• 한국수학사학회지
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• 제19권2호
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• pp.47-58
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• 2006

본 논문에서는 괴델의 삶과 업적을 소개하고, 그의 불완전성정리의 함의하는 바가 인식론적이고 윤리적인 의미를 가지는 여백을 확보하는데 있다는 것을 주장한다. 그리고 그 함의가 '여백의 철학'을 지지함을 논의한다.

• 한국영어학회지:영어학
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• 제3권4호
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• pp.589-609
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• 2003

The purpose of this paper is to show that lexical equivalency in translation can be achieved when it is based on semantic prosodies of lexical items. This paper examines the semantic prosodies of two seemingly synonymous English adjectives ‘empty’ and ‘blank’ on the basis of the corpus given in Cobuild English Collocations on CD-ROM and proposes that they are different in terms of spatial dimensions. Thus when a Korean equivalent pin derived from the verb pita is translated into English, syntagmatic phraseological environments of the Korean adjective must be taken into account to attain the equivalency of the source and target languages. Relevant Korean corpus was taken from the 21st Century Sejong Plan (2002). Out of 12 examples of pin konggan, five appear to be equivalent to ‘blank’ and seven to ‘empty.’ The five to seven ratio in different usage indicates that the equivalency problem concerning the lexical item pin is not a trivial matter in translation.

• 한국융합학회논문지
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• 제8권6호
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• pp.153-162
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• 2017

이 논문은 중국과 일본의 상이한 미적, 철학적 차이의 이해와 융합을 기반으로 그래픽 디자인 분야에서 여백을 통한 새로운 표현 창출을 위한 방법에 대해 논했다. 그래픽 디자인에서 동양의 특징적인 여백을 표현하는 것은 디자인의 예술적 표현과 문화적 의미를 풍부하게 하고 디자인의 창작의 가능성을 높을 수 있다. 이 연구에서는 먼저, 중국과 일본의 미술 및 디자인에서의 여백에 대한 인식과정과 표현과정을 중국의 전통회화의 철학과 일본의 현대 그래픽 디자인의 방법이 적용된 포스터 디자인을 통해 비교∙분석한다. 이를 기반으로 포스터 디자인에서 여백을 통해 중국 현대 그래픽 디자인의 새로운 접근방법으로써 융합의 개념을 적용해 그래픽 작업에서의 표현의 가능성을 확장한다. 또한, 여백에 대한 융합적 개념에 의한 표현 창출은 자신의 작품에 새로운 가능성을 제공한다.

• 소성∙가공
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• 제24권1호
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• pp.28-36
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• 2015

After a short review of the iterative optimal blank method, a new method of measuring the shape error for stamped parts with 3D contour lines, which is an essential component of the optimal blank design, is proposed. When the contour line of the target shape does not exist in a plane, but exists in 3D space, especially when the shape of the target contour line is very complicated as in the real automotive parts, then the measurement of the shape error is critical. In the current study, a method of shape error measurement based on the minimum distance is suggested as an evolution of the radius vector method. With the proposed method, the optimal blank shapes of real automotive parts were found and compared to the results of the radius vector method. From the current investigation the new method is found to resolve the issues with the radius vector method.

• International Journal of Advanced Culture Technology
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• 제10권3호
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• pp.174-183
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• 2022

The abstract should summarize the contents of the paper and written below the author information. Use the word "Abstract" as the title, in 12-point Times New Roman, boldface type, italicized, centered relative to the column, initially capitalized, fixed-spacing at 13 pt., 12 pt. spacing before the text and 6 pt. after. The abstract content is to be in 11-point, italicized, single spaced type. Leave one blank line after the abstract, and then begin the keywords. All manuscripts must be in English. When it comes to the issue of "virtual and real" in traditional Chinese painting, the first impression is to describe the problems of painting strokes and ink, layout of pictures, etc., but it runs through the initial conception of the work, creation in the middle and aesthetic appreciation of the work. It exists in the whole process of artistic creation and appreciation. In essence, it is a problem of aesthetic thinking and philosophical thinking. Because the traditional Chinese painting theory is influenced by Taoism, when the concept of "virtual and real" is implemented in the specific picture of Chinese painting, it is contained in the specific shape of "physics", that is, the painting theory research of "blank space" in the picture. Based on the traditional Taoist philosophy of China, this paper takes the "virtual and real" view in Lao Zhuang's thought as the research object, deeply analyzes and compares its relationship with the "virtual and real" in Chinese landscape painting, and finds out their artistic spirit, essential characteristics and how to present them. This paper mainly discusses the internal relationship between Taoist philosophy and "virtual and real" in Chinese landscape painting from the following aspects. The introduction expounds the origin, purpose, significance, innovation and research methods of the topic. This paper analyzes the philosophical thoughts about landscape in the philosophical thoughts represented by Lao Tzu and Zhuangzi. The development of Chinese traditional aesthetics theory is closely related to Taoist philosophy, which has laid the foundation and pointed out the direction for the development of Chinese painting theory since ancient times. It also discusses the influence of the Taoist philosophy of "the combination of the virtual and real" on the emergence and development of the artistic conception of landscape painting. Firstly, through the analysis of the artistic conception of landscape painting and its constituent factors, it is pointed out that the artistic conception is affected by the personality and the painting artistic conception. Secondly, through the Taoist thought of "the combination of the virtual and real" in landscape painting, so as to reflect that it is the source of the artistic conception of Chinese landscape painting. It is the unique spiritual concept of "Yin and Yang" and "virtual and real" that creates the unique "blank space" aesthetic realm of Chinese painting in the composition of the picture. Finally, it focuses on the "nothingness" in Taoist philosophy and the "blank space" in Chinese landscape painting. The connotation of the "blank space" in Chinese painting exceeds its own expressive significance, which makes the picture form the aesthetic principle of emotional blending, virtual and real combination and dynamic and static integration. Through the "blank space", it deepens the artistic characteristics of the picture and sublimates the expression of "form" in Chinese painting.

• 대한토목학회논문집
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• 제39권4호
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• pp.513-521
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• 2019

본 연구의 목적은 지하철 이용자의 지하철 표지 여백에 대한 특성의 군집그룹별 선호도를 파악하는 것이다. 세부적으로 성별, 연령 등의 특성에 따라 지하철 표지 여백에 대한 특성을 다양하게 디자인하는 개념을 도입하는 것을 목적으로 한다. 본 연구는 지하철 표지 여백에 대한 특성의 선호도를 조사하고 전체그룹과 군집그룹별 선호도를 분석하였다. 선호도 조사를 위해 설문조사를 실시하였으며, 선호도 분석을 위해 군집분석을 실시하고 전체그룹과 군집그룹의 인구통계학적 분석과 컨조인트 분석을 실시하였다. 선호도 조사를 위한 지하철 표지 여백에 대한 특성의 속성은 상하여백, 측여백, 테두리선 여백, 화살표 두께, '역명'과 '호선번호' 순서로 설정하였다. 선호도 분석 결과는 다음과 같다. 전체그룹에서 속성의 중요도는 테두리선 여백, '역명'과 '호선번호' 순서, 측여백, 상하여백, 화살표 두께 순으로 나타났다. 군집그룹은 총 3개의 그룹으로, 1군집은 지하철을 거의 매일, 일주일에 3~4회 이용하는 여성으로, 글자의 1/2 측여백을 선호하는 것으로 나타났다. 2군집은 60대 이상의 지하철 표지를 불편하다고 생각하는 이용자로, 테두리가 없는 것과 '역명'+'호선번호' 순서를 선호하는 것으로 나타났다. 3군집은 20대와 30대의 남성으로, 글자의 1/5 테두리선 여백과 얇은 화살표 두께를 선호하는 것으로 나타났다. 결론은 다음과 같다. 첫째, 지하철 표지 여백에 대한 특성을 일관성 있게 디자인 해야하지만, 특정지역 혹은 노선에 대해서 성별, 연령별, 지하철 이용횟수에 따라 다양하게 고려할 필요성이 제시되었다. 둘째, 특정지역 혹은 노선에 따라서는 지하철 표지 여백에 대한 특성의 표지를 표준화된 한 가지 유형이 아닌 두 가지 이상의 유형의 디자인이 가능함을 보여주었다.

• 천문학회보
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• 제37권2호
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• pp.77.2-77.2
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• 2012

We have studied the physical properties of X-ray point sources in galaxy clusters for years based on the archival observations using the most sophisticated space X-ray observatory, Chandra X-ray Observatory. Because the ultimate goal of the study is comparing the physical properties of X-ray point sources found in galaxy clusters to those in X-ray blank fields; blank fields are the regions in the sky where any noticeable cosmic diffuse X-ray emission is not observed, an important key issue regarding this study is picking out the point sources related with galaxy clusters. However we do not have red-shift information of all the X-ray point sources. Therefore as a first order approximation we will consider the point sources with smaller projected cluster-centric distance than the adopted size of galaxy clusters. As a first step of this study we perform X-ray surface photometry of ~600 galaxy clusters based on ~800 Chandra ACIS observations. We carefully investigate the radial structures of diffuse X-ray emission in 3 different energy bands. Based on the highly accurate surface photometry we determine the characteristic size of diffuse X-ray emission (i.e., the boundary of X-ray emission). We also investigate the cosmological evolution of this characteristic size of galaxy clusters. General discussion regarding the two dimensional morphology of galaxy clusters will be presented.

• Journal of Astronomy and Space Sciences
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• 제25권3호
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• pp.267-282
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• 2008

대류층의 중성 대기는 전자가파의 신호 지연을 일으키기 때문에, GNSS(Global Navigation Satel-lite System)를 이용한 정밀측위의 가장 큰 오차요인으로 작용한다. 대류층 지연오차는 대류층의 굴절률과 연관 있으며, 대류층의 굴절률은 경험적으로 압력, 온도 및 수증기 분압으로 표현된다. 따라서 GNSS 안테나 위치의 기상 정보를 알고 있다면, 대류층 지연오차는 경험적 법칙에 의해 산출될 수 있다. 이 연구에서는 임의의 장소와 시간에 대한 대류층 지연오차를 생성하기 위한 기상정보 생성에 대하여 연구하였다. 한국천문연구원이 운영하는 9개의 상시 관측소에 설치된 디지털 기상 센서의 관측값을 가지고 범용 크리깅 (Ordinary Kriging)을 적용하여 기상 정보를 생성하였고, 상시 관측소의 데이터 공백을 메우기 위해 각 상시관측소의 기상 데이터를 분석하여 수치 모델을 만들어 보완하였다.

• 복식문화연구
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• 제27권3호
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• pp.222-238
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• 2019

This study is aimed at applying the philosophical concept of "$diff{\acute{e}}rance$" to contemporary men's fashion design, which could effectively show the shift in thinking. For the study method, the author examined the theoretical background of deconstruction and prepared the standard of analysis by organizing the concept of "$diff{\acute{e}}rance$," which exists at the center of philosophy. This study selected the three most popular brands: Maison Margiela, Comme des Garcons, and Yohji Yamamoto. The results are as follows. First, there is expression of perpetual reservation emphasizing time. This includes texture, patchworks, hems with ladder, and exposure of seam that expresses the trace of time flow and delayed delivery of immediate meaning, and the expression creates delay between major and minor and leads to consistent role exchange. Second, the trace of blank that emphasizes the space gives a visual sense of weight on spares with the intentionally granted space, as well as the space that is the trace of trace and creates a sense of depth through the direction of empty space. Third, the space created in the process of wearing cloth is visualized, the structure of clothing is deconstructed, and the movement from the process recomposes the shape of space and expands the definition that enables expansion of time and space. Fourth, the undetermined relationship expresses the border of time and space visually and deconstructs time and space. The approaches are mostly constructive, demonstrating an avant-garde form of clothes-wearing to show the non-form or imbalance condition.

• 한국주거학회논문집
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• 제14권5호
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• pp.19-26
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• 2003

The purpose of this paper is to examine and analyse the features of plan type and space composition of the Siheyuan(courtyard house) which is one of the most remarkable types of the traditional dwellings in China. With the passage of time this house developed into one of the chinese house style. The technique of Siheyuan's spatial composition goes so far back in the New Stone Age. The relics of this are the colony layout, the system of four sides, the layout type of a palace, the picture of lacquered ware, the pictured brick, the earthenware of house type, the cave painting, the paintings of painters and others. The fundamental spatial conception of it arranges one or more courtyards to compose, sometimes in a very complex way, a general walled compound. The main longitudinal axis is mainly north-south, but the chief buildings, or halls are always placed transversely to it. These rectangular buildings mayor may not connect, by means of open galleries variously planned, with rows of smaller buildings flanking the courtyards on both sides. On this system, enlargement is never carried out by adding to height, but by continual duplication of existing units, and growth in breadth or preferably depth. The need for family security is thought to have led to the development of this rectangular houses with walls mainly blank on the outside, defensible entrances, and public service facilities in the center of the houses.