• 제목/요약/키워드: connotation

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상한병(傷寒病)의 개념(槪念)과 논치근거(論治根據) 확립을 위한 구조주의적 분석 (Structuralistic Analysis for Establishment of Concept and Variables of Shanghan Diseases)

  • 지규용
    • 동의생리병리학회지
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    • 제29권2호
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    • pp.127-132
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    • 2015
  • In order to grasp the clear concepts and variables to treat Shanghan diseases which has complex meaning by each medical literature, several concepts and analytic method of structuralism from early to late stage encompassing Saussure and Derrida were used. Main concepts are langue and parole, signifiant and signifie, syntagme and paradigme, denotation and connotation, synchronie and diachronie, identity of structure and differance etc. and methods are substituting these concepts to historical Shanghan theories from Zhongjing to Ming-Qing dynasty and comparisons of synchronie about their era. Essential qualities of Shanghan diseases are pathologic phenomena under the order of unification of nature and man formed through concrescence between individual human body and geo-climatico-socio-cultural environmental conditions, neither injuries by cold pathogen nor five types of exopathogenic febrile diseases. The former environmental elements can be inferred from general traits of desires and public pathological aspects of social members, and the latter personal factors from corresponding features to those pathogenic variables. In addition, the concepts of Shanghan disease are added successively up to now via Jin-Yuan's four great masters and Wenbing masters, and thus the new concepts of denotation became another connotation obtaining new signifiant. In this way, for the treatment of Shanghan diseases, new theories should be made for ranging prescription over the wenbing field; reflecting not only climatical variables but also each patient's physio-pathological features and sociocultural variables. Thereby an appropriate and reasonable therapeutical systems can be designed and can guide research direction hereafter.

패션디자인에 나타난 몰핑의 표현특성 (The Expressive Characteristics of Morphing in Fashion Design)

  • 최정화;최유진
    • 대한가정학회지
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    • 제50권7호
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    • pp.67-79
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    • 2012
  • This study analyzed the characteristics of morphing in fashion design through the documentaries on morphing and fashion. The characteristics of morphing in fine art, media, and design area were categorized as reversible metamorphosis, sequential dissolve and blurring of interpolation boundaries. The results were as follow in fashion design. Reversible metamorphosis showed an automatic silhouette transformation by remote control, the metamorphosis of folding method by wearer's own movements and the automatic silhouette transformation by the air pressurizing method. It represented the thoughts of omnipotence as in the feeling of the magical world, the human desire for control in life, the rationalization of magical thinking and imaginative power, the creation of a new dress space and the extension of dress function. Sequential dissolve showed juxtaposition in the same area by the time order, juxtaposition in virtual space through the computer graphics, the series of fashion photography by steel cut of the dress making process and the blending of digital film and fashion design. It represented the approach for the storytelling of fashion show, implication of creative fashion design process and the creation of organic forms and the feeling of fantasy through artificial technology. The blurring of interpolation boundary showed an overlay of different fabrics with transparent boundaries, an overlay of different patterns with transparent boundaries and the blending of fabrics through the visual mixing of color. It represented the obfuscation of the object, the connotation of the space order, the connotation of the extensive and various meanings and the integrative property of objects.

일본 장편 애니메이션의 겉과 속: 의미작용의 특징을 중심으로 (The Surface and the Inside of Japanese Feature-Length Animation: Focused on the Characteristics of Signification)

  • 오동일
    • 디지털콘텐츠학회 논문지
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    • 제15권6호
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    • pp.701-710
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    • 2014
  • 본 논문에서 중심적으로 논의하고 있는 일본 장편 애니메이션의 의미작용 체계에 대한 접근은 궁극적으로 일본 장편 애니메이션에서 보이는 표현과 소통의 특징을 분석하는 것이다. 구체적인 스토리를 중심으로 하는 대부분의 캐릭터 애니메이션 작품은 의미작용 체계에 있어서 외시의미와 함축의미를 동시에 담고 있지만, 각 작품에서 추구하는 의미작용 체계의 특징에 따라서 미학적 표현과 소통의 경향이 다르게 나타난다. 본 논문은 방법론적으로 일본의 문화사회적 배경과 특징을 토대로 하여 일본 애니메이션에 나타나는 의미작용을 살펴보고 있다. 일본의 장편 애니메이션은 대체로 함축의미적인 의미작용 체계와 미학적 표현을 강조하며, 외시의미와 몰입을 강화하는 디즈니의 장편 애니메이션들과는 달리 관객 스스로가 작품에 담겨진 함축의미를 고찰하고 해석하도록 하는 경향이 두드러지게 나타난다. 그러므로 관객의 문화사회적 배경과 경험에 따라서 일본 장편 애니메이션이 전달하고자 하는 주제와 메시지, 그리고 추구하는 신화에 대한 임의적 해석과 수용이 발생할 수도 있다. 의미작용에 있어서 그러한 해석과 수용의 폭넓은 가능성은 문제점이라기보다는 일본 장편 애니메이션이 가지고 있는 차별적인 표현과 소통의 특징으로 보는 것이 바람직할 것이다.

애니메이션영화 <코코> 색상이 공간의 모델링 분석 (Analysis on Color Shaping the Space of Animated Film Coco)

  • 악소영
    • 한국엔터테인먼트산업학회논문지
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    • 제13권3호
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    • pp.343-350
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    • 2019
  • 중요한 시각적 요소로서 애니메이션영화의 색은 현실을 묘사할 수 있을 뿐만 아니라, 영화 공간을 형성하는 데 중요한 역할을 하는 감정과 의미를 전달할 수 있다. 가장 성공적인 애니메이션영화 중 하나로 <코코>는 영화 공간을 형성하기 위해 대담하고 독특한 색 언어를 사용한다. 민족 색상은 이야기 공간을 만들어 이야기 배경을 멕시코 지역 및 문화 풍습으로 가득 채우며, 색상 대조로 물리적 공간을 만들고 공간 모델링 및 차원 감을 뚜렷이 표현하며, 색상 연상 형식으로 심리적 공간을 만들어 관중들은 영화 정신세계에 인도하게 한다. <코코>의 공간 색상 분석을 통해, 애니메이션영화 공간 모델링은 색상의 특성 및 기능을 충분히 활용하고, 공간의 특성에 따라, 다른 색상 언어를 사용해야 하며 영화 공간의 표현 형식을 확장하고 영화 공간의 의미를 깊게 한다.

이탈리아지역의 에코뮤지엄 사례와 발전과정에 대한 연구 (A Study on the Ecomuseums and Development Process in Italy)

  • 신현요;정진주;최효승
    • 한국농촌건축학회논문집
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    • 제6권1호
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    • pp.54-63
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    • 2004
  • Ecomuseum has changed for general museums with a strong historical connotation, and more identity museums, which reminds one of their purposes of providing evidence, conserving and remembering. Small museums playa very important social role and have a level of importance which should do something to improve cultural policy. The "ecomuseum" phenomenon, in other words this spontaneous birth of numerous museums in local communities, this desire to retrace one's history and fix it in one's mind, has only one precedent in Italy. This precedent involved the opening of numerous museums dedicated to the "Risorgimento" and "Patriotic History", which, in the closing decades of the 19th century, were founded on political input all over the country, in big towns and little villages alike. Searching amidst the exhibits for the memory of a national identity and they are proof that local communities are filled with an unstoppable need to know about their roots and to reassess their own identities.

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'민족주의' 광고의 기호학적 분석 - 진 캐주얼브랜드 '잠뱅이'의 광고 연구 - (Semiotic Analysis of Jambangee's 'Nationalism'Advertisement)

  • 김정은;홍기현
    • 복식문화연구
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    • 제8권6호
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    • pp.949-963
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    • 2000
  • Jambangee's advertisements in spring 1998 attracted public attention by the differentiating message of 'nationalism'. The purpose of this paper is to interpret Korean youth's culture of consumption, value, thought and culture expressed in these advertisements. The semiotic analytic method of F. Saussure and R. Barthe were used. Metaphor and metonymy as interpretive tools were used. Two levels of meaning, denotation and connotation were examined, and idelogies and mythologies were sought. Contrary to the most of jean advertisements which show youth, characteristic style, western life style and westernized beauty, refinement, materialism, and social differentiation, Jambangee's advertisement showed nationalism and patriotism. These advertisements criticized that preference of imported goods and ostentation of purchasing power brought crisis of economy and I.M.F. system. Jambangee's jeans symbolized as the meaning of nationalism and patriotism were suggested as a way to save our country. Jambangee's advertisements are meaningful. Because we had accepted western fashion passively so far, but for the first time Jambangee applied Korean design elements to jeans and gave new meanings to them through the 'nationalism'campaign.

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가구디자인에 있어 자연과 기술의 기호적 내포에 관한 연구 - 베르너 판톤과 죠 콜롬보의 1960년대 작품을 중심으로 - (A Study on the Connotative Signs of Nature and Technology in Furniture Design - Focused on Verner Panton's and Joe Colombo's 1960's Furniture -)

  • 서정연
    • 한국가구학회지
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    • 제24권2호
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    • pp.121-130
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    • 2013
  • Nature and technology are very popular themes in the everydayness of modern world. In our industrial age which is based on technology nature becomes an lost origin and basic environment. On the other hand, technology is conceived as future hope and realistic environment. Through 1960s they had been transformed as signs and connoted into furniture design. As signs, they structured environment, organized space, and bred their own aesthetics. In this context, Danish designer Verner Panton presented nature as experiential landscape and Italian designer Joe Colombo expressed technology as amusing machine. What they showed were not real but sign of nature and machine. Nonetheless they were successful to create aesthetic atmosphere and meaningful projects. Also they showed the potentiality that furniture design might include discoursive issues and values. They also extended functional interesting between furniture and body to cultural domain of social viewpoint in behavioral pattern.

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Research of Chinese Auspicious Elements in Tableware Design -Illustration with Chinese Auspicious Fish-

  • Huang, Yue-Xin;Kang, BumKyu
    • International Journal of Contents
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    • 제9권4호
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    • pp.92-101
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    • 2013
  • Chinese auspicious element is a kind of art which is used to express yearning of a happy life. It is one of the great treasures of China, with not only emotional value of the people but also an aesthetic value. Chinese auspicious element derives from the aspiration of luck, enthusiasm of life and conciseness of eliminating malicious. It is of great cultural connotation and widely used in interior design, graphic design, fashion design and such. There are many research papers on application methodology of auspicious elements; however, there are very limited research papers on three-dimension product, let alone application in tableware. This paper focuses on illustration of Chinese representative auspicious element "auspicious fish" in tableware design. The research of its application of auspicious element's styling characteristics is of important significance in auspicious element spread and tableware design. This dissertation aims to provide referential design methodology and experience for later researches on related topic.

중국 '화(和)' 문화사상의 시각적 표현방식에 관한 연구 (The research for visual representation of the chinese '和' Culture)

  • 서아함;이동훈
    • 한국콘텐츠학회:학술대회논문집
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    • 한국콘텐츠학회 2009년도 춘계 종합학술대회 논문집
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    • pp.973-977
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    • 2009
  • 본 논문은 중국의 '화(和)' 문화사상에서 '화(和)' 라는 자형의 변천으로부터, 기하학 도형으로서의 '화(和)', 동음어의 문화속의 '화(和)', 설화속의 '화(和)' 라는 틀을 통해 '화(和)' 문화사상에 내재된 그 역사적 의미와 내포된 뜻을 알아본다. 또한 전통예술 속에서의 '화(和)' 문화의 표현방식과 2008년 북경 올림픽개막식 속에 나타난 '화(和)' 문화가 현대 중국의 사회문화적 이해의 주요 키워드로 사용되고 있음을 개막식 공연의 다양한 '화(和)' 의 시각적 이미지의 분석을 통해 알아본다.

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An expert system for problem identification

  • 최덕원;정차성
    • 한국경영과학회:학술대회논문집
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    • 대한산업공학회/한국경영과학회 1996년도 춘계공동학술대회논문집; 공군사관학교, 청주; 26-27 Apr. 1996
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    • pp.713-716
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    • 1996
  • Managers are constantly facing problems. Some problems are treated with special connotation. Others are solved as a daily routine. While other problems disppear into the realm of oblivion without even recognized by managers. Some of the unrecognized or overlooked problems may cause a serious failure. It is also likely that there is a better solution approach even though we have been using a generally accepted method. Problem identification is a neglected area by researchers and managers, although they are facing problems everday. This paper provides a review of the theories pertained to problem definition and problem identification as the beginning stage of the problem solving process. Based on these theories, we provide an expert system which can assist managers for a better problem solving. Knowledge base for problem identification and recommaendation of tools for the problem solving is the key ingredient of the expert system.

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