• 헤리티지:역사와 과학
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• 제35권
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• pp.160-184
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• 2002

The composition analysis of mural pigments at Daeungjeon Hall of Bongjeongsa Temple(Treasure No. 55) and ancient tomb with mural pigments in Goadong(Historic site No. 165) were carried out by XRF and MXRD. The analytical result showed that red pigments were Red Lead($Pb_3O_4$), Cinnabar(HgS) at Daeungjeon Hall of Bongjeongsa Temple and Cinnabar(HgS) in Goadong. The main composition identified in white pigments were Lead Carbonate Hydroxide[$PbCO_3{\cdot}Pb(OH)_2$]. Green pigments were basic copper chloride[Paratacamite $CuCl{\cdot}Cu(OH)_3$], celadonite[$K(Mg,Fe,Al)_2(Si, Al)_4O_{10}(OH)_2$] at Daeungjeon Hall of Bongjeongsa Temple and were basic copper chloride or basic copper carbonate in Goadong. Therefore it proved that mural pigments painted in use the mineral materials.

• 건축역사연구
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• 제25권6호
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• pp.7-16
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• 2016

The purpose of this study is to find framework schema of early J usimpo-style Buddhist halls (Geungnakjeon Hall of Bongjeongsa Temple, Muryangsujeon Hall of Buseoksa Temple, and Daeungjeon Hall of Sudeoksa Temple). Though the halls are known as built in the late Goryeo Period, they show the influence of the architectural style of the early Unified Silla Period. To find the adopted modules and proportions of these halls, this study conceived a schematic diagram based on the whole frame structure taking reference from the Cai-Fen system in Yingzao Fashi. In these three halls, the heights of each cross-beam (Dori) are made up by the layers of member and member units. This study computes the values of Cai, Zhi, and Fen which can apply to both the section and the plan. The vertical section structure is determined by combining the standard member heights (Cai) and the standard unit heights (CaiZhi). The bays of columns are made by multiples of the standard member width (Fen).

• Journal of the Korean Wood Science and Technology
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• 제48권3호
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• pp.283-290
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• 2020

For visual inspection-based wood identification, optical microscopy techniques typically require a relatively large sample size, and a scanning electron microscope requires a clean surface. These novel techniques experience limitations for objects with highly limited sampling capabilities such as important and registered wooden cultural properties. Synchrotron X-ray microtomography (SR-µCT) has been suggested as an effective alternative to avoid such limitations and various other imaging issues. In this study, four pieces of wood fragments from wooden members used in the Manseru pavilion of Bongjeongsa temple in Andong, Korea, wereused for identification. Three-dimensional microstructural images were reconstructed from these small wood samples using SR-µCT at SPring-8. From the analysis of the reconstructed images, the samples were identified as Zelkova serrata, Quercus sect. Cerris, and Pinus koraiensis. The images displayed sufficient spatial resolution to clearly observe the anatomical features of each species. In addition, the three-dimensional imaging allowed unlimited image processing.

• 한국실내디자인학회논문집
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• 제22권6호
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• pp.58-67
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• 2013

Since environmental pollution emerges as an important issue, integration of academic discipline has been accomplished for development of environmental ethics. Combination of Buddhism and Ecology is the instance of this background. The background of this research is the assumption that from Seon Ecology standpoint, Buddhist temple would define conception of Seon Ecology specifically. The study based on advanced study about Seon Ecology, the peculiarity of Seon Ecology was dependent originations, order, the nature of Buddha, moderation, and impersonated nature. In addition, this study researched how these peculiarity has relation with traditional temples. This attempt has a significance in that finding a new approach of interpreting traditional temple and possibility of Seon Ecology Seon Ecology space formative concepts of traditional temple is cyclical allness, transitory balance, Denial of perfection and natural void characteristics from Seon Ecological studies. This study examined how characteristic of Seon Ecology is reflected in traditional temple, through analyzing Buseoksa-Anyangru, Bongjeongsa-Yeonsanam, Seonamsa simgeomdang, Songgwangsa woohwagak, Hwaamsa woohwaru which have remarkable characteristic of selection using above space formative concepts. traditional temple was filled with life coexisted with dynamics, independence, and equality within interrelationship between nature and architecture.

• 한국산업융합학회 논문집
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• 제10권4호
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• pp.255-262
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• 2007

The main purpose of this study is to figure out of seismic structural behaviour of Gukrakjeon of Bongjung-Temple which is the oldest wooden architecture in Korea, and to evaluate in engineering aspect of seismic records. The non-lineal analysis is essential for accurate evaluation of wooden architecture in seismic behaviour. Based on the experimental test with applying cycle forces in joint specimens is focusing on not only to prove the structural characteristics, but also to evaluate damping ratio, As the result of this test, damping ratio is affected not the joint methods but the frame variations. The average damping ratio was 26%.

• 건축역사연구
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• 제25권5호
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• pp.15-25
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• 2016

The color that painted on the ground of Dancheong becomes Gachil(basecoat)-Dancheong and underpainting of Moro-Dancheong or Geum-Dancheong. So, the color of underpainting is the most important element that determines impression of the building. Thus, the architecture after using "Sangrokhadan" has different characters from what it had been. In the existing perception toward the background color of Dancheong, it was considered the characters of Korean Dancheong so-called "Sangrokhadan" that paint vertical elements like columns red and upper part of the columns green. But this study examined the color of Dancheong according to the era and region before and after Goryeo Dynasty era, then it reveals that Sangrokhadan technique was applied from the 14th century in the late Goryeo Dynasty. One of the Goryeo architecture, Geungnakjeon Hall of Bongjeongsa Temple is thought to be a previous style that is not applied "Sangrokhadan" technique because old elements are painted red pigment.

• 보존과학회지
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• 제23권
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• pp.53-65
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• 2008

안동 봉정사 대웅전 후불벽체의 제작기법 특성을 규명하기 위하여 벽체의 구조 및 재료적 특성을 자연과학적 방법을 활용하여 조사 분석하였다. 연구결과, 벽체의 구조 및 재료학적 특성이 규명되었으며 제작기법이 거시적인 차원에서 확인되었다. 대상벽체는 목부재를 중심으로 대칭을 이루는 맞벽의 구조를 취하고 있으며 초벽, 중벽, 화벽으로 구성되는 일반적인 벽체의 구조적 경향을 따르고 있는 것으로 판단된다. 제작과정에 따라 형성된 각각의 층위는 재료 및 제작기법의 차이를 보이며, 대체적으로 상부 층위일수록 세립의 물질이 사용된 것으로 확인되었다. 벽체의 형성에 사용된 주재료들과 첨가물질의 배합은 벽체내구력 및 보존력 향상에 기여한 것으로 판단되며, 보존력의 원인이 되는 물질간의 상호작용과 제작자의 세부적인 기법적 효과로 견고한 벽체가 형성된 것으로 보인다.