• Journal of Conservation Science
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• v.37 no.4
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• pp.362-369
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• 2021

In museums, exhibition content focuses mostly on cultural heritage's historical values and functions, but doing so tends to limit visitors' interest and immersion. To counter this limitation, the study developed an experiential media art exhibition fusing bronze mirrors' traditional production technology and modern conservation science. First, for the exhibition system, scientific cultural heritage contents were projected on the three-dimensional (3D) printed bronze mirror through interactions between motion recognition digital information display (DID) and the projector. Then, a scenario of 17 missions in four stages (production process, corrosion mechanism, scientific analysis and diagnosis, and conservation treatment and restoration) was prepared according to the temporal spectrum. Additionally, various media art effects and interaction technologies were developed, so visitors could understand and become immersed in bronze mirrors' scientific content. A user test was evaluated through the living lab, reflecting generally high levels of satisfaction (90.2 points). Qualitative evaluation was generally positive, with comments such as "easy to understand and useful as the esoteric science exhibition was combined with media art" (16.7%), "wonderful and interesting" (11.7%), and "firsthand experience was good" (9.2%). By combining an esoteric science exhibition centered on principles and theories with visual media art and by developing an immersive directing method to provide high-level exhibition technology, the exhibition induced visitors' active participation. This exhibition's content can become an important platform for expanding universal museum exhibitions on archaeology, history, and art into conservation science.

• 보존과학연구
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• s.33
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• pp.19-32
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• 2012

Paper relics, which are made of natural ingredients, are more likely to be damaged by a compendium of complicated causes (e.g., physical, chemical, and biological causes) rather than by a sole cause. In December 2009, Culture Heritage Conservation Science Center discovered several damages in paper relics related to Chungmugong Yi Sunsin, and requested for conservation treatment from the Hyeonchungsa Shrine office. By conducting a comprehensive research to determine the damage level of each artifact, the center was able to establish a proper conservation method, and for two years after its completion of such research in 2010, it has been conducting treatment. This study suggests the proper ways to select adequate conservation treatment based on the type of paper relics - Documents and Books - through the case of artifacts related to Chungmugong Yi, Sunsin. Even though the conservation treatment on paper relics can suppress damaging speed and prevent another damages, it is impossible to stop aging process of relics. Therefore regular inspection is essential for prevent second damage.

• Conservation Science in Museum
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• v.5
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• pp.5-15
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• 2004

The Fine Art Department has sent a list of ceramic ware to the Conservation Science Laboratory of the National Museum of Korea for conservation treatment. The listed ceramic ware will be newly displayed in the ceramic ware gallery of Yongsan Museum after it is opened. Based on the list, Conservation Science Laboratory has been taking special measures to conservation the ceramic ware since 2002. This paper attempts to introduce the process of restoring the Blue-and-white porcelain Jar with phoenix Design (Jubsoo 631) and Celadon peahen-shaped water dropper (Duksoo 5202).

• Conservation Science in Museum
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• v.5
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• pp.17-22
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• 2004

The metal vessel which was excavated during the Japanese rule and separated into many pieces was conserved. The relic was stabilized through conservation treatment, and its original shape was restored. After the conservation treatment, it was discovered that the metal vessel has the bottom part and a catch near the mouth and was made in a streamline shape which becomes narrower inward. Radiographic examination test revealed many pores which were produced during the process of casting. It was found through the analysis of the metal structure that the material used was hypereutectic white cast iron with primary graphites.

• 보존과학연구
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• s.29
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• pp.239-254
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• 2008

In this division, regarding the establishment of operation system of Conservation Science Center, we have tried to find out research trends and advanced operation system of Italian conservation centers, which play an active part in the field of restoration of cultural properties internationally. And the results will be utilized for the establishment of Conservation Science Center. Italy is a country having a long history of restoring cultural properties. In this field, it is largely divided into research & development institutes. And restoration institute and they are operated under system in which research & development institute implement research projects for restoring cultural properties and restoration specialists take receive the results and utilize them. They have different business processing system compared to Conservation Science Center which will implement research-development and restoration(conservation treatment) concurrently. Each institute, carrying out differentiated and specialized research projects per region, maintains smooth cooperative relationship with national institutes, neighboring universities and even afflated schools through horizontal-mutual collaboration joint research, and sharing of equipments, in the field of cooperation between national institutes, cooperation with neighboring universities, and connection to belonging schools. There institutes show us a good example which can be utilized in the future organizational structure of Conservation Science Center. It is expected that their operation system and possessed technologies such as utilization of human resources pool and cooperation with relevant fields can be used usefully in the management and operation of Conservation Science Center.

• 보존과학연구
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• s.30
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• pp.125-136
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• 2009

Stone cultural heritages in Korea have a severe damages from chemical and biological weathering because most of them have been situated in outdoors without any suitable protection systems, and this in turn causes deformation and structural damage. To counteract these problems and increase durability, various kinds of conservation materials are used in the conservation and restoration treatments. However until now there are not many practical and technological experiments on this subject. This paper attempts quantitative evaluation of effectiveness about chemical of ethylsilicate based resin for sandstone in Yeongyang-gun. It takes a long time to evaluate durability and side effect after conservation materials treatment. So we use artificial weathering through freezing§ thawing experimental method. As a result of this experiment, porosity and absorptance increased, and elastic wave speed, elastic modules, unconfined compression strength and tensile strength decreased more than before. This study plans to make a scientific method study about weathering factor and mechanism, and to deduce correlation between artificial weathering and natural weathering.

• Journal of Conservation Science
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• v.34 no.6
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• pp.549-556
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• 2018

In November 2011, various artifacts were excavated from the No. 8 stone-lined tomb in Suchon-ri, Gongju by the Chungnam Institute of History and Culture. These included artifacts with lacquered mainframe and silvery metal ornament. These were recovered together with soil and underwent conservation treatment. In this paper, we discuss the scientific analysis and conservation treatment of the lacquered artifacts excavated from the Suchon-ri site. Among our findings is that the artifacts have three layers of lacquer coating and the metal parts are primarily composed of Ag. As the artifacts were recovered with soil from the site, the soil was removed from underneath and inside the artifacts. The inside of the lacquerware was reinforced with rayon paper using 3% funori, and the metal was treated with acrylic resin after removing the acrylic resin previously used to recover the artifact, followed by cleaning. The metal was also internally reinforced with gauze. Finally, the interior reinforcement was made using PVA and resin in pulp and attached with funori to preserve the shape of the lacquerware, and the exposed rayon was finished with acrylic paint. The main advantages of this study are its review of conservation treatment strategies for lacquer artifacts whose numbers have recently increased, and the application of new conservation treatment methods.

• Journal of the Korean Wood Science and Technology
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• v.50 no.3
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• pp.193-217
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• 2022

The Wooden Seated Amitabha Buddha Triad and Altarpiece have not been the subjects of definitive species identification and scientific analysis. In this study, visual investigation, portable X-ray fluorescence (p-XRF), species identification, and lacquer layer observations were carried out to determine the original materials and conservation status. Cracks, exfoliation and discoloration were detected during the visual investigation. The p-XRF data indicated that chrome oxide green, malachite, gold, cadmium red, cinnabar, minium, hematite, lead white, ink stick (Carbon), and copper were used for pigments and the coronet accessory. Tilia spp., Abies spp., and Pinus spp. were identified from both the Buddha Triad and Altarpiece. Finally, lacquer layer analyses of the base layer, lacquer layer, orange pigment layer, and gold leaf layer observed modern synthetic pigments likely used in previous conservation. As the Korean Cultural Heritage Charter and the International Charter for the Conservation and Restoration of Monuments and Sites clearly state that objects of cultural heritage must be conserved using their original materials, future conservation of these objects should utilize the data obtained in this study to employ traditional materials. Furthermore, a deterioration map diagnosis can be applied together with the obtained analysis data to understand the conservation status of and inform an appropriate and authentic conservation treatment for the Buddha Triad and Altarpiece.

• Conservation Science in Museum
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• v.5
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• pp.23-30
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• 2004

Buddhist image engraved on the bronze mirror in the Goryo period were conserved in 1986 and 1996, respectively. As the time passed, re-conservation was required that powdered copper corrosion product on the mirror image occurred. Accordingly, additional conservation including stabilization and consolidation were carried out to prevent further corrosion. The powder filled in the line of the buddhist image and the chasing techniques were examined using microscope and portable X-ray fluorescence analyzer. The result showed that composition of powder were gold, silver and calcium(calcite or gypsum). The main chasing techniques used to engrave pattern seemed to be dotted-line, hairline and the kicking-line engraving.

• Journal of Conservation Science
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• v.26 no.2
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• pp.191-201
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• 2010

This study was focused on conservation treatment and restoration of the monument for Jo Heon and the Soldiers in Chilbaeguichong. The monument has been ruined by bombing in the era of Japanese colonial(1940) and restored in 1971. Nevertheless, it still showed serious problems such as loss of original form, structural instability, and unnatural appearance. In order to improve its conservation state, the stele basement which was lost by bombing was restored and combined with body and top stones. The broken part of the top stone was also restored with new material through provenance interpretation.