• Title/Summary/Keyword: conical cap

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Design for High Gain Spiral Antenna by Added Conical Cavity Wall

  • Jeong, Jae-Hwan;Min, Kyeong-Sik;Kim, In-Hwan
    • Journal of electromagnetic engineering and science
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    • v.13 no.3
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    • pp.165-172
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    • 2013
  • This paper describes a design for a spiral antenna with a conical wall to obtain the high gain. The gain and the axial ratio of the spiral antenna were improved by a new design that included a conical wall and an optimized Archimedean slit on the ground plane in a conventional antenna with a circular cavity wall and a 4.5-turn slit. A gain improvement of 9.5 dBi higher and a good axial ratio of 1.9 dB lower were measured by the added conical wall and the newly designed slit from the current distribution control on the ground plane, respectively. The measured return loss, gain and axial ratio of the proposed antenna showed a good agreement with the simulated results. The proposed antenna will be applied to a non-linear junction detector system.

Establishment of Criteria for the Evaluation of Headgear and Ornaments for Diadem in the Period of the Three States (삼국시대 관모 및 관식 유물 감정을 위한 기준 설정)

  • Kim, Moon-Ja
    • Journal of the Korean Society of Costume
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    • v.58 no.5
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    • pp.13-34
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    • 2008
  • In Headgear and Ornaments for Diadem in the Period of the Three States there was Conical Cap(or Pointed Cap), Feathered Cap(Trim), and Crown[Tree-typed Diadem and Tree and Antler-typed Diadem] was excavated from the tombs. Feathered Trim is 5 types, Feathered Trim I-A, Feathered Trim I-B, Feathered Trim II-A, Feathered Trim II-B, Feathered Trim II-C in according to upper part of central insert plate style. Feathered Trim I-A, I-B, II-B type was general style that was found in most of the old tombs in ancient Silla, Gaya. Feathered Trim II-A type was excavated from the only Silla tombs and II-C type was excavated from Gaya tombs. The Ornaments for Diadem in Baekje was excavated from the tombs is adorned with a arranged leaf-stems on either sides and the flower-shaped. They were distinguished with the original mode of Goguryeo and ancient Silla at the time. Tree-typed Diadem is five part in according to the Mountain(;山)-typed piled up. Only one Mountain(;山)-typed one in three stand-up ornament(I-1 type), and three step one in three stand-up one(I-2 type), modification one (I-3 type), three step one of four and five stand-up ones(I-4 type), and four step one of four and five stand-up ones (I-5 type). Tree and Antler-typed Diadem is three part in according to the step of Mountain(; 山)-typed and cross-shaped of the upper part. Three one of three step one of Mountain(;山)-typed and two Antler- typed (II-1 type), cross-shaped one(II-2 type), four step one(II-3 type).

Computational Investigation of Pintle Nozzle Flow (핀틀 노즐 유동장의 수치해석적 연구)

  • Kim, Joung-Keun;Lee, Ji-Hyung;Chang, Hong-Been
    • Journal of the Korean Society of Propulsion Engineers
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    • v.13 no.2
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    • pp.35-41
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    • 2009
  • Both the nozzle expansion ratio and the chamber pressure are simultaneously and continuously changed according to pintle movement, resulting in a different internal flow structure and flow separation characteristics. In this paper, the pintle position effect on nozzle flow structure and separation phenomena is analyzed by experimental-aided Computational Fluid Dynamic(CFD). Among the turbulent models for RANS(Reynold Averaged Navier Stokes) in Fluent, Spalart-Allmaras model is better agreement with the nozzle wall pressure distribution attained by cold-flow test than other models. And even if a conical nozzle is used, there is a shock structure similar to cap-shock pattern mainly occurred in contoured or shaped optimized nozzle because of internal shock generated from pintle tip flow separation.

A study on the Scythian costume (스키타이계(係) 복식(服飾)에 대(對)한 연구(硏究))

  • Kim, Moon-Ja
    • Journal of Fashion Business
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    • v.11 no.4
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    • pp.204-220
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    • 2007
  • The background of Korean Ethnical Costume was originated from those northern mounted nomadic groups, which was Scythe style Costume Culture. Through the antique records and paintings of tombs bequests hereby describe the forms of Scythian Cotume (1) Headgear : There was Conical Cap(or Pointed Cap), Feathered Cap, and Crown. (2) Clothes : Both Men and Women wore Jacket as upper garment with leftsided collars, narrow sleeves to the length of the hip line. As lower garment, they wore the tight Trousers and Kungo(:窮袴)that was attached with gusset. (3) Belts and Boots : On the upper garment bound the leather Belts that was hanged a hook that was shaped of animal form at the end. Scythian Buckles was divided into six groups, animal-shaped, animal's head shaped, animal fight-shaped, rectangle-shaped, rectangle openwork-shaped, genre scene shaped Buckle. To the Boots, they wore leather boots. (4) Ornaments : Ornaments divided into Dress Trimming(:Gold plaques), Earrings, Necklaces(;Torques), Bracelets, Rings. Scythian Gold Plaques were divided into several types according to the shape, animal style(curved beast shape, profile shape, head reversed over its back shape), round shape, quadrilateral form, star shape, flower shape, crescent shape, bundle shape, human appearance. Earrings consisted of a plain ring and pendant ring was a middle ornament hung from it to a pendants which hung was made of heart shaped leaves of the tree, beads-linked. Scythian Torques were divided into several types according to the shape, Torque with Terminal style, Spiral style, Layers style, Crescent-shaped pectoral style, Crown style. Scythian Bracelet were divided into 4 styles according to the shape, Bracelets with ends shaped like beasts style, Spiral style, Layers style, Crown with openwork style. Rings were rhomb-shaped and animal shaped styleRings (5) Animal motifs used in Scythian ornaments appears that in some cases the work was intended to be purely ornamental, while many times the motifs had symbolic meaning (such as the successful dominance of the aggressor over the victim portrayed in the attack scenes). Magical use of symbols may have been inten-ded to guarantee the power of the aggressor.

A Comparative Linguistic Study on Kokal (고깔의 比較 言語學的 硏究)

  • 김진구
    • The Research Journal of the Costume Culture
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    • v.3 no.2
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    • pp.193-199
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    • 1995
  • The purpose of this research was to study the origins and the meanings of the Kokal (고깔). Comparative linguistic analytical approaches were employed to trace the development of the word, the Kokal(고깔). Results of this study revealed that the kotkal(곳갈, 곧갈) was a general term referring to a variety of head coverings in eh period of Choson Dynasty. This broad meanings of the Kotkal(곳갈,곧갈) of the Chosun Dynasty period has been changed to a narrow sense meanings a conical cap made of folds of the material, mainly used by some of the Buddhist monks in modern Korean. Also, the phonetic value of the Kotkal(곳갈,곧갈) of the Choson Dynasty period changed to the Kokal(고깔) in modern Korean. A variety of words for the Kokal(고깔) was found in the different languages such as Latin, English, French, Turkish, German, Mongolian, and Chinese. The examination and analysis of this study indicated that the origin of the Korean word Kotkal(곳갈,곧갈) or Kokal(고깔) and the meanings of it were derived from LL. Cuculla(monk's cowl)

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A study on the influence of Baekje costumes on Japanese costumes in ancient times (일본 고대 복식에 미친 백제복식의 영향)

  • Kim, Moon-Ja
    • Journal of the Korean Society of Costume
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    • v.62 no.5
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    • pp.96-107
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    • 2012
  • In ancient times, immigrants from Baekje wore various kinds of costumes that provided technological and aesthetic guidance for the Japanese costume, which has been modified and changed in Japan. The clothing and ornaments were strongly influenced directly by costumes of the Baekje period; therefore, many of the Japanese costumes at that time were crafted in the Baekje style. Through the antique records, paintings of tombs and bequests, we were able to find similarities between Baekje and Japan costumes in these categories: clothes, headgear, belt hooks and belt plaques, bronze shoes, and ornaments. (1) Clothes : They wore high-shaped hat and jacket and trousers(;袴) tied the bottom. (2) Headgear : There was a gilt bronze Conical Cap attached to the long tube with terminals in the shape of a hemisphere. (3) Belt hooks and belt plaques: There were horse-shaped belt hooks in mane styles and a checkered pattern on the lower part of the haunch and a belt Plaque shaped like the face of an animal. (4) Gilt bronze shoes: They were made with the style that had two side plates fixed in the instep side and heel-side. (5) Ornaments : They were made with flower-shaped plaques and spiral-shaped decorations. One earring was made with a three-winged pendent that were connected in a chain style and the others were in unique forms that were made by connecting narrow rings and a heart-shaped pendent.

A study on the Assyrian Costume

  • Kim, Moon-Ja
    • Journal of Fashion Business
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    • v.14 no.3
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    • pp.1-19
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    • 2010
  • The Assyrians usually wore two types - the tunic and the shawl. These two types were worn alone, or in combination and changes were introduced by varying the proportions of the tunic or shawl. The tunic appeared to be of the sleeves are short and reaching to the ankles or shortened to knee length according to the rank. Assyrian shawl pattern can be divided into five distinct styless. Many of the styles were suitable for costumes to wear in religious plays and pageants. Fringed shawls were the trademark of forma1 Assyrian costume. The usual badge of rank was a long fringed shawl. Intermediate rank wore shawl with short fringes and lower grade wore no shawl at all. The military costume was comparative uniformity : conical helmets was regarded as Scythic in character, short, fringed tunics, wide belts or helmet, round caps and long tunics covered in metal scales, belted at the waist. Assyrian woman costume was the long tunic with fringed hem and a long fringed shawl or was a plaid tunic and wide belt over it. They wore gold crown and horned Cap and tiara, ugal (head-dress) and the most ordinary earrings were the drop and the cross shape and necklace was made of the coloured stones and bracelets ended with heads of animal was regarded as Scythy style or adorned with a rosette at the centre.

A Study on the Costume of Geumgwan Gaya -Focused on Headgear, Belt, Footwear- (금관가야의 복식 연구 -관모(冠帽), 허리띠, 신발을 중심으로-)

  • Kweon, Jun-Hee
    • Journal of the Korean Society of Clothing and Textiles
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    • v.43 no.4
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    • pp.532-548
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    • 2019
  • This study examines Geumgwan Gaya's headgear, belt, and footwear. The relics excavated from tombs were examined first, then earthenware and clay figurines, followed by the visual data of related neighboring countries. The results are as follows. The headgear of Geumgwan Gaya, identified in the relics, is daegwan (帶輪式立飾冠) and lip (笠). Daegwan is a diadem with branch-shaped ornaments. It has an organic cap with fabric and leather as well as ties the strings to both ends of the diadem. Lip can be seen in the mounted figure of the earthenware. In neighboring countries, the top of lip is round or straight, but Geumgwan Gaya's lip is pointed and curved slightly backward. In addition, from neighboring countries' data, it is considered that the conical hat and gun (巾) are worn in Geumgwan Gaya. The belt is made of cloth or leather. Geumgwan Gaya also uses a belt with an animal-shaped hook and Jin style belt. Jin style belt shows the association with three-Yan culture of the Seonbi people in patterns and forms. Footwear of Geumgwan Gaya is li (履) and boots. Li included leather shoes, lacquer shoes, straw shoes and wooden shoes. In addition, there are leather boots decorated with round ornaments.