• 제목/요약/키워드: decoration

검색결과 902건 처리시간 0.025초

레스토랑 식공간 연출에서의 식기와 고명의 색채 조화 (Tableware Coordination and Garnish Decoration for Restaurant Space Design)

  • 유경아;김영국
    • 한국조리학회지
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    • 제15권3호
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    • pp.29-41
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    • 2009
  • 본 연구는 푸드 스타일링 잡지에 제시된 식공간 연출 사진의 내용 분석과 실제 레스토랑에서 사용하고 있는 식공간 구성 요소인 식기와 고명을 색채와 재질로 나누어 비교 분석하였다. 식공간 연출 1,357사진은 국내 잡지인 "쿠켄"과 "행복이 가득한 집"에서 선정하였고, 레스토랑은 서울 지역 84군데를 선정하여 직접 방문 조사하였다. 그 결과는 다음과 같았다. 첫째, 식기 재질의분석 결과, 고가 레스토랑과 식공간 연출가의 트랜드는 일치 즉, 백자를 가장 선호하였으며, 저가 레스토랑은 플라스틱 식기 사용이 높은 것으로 나타내었다. 둘째, 식기의 색채로는 청결을 상징하는 흰색이 가장 선호되고 있었다. 음식을 무난하게 소화하고 돋보이게 하는 고급 흰색 도자기가 많이 사용되고 있었으며, 저가 레스토랑에서 흰색 플라스틱의 사용이 일반화되어 있음을 알 수 있었다. 셋째, 음식 고명으로는 녹색 계열이 가장 많이 사용되고 있었고, 식공간 연출가들은 적색과 녹색의 보색 대비 고명도 많이 제시하고 있었다. 고가 레스토랑에서는 오방색 고명을 이용하는 경우도 많았다.

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대학 구내식당 푸드 코디네이션 만족도에 관한 연구 (A Study on Satisfaction with Food Coordination in a University Cafeteria)

  • 류무희
    • 한국조리학회지
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    • 제17권4호
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    • pp.88-103
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    • 2011
  • 본 연구의 목적은 대학구내식당 푸드 코디네이션에 대한 학생들의 만족도를 조사하여, 메뉴 품질요소인 푸드 코디네이션의 발전에 기여하고자 한다. Amos 7.0을 이용하여 연구 구조모형(overall model)을 그래픽 작업을 수행하여 검증한 결과, 다음과 같은 결과를 얻었다. 첫째, 내부시설 만족도에는 음식형 태, 음식색채, 식기크기, 식기색채가 긍정적 영향을 미치고 있어, 음식의 형태나 색깔, 그리고 식기의 크기와 색채에 대한 만족이 높을수록 내부시설에 대한 만족이 향상되는 관계로 나타났다. 둘째, 인테리어 만족도에 영향을 미치는 요인은 음식크기, 음식색채, 식기색채로 나타나 음식과 식기의 색채 및 음식크기에 대해 만족도가 높을수록 인테리어에 대한 만족도 향상에 기여하는 것으로 파악되었다. 셋째, 내부조명만족도에는 음식색채와 식기색채가 긍정적 영향을 미쳐, 음식과 식기의 색채에 대해 만족할수록 내부조명에 대한 만족도 향상에 기여하는 것으로 파악되었다. 넷째, 내부시설, 내부인테리어, 내부 조명 모두 음식만족도에 긍정적 영향을 미치고 있었으며, 내부시설, 인테리어, 조명에 대해 만족할수록 전반적인 대학구내식당 음식 만족도 향상에 기여하는 것으로 볼 수 있다. 그 중 표준화계수를 보면 인테리어데커레이션(0.460), 내부조명(0.310), 내부시설(0.183) 순으로, 인테리어데커레이션이 음식만족도 향상에 가장 중요한 요인으로 파악되었다.

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줄리오 로마노의 만토바 저택: 메르쿠리우스로 표현된 화가의식 (The Facade Decoration of Julio Romano's House in Mantua: Ideas on Painting Expressed through Mercury)

  • 이한순
    • 미술이론과 현장
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    • 제14호
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    • pp.159-186
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    • 2012
  • Julio Romano decorated the facade of his house in Mantua with a statue of Mercury to give expressions to his ideas on painting. Hereby the painter from Rome could show his home to the world as that of a painter. To be concrete, Mercury was the planet god to which visual artists belonged, and so was basically related to visual arts. In his role to deliver diverse features of art works Mercury could also convey concepts and emotions expressed in a picture to the viewer. The power of a painting to arouse certain emotions or move the mind of the viewer was further connected to the role of Mercury as the guide of the human soul. This function again related the Roman god to the characteristic of a portrait to present absent persons to the viewer. Above the statue of Mercury, a Lucian head of the god is seen, so that they together form the central axis of the facade. This seems to emphasize that the theme of the facade decoration was the powerful persuasive forces of eloquence. The two masks on the left could then refer to sources of eloquence, I.e. various beautiful expressions of a language and its generative process. On the other hand, the masks on the right could represent consequences of eloquence, for instance, prudence, evil effects which come about to imprudent listeners, and other influences on listeners. Finally, it would be useful to remind us of a line from On Architecture by Leon Battista Alberti. According to the humanist architect parts of a building which are seen from the outside, like a facade, should be appropriately designed, since the decoration of a house could play a significant role to enhance the fame and honor of the family and its fatherland. This theory of Alberti could have provided the foundation to the facade decoration of the Casa Pippi which proudly presented the profession of painting to the public in visual form.

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건축 의장적 측면에서 본 상하이 아르테코에 관한 연구 (A Research of Shanghai Art Deco in the aspect of architectural decoration)

  • 남경숙;서민원
    • 한국실내디자인학회논문집
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    • 제15권6호
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    • pp.19-26
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    • 2006
  • This subject is about the research of Shanghai Art Deco in the aspect of architectural decoration and seek to offers an examination and analysis of the characteristics related to the Art Deco design, which appeared and dominated the field of design from 1910s to 1904s in Shanghai. Study method is a theoretical consideration of reference and gathering data through field trip. In order to carry out this subject, this study will research following factors. First, factors related to Art Deco such as the period of origin, background, spirit, aesthetics, design characteristics. This is followed by the influence of Art Deco movement begun in 1925. Second, the background of Shanghai Art Deco architecture style was studied. Third, the case studies of Shanghai Art Deco Architecture and interior decoration were researched by the expressive factors which were divided by style, form, material and color. As a result early style had compradore style about 1900, later reactionism prevailed of 1920 affected by European Art Deco. Skyscraper style was built and architecture developed with racial characteristics. It has vertical and streamline form of typical Art Deco and strengthen geometrical motive in architectural expression. It appeared naturally and has the contrast of different material in material expression. It has effect on strong color as using highborn and brilliant color in color expression. They appeared chinese national spirit by using 'ot painting' in western oriented furniture. The purpose of such an examination is to classify, understand and validate Shanghai artistic and socio-cultural heritage in order to better appreciate the life philosophy of Shanghai and re-discover their basic roots. Though it began as a Western cultural movement, it is the purpose of this study to discover the inherent orientalism in its basic formative spirit.

모듈형 식물장식을 활용한 실내공간 장식방법에 대한 연구 (A Study on the Methods of the Decorations Using Module Plants in Interior Spaces)

  • 이종란
    • 한국실내디자인학회논문집
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    • 제24권5호
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    • pp.62-69
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    • 2015
  • The purpose of this research is to analyze the methods of the decorations using module plants in interior spaces. This research produced 18 types of the module plant decoration: considering the classifications of module plants(soil, hydroculture, moss), directions of module plants (up, side, down), assembling ways of module plants (horizontal, vertical). Applying these 18 types to the interior space decoration (floor stand, wall attach, ceiling hanging), 54 types were classified. After that, 150 cases of the decoration using module plants in interior spaces were collected and analyzed. In result, the cases were belong to 25 types of 54 types. The important types were the types to be able to decorate wide area of walls or ceilings without occupying floor area: SOIL-UP-VERTICAL, HYDROCULTURE-UP-VERTICAL, MOSS-SIDE-VERTICAL. These types were the decorations with function of bio-filter for air cleaning. Special types were SOIL-SIDE-HORIZONTAL, SOIL-SIDE-VERTICAL with soil developed not to pour and SOIL-DOWN-HORIZONTAL, SOIL-DOWN-VERTICAL with lucks not to pour soil. Plants will be used widely in interior design because of the awareness of eco-friendly design. The strength that module plants are portable, changable, able to exchange parts helps users to maintain plants in interior spaces. For designers, module plants are flexible materials in order to make variety of forms to adjust to interior spaces. The results of this research about methods of the decorations using module plants in interior spaces are useful to designers who want to design interior spaces eco-friendly and user-friendly.

중국 칠도예술: 도자장식과 생칠의 융합에 대한 선행적 분석 (Chinese Porcelain Lacquer Painting Art : Primary Analysis on Convergence of Porcelain Decoration and Raw Lacquer)

  • 백연연;손열;김원석;노혜신;김성민
    • 디지털융복합연구
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    • 제17권10호
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    • pp.405-410
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    • 2019
  • 본 연구는 도예의 한 분야로서 생칠과 도기가 결합한 형태인 칠도의 공예기법 및 디자인적 융합에 대한 일차적 분석이다. 먼저 칠도의 역사 및 현재의 현황을 제시하고 칠도 장식의 기법을 세 가지로 분류하고 각 기법이 가지는 특징을 간단히 분석하여 제시한다. 칠도는 도자가 가지는 성형 상의 자유로움과 칠예가 도자에 부여하는 표면의 안정성 및 그 표면 장식의 디자인 소재 및 방식의 다양성을 가지고 있어서 일상 용기로서의 실용성 및 예술작품으로서의 미감을 동시에 지니고 있다. 다만 일상용품으로 대량생산하는 데는 어려움이 있어 현재는 예술작품으로서 여러 시도가 이루어지고 있다. 이런 시도를 통해 일반 상품에도 미적 감수성을 높이고 문화적 다양성을 만들 수 있다.

12~13세기 고려청자와 중국청자의 장식디자인 비교 연구 (A Comparative Study on the Decoration of Korean Celadon and Chinese Celadon in the 12th and 13th Centuries)

  • 악쿤;임천;김혜진
    • 디지털융복합연구
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    • 제17권3호
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    • pp.427-432
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    • 2019
  • 12~13세기는 청자의 전성기였다. 고려청자는 중국청자에 영향을 받아 제작 및 소성기술을 습득한 이후 독자적인 청자 발전의 절정기에 들어가게 된다. 특히 상감기법이라는 독자적인 장식기법을 발전시켰고 문양의 종류나 배치도 추상적인 문양으로 나아간 중국과 달리 자연물의 모습 그대로를 청자에 담아 그 아름다움을 널리 떨치게 되었다. 비록 고려청자와 중국청자가 같은 발원지에서 나타났지만, 각자의 지리적 특성과 민족적 미감에 따라 다르게 변화 발전함을 알 수 있다. 이에 본 연구는 12~13세기 중 한 양국의 청자 나타나는 유약의 사용을 비롯한 소성기법 및 장식에 사용되는 문양을 비교하여 그 특징을 살펴보고자 한다.

컴퓨터 자수기계 코드 및 테이프 트리밍 장식기법을 활용한 패션디자인 개발 (Development of Fashion Design Applying Code and Tape Trimming Decoration Techniques of Computer Embroidery Machine)

  • 이서윤;김지영
    • 패션비즈니스
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    • 제26권5호
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    • pp.1-21
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    • 2022
  • Purpose of this study is to develop fashion design with greater added value and to seek the expandability of its expression domain by applying special computer code and tape embroidery machine capable of creating more special and fancier fashion to the development of fashion design by focusing on the fashion decorations that are becoming increasingly more computer systematized. For this purpose, expression techniques and effects of computer embroidery machine code and tape trimming decoration techniques, and cases of modern fashion design are examined. Major images are then deduced to designing and production of actual 6 creative pieces equipped with creativity and commercial value by applying such images deduced. As the results, it is not only possible to develop highly value added fashion design by utilizing mixed computer embroidery machine code and tape trimming decoration technique but also to produce countlessly new and unique surfaces by inducing changes in diversified pattern expressions, thickness of cord thread, and width, color and texture of material, etc. of the tape. This can maximize the expression domain of design, and fulfill the fashion desires of consumers wanting modern enhancement of quality and individualization. If multilateral attempts and studies for the aforementioned purposes can be expanded continuously, it is deemed possible to broaden the range of expression techniques in fashion design and, moreover, to make contribution towards enhancement of competitiveness of fashion industry.

인테리어 공사비 산정에 영향을 주는 변동요인에 관한 연구 (A Study on the fluctuation Factors Influenced on the Computation of interior Cost)

  • 정재은;권영성
    • 한국실내디자인학회논문집
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    • 제16호
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    • pp.75-81
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    • 1998
  • With the rise of the economic level and the improvement of the standard of living the size of the interior work is becoming large and specialized, With the recent opening of the domestic interior decoration market the order of the large-scale interior decoration work is actively received and its efficient construction is vigorously made. Accordingly reliability is required in keeping with all the accuracy of computing interior construction expenses systematically is importantly emerging. The estimation sheet written in a kind of process mode and in an area made as the construction expense breakdown mode were statistically treated and analyzed as well as quantity computation breakdown data. In determing the major factors that expert an influence on the factors of changes in construction expenses as well as the compositional ratio of construction work that becomes basic material for developing the cost model of interior decoration work the following conclusion could be made: Improvement should be made to suit the present situation by synthesizing and arranging the data practically used in current interior construction expenses. Required construction expenses for the kind of work common to each construction field are showing a given proportion and the required construction expenses of rather small scale interior construction work tend to be irregular. It is necessary to compute optimal construction expenses by calculating the optimal period of work and working personnel in consideration of the influential factor in each work.

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소매의 조형성에 관한 연구 -영국의 daydress를 중심으로- (A Study on Formation of Sleeves - Centering around daydress in England -)

  • 김현순
    • 복식
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    • 제50권7호
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    • pp.235-247
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    • 2000
  • This study was conducted to consider the formation of sleeves from the point of view that dress is one of expressive arts. The formative meaning of a sleeve and its chronological formation according to its formative changes as an evidence showing the Internal changes of social culture were examined, centering around day dress of England in the 11th to 19th centuries. Then, sleeves were formatively classified and their aesthetic values were considered to help do formative, aesthetic expression of dress design in the present times. Literatures and references concerning the history of domestic and foreign dress were used as a method of study. The results of this study are summarized as follows. 1. In the women's dress, the formation of the sleeve focuses on aesthetic decoration. This means that in the androgentric society the status of women are subordinate socioculturally. 2. Sleeves were classified into a fitted shape and a extension shape according to the aesthetic formation. The fluted shape expressed the beauty of body with emphasis old natural body, whereas the extension shape represented aesthetic expression of decoration. 3. The formation of a sleeve has influence on forming an image of dress by making the silhouette of dress natural or distorted, expresses the harmonious beauty of the whole dress, and produces the expressional beauty that gives a distinct characteristic to a dress.

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