• 한국실내디자인학회논문집
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• 제29호
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• pp.181-187
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• 2001

The art museum plays a role as a cultural space that can solve the cultural desire of people and see a good art works. It is in exhibition space that they personally exchange the feeling between an art work and a viewer in art museum. The types and works - a fiber, a photo, an establishment that needs many places, devices, a video art, and an action art called "performance", cultural art - are shown in small art museum. Moreover, exhibition spaces are modified into the space of another art activities like dancing, music concerts in small art museum because it has no profit space for diverse art activities. And the exhibition the characters of the exhibition space in small art museum. So, it needs to change the characters of the exhibition space in small art museum. Under these background, this stud\ulcorner surveys and analyzes the exhibits, the organization methods, the modified conditions, and the scale of the existing exhibitional space in small art museum. Therefore, the goal of this study is to suggest the composition of the exhibition space unit considering the function and the multifunction in minimum art museum and small art museum.

• 영어영문학
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• 제59권4호
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• pp.569-592
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• 2013

In Reservation Blues, Sherman Alexie examines how Indians can survive successfully in contemporary America, overcoming the tragic history of colonialists' violence and the resultant traumata. For Alexie, both reassembling the parts of the colonialist history through remembrance and testifying its unjustness play important roles not only in the decolonization process which probes the remnants and the negative effects of the colonialism deeply rooted in the lives of Indians but in the procedure of healing the political, cultural, and religious traumata. However, it should be noted that the ultimate aim of Alexie's decolonization does not lie in erasing every trace of the colonialism but in transforming its legacy into a story of survivance. The recovery of the tribal voices and the preservation of Indian traditions, blood, and cultures are essential in the survivance of Indians. Yet, Alexie's tribalism should not be viewed as an exclusive one. He knows well that it is neither possible nor desirable to maintain an exclusive tribalism based on blind adherence to a mythic or "pure" past. Exclusive tribalism is a cause for alarm in the contemporary world, a dynamic place where diverse cultures consistently change through collision, exchange, and negotiation. In Reservation Blues, Alexie stresses a spiritual and cultural flexibility that makes the cultural interpenetration possible as a key element of the meaningful survivance of contemporary American Indians.

• 한국비블리아학회지
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• 제19권2호
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• pp.45-62
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• 2008

문화유산 정보 관리를 위한 참조온톨로지인 CIDOC Conceptual Reference Model(CRM)을 통해 관련 기관 간의 상호 협력 가능성이 증대되었으며, 서지레코드를 중심으로 개발된 FRBR 모형을 CRM을 기반으로 재구조화하여 통합한 FRBRoo 모형이 개발되었다. 본 연구에서는 FRBRoo 온톨로지를 분석하고 향후 적용방안을 도출하였는데, 그 결과 FRBRoo를 통해 문화유산 관리기관 간 정보의 교환과 통합을 위한 상호운용성 강화와 보다 확장된 추론 규칙을 설계할 수 있었다. 또한 통합의 부산물로써 FRBR과 CRM이 간과했던 정보 자원의 특징들을 새로운 시각으로 인식하고 개선할 수 있는 기회도 얻게 되었다.

• 산경연구논집
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• 제14권11호
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• pp.11-18
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• 2023

Purpose: This study aims to respond to essential queries regarding significant impacts the Korean Wave had on the music business especially in light of K-pop's explosive growth on the international scene and how to transform Hallyu into the global dynamics of the music business. Also, the study investigates what degree of cultural bridging through Music's universal language has Kpop achieved beyond its status as a purely musical genre. Research design, data and methodology: For the process of data collecting, the current investigators used a combination of keywords and controlled vocabulary terms to conduct in-depth searches across reputable academic databases, including PubMed, Scopus, Web of Science, and Google Scholar. Keywords are significant in searching databases such that the desired articles can be sought out wiith the keywords "Korean Wave," "Hallyu," and "music industry,". Results: The investigators found the globalization of K-pop, diverse audience engagement, digital transformation, and cultural exchange through Music as four critical effects of the Korean Wave on the music business. Conclusions: Lastly, this study concludes that As we end our investigation into Hallyu's effects on the music business, it is clear that Korean Music's cultural impact and international appeal have created new opportunities and particular difficulties for both professionals and artists.

• 한국언론정보학보
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• 제35권
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• pp.36-86
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• 2006

전 세계를 시장화하는 GATT 및 WTO 등 다자간 자유무역체제의 확산 및 특정 국가간의 자유무역협정(FTA) 등이 확대됨에 따라 방송 분야의 산업화와 세계화가 급속히 진전되고 있다. 산업적 논리에 입각한 방송환경의 변화는 방송의 산업적 위상을 높이는 결과를 가져왔으며, 방송은 21세기 최고 유망산업 가운데 하나인 문화산업의 핵심 분야로 주목받고 있어, 방송 상품은 국제무역에서 중요한 교역물의 하나가 되었다. 국제교역에 있어서 미국과 일본은 문화 산물도 일반 재화와 동일하게 취급하여 국제적인 자유무역의 틀 안에 두려고 하며, 반면 EU와 캐나다 등의 국가들은 문화 산물을 상품임과 동시에 공공재라는 입장을 취하여 자유무역에서 제외해야 한다는 문화적 예외를 주장하고 있다. 그러나 WTO의 DDA협상이 진행되고 있고 미국이 FTA를 급속히 확대해 나가고 있는 상황에서 다자간 자유무역협정의 틀 안에서 이루어지는 문화적 예외는 한시적 대응수단으로 근본적인 대안이 될 수 없다. 따라서 유네스코의 문화다양성 협약을 통해 국가의 문화정체성 확보를 위한 정책 등을 실행함으로써 문화에 대한 자주권을 국제법상 보장받도록 해야 하며 무역협정의 교역질서를 대체하는 새로운 문화교류의 질서를 조직하여야 한다.

• 한국항해항만학회:학술대회논문집
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• 한국항해항만학회 2000년도 Proceeding of CIN-KIN Joint Symposium 2000 on M.E.T. Under STCW 78/95 and SINO-KOREA MARITIME CONTACT IN MID-CENTURIES
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• pp.185-190
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• 2000

The concept of Chang Po-Go phenomenon is put forward and discussed in this paper from the point of view of international rationships in north-east Asia. Superfically, Chang Po-Go phenomenon showed trade prosperity on north-east Asia seas, but he nature of the phenomenon lies in the rising and strengthening of korea sea power. As works of the combination of general environment and individual heroism Chang Po-Go phenomenon can bring us some enlightenment on reform and open policy.

• 보존과학연구
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• 통권35호
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• pp.5-23
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• 2014

완형유리구슬을 비파괴 분석법으로 검증하고 충청지역 출토 유리구슬과 비교분석하여 지역별 시대별 유리구슬의 특징을 분류하고자한다. CaO, $Al_2O_3$(안정제), MgO 등 미량검출 성분은 차이가 미미하였으며, $SiO_2$(주제), $Na_2O$(융제) 분석결과 값 차이가 다른 성분에 비해 컸다. 선행연구 비교 분석결과 문성리 유적 Soda Glass 군은 LCHA형, HCLA형, LCA-B형이 모두 나타났으며, 백제시대 유리구슬로 추정된다. Potash glass 군의 경우 문성리 유적 유리 Potash glass 군은 I형, III형이 모두 나타났다. MgO와 $K_2O$ 함량에 따른 융제($Na_2O$) 성분원료 구분하면 선행연구 및 문성리 유적 유리구슬 모두 MgO 와 $K_2O$의 함량이 1.5 wt.% 이하이므로 광물원료에서 소다를 취한 것으로 판단된다. 한국 출토 금박구슬의 계통분류에 따라 문성리 유적 금박유리구슬을 분류하면 금박 네트론유리(Soda Glass) I형(학곡리, 양동리, 탕정, 남산리, 두정동, 복암리) 유사하다.

• 정보관리학회지
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• 제29권3호
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• pp.31-59
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• 2012

모바일 및 태블릿 PC의 확산으로 인해 지리적 경계가 무너짐에 따라 글로벌 문화 예술 활동 및 공공문화 콘텐츠 교류가 확대되는 추세이며, 웹2.0의 확산에 따라 사용자는 쉽게 다양한 문화 콘텐츠를 이용할 수 있게 되었다. 그러나 이에 적합한 기술을 적용하고 문화 콘텐츠를 개발하는데 있어 각 지자체 및 연구기관에서는 선례나 기준이 없어 개별적이고 독자적으로 구축, 서비스하고 있는 실정이다. 또한 기존의 콘텐츠 서비스와는 달리 모바일 환경의 특성을 고려하여야 하며 사용자의 현재 상황에 적합한 개인화된 콘텐츠를 적시에 제공할 필요가 있다. 이를 위해서 본 연구에서는 문화 콘텐츠의 모바일 서비스를 위한 기반연구 현황과 모바일 환경을 기반으로 한 문화 콘텐츠 서비스의 표준적이고 효과적인 구축방안을 기초한 한국향토문화전자대전 모바일 웹 서비스 사례를 소개한다.

• International Journal of Costume and Fashion
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• 제13권1호
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• pp.61-79
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• 2013

This study takes a look at the distinct and exclusive culture of Latin America, with a specific focus on Mexico, and attempts to understand its unique cultural identity by comparing, analyzing, and evaluating the characteristics of the Mexican fashion brands, Taller Flora and F$\acute{a}$brica Social, which are brands that have actively used the Latin American cultural identity in its designs. The research method was as follows: 1) performing literature research with specialty publications and thesis that dealt with the two brands 2) analyzing the contents of various articles from the Internet and interviews related to the brands. Thus, this research attempts to understand the characteristics of the fashion brands that use the cultural traits of Latin America in order to dissect its methods and find a way to apply it so that it can be used in different cultures, and in effect, lead to the advancement of the fashion industries, in general. Taller Flora and F$\acute{a}$brica Social are two brands that are able to stand out with a distinct identity by applying traditional native Latin American qualities in its products, as well as its products reflecting a respectful and balanced relationship between people and nature. The characteristics of the two brands are as follows: 1) showing the concept of "the coexistence of diversity" by expressing "the old and the new", "simplicity and flash", and "melding of the Western culture via colonialism and traditional cultures of the aboriginals and other diverse native cultures" 2) achieving "the recovery of the human dignity" by protecting the human rights of the native female artisans and building a network for equality 3) pursuing "free naturalism" by balancing the natural provision of nature and man in addition to promoting environmental protection and conservation of goods 4) becoming "the bridge between communication and exchange" by connecting the artisan, the designer and the consumers together, or the producer and the market, as well as the different cultures of markets from diverse countries.

• 복식
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• 제57권6호
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• pp.101-111
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• 2007

The purpose of this study is to examine the features of the conversational patterns presented on the fashion in the early 2000's and analyze it from cultural view. The expression of the patterns is a result of a creative aesthetic activity, mental activity, and the reflection of the common cognition. And the fashion is a part of the life environment. So the patterns presented on the fashion provides a clue to figure out the common unconscious sense for explaining the culture. The patterns have been expressed with different methods belonging to each culture such as weaving and prints. And those of the each cultural group have been communicating each other. The silk came to the Europe in the 6th century. The textile industry which flourished since 15th century. And they shows the chinoiserie or indian prints, not only the european culture. We can observe that the exchange of the techniques and cultures between cultural groups like the east and the west, and the presentation of the patterns is a way to express their own desires. The patterns presented after 2,000 can be classified by the form and the contents. But, more specifically, the patterns classified by the contents, which is Conversational design, can be categorized as followed according to the origin; reflecting cultural identity, Popular culture, Lohas lifestyle, and art movements. Which can be summarized as that the people have more interest on the different cultural group, diversity, retrospectiveness, and exoticism, which the patterns originally belonged to than on the form itself.