• 제목/요약/키워드: culture project

검색결과 724건 처리시간 0.021초

산업단지 미니클러스터 네트워크 활성화 방법론 (A study on the Methodology for Vitalization of the Mini-cluster Network in Industrial Parks)

  • 문문철
    • 한국산학기술학회논문지
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    • 제12권4호
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    • pp.1675-1683
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    • 2011
  • 한국의 클러스터사업은 광역발정정책의 추진과 전국적인 산업단지 연계를 위해 구조적 변화를 추진해 왔다. 정부는 산업단지내로 연구소, 지원기관, 대학을 끌어들이고 밀접한 협력 네트워크를 통한 성장잠재력을 제고시키기 위하여 많은 노력을 기울여 왔다. 특히 미니클러스터는 산학연과 지원기관이 참여하는 통합 협의체로써 네트워크 활동을 통해 각종 지원을 제공하고 산학연 협력을 통한 사업기회를 발전시키는 등 다양한 네트워크 활동을 수행하였다. 본 논문은 미니클러스터의 자생적이고 지속가능한 성장을 달성하기 위한 세 가지 전략을 제시한다. 무엇보다 먼저 참여회원들을 유인할 수 있는 유익한 컨텐츠를 제공하여야 한다. 다음으로 미니클러스터 이니셔티브를 추진할 필요가 있다. 마지막으로 협력적 문화를 조성할 필요가 있다.

Experiences in Sport, Physical Activity, and Physical Education Among Christian, Buddhist, and Hindu Asian Adolescent Girls

  • Araki, Kaori;Kodani, Iku;Gupta, Nidhi;Gill, Diane L.
    • Journal of Preventive Medicine and Public Health
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    • 제46권sup1호
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    • pp.43-49
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    • 2013
  • Multicultural scholarship in sport and exercise psychology should help us understand and apply cultural competencies for all to be physically active. In the present study, two Asian countries, Japan and Singapore, were chosen. The participation rate for physical activities among adolescent girls tends to be lower than that of boys in both countries. Thus, the purpose of the project was to gain knowledge and understanding about sociocultural factors that may explain adolescent girls' perceptions and behaviors toward sport, physical activity, and physical education (PE). A qualitative approach using semi-structured interviews with focus groups was used to understand meanings of physical activity among Buddhist Japanese, and Hindu Indians and Christian Chinese from Singapore. Each focus group consisted of four or five girls and female researchers. Based on the analysis, we created four themes which were "cultural identities", "Asian girls and sport/physical activities", "PE experiences", "motivation for future involvement". The Buddhist Japanese, Hindu Indian, and Christian Chinese participants each reported unique physical activity experiences, and all the participants were aware of how Asian culture may affect being physically active. Experiences of PE classes were similar but perceptions of their PE attire were different for Christian Chinese and Hindu Indian adolescent girls. Based on the results, the importance of nurturing cultural competencies and ways to encourage girls to be physically active throughout life were discussed.

글로벌 한국어 방송사의 경영전략 연구 : 기업자원모델을 중심으로 (Analysis of Business Strategy for Korean Ethnic Media Companies based on Resource Based View)

  • 김종하;정윤경
    • 문화경제연구
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    • 제19권2호
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    • pp.147-170
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    • 2016
  • 본 연구는 세계 한국어방송사의 경영개선을 통해 모국의 지원정책 방향을 수립하고자, 미국과 캐나다, 중국, 호주 뉴질랜드을 중심으로 해외 한국어방송사의 미디어 운영환경과 경영자원, 모국에서 10년간 운영중인 지원사업 등을 분석하였다. 연구결과, 미국과 캐나다는 치열한 경쟁에 노출된 완전경쟁시장으로 한국어방송사간 경쟁, 자국내 미디어와의 경쟁, 뉴미디어도입에 따른 경쟁, 모국 미디어와의 경쟁이 존재했다. 중국은 정부의 규제 및 소수민 미디어에 대한 지원이 시행되어 제한적 현지화가 구현되고 있었으며, 호주 및 뉴질랜드는 동포의 수가 적고 밀집도가 떨어져, 방송시장의 규모 또한 영세하거나 미발달했지만, 잠재적 성장을 기대할 수 있는 시장으로 구분되었다. 각 국가별 해외 한국어 방송사 활성화를 위해 미국의 한국어방송사들은 콘텐츠 차별화를 위한 사업구조와 조직개선을 위한 지원과 협력이 필요하며, 중국은 재무자원 다각화 및 콘텐츠 역량 강화가 시급한 것으로 분석되었다. 호주 및 뉴질랜드의 경우 양질의 콘텐츠확보를 위한 모국의 지원 및 협력강화가 중요한 이슈로 연구되었다.

'아편전쟁'을 바라보는 세계의 시선과 욕망 (The World's Gaze and Desire on the Opium War)

  • 진성희
    • 비교문화연구
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    • 제33권
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    • pp.53-75
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    • 2013
  • It is well-known that Chinese saw themselves as the centre of the world until the early 20th century. Since the Opium War 1840, however, belong to the 'general world' the past century. The Opium War made China break away from the Sinocentric spirit. This writing(essay) examines movies from China and the World concern the historical event 'the Opium War.' It also discusses desires that are inherent in narration of each movie and how accord with the real world. The movie The Opium War(1997) directed by XieJin is a work that intended: to wash off the memory of history of disgrace and; to successfully put a disparate piece, Hong Kong, of a puzzle named China together. The Japanese movie Wànshìliúfāng(1943)and The Opium War(1943) were also made for the victory of the Pacific War. They were part of project for uniting the domestic Japan and the colonial outlands - Manchuria and Joseon - that reenacted humiliating history of China, which had been the suzerain of the East Asia The Korean movie The Opium War(1964) was not recalled due to the demand for a lesson from China's painful history, but was recreated by imitating Hong Kong, into where capitalism was transplanted through the Opium War before Korea. History is eventually recalled to the present and the histories, that each different present invokes, are recreated in respective fashion. From their plan to wash off the history of disgrace and successfully return Hong Kong to its native country, China, Japan, and Korea portrayed China, once their cultural suzerain, as impotent East Asia. From their proposition that they should resist the present enemy, the West, together, they imitated the west of the East, which lead the way to achieve modernity. Finally, from their ambition to deviate from their status as developing country, they recalled and reorganized the history, the Opium War.

푸슈킨의 자화상 연구 (A Study on Pushkin's Self-Portraits)

  • 심지은
    • 비교문화연구
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    • 제50권
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    • pp.283-311
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    • 2018
  • 이 글은 백여 점의 스케치로 남은 푸슈킨의 자화상을 연구 대상으로 삼는다. 푸슈킨은 평생에 걸쳐 다양한 모습으로 변장한 다채로운 자화상을 그렸다. 푸슈킨 외에도 많은 작가들이 자화상을 그렸으나 그 수량과 유명세로 볼 때 시인의 것을 뛰어넘는 자화상을 찾기란 어렵다. 이 점에 주목하며 본문에서는 우선 19세기 낭만주의 시기 만개한 회화 장르로서의 자화상 전통에 의거하여 시인의 자화상이 차지하는 위치를 점검한다. 이어서 푸슈킨의 자화상이 거의 다 측면상 구도를 사용하고 있다는 점에 초점을 맞추어 그 배경 및 의미를 추적한다. 끝으로, 푸슈킨 자화상에 담긴 철학적 함의를 규명하기 위하여 렘브란트의 자화상과 몽테뉴의 "수상록"을 동시에 펼쳐 읽는다.

하워드 패스트의 『이민자들』에 나타난 중국계 미국인 재현 연구 (Chinese-American Representation in Howard Fast's The Immigrants)

  • 이수미
    • 비교문화연구
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    • 제35권
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    • pp.97-122
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    • 2014
  • Since the arrival of Chinese immigrants in the 1850s, many Euro-American writers tended to project their fears, contempt, desires and fantasy onto the Other race and perceived Chinese Americans in stereotypes-dangerous villains, unassimilated aliens, quiet and passive servants, sexually submissive women, or seductive prostitutes. However in the 1970s and the 1980s Euro-American novels expressed varying attitudes towards Chinese Americans. Many earlier EuroAmerican writers began portraying positive characterizations of Chinese Americans. The purpose of this study is to examine the ways one of the Euro-American writers, Howard Fast characterized Chinese Americans in The Immigrants. Part of the novel concerns a Chinese American family. Fast gave a favorable portrayal of Chinese Americans. Unlike many Euro-American novelists who dealt only with Chinese American villains and prostitutes and view Chinese Americans as the lowest class of American society, Fast, on the other hand, portrayed Chinese Americans as law-abiding and useful citizens. Thus, I will discuss how Howard Fast subverted the familiar negative characterization of Chinese Americans and placed Chinese American experiences in the context of American immigration history. Many white Americans tended to notice only the lurid and sensational aspects in the Chinese American community. They seldom regarded Chinese Americans as people with homes and families and seldom saw Chinese Americans as individuals, as human beings with feelings, pain, and joy. To counter this racist view, Fast described the family life of Chinese Americans and depicted Chinese Americans as individuals with a full range of human emotions and with strong family and cultural ties. Though Fast debunked some myths about Chinese Americans, he also reinforces other stereotypes or some stereotypical illusions about them. In conclusion, I'll demonstrate Fast's work remains an incomplete representation of Chinese Americans.

A Pilot Project of Systematic Tuberculosis Screening in the Elderly in a South Korean Province

  • Kim, Hyunwoo;Kim, Hee-Jin;Oh, Kyung-Hyun;Oh, Hwan-Wook;Choi, Hongjo
    • Tuberculosis and Respiratory Diseases
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    • 제82권3호
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    • pp.194-200
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    • 2019
  • Background: Tuberculosis (TB) is a major infectious disease in South Korea causing substantial disease burden, particularly in the elderly. This study aimed to identify the case detection rate of mobile TB screening for the elderly conducted in the Jeollanam-do region and to analyze risk factors of active TB. Methods: We screened the elderly population (${\geq}65$ years old) in Jeollanam-do from August to December 2017. Chest radiography was performed for all participants. Participants with TB presumptive signs were asked to submit sputum specimen(s). Sputum smear, culture, and polymerase chain reaction analyses were performed. Cascade analysis, chi-squared tests, and Fisher exact tests were used to evaluate screening performance. Results: In total, 12,402 participants were screened, and 211 (1.7%) were suspected to have active TB; 181 of the suspected patients (85.8%) underwent sputum smear test, and 16 (8.8%) patients were confirmed to have TB. The TB prevalence among the elderly was bacteriologically confirmed to be 129 per 100,000 individuals, which was similar to national TB notification data for the same age groups. The proportion of active TB cases increased with age, and differed based on sex and past TB history. However, TB-related symptoms, comorbidity status, and TB screening history within 12 months were not predictive of active TB. Conclusion: This study identified that the prevalence rate was similar to national TB notification data from the same age groups. Periodic, community-based, systematic TB screening among the elderly population is recommended.

기록의 전회 <포스트1999>를 전망하며(2) (Archival Turning Postmodernism and Korean National Archives System since 1999(2))

  • 이영남
    • 기록학연구
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    • 제40호
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    • pp.225-277
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    • 2014
  • '의미의 각축장'으로 떠난 기록여행을 떠나 보았다. 그리고 각주의 계보학이 아니라 재활용의 미학을 실험해보았다. 재활용은 무엇을 재활용하자는 것일까? 지난 15년을 비판하기보다는 향후 15년을 설계하는 것이 필요하다고 보았다. 그래서 향후 15년을 이세신궁 프로젝트로 명명해보았다. 이제 우리에게도 자생적 아카이브를 말할 시점이 된 것 같다. 서구의 기록문화를 열심히 받아들이고 교류하는 것을 넘어서 자생적 아카이브를 고민해야 할 것 같기 때문이다. 이제 수천 명의 사람들이 10년이 넘는 시간 동안 자기경험을 쌓았다면 충분히 그럴 시점이 되었다고 본다. 또한 이 글에서는 기록의 상대성과 기록의 장소성을 살펴보았다. 공공기관 아카이빙이 중요하다고 하더라도 이제는 기록의 중심적 위치에서 내려와야 할 것 같다. 아래로부터 아카이빙이 있고, 일상과 커뮤니티 아카이빙이 있고, 기호학적 접근이 있기 때문이다. 비관주의에 반대한다. 침묵의 힘을 신뢰한다.

Classification of elderly households based on diet-related style and analysis of their characteristics

  • Haewoon Oh;Uhn-Soon Gim
    • 농업과학연구
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    • 제49권4호
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    • pp.1015-1031
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    • 2022
  • The objectives of this study were to classify the types of elderly households and to compare the characteristics of their dietary lifestyle. Panel data surveyed by Korea Rural Economic Institute (KREI) for Food Purchase Attitudes over three years (2019 - 2021) were utilized for the analysis. Through a factor analysis, five common factors were extracted out of 19 basic variables related to dietary style, which indicate two kinds of consumer competency index (safe diet, traditional diet) and three kinds of purchase frequency (healthy food, meat & fish, fresh seafood). Applying the cluster analysis method, by using socioeconomic variables along the five common factors, elderly households aged 60 or older were grouped into four types. As a result, Type 1 elderly households accounted for 50.8%, Type 2 for 16.2%, Type 3 for 27.8%, and Type 4 for 5.2% out of all 870 elderly households. Type 1 is characterized as a low-income vulnerable class with a poor diet, Type 2 as a middle-income class with a healthy food-oriented diet, whereas Type 3 was classified as a middle-income class with a meat-oriented diet, and Type 4 as a high-income class with diverse dietary culture. It is necessary to expand the agri-food voucher pilot project to the entire country and also increase the monthly subsidy for the Type 1 elderly households. Implementing community kitchen projects for elderly single-person households, promoting senior internships by providing incentives to companies that employ retirees, the provision of education by local governments on a safe and balanced diet for Types 2 and 3, and the promotion of an elderly-friendly social environment are also recommended.

정치적 의제로서의 사유와 소통의 장의 실현 -셸리의 『혼돈의 가면극』 읽기 (Embodying a Field of Thoughts and Communications as a Political Agenda: A Reading of Shelley's The Mask of Anarchy)

  • 민병천
    • 영어영문학
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    • 제56권4호
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    • pp.667-690
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    • 2010
  • This essay attempts to read Percy Bysshe Shelley s The Mask of Anarchy by attending to a political agenda that Shelley seeks to propose and embody in the poem. This poem was written as a response to an exceptional political event, the Peterloo Massacre, and thus it is evident that Shelley intended to engage in contemporary politics by writing this poem. As many critics have pointed out, however, the way in which this poem addresses social, plitical issues is ambivalent and even confusing, since it contains many elements that contradict each other, and sometimes its political visions are based on incoherent conceptions. For this reason, this poem has been considered to be a failure as an occasional poem which should provide the reader with a clear direction for political actions. Faced with this critical problem, this essay proposes that the ambivalence this poem reveals-e.g., the confrontation between moderate artistic fantasy and radical tenets-is not a retreat from political activism, as some critics suggested, but a result of its creation and embodiment of a public sphere which invites various social classes and their positions. The mode in which Shelley conceives this unified public sphere in the course of writing The Mask of Anarchy can be interpreted in terms of the following three features. First, this poem underscores the significance of thoughts in constituting a communal space between people, thus asking the reader to participate in this process of thinking on given issues. Second, this poem suggests that people should enlighten each other by engaging in communicative reciprocations. Lastly, the public sphere formulated by the previous two features should incorporate various socio-political agents beyond class boundaries (even oppressors themselves) into its own working field. After explaining how these three features are manifested in the poem, this essay argues that the unified public sphere thus formed in the poem is the very agenda that Shelley aims to propose for the contemporaneous politics and culture. As a conclusion, this essay highlights how Shelley s project of creating a unified public sphere finally failed in contemporary history through observing two contrasting receptions of Shelley s works.