 줄 수 있는 다음 네 가지 판단이 가능하다는 것을 결론으로 제시할 수 있다. 첫째, 식의 정체를 명확히 함으로써, 어떠한 표현이 식인지 아닌지 판별할 수 있다. 둘째, 식의 양태를 파악할 수 있다. 셋째, 식 지도 내용을 체계적으로 파악할 수 있다. 넷째, 식 지도 내용 사이의 위계를 파악할 수 있다.

• 한국콘텐츠학회논문지
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• 제13권3호
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• pp.502-510
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• 2013

본고에서는 시제의 일반적 정의와 상에 관한 개념들을 정리 하였다. 시제는 시간을 나타내는 동사의 굴절형'이고 따라서 시제는 문법범주의 하나로서 영어의 경우 현재시제와 과거시제를 인정하고 있다. 시제처럼 상을 문법범주로 인정한다면 그 기술 대상은 당연히 문법적 표현에 국한될 것이고 반대로 문법범주가 아닌 의미범주로 간주하면 문법적 표현은 물론이고 어휘적 표현까지 기술대상이 될 것이다. 따라서 상은 문법범주로서 명시되어 있고 특히 영어의 상은 진행형과 완료형의 두 형태로 국한하고 있다. 이 경우에 진행상(the progressive aspect)은 진행형, 완료상(the perfect aspect)은 완료형을 가리킨다. 제 2장에서는 여러 학자들의 시제에 관한 정의를 살펴보고 또한 각 시제의 용법들을 정의 하였다. 3장에서는 상의 정의를 제시하였고, 상에는 문법적, 의미적상이 있음을 여러 학자들의 정의를 통하여 알아보았다. 시제와 상은 어떻게 보면 간단한 문법 범주이나 시각을 좀더 달리하면 다양한 스펙트럼을 가진 범주로 볼 수 있다. 따라서 시제와 상의 정의가 명확해지면 영어교육의 피대상자가 언어를 이해하는데 많은 도움이 될 것이다. 더하여 다양한 영역에서 시제와 상에 관한 개념정의가 필요하고 더 많은 연구가 있어야 할 것으로 여겨진다.

• 한국CDE학회논문집
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• 제21권4호
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• pp.378-388
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• 2016

As the needs for the mega-sized, high-rise and irregular shape of building increase, domestic application of BIM in construction industry is increasing in recent years. In this circumstance, interests in BIM modeling and modeling detail level have been also increased. BIM that is based on a three-dimensions, requires a specific and precise building expressions. And model expression level required for each phase such as design, construction, and maintenance of the construction project could be different as its needs. Because that it is not clear to define the criteria for the expression level of construction BIM model, It is difficult to decide how detail and what to model is appropriate in the practical application of BIM model. It could be the reason why the productivity in construction project became lower and lower. In this study we consider the way how to improve the productivity of BIM and analyze the appropriate representation level of construction BIM model through the experts' survey. The results of study could suggest the basis for an appropriate expression level of construction BIM model.

• 한국실내디자인학회논문집
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• 제13권2호
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• pp.72-79
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• 2004

First of all corner is an essential element to consist the space, but there is not much solid study and basic concept on the corner. The most important reason is the lack of the concept on the corner. The definition of corner by itself carries the term of space. Accordingly arguing the corner in space is to characterize the space. The corner is an important element to build up the space. The purpose of this study is to give a definition on the comer in space and suggest the way of practical use. The corner in space began to transform after Cubism. Therefore this study is bounded after Cubism era. The focus of study on plastical expression properties is on the view point by each era and constitutional point of view. In conclusion, the concept of corner has been switched from the concept of structure to concept of decoration. Also, study found that the concept of corner has the ideology, medium, and characteristics of boundary.

• 대한전기학회논문지:시스템및제어부문D
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• 제51권8호
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• pp.368-373
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• 2002

The inverse z-transform of a z-domain expression of a sequence can be Performed in many different methods among which the recursive computational method is based on the difference equation. In applying this method, a few initial values of the sequence should be obtained separately. Although the existing method generates the right initial values of the sequence, its derivation and justification are not theoretically in view of the definition of z-transform and its shift theorems. In this paper a general approach for formulating a difference equation and for obtaining required initial values of a sequence is proposed, which completely complies to the definition of the z-transform and an interpretation of the validity of the existing method which is theoretically incorrect.

• 한국멀티미디어학회논문지
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• 제19권9호
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• pp.1738-1746
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• 2016

This study is on moving images among the various media created by the screen-based image media in the multimedia age. Moving images shown in the image media are reinterpreted in various forms and are necessary to have a conceptual definition as expression media to meet the changes. Therefore, the study identified the conceptual definition of moving images from the perspective of objects, and subdivided them into the visual cognitive area to satisfy the recent characteristics of visual media. It also suggested the guidelines required for analyzing the image media based on the results of the case analysis of 8 different works.

• 대한수학교육학회지:수학교육학연구
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• 제8권2호
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• pp.565-586
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• 1998

Like many other school subjects, terminology is a starting point of mathematical thinking, and plays a key role in mathematics learning. Among several areas in mathematics, geometry is the area in which students usually have the difficulty of learning, and the new terms are frequently appeared. This is why we started to investigate geometric terms first. The purpose of this study is to investigate geometric terminology in school mathematics. To do this, we traced the historical transition of geometric terminology from the first revised mathematics curriculum to the 7th revised one, and compared the geometric terminology of korean, english, Japanese, and North Korean. Based on this investigation, we could find and structuralize the following four issues. The first issue is that there are two different perspectives regarding the definitions of geometric terminology: inclusion perspective and partition perspective. For example, a trapezoid is usually defined in terms of inclusion perspective in asian countries while the definition of trapezoid in western countries are mostly based on partition perspective. This is also the case of the relation of congruent figures and similar figures. The second issue is that sometimes there are discrepancies between the definitions of geometric figures and what the name of geometric figures itself implies. For instance, a isosceles trapezoid itself means the trapezoid with congruent legs, however the definition of isosceles trapezoid is the trapezoid with two congruent angles. Thus the definition of the geometric figure and what the term of the geometric figure itself implies are not consistent. We also found this kind of discrepancy in triangle. The third issue is that geometric terms which borrow the name of things are not desirable. For example, Ma-Rum-Mo(rhombus) in Korean borrows the name from plants, and Sa-Da-Ri-Gol(trapezoid) in Korean implies the figure which resembles ladder. These terms have the chance of causing students' misconception. The fourth issue is that whether we should Koreanize geometric terminology or use Chinese expression. In fact, many geometric terms are made of Chinese characters. It's very hard for students to perceive the ideas existing in terms which are made of chines characters. In this sense, it is necessary to Koreanize geometric terms. However, Koreanized terms always work. Therefore, we should find the optimal point between Chines expression and Korean expression. In conclusion, when we name geometric figures, we should consider the ideas behind geometric figures. The names of geometric figures which can reveal the key ideas related to those geometric figures are the most desirable terms.

• 복식
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• 제55권8호
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• pp.112-126
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• 2005

The purpose of this study is to analyze the aesthetic characteristics of 'movement' expression in modern fashion(1910-2004) based on a study of modern fine arts which adopted 'movement' element in their work. In this study the meaning of movement was defined as motion, changing position and transformation. Literature survey through books and research papers and demonstrative study with fashion collection photos were undertaken. The results wert as follows ; 1) Kinetic art, optical an, light kinetic art and technology art such as video and computer art have adopted 'movement' element in their work. 2) The plasticities of 'movement' fine arts were identified as mutual penetration, increase of visibility, use of non-traditional materials and dynamism. The internal meanings were identified as expansion of aesthetic experience and the concept of fine art, optimistic attitude on technology, spectator participation and integration of art and life. 3) The 'movement' expression in modern fashion was distinctively found in 1910s-20s(avant-garde fashion), 1960s (kinetic and optical art fashion) and mid 1990s to 2004 (techno-cyber fashion). 4) The plasticities of the 'movement' expression in modern fashion were identified as non-definition, use of non-traditional materials, dynamism. The internal meanings were identified as expansion of aesthetic experience and the concept of dress, optimistic attitude on technology, playfulness through participation. In conclusion, the expression of 'movement' in modern fashion has optimistic viewpoint on the development of modern society and is one of the interesting design points which will be pursued in the fellowing years.

• 대한전기학회:학술대회논문집
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• 대한전기학회 2005년도 심포지엄 논문집 정보 및 제어부문
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• pp.113-115
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• 2005

This thesis presents a method for 3D modeling of facial expression from frontal and mirror-reflected multi-image. Since the proposed system uses only one camera, two mirrors, and simple mirror's property, it is robust, accurate and inexpensive. In addition, we can avoid the problem of synchronization between data among different cameras. Mirrors located near one's cheeks can reflect the side views of markers on one's face. To optimize our system, we must select feature points of face intimately associated with human's emotions. Therefore we refer to the FDP (Facial Definition Parameters) and FAP (Facial Animation Parameters) defined by MPEG-4 SNHC (Synlhetic/Natural Hybrid Coding). We put colorful dot markers on selected feature points of face to detect movement of facial deformation when subject makes variety expressions. Before computing the 3D coordinates of extracted facial feature points, we properly grouped these points according to relative part. This makes our matching process automatically. We experiment on about twenty koreans the subject of our experiment in their late twenties and early thirties. Finally, we verify the performance of the proposed method tv simulating an animation of 3D facial expression.

• 한국의류산업학회지
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• 제20권1호
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• pp.1-9
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• 2018

This study has its purpose in classifying the ways in which transparent materials appear in clothes creating a sample garment on this basis, and studying the formative characteristics of human body expression through materials. The study methods for this study are: first, related documents and precedent theses were researched. Second, the expression methods of transparent materials shown in the clothes collection were classified through objective research. Transparent refers to the lexical definition of being see-through, and the transparency of materials arises from the chemical components and physical characteristics of its raw materials. Transparent materials have been applied to clothes and expressed in diverse ways, revealing the beauty of the human body. Such expression methods of transparent materials are classified by the 'degree of transparency', 'presence of patterns', and 'range of use'. In clothes, transparent materials are depicted through 'revealing' which exposes the body, 'making seemingly lighter' which makes the body livelier, and 'overlapping' which overlaps the body with the structure and patterns of the material. Furthermore, transparent materials express the human body through having the beholder 'peep' into other parts of the body, 'imagine' areas which are covered by looking at the areas which are exposed, and through 'blurring' the boundaries or the shape of the human body, depending on the degree of transparency. As such, the study of the expression methods of transparent materials and human expression has its importance in that it explores the expression methods of materials and formative characteristics of human body expression through these methods.