• 한국도서관정보학회지
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• 제48권3호
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• pp.1-20
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• 2017

모든 공공도서관의 본질적 정체성은 당대 및 후대의 통시적 접근 이용을 보장하는 지식정보센터이다. 그럼에도 최근에 평생학습 산실, 문화활동 거점, 정보게이트웨이, 커뮤니티센터, 지방공공재, 정보공통체, 민주주의 요람, 제2의 거실 등으로 회자되면서 공공도서관의 정체성이 요동치고 있다. 이에 각종 관계법령, 지방행정기구, 정부 통계자료를 분석하여 정체성 혼란의 실상과 증거를 제시한 후에 공공도서관 정체성 혼란의 극복방안을 제안하였다. 차제에 공공도서관이 지식정보센터를 기반으로 지역문화 향유 확산을 위한 베이스캠프로 정립되려면 집단주의, 귀속주의, 편의주의를 경계해야 한다.

• 영미문화
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• 제9권1호
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• pp.27-50
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• 2009

Henry James tries to describe minutely in The Wings of the Dove the process in which a bad faith grows, is practiced in one's self, and spreads to a society. Through this fictional specificity, he embodies an analogy between a bad faith and social role-playing. That is, he shows, through the main characters such as Milly Theale and Merton Densher, how self interacts with the other and a society. In this interaction, there is some essential element, namely, an organic relationship between a self identity and a social role-model, which James describes very meticulously. Therefore, the characters are depicted as seeking to define self identity and eventually distorting it. Thus, The Wings of the Dove can be seen as a tragedy in which the characters who have this wrongly distorted self identity come to experience its effects. The distorted self identity appears to function as a social role. Milly distorts her true self identity by internalizing a dove-image for it. This results in a bad faith. Moreover, the American girl Milly utilizes it as a convenient social role-model which makes it easy for her to interact and engage with the others in the European society. Merton also evades adventurous and painful self-reflection and self-criticism by sticking to the mannerisms of gentlemanship and imitates the sublimity which Milly shows him. Thus, Milly and Merton clearly omit self-inspection and self-inquiry for the contact between a free self and a society, which is essential to obtain social objectivity, namely, intersubjectivity.

• 헤리티지:역사와 과학
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• 제51권2호
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• pp.154-169
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• 2018

근대사회에서 문화유산은 국민정체성을 구성하는 역할을 한다. 문화재청이 2000년대 시작한 문화유산교육 사업 또한 당시의 주요한 문화적 이슈인 지속가능발전, 문화다양성 등의 수용에 대한 문제의식이 있었음에도 불구하고 주요한 목적은 국민정체성 함양에 있었다. 문화재청은 2006년도부터 문화유산교육 사업을 시작한다. 문화재청의 문화유산교육 사업은 문화유산방문교육, 연구시범학교와 고고학 체험교실을 중심으로 시행되었다. 2010년대 들어 문화적 권리와 생활 속에서의 문화유산 향유라는 문제의식이 본격화 된다. 문화유산교육은 '문화유산의 새로운 의미'를 수용하고, 문화유산교육 속에서 '문화적 권리'와 '학습자 중심 교육' 등 새로운 문제의식을 담은 문화유산교육의 전략을 모색해야하는 상황이 되었다. 그리고 그 결과가 지역문화유산교육 사업의 시행으로 나타난다. 지역은 다양한 정체성이 재구성되는 공간이다. 그러나 지역문화유산교육이 그 자체로 문화유산 향유의 근본적 지향인 생활세계로의 진입과 생활세계와 결합한 새로운 전체성을 구현할 수는 없다. 지역문화유산교육의 다양하고 복합적인 노력을 통해서 '생활 속 문화유산'의 모색이 가능할 것이다.

• 디지털융복합연구
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• 제15권7호
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• pp.497-504
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• 2017

이 연구는 전국체육대회에 참가하는 재외동포의 이주세대에 따라 인지하는 참가경험과 하위문화정체성에 차이가 있는가를 실증적으로 구명하는데 그 목적이 있다. 이러한 목적을 달성하기 위해서 2015년 전국체육대회에 참가한 14개국 360명의 자료를 분석에 이용하였다. 자료분석은 SPSS 21.0버전을 이용해 이주세대간 인지된 참가경험과 하위문화정체성의 차이를 검증하기 위해서 일원변량분석을 실시하였으며, 다음과 같은 결론을 얻었다. 첫째, 전국체육대회에 참가하는 재외동포들은 이주세대별로 인지하는 참가경험에 차이가 있다. 즉, 외국에서 태어나고 성장한 2세대들의 경우 이주를 결정한 1세대나 대한민국에서 태어나 외국에서 성장한 1.5세대들보다 전국체육대회의 참가경험을 차별보다는 이익이 되는 경험으로 인식하고 있다. 둘째, 전국체육대회에 참가하는 재외동포들의 이주세대에 따라 하위문화정체성을 다르게 교섭하고 있다. 즉, 대한민국에서 태어나 외국에서 성장한 1.5세대들이 한국인이나 한국문화에 가장 가까운 정체성 교섭을 한다.

• 아동학회지
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• 제12권1호
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• pp.91-112
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• 1991

The impact of gender, sex-role identity and cultural background on self - control behaviors was studied with the use of reports from 410 college students(201 Koreans and 209 Americans), who were administered both the Bem Sex Role Inventory and the Missouri Self Control Instrument. Gender, sex - role identity and cultural background significantly affected self - control and satisfaction. Regardless of cultural background, males showed a higher level of self - control and satisfaction than females. Androgenous students from both nations used a higher level of expressed/yielded self - control and more satisfied than the students with other sex - role identities. There were some differences in self - control between the Korean and American students. For the American students, the level of expressed self - control was the critical factor in explaining self - control behavior, whereas the level of yielded self - control was the critical factor for the Korean students. This was explained as a phenomenon of culture - bound relationships. Regardless of sex and sex - role identity, the level of satisfaction of Korean students was significantly lower than that of American students. The present results suggested that Korean students have some sort of conflict between self - control and satisfaction. The conflict can probably be attributed to the recent influx of western culture emphasizing goal - oriented control.

• 한국농촌건축학회논문집
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• 제15권1호
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• pp.47-56
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• 2013

As architecture has a role of vessel that contains human life, architecture of museums in a region must be a vessel that contains identity of the region. Jeju Province possesses excellent natural landscape acknowledged by the world. As such, architectural design of museums in Jeju region, differentiated in terms of natural, humanistic and cultural characteristics from other regions, must include identity of Jeju. Jeju has established and is operating so many museums with different themes that it is referred to as the heaven of museums. In addition, museums as cultural facilities must be the measure of cultural level representing regional identity and perform the role of advance guard that leads architectural culture of the region. Also, such excellent architectural asset is an important landscape element that increases value of the region. Based on Landscape Management Guideline established in 2009 by Jeju Special Self-governing Province under such critical mind, this study will support design problems and improvements of museums through case study and analysis on design characteristics of national and private museums in Jeju. Accordingly, the purpose of this study is to provide basic data to be pursued by future museums that contain identity of Jeju, based upon the results of analysis described above.

• 인문언어
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• 제2권1호
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• pp.43-74
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• 2002

This paper examines the concept of "tradition" for Indigenous Peoples as a construct of reality developed through the lens of Western scholarship and American Indian perspectives. The resulting notions of American Indian tradition constructed by a Western point of view, has been incorporated into the thinking of Western peoples as well as those of American Indians. Possible reasons for this include the lasting effects of colonialism and current mass media and the description of cultural "others" through the Western sciences of Anthropology and Musicology. A definition of what is valid or important in defining "traditional culture" for members of an Indigenous community may utilize significantly different measures than those of Western scholars. In order to illustrate this, the author uses two treatises focusing on the Indigenous American Indian cultures of communities in Eastern North America incorporating Indigenous points of view. One of these two books provides a focus on connections between language and culture and the other on ethnomusicology. From both of these perspectives, traditional identity is seen as continuing in the present day through persistent perceptions of reality, linked to community social performance. These perceptions and their accompanying indexes to tradition are still present despite the disappearance of or frequent changes in the surface forms of both language and manufactured cultural items. The emphasis on "legitimate" or "real" tradition is tied to performance within an ongoing cultural community rather than to Western constructions of what is real found in past descriptions of cultures. An alternative view of "valid" tradition and its relationship to Indigenous identity, needs to incorporate Indigenous perspectives rather than depend on constructions developed using non-Indigenous Western frameworks.

• 복식문화연구
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• 제20권2호
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• pp.263-271
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• 2012

Cultural products reflect a living culture and evolve despite being based on traditional forms only. It is known as traditional cultural expression that portray certain culture groups, materials, spiritual and creativity inspired from their living environment that characterize a society. The old Malay community had a close relationship with their surrounding and environment. Sensitivity towards the nature and surrounding environment moved them into creative people. In designing the local traditional textile, role of the motifs, design and product design play an important element in Malay cultural values. This reflects the symbols and philosophy of the arts and culture and thus becomes the identity of the Malay community, which in general practice their culture and tradition based on Islamic culture and religion. Kelantan and Terengganu are the pioneer states for most producers of Malay traditional textiles. In these states the Pelangi cloths, is one of the unique textiles use and inherited by the Malay communities. Base on history, the Malay rulers and Malay nobility used Pelangi cloth as complementing clothing and ornament in attending various ceremonies and customs in their daily life. In this paper will discuss the specific picture of Pelangi motifs, design and its usage in Malay society in Malay Peninsula through its identification aspect of representations. It shows that this textile represent certain insights of Malay customs and identity.

• 한국농촌건축학회논문집
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• 제8권2호
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• pp.11-18
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• 2006

Ecomuseums come into close relationship with resident and community. Progress of heritage concept brings on the change of valuation standard in heritage, that life style of residents become most important element of cultural heritage. The change of display method has caused the generation of various experience programs in ecomuseum which are display and education based on participation of visitors and residents. Ecomuseums in Europe during progress have conceptual peculiarities by themes to keep the cultural identity and protect folk culture in regional community. 'Europe Ecomuseum Network' seriously affected by social change and development is new alternative to promote regional identity and cultural exchange among Europe countries. People participation with all residents is decisive factor to promote identity and attachment in native place, as well as collaboration with residents, experts, administrators and NGO is one factor for sustainable development and the realization of ecomuseum, activation of regional economy, and also is the root of efforts to protect and activate regional community.

• 복식
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• 제63권4호
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• pp.70-83
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• 2013

Lately, cities have been trying to build a certain brand by using its identity and culture in public designs. Cities are using its public design to show its cultural identity and to differentiate itself from other cities so it is playing a significant role in establishing a city's overall image. Public uniform is used to reflect the symbolism and identity of the city, an image of the city's culture and is used as a means of communication for specialization. Thus, the purpose of this study is to develop public uniform designs to build and strengthen the brand of Gwangju as Asia cultural hub city. Research presents a review of the literature including concept and type of a cultural city, correlativity between public design and urban competitiveness, domestic and foreign culture city branding case: focusing on Gwangju which is a cultural hub city in Asia, and then study sets up the development direction and motifs of uniform designs, and uniforms are designed by making use of the textile with symbols and logos, colors, and architectural motifs of Asian Culture Complex. Development ranges of uniforms were limited to Cultural Tourism Narrators and the Asian Culture Complex Advertisements staff uniforms, within the region of cultural tourism. Textile design, illustration, uniform simulation using Adobe Photoshop 7.0 and Adobe Illustrator CS 3 program is presented.