• Title/Summary/Keyword: clear images

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A NOVEL PARALLEL METHOD FOR SPECKLE MASKING RECONSTRUCTION USING THE OPENMP

  • LI, XUEBAO;ZHENG, YANFANG
    • Journal of The Korean Astronomical Society
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    • v.49 no.4
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    • pp.157-162
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    • 2016
  • High resolution reconstruction technology is developed to help enhance the spatial resolution of observational images for ground-based solar telescopes, such as speckle masking. Near real-time reconstruction performance is achieved on a high performance cluster using the Message Passing Interface (MPI). However, much time is spent in reconstructing solar subimages in such a speckle reconstruction. We design and implement a novel parallel method for speckle masking reconstruction of solar subimage on a shared memory machine using the OpenMP. Real tests are performed to verify the correctness of our codes. We present the details of several parallel reconstruction steps. The parallel implementation between various modules shows a great speed increase as compared to single thread serial implementation, and a speedup of about 2.5 is achieved in one subimage reconstruction. The timing result for reconstructing one subimage with 256×256 pixels shows a clear advantage with greater number of threads. This novel parallel method can be valuable in real-time reconstruction of solar images, especially after porting to a high performance cluster.

Flexible Microelectronics; High-Resolution Active-Matrix Electrophoretic Displays

  • Miyazaki, Atsushi;Kawai, Hideyuki;Miyasaka, Mitsutoshi;Nebashi, Satoshi;Shimoda, Tatsuya;McCreary, Michael
    • 한국정보디스플레이학회:학술대회논문집
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    • 2005.07a
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    • pp.575-579
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    • 2005
  • A beautiful, flexible active-matrix electrophoretic display (AM-EPD) device is reported. The flexible AM-EPD device has a $40.0{\times}30.0\;mm^2$ display area, measures about 0.27 mm in thickness, weighs about 0.45 g and possesses only 20 external connections. The flexible AM-EPD device displays clear black-and-white images with 5 gray-scales on $160{\times}120$ pixels. The display is free from residual image problems, because we use an area-gray-scale method on $320{\times}240$ EPD elements, each of which is driven with binary signals. Each pixel consists of 4 EPD elements. In addition, since the response time of the electrophoretic material is as long as approximately 400 ms and since the display possesses a large number of EPD elements, we have developed a special driving method suitable for changing EPD images comfortably. A complete image is formed on the AM-EPD device, consisting of a reset frame and several, typically 6, image frames.

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Double-Layer 3D Rear Projection Display System using Scattering Polarizer Film (후면투사 방식의 이중스크린 3D 프로젝션 디스플레이)

  • Kim, Tae-Ho;Seo, Jong-Wook
    • Korean Journal of Optics and Photonics
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    • v.18 no.6
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    • pp.421-425
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    • 2007
  • A new 3D rear projection display system using double-layer polarization-selective screen systems, one stacked in front of the other, has been developed. The front and rear screens are made of scattering polarizer films, and they either diffuse-scatter or transmit the incident light depending on the polarization state of the light. The near and for images are projected onto the front and rear screens, respectively, using light waves with mutually orthogonal polarization states. The new display system produces clear high-resolution images, which are visible over a wide range of viewing angle. It was found that the impression of depth is pronounced and eyestrain is only comparable to that by 2D display systems.

A Study of the Art Mode in Modern Fashion (현대패션에 나타난 아트모드에 관한 연구)

  • Kim, Sun-Young
    • Journal of the Korean Society of Costume
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    • v.59 no.8
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    • pp.1-14
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    • 2009
  • This study was aimed to make clear fashion is an expression art displaying not only functional or commercial aspects, but creative functions as an artistic work by analyzing Art Mode and its values, and to help develop more creative design by combining fashion with art. In terms of method, relevant documents, precedent studies, and the works announced in domestic and foreign fashion collections, such as Vogue, Fashion News, Gap, and Collections from 2000 to 2009. According to the findings, artistic works were used by the Art Mode in modern fashion. The respect of artists was expressed using historic famous painting works or current works in various fields, designers' individuality was shown by directly applying work messages to clothes, and fashion design was converted into a tool to communicate the messages like artistic works. Second, the various styles, using the formative character of modern art styles from animalism to modern abstractism, showed the creativity of design, transformed art into the art that enables to see the image of modern art, and presented the possibility of developing into a newer creative design through the application of numerous art styles and the transformation of ideas. Third, the collaboration with artists was used. Fashion designers or fashion brands tried to change the images of works or brands in partnership with artists or to increase differentiated images. The future direction of fashion is a pursuit of new form and content to express fashion, not simply to use artistic works. It is expected that such pursuit will lead to more creative and artistic fashion design.

ULTRAVIOLET ISOPHOTE SHAPES OF NEARBY ELLIPTICAL GALAXIES AND SPIRAL BULGES

  • SOHN YOUNG-JONG
    • Journal of The Korean Astronomical Society
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    • v.34 no.2
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    • pp.59-66
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    • 2001
  • In this paper, we investigate the correlation between the radial ultraviolet color distribution and the shapes of the ultraviolet isophote for elliptical galaxies (M32, NGC 1399) and spiral bulges (of M31, M81) by using their archival UIT images. For M31, M81, and NGC 1399, the radial ultraviolet color distributions show a two-component trend; as the distance from the galactic center increase the color becomes redder in the inner region while it becomes bluer in the outer region. On the other hand, the color of M32 continues to become bluer with the increasing galactocentric distance. We also find, unlike the optical/IR images, significant variations of the position angle and the ellipticity in the ultraviolet isophotes of M31, M81, and NGC 1399 through the inner regions. For M32, the variation is significant in the outer region. Since these variation implies the triaxiality of their intrinsic shapes, we suggest that the early-type galaxies and spiral bulges with a radial color gradient in ultraviolet tend to have a triaxiality. On the other hand, the shape parameter characterized by the fourth order cosine Fourier coefficient of the isophote, a(4)/a, indicates that the systematic deviations of the ultraviolet isophotes of the four galaxies are smaller than $\~0.2\%$ in units of the semi-major axis. The latter result implies that the ultraviolet isophotes of the galaxies have a pure elliptical shape rather than the boxy or disky shapes. Therefore, there is no clear evidence of correlation between the radial ultra-violet color gradient and the boxy/disky shapes of isophotes.

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The Influence of the Eyebrow Make-up on Facial Image (눈썹화장이 얼굴이미지에 미치는 영향)

  • Gang, Eun-Ju
    • Journal of the Korean Society of Fashion and Beauty
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    • v.3 no.2 s.2
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    • pp.31-38
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    • 2005
  • Make-up changes facial images. In particular, eyebrow make-up is a part of changing expression most easily and effectively. While color make-up is helpful to produce women's desired image with their favorite colors, eyebrow make-up is hidden actor to give a clear impression to others. Therefore, this study connected facial type which is an important factor deciding facial image with eyebrow, examined image of eyebrow make-up and that changed by facial types and aimed to be helpful in producing more effective facial image with eyebrow make-up considering one's facial type. Consequently, it was found that eyebrow make-up was a great factor in making better facial impression and image and complementing the weakness of facial type. h strong impression of facial type can be changed into soft shape or foolish shape in worse case depending on the types of eyebrow make-up. Eyebrow make-up shows charming image as angle of eyebrow is steep, heavy image as eyebrow is horizontal, cold image as eyebrow tail rises and simple and dull image as it lowers. Therefore, it is known that image of eyebrow make-up can be governed by several factors including angle and direction of eyebrow. Consequently, it is thought that most effective eyebrow make-up considers individual facial types, images of their eyes, noses and mouths and factors deciding angle, direction and colors of eyebrow.

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Historical Reality and Cultural Memory: The Image of Peter I in Russian Literature and Folklore (역사적 현실과 문화적 기억 : 기록 문학과 구술 문학에 나타난 표트르 대제의 형상)

  • Seo, Seon Jeong
    • Cross-Cultural Studies
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    • v.29
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    • pp.201-232
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    • 2012
  • In the world history in the rein of totalitarianism cultural project of government had been activated, and consequently of it official culture had been organized. But at the same time on the other side of it people('narod'), who didn't have cultural means for active expression of own opinion on the reality, had expressed world-view and judgement informally in everyday language. In the literature of autocracy, subjected to censorship, had been expressed and fixed mythically idealized image of sovereign and his works. But in the folklore the image of ruler had been created by liberal fantasy of people. This article examined russian literature and folklore texts of 18 century, when russian people suffered from rapid and dramatic changes, caused by Peter I. Although russian literature of 18 century had gone over to the new literary regime, it still accepted political mechanism as dominant of age, and consequently in the literary texts of this century Peter I was represented as ideal person and great monarch. But various images in folklore texts show that people's opinion on ruler and his activities couldn't be controlled. In other worlds, diverse images of Peter I in folklore texts reflect clear and plain historical consciousness of people. This analysis reveals not only difference between mechanism of idealization of government and historical consciousness of people, but also meaning of cultural memory as indicator of historical reality.

Comparative Analysis According to Acquisition Type by Using the Resolution Phantom for Mammography Equipment (유방촬영의 영상획득 방법에 따른 해상력 차트의 비교 분석)

  • Kim, Jae-Hoon;Ji, Yun-Sang;Dong, Kyung-Rae;Kwak, Jong-Gil
    • Journal of Radiation Industry
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    • v.12 no.4
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    • pp.287-290
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    • 2018
  • Nowadays, diseases related with breast are increasing rapidly and because of this high quality of resolution images is required to get clear detail specially for early detection and diagnosis. It has a tendency to use digital equipments than analog one in clinic. In this experiment, DR, CR, and Film are used for the resolution applied by AEC. Resolution phantom in DR was $7LP{\cdot}mm^{-1}$ in both verticality and horizontality. In CR, however, it was $6LP{\cdot}mm^{-1}$ in both which was lower this standard. The resolution stayed in range of standard in Film but it showed differences between $11{\sim}14LP{\cdot}mm^{-1}$ Overall, the difference of resolution was displayed Film, DR and CR, in order, which means the study is needed for more high quality of digital images.

Perceived Age Prediction from Face Image Based on Super-resolution and Tanh-polar Transform (얼굴영상의 초해상도화 및 Tanh-polar 변환 기반의 인지나이 예측)

  • Ilkoo Ahn ;Siwoo Lee
    • Journal of Biomedical Engineering Research
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    • v.44 no.5
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    • pp.329-335
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    • 2023
  • Perceived age is defined as age estimated based on physical appearance. Perceived age is an important indicator of the overall health status of the elderly. This is because people who appear older tend to have higher rates of morbidity and mortality than people of the same chronological age. Although perceived age is an important indicator, there is a lack of objective methods to quantify perceived age. In this paper, we construct a quantified perceived age model from face images using a convolutional neural network. The face images are enlarged to super-resolution and the skin, an important feature in perceived age, is made clear. Moreover, through Tanh-polar transformation, the central area of the face occupies a relatively larger area than the boundary area, helping the neural network better recognize facial skin features. The experimental results show mean absolute error (MAE) of 6.59, showing that the proposed model is superior to existing method.

A Comparative Study on the Color Features and Images of Professional Football Uniforms in Korea and Foreign Leagues (국내·외 리그별 프로축구 유니폼의 색채 특성과 이미지 비교 연구)

  • Lee, Mi-Suk;Lim, Song-Mi
    • Journal of the Korean Society of Costume
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    • v.64 no.3
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    • pp.108-125
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    • 2014
  • The purpose of this study is to provide the basic information necessary to develop sports uniform design by comparing and analyzing the color features and images of professional football uniforms in Korea and foreign countries. The subjects of this study were limited to 5 top leagues in Europe (Premier League, Primera Liga, Bundesliga, Serie A, and Ligue 1) as well as J-League, and K-League. This study was done using the 2012/2013 season home and away uniforms for European leagues and 2013 season home and away uniforms for Korean and Japan leagues. Using the Adobe photoshop CS2 eyedropper tool, color chips and RGB values were extracted from digital images and converted into HV/C of Munsell Conversion. Finally, a total of 735 colors were used for the analysis. The color image scale by Shigenobu Kobayashi was used to position the color images. The results are as follows. First, the color analysis of professional football uniforms in leagues suggested that chromatic color (53.7%) was more prevalent than achromatic color (46.3%). The two most common colors of the ten chromatic colors were R(19.7%) and PB(18.0%), followed by Y(5.4%), RP(2.0%), G(1.9), GY(1.8%), B(1.6%), YR(1.5%), P(1.1%), and BG(0.7%). Second, for the color tone comparison and analysis of professional football uniforms in leagues, the most commonly used color tone was W(28.4%), followed by v(25.5%), Bk(16.3%), s(5.8%), dk(5.2%), b/lt(5.2%), dp(3.0%), sf(2.0%), ltGy(1.0%), p(0.5%), G/dkGy(0.4%), and ltg/mGy (0.1%). Third, for the comparison and analysis of color and color tone of professional football uniforms in leagues, W(28.4%), R(v)(17.7%), and Bk(16.3%) were commonly used. Finally, for the comparison and analysis of color images of professional football uniforms in leagues, the most commonly used color image was a casual image(31.8%), followed by modern image(26.5%), dynamic12.8%), cool casual(12.0%), gorgeous(9.3%), clear(6.6%), chic(3.5%), and elegant images. Dandy, classical, romantic and pretty images(0.4% respectively) were also used.