• 한국농촌건축학회논문집
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• 제10권1호
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• pp.59-66
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• 2008

This paper analyzed the color of harbor and fishing village for the better landscape. Accordingly the aim of this study is to find out the color-scape in harbor, such as regional color and present status are to analyze with elements of design. In beginning point of development, it is to take practicable data about color planning for marine tourism. Regarding the utility of these characteristics, hue, value, chroma can be checked and design of color-scape may be possible to work out future harbor environments. This study suggests that harbor of contemporary is to be environmental harmony and regional color control. The result of this research, it is carried out that the color-scape is checked by partnership of experts, official and regional person with "agreement of landscape" to provide reasonable criteria in color surroundings. An analysis of regional color-scape is expected to use for landscape improvement of fishing village and harbor.

• 한국조경학회지
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• 제29권6호
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• pp.62-71
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• 2002

How parks are to be made in the twenty-first century should certainly be different. This is the inevitable conclusion of the recent significant international design competition for Downsview Park in Toronto, 2000. The purpose of this critical study is to investigate new strategies for urban park design manifested in the proposals of that competition and to explore alternative ways of landscape design that could solve the recent crisis of urban parks. Tree City, the winning entry, and other final entries proclaim that city is park and park is city. In this sense, Downsview Park marks the end of traditional Olmstedian parks and the dichotomy between city(culture) and park(nature). Rem Koolhaas and Bruce Mau's Tree City will become the model for urban park design in the near future. There are three reasons for this. First, its design is a strategy rather than a form. We can interpret that Tree City is to be developed over time as directed by six strategies: grow the park, manufacture nature, 1000 pathways, sacrifice and save, curate culture, destination and dispersal. Second, it places faith in landscape as a revenue generator instead of a fiscal liability. Third, its implementation is possible with crude installation, requiring virtually no craft. Koolhaas and Mau intend for Downsview to be an environment that is never actually designed but is formed through natural succession, cultural action, and programmatical insertions. Rather than designed objects and formal solutions, their strategy is to allow the landscape to evolve with changing uses.

• 한국조경학회지
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• 제35권2호통권121호
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• pp.13-24
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• 2007

This study aims to investigate the characteristics of Lee Kyo-Won's landscape architecture and add to the literature in this field. Also, the current status of and issues in landscape design will be dealt with through the lens of the individual landscape architect's worts. By adopting a critical analysis, this study will look closely into the background of his career and ideas regarding landscape design. The inherent nature of his coherent style in landscape design will be listed as follows: total design, design-build systems, experimentation with new kinds of plants and materials, and the pursuit of minimalism. His design domain covers various elements such as paving, street lamps, and clock towers, among others. He was often involved in managing outdoor sculpture and he also provided the total packaging of the design-build systems for most of his landscape projects. These are the main reasons why his landscape works can maintain their high end quality; through his craftsmanship, a fine quality of detail was achieved in his landscape design. This tell us the possible options that can be adopted such as landscape architectural design management or landscape architectural turn-key systems, which differ from the prevailing dual system between design and construction. However, his own particular system can not be replicated in ordinary situations because contemporary practices require us to coordinate the various stakeholders concerned in the decision-making process of the design. In general, it is fair to say that we can give him the credit for enhancing the status of landscape design as an independent, specialized field.

• 한국조경학회지
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• 제33권5호통권112호
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• pp.1-14
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• 2005

This study describes the recognition and the application of materials corresponding to the formative language of landscape design as the formative process of creating connote forms and meanings in a space. The purpose of this study is to propose the significance of materiality not only for conveying the meaning of landscape but also for providing expanded experience through synesthetic perception. The study consists of two parts: (1) The concept of materiality in landscape architecture is studied in three categories, which are divided in chronological order when the recognition of materials was changed. (2) Based on this exploration of the concept of materiality and the ways of expressing it that have developed from landscape arts to landscape architecture, the significance of materiality as the medium of contemporary landscape design is proposed. Breaking from previous technical and engineering approaches to materials and from a vision-centered recognition of materials, this study focuses on aesthetic and semantic aspects of materiality and is based on multidimensional recognition though synesthesia. Materiality has significance not only as the dynamic medium that carries the meaning of landscape by providing connections with the surrounding environmental context, but also as the engagement medium that expands observers' experiences with the environment through synesthesia. The study of materiality as the medium of landscape design would contribute to expanding the scope of the language of landscape design and to expressing the meaning of landscape through materiality being revealed on the basis of converted recognition of materials.

• 한국조경학회지
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• 제33권6호
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• pp.109-126
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• 2006

As the national interest in sports has been increased over time, sports facilities and sports complex are considered more than just physical environments for training athletes or watching games. Sports facilities now become symbolic spatial devices to represent the national and cultural pride of any countries. The existing national training camp located in Taenung, Seoul is gotting outdated and degraded. The polluted air in the city risks athletes' health condition. The government planned to construct the second training camp at Jincheon, Chungbuk at the area of $2,171,910m^2$. The Korea Sports Council called for proposals to envision the future training camp, and they held a design competition from August to November, 2005. The first phase was to present the masterplan for the entire site including training buildings, outdoor training facilities, dormitories, a visitor center, a research center, education and administration buildings. Considering the size of the site, the planning process required a strong relationship between landscape and architecture. This study tries to provide general explanations on the winning proposal focused on the landscape-related issues. It also attempts to have reference points for contemporary planning and design issues to situate the project in the stream of continuing design effort to avoid the dichotomy between nature and culture. The landscape proposal for the new national taming camp suggests four main strategies; 1) The camp has two intersecting and interweaving parks which represent the natural and urban order. 2) The entire site is organized and networked by the flow of landscape called landscape ribbon in terms of topography, vegetation, and water flow. 3) The landscape is choreographed through the time and process. 4) The ecological process and the digital contents are juxtaposed in the landscape. This winning proposal is the first step to portray the national vision for the sustainable environment coexisting with sports industry. Landscape in this proposal is an active agent to network various parts of the site which enables landscape to be infrastructure. Landscape design in this proposal should be considered open-ended strategies rather than determined concrete forms and its engaging further development will be tested in following Design-Build phase.

• 한국조경학회지
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• 제41권6호
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• pp.117-128
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• 2013

본 연구는 신문화지리학, 공간 정치경제학, 조경학에서 논의되어 온 경관론들을 통합적으로 검토하고 재해석함으로써 도시 경관의 생성과 변화를 해석하는 이론적 틀을 제시하는 것을 목적으로 한다. 경관 개념은 인간, 특히 부르주아적 주체를 자연과 분리하여 자연에 대한 시각적 전유를 이루고자 하는 의도를 담고 있다. 근대적 경관 개념을 수용한 오늘날의 조경은 경관을 실증 과학 혹은 예술의 대상으로 한정짓는다. 본 연구에서는 '물질화된 담론'과 '물질화된 자본'으로서의 경관이라는 두 가지 관점에서 경관 해석 이론을 제시하였다. 신문화지리학을 중심으로 한 경관의 사회 정치적 해석 논의들을 검토한 결과, 물질화된 담론으로서의 경관은 지배층의 시각을 담은 '보는 방식'이고, 탐험가나 예술가들을 통해 구현되는 제국주의적 시각이며, 남성적 관음적 '응시'이기도 하다. 경관의 경제적 측면에 주목하는 공간 정치경제학자들에 따르면, 경관의 생산은 자본주의 체제에서 잉여 가치 생산을 위한 필연적 국면이며, 소비 문화의 확산과 함께 경관자체가 소비의 대상이 되고 있다. 따라서 경관의 물질성과 이데올로기성을 변증법적으로 보아야 하며, 경관과 사회는 존재론적으로 분리될 수 없다.

• 한국조경학회지
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• 제52권3호
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• pp.1-17
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• 2024

본 연구는 한국 조경을 살펴보기 위해 조경가 정영선에 집중하였다. 이를 위해 2014년까지의 작가의 사고, 정영선과 서안 작품, 관련 담론(조경가, 조경작품, 조경담론) 등을 대상으로, 조경설계안, 조경작품, 조경가의 사고 및 그것의 조경이론화 과정, 조경작품과 조경가의 설계사고 사이의 관계 등을 살펴보고 인터뷰(정영선 및 관련 인사), 문헌조사, 설계작품 분석 등의 방법으로 접근하였다. 자료를 종합한 결과 정영선 조경을 구분하여 볼 때, 조경을 처음 접하고 이를 수련하며 실무에 뛰어든 시기부터 독립 사무실을 운영하며 설계의 경향과 설계사고의 깊이를 달리하며 보이는 네 가지의 변곡 지점이 나타난다. 이 과정에서 초기 조경에 대한 학습기를 제외하면 정영선 조경의 범주는 현대 조경, 정원, 전통 조경의 세 가지로 나타났다. 이 세 가지 범주의 조경 활동을 통해 현대 조경의 수입과 내재화(현대조경론), 독자적 정원론의 성립과 그 실천(정원론), 전통 컴플렉스의 극복과 창의적 계승(전통조경론) 등의 세 가지 성취를 보여준다. 종합적으로 볼 때 정영선 조경은 지역주의적 사고와 작가주의적 사고의 실천이라 요약할 수 있다.

• 한국전통조경학회지
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• 제38권4호
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• pp.86-100
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• 2020

본 연구는 경기도 남양주에 위치한 중요민속문화재 제130호 '궁집'과 그 일대에 대한 복합문화시설화 계획을 진행한 결과물이다. 특히, 차후 공공에 개방될 궁집과 한옥 부속사들로 구성된 역사·문화단지의 외부공간을 계획하고 설계하는 새로운 접근을 소개하고 그 시사점을 제공하는 데 목적을 둔다. 기존 궁집은 건축적으로 원형이 잘 보존된 상태지만, 궁집과 건물군으로 구성된 단지로서 대상지는 체계적인 공간 체험에 대한 계획의 부재, 구체적인 공간프로그램의 미비, 관리되지 않은 녹지로 인한 공간의 음지화 등의 문제로 공공공간으로 활용하는 데 문제점이 발견되었다. 따라서, 본 연구에서 제시하는 계획안은 크게 공공공간으로서 역사경관에 대한 의미 존중과 현대적 활용에 대한 균형을 추구하였다. 기초조사와 연구를 통해 도출된 계획의 전략은 크게 궁집의 장소성 강화, 대상지의 생태적 특성 존중 및 주변 환경과의 시각적 조화, 동시대에 적합한 공간프로그램의 제시이다. 이 전략을 바탕으로, 전체 공간에 대한 틀을 개념적으로 외원(外園), 간정(間庭), 주정(主庭), 후원(後園) 나누고 체계적인 경관 활용과 체험을 제안하였다. 본 계획안은 건축 문화재는 원형 그대로 보존하되, 궁집의 장소성에 기반한 전체 공간의 합리적 토지이용과 의미 있는 경관체험을 엮어내려는 조경적 접근 방식이 가장 큰 특징이다.

• 한국실내디자인학회논문집
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• 제16권2호
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• pp.3-12
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• 2007

This study examines the nature-introducing methods between Korea Traditional Architecture and Landscape Architecture dividing them into three; semantic methods, constructive methods and visual methods on the basis of architectural features deduced from Borrowed Landscape theory which is a typical nature-introducing theory in the orient. Through the findings of this study, we can explain the nature-introducing methods of Landscape Architecture by way of the method of the Borrowed Landscape which was frequently used by our ancestors for a long time to Introduce nature in the course of building structures, and we can find several similarities between the Architecture of two fields of both different times and areas. It can be said to be meaningful for us to be able to confirm the contemporary value of Traditional nature-introducing method through the Borrowed Landscape theory. However, we can find that there is a difference between Traditional Architecture and Landscape Architecture in looking at nature. If the Landscape Architecture which emerged recently as a result of recognizing the importance of nature, maintains the nature view of regarding nature and architecture as equal, the nature view of Traditional Architecture is essentially different in that it is humble and aims to return to nature. The most outstanding feature of nature-introducing way in Traditional Architecture obviously implies something different from the various architectural trends of 'nature-human', or 'nature-architecture' which appeared breaking the relation of dichotomy. It is the thinking that 'nature and human are continual', and 'human is part of nature'; that is, 'the humbleness to nature'.

• 한국실내디자인학회논문집
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• 제13권4호
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• pp.102-109
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• 2004

The purpose of this study is to analyze how Korean traditional characteristics(traditionality) are reflected in contemporary multi-housing planning since 1997 and to draw its typical way of expression. Through this study, the following conclusions have been reached; The First, Socio-cultural characteristics have affected the planning concept of the multi housing planning in the three way ; traditional philosophies, community space and regional traits. The Second, Two characteristics of space planning were shown in drawings, sketches and photographs; territorial, hierarchic, surrounded space in exterior planning and intermediated spaces in interior planning. The Third, Ornamental characteristics of architectural and landscape design were found; the architectural structure, the traditional landscape, patterns and colors. In conclusion, this study found two types of expression of the Korean traditional characteristics. The first is ‘concrete planning’which was focused on traditional ornamental elements such as forms and colors. And the second is ‘abstract planning’which was focused on the traditional space planning in interior or exterior, philosophy, communal organization and regional characteristics by interpretation of architects and designers. This study shows that the combination of two types of the traditionality will be more ideal in multi-housing planning rather than relying on just one type.