• 한국의류학회지
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• 제31권8호
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• pp.1252-1261
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• 2007

The purpose of this study was to grasp the utilization of traditional Korean Patterns used for fashion cultural products. To achieve this purpose, this study examined the range of fashion cultural products through literature review, previous researches, and market surveys and analyzed the situation of fashion cultural products and the kinds, expression methods, expression techniques, and repeat styles of utilized patterns. The analysis results are as follows. First, in the use of traditional pattern, the most frequently-used fashion cultural products were small and inexpensive accessories, followed by fashion apparel, miscellaneous goods, and living cultural goods. Second, the most frequently-used traditional patterns were plant patterns, especially flower patterns. The next frequently-used ones were mixed patterns, especially in the mixture of flower and letter patterns, and $cloisonn\'{e}$ and flower patterns. The next frequently-used traditional patterns were animal patterns(especially butterfly patterns), followed by geometric patterns, lucky omen patterns, and letter patterns. In the expression methods of used patterns, most products except handicrafts preferred simplified patterns to real patterns. Finally, in the expression techniques of traditional patterns, the most frequently used technique was traditional embroidery, followed by the use of weaving fabrics such as fine gauze and brocade which are used for Hanbok. Also, transfer dyeing which is one of printing techniques, DTP(digital textiles printing), a mixed technique which adds embroidery to weaving fabrics, hand-painting, and a gilt technique were used. The results of this study suggest that most fashion cultural products except few designers' works attached weight to some specified patterns and expression techniques regardless of the characteristics of products since there is little understanding of a variety of patterns and are few researches and development on expression techniques.

• 유통과학연구
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• 제19권4호
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• pp.37-51
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• 2021

Purpose: The purpose of this study is to provide a basis for establishing a policy to promote the export of Korean goods through the economic ripple effect of the Korean Wave. From 2001 to 2017, cultural goods exports and consumer goods exports data to 102 countries were used to estimate the effect of cultural goods exports on domestic consumer goods exports. Research design, data and methodology: Based on the Gravity Model, we analyzed the effects of domestic film, publishing, music, broadcasting, clothing, cosmetics, processed food, IT products, and automobiles on the export of consumer goods. Results: The empirical analysis estimated the trade creation effect of exports of cultural products driving exports of consumer goods and found that a 1% increase in exports of cultural products increased 0.136% in exports of consumer goods. Conclusions: The average rate of change in consumer goods exports due to changes in cultural product exports was 22.44, which could be interpreted as an increase of $2,244 in exports of consumer goods such as IT products, cosmetics, clothing, and processed foods. According to the analysis of export-driven effects of each consumer item by dividing cultural products by sector, the effects of export of processed foods, clothing, cosmetics, IT products, and film, music, publishing exports were statistically significant.

• 한국가구학회지
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• 제12권2호
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• pp.51-59
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• 2001

Opening 21th Century, all the Countries of the world has been focusing on build up the foundation of cultural infrastructure in a various way, since the awareness of importance for cultural design products has been turnover. On the other hand, our cultural crafts＇ industry has not escaped from poor working environment and lagging behind conventional product system, and yet there is no complete system for mass production. The study is collaboration with Tourism Industry Innovation Center in Kwangju University for development of cultural products of wooden crafts by using cultural resources in Kwangju area and CNC M/C which is up-to-date digital technology. It aims to make possibility of mass production and discrimination on design for wooden crafts which is based on highly skilled technical manpower and creativities, and expects to develop and merchandise global wooden cultural products.

• 복식
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• 제51권1호
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• pp.145-162
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• 2001

This study focuses on how fashion products of our contemporary society of consumption are taking on a kitsch look, and on what kind of social and cultural meanings this phenomenon connotate. In general, kitsch is understood as an expression with a negative meanings such as aesthetic inadequacy or bad tastes. In our dairy life however kitsch has been highlighted as an another expressions of subjective beauty and gains positive meaning as almost all the people satisfy their desires through consumption of kitsch products. In order to prove the kitsch phenomenon in fashion products and social and cultural meanings, the researcher has Performed a case study on actual consumption of fashion products and the internal psychological meanings in fashion consumption. The internal psychological meanings of kitsch on consumption of fashion products are emotions and needs such as escape from reality. substitutional satisfaction, belonging confirmation, expression of individual taste, and fun, sexual amusements.

• International Journal of Costume and Fashion
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• 제6권1호
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• pp.56-70
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• 2006

The purpose of this study was to develop the high-value-added fashion cultural products with Korean image for the enhancement of global competitiveness. For this purpose, theoretical examination of the unique beauty of Korea and Korean image was first performed. Especially, characteristics of Korean traditional botanic patterns were investigated with LOHAS(Lifestyles of Health and Sustainability) philosophy which is the focus of the current design trend. Along with the above, the environmentally-friendly digital textile printing technology and Korean traditional botanic patterns were used to produce creative and globally-competitive fashion cultural products. Finally, a series of fashion cultural products were developed such as table runner, table mat and bedclothes.

• 한국의류학회지
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• 제37권1호
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• pp.101-112
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• 2013

This study conducted an empirical study on fashion cultural products that targeted foreign visitors to identify variables related to foreigners' purchase intention towards fashion cultural products. A total of 424 surveys were returned (with 393 deemed usable). The collected data was analyzed using SPSS 12.0 and AMOS 5.0 to provide the following results. The purchase intention model for fashion cultural products was verified along with an identification of a causal relationship where personal factors and attitudes lead to purchase intention. In particular, the effect of universalism and the exposure degree to Korea was greater than global-mindedness. Two factors (attitudes toward authenticity and towards aesthetic elements) exerted a significant effect on purchase intention; comparatively, the attitude toward authenticity showed a greater influence on the purchase intention.

• International Journal of Advanced Culture Technology
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• 제12권1호
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• pp.175-181
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• 2024

The paper examines the impact of digital media art on urban creative products, analyzing opportunities and challenges in the digital era. It emphasizes the development of urban cultural and creative products, highlighting their significance and future growth potential. The digital media era provides unprecedented innovation opportunities, utilizing advanced tools for efficient design, production, and marketing. Trends like personalization, customization, AI, and big data offer new expressions and market prospects. Cultural products evolve in design, marketing, and sales channels due to digital media, with tools like social media and e-commerce platforms opening new promotion avenues. Case studies illustrate digital media's role in driving innovation and enhancing user experiences. The paper addresses challenges in market competition, copyright, and technological renewal, while recognizing opportunities from AI and big data. The creative industries must adapt and innovate to remain relevant. Looking ahead, urban creative products will evolve under digitalization, relying on digital means to attract consumers and enhance brand value. Cultural products, beyond economic entities, disseminate urban culture and creative spirit. In the digital era, urban creative products demonstrate potential and necessity, prompting a reevaluation of digital technology's role. Through continuous innovation, this field contributes to cultural and economic levels, impacting urban characteristics and heritage. Urban creative products play an increasingly vital role in the global cultural and creative economy.

• 문화기술의 융합
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• 제8권3호
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• pp.83-89
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• 2022

우리나라의 고유한 전통 한지의 우수성을 전 세계적으로 알리기 위한 목적으로, 예술 분야 등에서 폭넓게 활용되고 있는 전통 한지를 소재로 하여 현대적 감각에 맞는 문화상품으로 제작 제시함으로써 '전통의 현대화'를 도모하고자 하였다. 먼저 한지를 소재로 하여 줌치기법에 의한 줌치한지를 만든다. 만든 줌치한지를 제작하고자 하는 문화상품-노트북 케이스, 핸드폰 케이스, 모자 및 가방-에 따라 일정한 폭으로 자른다. 자른 줌치한지를 용도에 따라 평직, 능직 및 헥사곤으로 엮는다. 엮은 줌치한지를 인조 가죽, 면직물, 데님 등과 매치시켜 문화상품을 제작하여 제시하였다.

• 한국멀티미디어학회지
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• 제9권3_4호
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• pp.27-35
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• 2005

문화컨텐츠의 개발과 관련된 일체의 기술을 CT라고 한다. CT는 문화컨텐츠시장을 둘러싼 여건들의 변화와 더불어 같이 변화해야 한다. 문화컨텐츠 시장이 변화하고 있다. 그 변화는 다섯까지 정도로 요약할 수 있다. 첫째, 문화상품 소비자들의 취향이 감각적으로 변하고 있다. 둘째, 문화상품 소비 경험이 늘어나면서 상품의 인지적(cognitive) 특성에 둔감해지고 있다. 셋째, 소비자들의 문화적 안목의 성장이 공학적 기술의 발전속도를 추월하고 있다. 넷째, 문화산업의 규모가 커지면서 컨텐츠 개발의 목표가 "성공하는 상품"에서 "실패하지 않는 상품"으로 변하고 있다. 다섯째, 문화적 다양성이 높아지고 있다는 점이다. 이런 변화는 문화상품 개발자와 소비자들 간의 감성 차이를 크게 만들어 커다란 감성적 괴리를 만든다. CT에서 감성공학은 이런 문제에 대한 중요한 한 가지 대안이 될 수 있다 감성공학은 체성 감성과 심미적 감성의 배후 원리와 응용기술을 연구하는 분야다. 구체적으로는 이들 감성의 생리적 혹은 심리통계적 지표를 통한 감성측정과 감성을 유발하는 지각적 속성의 파악이 기본이 된다. 이를 토대로 다양한 응용기술을 개발하고 산업화하려 노력한다. 문화컨텐츠 산업에 대한 몇 가지 오해 가운데 하나는 이들 분야가 반짝이는 아이디어 나 어느 개인의 재능 하나로 승부를 걸 수 있는 분야라고 믿는 것이다. 그러나 많은 문화컨텐츠 산업을 면밀히 관찰해보면 그렇지 않다는 것을 알 수 있다. 많은 자본이 들어가거나 세련된 마케팅 기술이 작용하고 있는 경우가 대부분이다. 우리에게는 부족한 요소들이다. 이를 극복하기 위한 방법 가운데 하나가 감성에 대한 과학적이고 공학적인 접근이 될 수 있다. 감성공학은 외국과 견주어 아직까지 나름의 경쟁력을 갖고 있는 분야이기 때문이다.

• 한국융합학회논문지
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• 제13권2호
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• pp.151-166
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• 2022

박물관은 역사와 문화 축적의 실체이자 상징이고 박물관 유물은 역사의 혼을 담고 있는 단서이며 박물관 문화 창작물은 언제나 가지고 다닐 수 있는 역사이다. 현대박물관은 전통 박물관의 '물중심'을 '사람중심'으로 변화시키고 그 활태전승에 치중하는데, 박물관의 문화 창작물은 활태전승의 일종의 표현 방식이다. 이 글은 인터넷 조사 연구, 현지 답사, 전문가 인터뷰 등의 방법을 통해 중국 박물관 문화 창작물이 현재 직면한 기회와 어려움을 분석하여 박물관 문화 창작물의 디자인 방법을 보완하려 한다. 박물관 문화 내포 요소의 발굴과 박물관 문화 창작물 기능 요소의 확대와 박물관 문화 창작물 디자인 요소의 혁신과 문화 창작물과 인간의 공감 요소의 제조에 의한 4가지 요소를 일체화한 디자인 방법으로 탐구하고 사례실천을 검증하여 중소형 박물관의 문화 창작물들이 디자인 기법 미비로 인한 문화 창작물 기능성 부족, 혁신성 부족, 전파성 부족 등의 단점을 보완한다. 더 많은 사람을 박물관으로 안내하고, 전통 문화를 전파선양하며, 인간과 유물, 인간과 인간의 공감대를 형성시킨다.