• 동양고전연구
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• 제49호
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• pp.39-71
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• 2012

본고는 여헌(旅軒) 장현광(張顯光)의 학문 체계 내에서 그가 구체화시켰던 문화의식에 초점을 맞추고, 그 기저가 되는 인문 정신, 문화 의식과 연관된 그의 국토 인식 및 우리 문헌 자료에 대한 그의 특징적인 논의와 실천의 모습을 검토한 것이다. 그리고 이 논의의 출발점은 최근 역사학계에서 여헌의 학풍을 둘러싸고 제시된 엇갈리는 평가에 기초한다. 여헌은 문화와 관련된 기본적인 인식 체계로서 인문 정신의 구현에 주목하였다. 그는 '도(道)'의 가시적이며 현상적 대상이 '문(文)'임을 제시하고, '도'와 '문'의 불가분리성을 제시하고, 인문의 실현이 천문(天文)과 지문(地文)을 구현하는 요체임을 강조하였다. 특히 그는 인문의 실현 주체로서 인간의 역할과 책임을 강조하였으며, 인간이 실현해야 할 인문의 내용을 '도덕의 실천'으로 규정하였다. 인간이 일상에서의 행위로부터 사회 윤리와 교화의 규범, 그리고 천지만물의 화육(化育)에 이르는 것이 모두 인문의 내용이라 이해하였으며, 이러한 내용이 육경(六經)에 온전히 담겨 있다고 보았다. 여헌은 인문 정신의 실현이 도덕의 실천임을 강조하면서, 우리 문화에 대한 관심 또한 놓치지 않았다. 그는 인문 실현의 터전으로서 지문(地文)에 대한 이해를 우리 국토에 대한 인식과 결부시켜 형세(形勢)를 중심으로 국토를 파악하고, 중국과 비견되는 '소중원'이라 규정하였다. 긍정적인 국토 인식 하에서 우리 국토에서 배태된 우리의 풍속과 문화가 중국에 결코 뒤지지 않음을 제시하였다. 나아가 그는 우리 역사 속에서 드러난 문헌에 대한 애착을 구체적인 실천으로 이끌었다. 그는 우리 문화를 이해하고 보존해야 한다는 의지를 그의 문인인 김휴(金烋)를 통해 우리나라 최고의 도서 해제집 "해동문헌총록(海東文獻總錄)"으로 구체화하였다. 이 책의 편찬 작업이 전란을 거치면서 피폐해진 현실 상황에서 우리 문화유산을 정리하고 보존해야 한다는 의식 하에서 이루어졌다는 점에서 '국학정신이 앙양된 결과'라고 평가할 수 있다. 위와 같이 여헌은 인간 도덕에 대한 자각과 실천을 바탕으로 인문세계의 실현을 누구보다도 강조하였고, 이러한 생각과 의지는 우리 국토와 문화, 그리고 문헌에 대한 관심과 애정으로 이어졌다고 할 수 있다. 유학 전통의 도덕 실천을 강조하는 그의 인문 정신은 인간 도덕의 보편성에 대한 확신이자 실천 의지로 이해되어야 하며, 그가 보여주었던 우리 국토와 문화에 대한 긍정적 인식과 실천적 지향은 비록 중국과 비교되는 차원에서 제시되었지만, 중국에 대한 추종이라기보다는 우리 문화에 대한 자부심으로 평가되어야 할 것이다.

• 건축역사연구
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• 제18권6호
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• pp.7-22
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• 2009

This writing is to understand some trends and its meaning of Regionalism Architecture in Jeju Island since 1950's. This thesis began with an interest in the identity crisis implicit in the simultaneous striving for modernism and the so-called regional values in Jeju Island. Regionalism is a response in architectural terms to re-establish continuity in a given place between past and present forms, and also a unique result related to particular places, cultures and climates in region. This is one way of looking at the issues of regional identity. The study began by observing the general characteristics of contemporary ideas on Regionalism in Jeju architecture. This means that tracing the history of development of Regionalism architecture in research area is not the focus of this thesis. The thesis demonstrates that Regionalism architectures in Jeju shows some trends related to the local cultural elements (or ideas) such like traditional architectural forms, natural environment, local construction-materials, etc. In summation, in the perspective of Regionalism architecture,mostofbuildingsin Jeju bring out them only as vernacular architecture as it was once produced, by the simple combination and imitation without any creative interaction of the regional culture. I stress the point in this paper that, in over the last fifty years, there have been very narrowed attempts to design the regional values in the main, and also point out that there are problems in the manner in which local architects have gone about trying to define the regional themes. So, a grate depth is required to understand the phenomenon that Jeju area is with its various nuances of traditions, art, culture, climate and light and then to reinterpret it into the modern building type with all the high sense. In addition to that, some conclusions are reached on future directions and the significance of the study.

• 복식
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• 제39권
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• pp.181-196
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• 1998

This study is about the similarities and the individualties of the traditional costumes in the ruling classes of Koguryo(高句麗), Bakjae(百濟), and Shilla(新羅). The analysis is based on the views of historical reformation on$\boxDr$Sam-gooksagi(三國史記)$\boxUl$Bongi(本紀). The costumes that were worn by the governing classes are categorized by the following, official duties, wars, ceremonies, and recreations(hunting). Up to the present time, there has been a great tendency to emphasize the similarities of the Three Kingdoms' costumes among most of academic researchers. However, the conceptions of individualities of the costumes among the Three Kingdoms were conceived by the facts that geological environments, political systems, social traditions, social aspects, and foreign affairs. The Three Kingdoms had different official rank systems along with official costume systems. Monopolization of official positions of the ruling parties tried to show their dignity and authority through styles of their costumes. The costumes of Koguryo were greatly differentiated by geographical regions ; One direct example is cheak of Pyoungyang and Anak regiona was named as official hats of rulling parties of Kokuryo. However, in this study, the cheak was viewed as a product of influences of Chinese costume. Further-more, the laguan was named as mooguan. Costumes of ceremonial occasions were heavily decorated to symbolize dignity and auth-ority. Metal ornament of headgear and belt, metal shoes were con-sidered as ceremonial costumes. the tight hunting costumes of Koguryo shown in mural pain-ting costumes of Koguryo shown in mural pain-tings were presumed to be spring and autumn clothing. Excavated from Neungasnlee, the hunting costumes inscribed in the gold incense burnner were confirmed as hunting costumes of Bakjae. The individuality of the costumes of the Three Kingdoms could also be supported by the fact that they had different climates. The temperature difference between Gipan region and Kyoungjoo(慶州) region was emphasized. Especially winter clothing would have had a big difference in style than the summer clothing. Through the research summarized above, this study was able to confirm that each of the Three Kingdoms had developed individualized costumes based on their geographical, cultural and environmental factors. Furthermore, through this study, it was possible to find out the difference as well as the similarities of their costumes according to each of their people's sociopolitical status, awareness of indepen-dence, andunique historical and traditional charactoristics.

• International Journal of Contents
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• 제12권3호
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• pp.34-41
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• 2016

A traditional village is cultural property where old buildings and traditions are concentrated and also where indigenous traditional cultures can be recognized and experienced directly or indirectly. In addition, traditional villages have been recognized as precious resources to revitalize regional economies through tourism. Currently, signage systems have been developed as for ordinary tourist sites or cities, and concepts or methods for sign system for traditional villages have not yet been established. Therefore, it is necessary to develop disaster prevention-based signage to prevent large-scale disasters, to guarantee the safety of residents, and to increase the satisfaction of visitors in traditional villages as precious resources. A case study is conducted to apply the proposed sign system for traditional villages in Korea and Japan as a tourist-oriented sign system that has been accomplished in Korea and a large disaster-oriented sign system developed with residents as a priority in Japan. The disaster prevention sign system considers the residents since residents are victims when a disaster happens, and guideline to increase the efficacy and satisfaction are suggested. However, this study has definite limits in sucring objectivity because the objects of study are insufficient, and the development of the sign system based on effective disaster prevention considering the features of traditional villages will continue in the future.

• Strategy21
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• 통권42호
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• pp.293-317
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• 2017

A series of immoral conducts are repeatedly occurring by some commanders and high-ranking officers in the ROK navy. They are seriously compromising not only harmony and solidarity of the organization, but also pride and morale of members of the service. They seem to be results of the fragile ethical background of the service as well as of failures in military education and training on ethics. This paper sees backgrounds of weak ethical foundations of the navy as follows: the enduring legacies of cultural factors, such as the toxic military culture of the Japanese colonization, dark side of mariners' traditions, the sea-aversive Confucian culture, and unique characteristics in any small organization or society, etc... This paper also suggests the current ethnic systems of the navy are primarily based on responsive measures against misdeeds, rather than fundamental prescriptions for immoral behaviors, in the absence of ethical instrument for warriors. The paper also emphasizes the importance of developing character-based leadership, founded on, above all, respects for human integrity and strong sense of honor. Moreover, the importance of accountability in charging the command, as advocated by the US navy, is also stressed in order to establish a more robust ethic ground within the navy. Based on these analyses, the author proposes that in order to become a stronger and healthier fighting force, the navy needs to make continuous command efforts and organizational innovations to improve ethic principle and moral standard of the service, to strengthen ethics of naval leaders by a robust system of ethical education and training programs, and ultimately to solidify a navy culture in which moral passions and energies are spreading over.

• 한국농촌건축학회논문집
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• 제17권1호
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• pp.83-94
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• 2015

The area of domestic urban design and architecture has established its original characteristics as various programs and functions were created in the drastically changing society. Such features have been presented in a certain type of patterns or unique formations, which demand a gradual development of designs in harmony with the functions and roles of the city and thus designers are forced to continue thinking deeply on this matter in their own perspectives. In particular, such demands are outstandingly high in reality in historical cities such as Andong, which this study works on. As the design contest winner is based on the geographical characteristics and locality, Confucianism and seonbi(Korean classical scholar) spirit, which are regarded as a philosophy of value, how the traditional concepts could be reflected in the plan was the focus of the discussion. The conclusions deduced from such a background include the following. First, it is necessary to make an approach on the basis of the concept in traditional architecture at the complex planning level based on the ideology in the implementation plan that requires traditionality for a complex design with contemporary functions. Second, it is important to approach this as an exploration of a solution to globalize Confucian culture in the future based on the cultural characteristics of the region and the environmental characteristics of the surroundings. Third, beginning from a concept that explains the complex to a concept that explains individual buildings, it is necessary to reflect characteristics in which the realization of a traditional space is planned in three dimensions.

• 복식
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• 제50권4호
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• pp.131-146
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• 2000

The starting point of this study was that the Orientalism reflected in the modern clothing is realized the different view by Western and Eastern. Based on this regard, this study semiotically analyse that clothing is creating the cultural values and signification and that the western designers are reproducing an ideology as orientalism being the western-oriented thought when expressing the Asian image in the modern clothing. The theoretical sides are based on the semiotic analyses of F. Saussure, C. Peirce, and R. Barthes. By the result observed through this study, the Orientalism reflected in the modern clothing designed by Western designers are discriminative image, mystic image, past-oriented image, natural image, and complex-eclectic image. The discriminative image is reproduced as a savage and uncivilized image. In addition, it regarded as a decorative and superficial image is expressed as if it is an uncharacterized and underdeveloped image in the modern clothing. The mystic image is reproduced as a romantic image to stimulate Westerners'curiosity. That is, Asian image is regarded as a dream and magical image rather than a scientific and rational image. The past-oriented image is expressed through restricting Asian positive image in Asian historical glory. The natural image differs from Western image based on science in the modern clothing. The modern clothing regards the natural image as a primitive and instinctive image. The complex-eclectic image is the pastish pattern through selecting and distributing heterogeneous materials in the modern clothing. This study critically analyzes the western-oriented thought of orientalism in the modern clothing. The results of the study imply that it is critical that we provide a new contact point for the East and the West in the context of our Asian values and traditions.

• 산업융합연구
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• 제17권4호
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• pp.33-38
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• 2019

지역의 관광산업은 지역경제 활성화 및 지역 이미지 개선의 효율적인 수단이다. 이것을 활성화시키기 위하여 지역적으로 특화된 관광 상품을 만들고, 고유문화와 전통을 살리기 위한 노력이 필요하다. 이 중 관람객들에 대한 정보 수집 및 관광 콘텐츠 내용의 질적 경쟁력 확보는 문화관광축제의 잠재력을 키우는데 매우 중요하다. 본 논문은 방문객의 관광 욕구 및 만족도를 제고하기 위하여 특정 지역의 축제 관련 데이터를 수집, 정제, 처리하여 이 데이터와 관광산업과의 연관성을 시각적으로 표현하고자 한다. 특히 지역에서는 축제에 대한 분석 의지는 높으나 데이터 수집을 위한 별도의 인프라가 없는 상태에서 외부 통신사 및 카드사의 데이터에 의존 할 수밖에 없었다. 이로 인한 행정 예산의 부담이 가중되고 있었으며, 이를 조금이나마 해소하고자 공공데이터 및 인터넷에 존재하는 데이터들을 수집하여 분석하고자 하였다. 본 연구에서는 분석하고자 하는 지역의 공공데이터 및 주변에서 쉽게 접할 수 있는 지역 뉴스 데이터를 활용하여 지역 축제에서 이슈가 되었던 부분을 키워드로 도출할 수 있는지에 목적을 두고 연구하였다.

• 디지털융복합연구
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• 제15권1호
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• pp.443-452
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• 2017

건축의 한 분야인 동시에 역사학의 한 분야이기도 한 건축역사는 건축양식의 변천을 다루기는 하나 사회적, 경제적, 문화적, 기술적 상황 등의 시대 배경을 종합적으로 고찰할 필요가 있다. 그러므로 건축역사에서 주로 사용되는 용어는 다양한 분야를 아우를 수밖에 없다. 따라서 본 연구에서는 건축역사 관련 문헌을 대상으로 텍스트 마이닝과 연관 관계 분석을 수행하여 어떤 용어가 건축역사에서 핵심적인 용어인지를 파악해보았다. 우선 국내 건축역사 분야 유일한 학술지인 "건축역사연구"를 선정하여 지금까지 게재된 논문의 제목과 주제어, 초록에 사용된 용어 중 고빈도로 출현하는 핵심 용어들을 도출하였다. 다음으로 연구 분야별 문헌들을 구분하여 핵심 용어의 특징을 분석하였다. 마지막으로, 연관 관계 분석을 통해 핵심 용어들 간에 유기적인 관계를 분석하고 시각화하였다. 이러한 건축역사 핵심 용어의 파악은 건축역사 분야의 지금까지의 논의 내용과 향후 방향성을 이해하는데 유용할 것이다.

• 한국실내디자인학회논문집
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• 제21권5호
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• pp.34-45
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• 2012

In these days, restaurants are not simply used as a physical space but used as a cultural space in which people can enjoy and experience different cultures and traditional images. Moreover, from the restaurants design elements which help to form the atmosphere of the restaurants which serve food of specific country, we can see the history and traditions of that country. The additional value of the traditional decorative components which are the main factors forming the atmosphere of the restaurant will be different according to the various expressions used in the restaurant space. For this article, 12 restaurants, Norangjugory korean restaurant, Yongsusan korean restaurant, Best well-bing food restaurant, Awoolim, Mugunhwa, Ondal in Korea, and Songhelou, South Beauty, Xuxian restaurant & lounge, Beijing dadong roast duck restaurant, The horizon chinese restaurant, Dynasty jade garden in China, were selected for the field study. This study focused on a comparative analysis of the traditional decorative elements, especially, the application rate of the traditional decorative elements. The analyzed elements are nature, religious beliefs, history and culture for the intangible elements and facade, courtyard, trademark, ground, wall, ceiling, door, window, furniture and adornment for the tangible elements. After that, we analyzed the rates of the use of traditional decorative elements and modern decorative elements. Through the survey result and ratio analysis, we concluded as below. In Korean restaurant, traditionality is expressed in furnitures while, in Chinese restaurant, traditionality is expressed in decorative pattern. When it comes to the intangible elements among the traditional decorative components of the Korean and Chinese restaurants, Chinese and Korean restaurants have similarities in emphasizing the natural elements. Korean restaurants focus much on the environmentally friendly parts, while Chinese restaurants focus much on the fantastic natural atmospheres like those shown and expressed in the poems. As for religion characteristics, Chinese restaurants emphasize "geomancy" more than Korean restaurant. When it comes to the visible elements among the traditional decorative components of the Korean and Chinese restaurants, in Korean restaurants, the interior part has more traditionality than exterior part, while in Chinese restaurants, the exterior part has more traditionality than the interior part.