• 동양고전연구
• /
• 제41호
• /
• pp.275-301
• /
• 2010

공자는 춘추시대라는 혼란한 현실을 극복하기 위하여 인간의 내면적 가치에 대한 성찰뿐만 아니라, 그 가치를 어떻게 밖으로 끌러낼 것인가, 그리고 어떻게 인간관계를 맺을 것인가에 대하여 끊임없이 고민하였다. 공자가 언급한 '화이부동'의 정신은 인(仁)의 실천이라는 타자와의 올바른 관계 맺기를 위한 원론적인 의미를 던져주고 있다. 화이부동의 정신은 도덕적이며 공적인 그리고 중용적인 가치를 추구한다. 이는 개인이나 사회공동체 더 나아가 자연과의 관계에 있어서 화합과 공존을 모색하기 위한 것으로, 군자는 이러한 화이부동의 정신을 구현한 인격자이다. 화이부동의 정신은 현 시대의 화두인 '더불어 살기'란 사회 통합에 있어서 많은 점들을 시사하고 있다. '더불어 살기'가 구체화될 수 있는 대상은 다문화가정이나 북한이탈주민 등 우리 사회의 소수자 집단이며 권력이나 이익으로부터 상대적으로 소외된 사람들이다. 화합과 공존을 모색하는 이러한 열린 마음은 더 나아가 생태계와 모든 자연을 포괄하는 환경문제에 있어서도 중요한 시사점을 주고 있다.

• 한국수학사학회지
• /
• 제21권4호
• /
• pp.49-60
• /
• 2008

'탈경계인'은 유무형의 경계를 넘어서서 소통, 공존, 결합의 가능성을 타진하고 추구하는, 사람이라고 할 수 있다. 본 논문에서는 라이프니츠의 삶과 학문에서 탈경계인으로서의 면모를 살펴보고, 이를 가능케 했던 것은 예정조화를 주장했던 그의 형이상학에서 비롯되었음을 보이려고 한다.

• 한국항해항만학회지
• /
• 제34권6호
• /
• pp.493-501
• /
• 2010

부산 해운대구에서 사하구에 이르는 부산의 중심지역에서는 도시화의 진전 속에 어촌은 사실상 소멸하였으며, 인구밀집구역에 둘러싸인 17개 어항들이 주변지역과의 부조화 속에 방치되거나 고립되어 있는 상태이다. 그러나 이러한 도시화지역 내부의 어항은 해양도시로서의 아이덴티티를 부여하는 존재이며 그 활용여부에 따라 어항 자체 뿐 아니라 주변지역의 가치를 고양할 수 있는 잠재력을 가진 사회경제적 자원으로 삼을 수 있다는 것이 필자들의 기본적인 생각이다. 본 연구에서 우리는 중부산지역의 어항들을 대표적인 '도시형 어항'으로 정의하고, '도시'와 '어항'의 공존과 조화의 방향을 모색코자 하였으며, 이를 위해 중부산지역 17개 어항들의 어업생산기반과 주변환경 및 어항정비수요를 조사하고 어업인들과 지역주민들의 의견을 취합하여 도시와 어항의 조화로운 공존을 위한 도시형 어항정비의 중장기적 방향을 설정하는 것을 주된 목표로 하였다.

• 대한건축학회논문집:계획계
• /
• 제35권6호
• /
• pp.69-80
• /
• 2019

This research focuses on 10 modern museums built in Europe near important cultural assets of UNESCO World Heritage level. This study aims to reveal the coexistence of European laminated history and contemporary architecture by considering various aspects of respecting the existing and maintaining their identity as modern buildings, using these cultural assets as a basic concept of planning while minimizing conflicts with the past. The four measures of respecting existing cultural heritage are arranged by showing respect by lowering oneself, sympathizing with others, preparing for harmony with modernity, and communicating by looking at. The measures that reveal the identity of modern buildings are confirmed by classifying them as modern and post-modern approaches, each with several options. Through this study, we have been able to extract useful lessons for us, as well, while the past and present coexist successfully, by taking history as a reliable guide to take a fresh leap from it, rather than as a solidified remnant of inertness.

• 한국실내디자인학회논문집
• /
• 제15권5호
• /
• pp.44-51
• /
• 2006

Careful attentions should be paid on the renovation of historical building, not only because it conservations architectural heritages by affording new roles of the present days, but also determine their successive value in the stream of the preservation of cultural properties. Among drastically-increasing interest in the remodeling of the modem architecture in Korea, it is meaningful to research the cases in Japan since there are precedent, accumulative, and ample example of lengthened time. In this paper, two examples with different renovation concept, 'harmony' and 'confrontation' are compared. 'Minami-za' is the typical example to harmonize the present requirement with the original purpose and the memories of the buildings, where the use and the design are preserved. On the contrary, 'Shinpu-kan' is exemplified as confrontation where everything except the facade and the structure was remodeled. It is suggested to understand 'harmony' and 'confrontation' as a way to the coexistence of 'new' and 'old' on the basic of the historical meaning of architectures, not only as a design trend.

• 복식
• /
• 제63권8호
• /
• pp.188-208
• /
• 2013

This study aims to find out factors of historical specialty and cultural ethnicity that influenced the formation of Spanish fashion as well as examine the characteristics of Spanish fashion by comparing its historical costumes, such as folk costume and court costume with contemporary fashion of major Spanish designers in the 20th century. Documental investigation and analysis of visual materials were used as research method. The study results are as follows: The major factors that affected the characteristics of Spanish fashion in the history include the geographical features, invasion of foreign nations, cultural heritage of various ethnic groups, strengthening of the national power, advancement of international trading through the newly developed routes, and influence of religions such as Christianity, Islam, and Judaism. Featuring the coexistence of variety and heterogeneity, the ethnicity reflected in the culture harmoniously embraces various spirits such as conflict and coexistence, individualism and collectivism or regionalism, and exclusion and tolerance of religions. In addition, the characteristics in the cultural phenomena include passion, sensuousness, individualism, sense of reality, sense of chic, and the people-centeredness. The basic Characteristics of Spanish fashion include the sensuality of excessive zeal, decorativeness of gorgeous handicrafts, exoticism of people-centered variety, extreme contrast of harmony, touching artistry of chic, and fantastic surrealistic wits.

• 한국실내디자인학회논문집
• /
• 제13권4호
• /
• pp.138-146
• /
• 2004

The museum has been developed and changed variety by a social change and extention of its concept and social role. At modem times, context is a important fact in museum architecture in the city. These mean that museum architecture is combined with rather the relationship its surroundings than completion its constructing. Recently, Many studies were continued on the assumption that the function and role of museum has been changed variety by a social change. But most of them were centered on changing choronogical typology of museum layouts and classifing morphology of museum. This study is to analyze harmony and connection about pinakothek der moderne with surounding conditions and to know how to design its spacial configuration. As a result of this study, firstly, it was confirmed that pinakothek der moderne came up with an idea which was design method about planning of modern museum in classic museums district. Seondly, it come under the modern museum but has classical spacial form and faculty. These mean that it is not only a solution about required functions but also a trial that is a significance for solving historical context and esteeming the classic space.

• 동의생리병리학회지
• /
• 제18권5호
• /
• pp.1270-1274
• /
• 2004

In the Nei Ching. the interrelation of Yin and Yang within the human body. based upon a perfect balance and a perfect mutual control. The affinity of Yin and Yang to each other was held to have a decisive influence upon man's health. Perfect harmony between the two primogenial elements meant health. Disharmony or undue preponderance of one element brought disease and death. The interrelation of Yin and Yang in the Nei Ching, had the organic view of the life. The world view of the harmony and balance in Nei Ching shows a unified world view that is symmetrical and in equibrilium in unity and conflict of opposite elements instead of combining with the closely related elements, namely, it is a fact that the life principle of the theory of Yin and Yang in Nei Ching is not the object of the killing and destroying for unity and conflict of opposite elements but the life cycle and life rule for the purpose of achieving the world of harmony, coexistence, and engendering via check and balance as well as confrontation between the opposite elements. In Nei Ching, like this, in the case where all of the antagonistic elements including the antagonism between You and Me, Yin and Yang affirm and tolerate each other, the organic view of the life in which the life of You and Me and the macrocosm is able to be maintained is suggested to the human being at a whole crisis.

• 한국실내디자인학회논문집
• /
• 제25호
• /
• pp.236-244
• /
• 2000

The concept of the true house' is based on the balance of a person's life and nature and represents the life in which lies an organic harmony between environment and ecology. However, humans have always been in a position of dominance over nature and with their developments have brought on much destruction and corruption to the ecosystem. With this, the position of the true house has intensified and the ecological approach of architecture has started to come into consideration as its alternative plan. Accordingly, it is essential to reconstruct and take on a new perspective of nature. The conversion to a more Oriental approach, which dwells in the adaptation and harmony of nature, is especially sufficient to the ecological aspect of architecture. From this we can realize that the ecological approach is none other than a modern interpretation of what our ancestors have lived by. In other words, an architectural concept deriving from the adaptation of climate, season, and nature-the coexistence of man and nature. From an ecological point of view, the idea of favoring nature in the traditional house can be found in the inclination of being one with nature by adapting to its geographical and preferable climate conditions. This results in the use of natural energy, the use of natural resources, the organic connection between the inner and outer natural space, and the application of nature itself. By approaching these elements from a modern point of view and applying it to the current time, we can open up the door to a more lasting human-environment based ecological position of architecture where our own climatic characteristics and traditions can be reflected in the pursuit of harmony between man and nature.

• 휴양 및 경관연구
• /
• 제12권4호
• /
• pp.67-78
• /
• 2018

Hangang Artpark construction is an enterprise founded in 2018 that involved installing public artworks created by 37 different people (teams) in Hangang Park located in Yeouido and Ichon Park. An iconic public space in Seoul, Hangang Park is turning into an even better public space due to the efforts to change the park into an eco-friendly, cultural-artistic space in tandem with the change in times. The objective of the Hangang Artpark construction business is to augment the environmental and scenic value of Hangang not only to provide a space for leisurely activities but also to revive it as a cultural-artistic area. This is a study of the concept and the design and installation processes of "Thinking of each other", a project by the Hangang Artpark construction business. This art piece has been installed in the wetlands and it trails along Ichon Hangang Park, which was created during the environmental recovery project. The piece consists of sculptures molded into animal shapes that are unique to the location and ecology of the area, displayed in harmony with the park's street furniture. By showing the coexistence of animals that existed in Hangang in the past along with the current inhabitants and the natural enemies of these inhabitants, the piece displays an ecofriendly scene. Moreover, by incorporating this piece into the street facilities of the park, such as gazebos, streetlights, surveillance cameras, and perches, the piece exhibits a different kind of street view compared to the installation style of other conventional environmental artworks. The various sculptures are installed along with the street facilities throughout the trail, rather than in a specific location intended for artworks, thereby achieving harmony with the park scene. In so doing, the piece elicits in the beholder an environment-friendly way of thinking, and at the same time, gives them a sense of calm and pleasure. Further, the paper researches the methods of safely installing art pieces in public spaces and of maintaining these installations.