• 한국실내디자인학회논문집
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• 제19권6호
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• pp.141-149
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• 2010

This thesis is designed to take a close look into the characteristics of architectural space through the standard of beauty, which has been created apart from our desires at certain cultural or historical periods of time. It will try to construct the outline of conception about the beauty throughout many centuries. First of all, contents of the research will focus on the aspects, which people have been considering as beauty eversince the ancient time without having any assumptions on its concept. For example, if the beauty of art has been accepted by the theories of modern aesthetics while degrading the beauty of nature, its value could have possibly been much more appreciated. The standard of beauty has been going through the process of change in such history of mankind. The general standard of beauty, which was established in the ancient time was the proportion and harmony between many elements. Afterwards, beauty was expressed as colors and light in medieval times. Expression of beauty using ugly features such as monsters or demons also existed at the time. Beauty has been periodically developing from supernatural to gracious, rational, noble, romantic, religious, mechanical, and today's media. The concept of beauty established from the above has been appearing throughout various culture such as dress and decoration at the given period of time. It would later affect the formation of space as well as decoration for architectures and styles. It will be analyzed throughout the five design elements; style, composition, materials, components, and form. The thesis would like to find the spatial order of beauty from the result of the analysis. The analysis will examine the possibility for which the recomposition of beauty will be provided as a design process for the new era. The Greek beauty represents a shape. The shape represents proportion and the proportion represents given numbers. However, beauty is being expressed by the opposite process at the present time. In other words, computers will arrange the numbers, which would formalize the proportion between the numbers. Beauty would be presented when the shape is presented as certain forms.

• 한국의상디자인학회지
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• 제17권3호
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• pp.135-148
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• 2015

The purpose of this study was to research into TV makeup types focusing on Korean aesthetics with recognizing importance of Korean thought amid what the global interest pays attention to South Korea thanks to the recent influence of Hanryu(Korean wave). The following are summary and result of this study. The non-dual beauty is an integrative concept of including ambivalence on the categorical difference in sex, culture and class by transcending the extreme binary division. As this is what reflected the open thought of pursuing balance of yin and yang in Korean people, it is being shown in the form of transcendence and far-outness through TV entertainment programs. Transcendence coexisted with maintaining relative relationship beyond separation in sex. Far-outness was pursuing free sensitivity immanent in the non-separated thought of transcending the past, the present and future. This trend is being indicated similarly to a change in its paradigm from separation to convergence these days. Accordingly, even makeup was showing similarity to the recent trend with being paid attention to the makeup of focusing on identity in sex and to the makeup of being coexisted the past, the present and future with the aspect of being mixed space time. The Korean aesthetics has been feeble in its influence compared to the Oriental image of focusing on China and Japan in the meantime. Hence, this study can be said to have significance in a sense of being the first consideration that compared TV makeup types of focusing on Korean aesthetics and suggested its developmental direction.

• 복식문화연구
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• 제8권4호
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• pp.517-536
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• 2000

The purpose of this study is to investigate the internal and external line beauty of men's dress of the Chosun period from the views of dress design and dress aesthetics. 1) External Line Beauty of Men's Dress of the Chosun Period ① Functional Beauty : Having the beauty of functional line in terms of convenience, action, effectiveness, practivce and sanitation. ② Structural Beauty : Having the beauty harmonizing between lines of internal and external structures. ③ Ornamental Beauty : Having the beauty of simple line by matching accessories (gat, fan, sejodae, shoes) with a simple dress. ④ Wearing Beauty : Making tall-looking or expressing a mature masculine beauty by a visual mistake caused by a combination of internal and external structural beauty lines. 2) Internal Line Beauty of Men's Dress of the Chosun Period Including a simple but natural beauty based on natural philosophy, the beauty of courtesy emphasizing official hat and dress and the beauty of dress having aesthetic consciousness with which people enjoy an idyllic life.

• 동양고전연구
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• 제34호
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• pp.339-362
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• 2009

미 개념은 단정적으로 규정된 개념이 아니라, 새롭게 그 내포와 외연을 확장할 수 있는 유동적 개념이다. 이런 입장에서 미 개념을 자유 개념으로 정의하고자 한다. 자유는 바로 인간의 삶의 의미만큼이나 포괄적이고 전체적이며 유동적인 개념이다. 결국 미는 어떤 한 사람의 확정적인 정의에로 환원될 수 없다. 이런 맥락에서 필자는 칸트의 미학을 반성적 미학으로, 장자의 미학을 실천적 미학으로 특성화하면서 양자 미학의 유사와 차이를 동시에 해명하고자 한다. 양자의 미학의 차이는 칸트가 주관의 반성적 차원을 강조한다면, 장자는 자연 개념을 강조한다는 것에 있다. 그렇다고 양자가 서로 상반적인 미학을 구축한 것은 아니다. 즉 칸트의 미학은 선험적 방법을 사용하고, 장자의 미학은 좌망의 방법을 사용한다는 방법론적 차이에도 불구하고 양자는 다 같이 자유 개념을 미의 본질로 간주한다는 차원에서 공통의 지반 위에 서 있다. 그러나 자유에로 나아가는 방법은 동일하지 않다. 칸트가 무한한 의지의 선험적 자유를 강조한다면, 장자는 자연의 필연성을 인식하고 나의 자유의지의 환상을 자각하면서 자연에 순응할 것을 강조한다. 그러면서도 양자는 자연과 자유의 모순적 관계를 인정하고 동시에 극복을 시도한다. 그러나 자유에로 가는 비법에 관한 한 장자의 미학이 칸트의 미학보다 우위라고 생각된다.

• 대순사상논총
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• 제37집
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• pp.191-227
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• 2021

본 연구는 진과 선의 가치가 미의 형태로 드러난다면 대순사상에서 진리는 어떻게 '미적인 것'으로 표출되고 나타나는지를 미학적 관점에서 분석하고자 하였다. 이에 대순진리회의 신앙을 감각과 감정, 아름다움으로 성찰하는 전통 미학 혹은 신학적 미학의 방법으로 접근해보고자 한다. 「전경」을 중심으로 살펴본 대순사상의 미 개념은 신성(神性)과 도리(道理), 일심(一心), 관계(關係)에 숭고와 균제, 절제, 조화미로 나타난다고 할 수 있다. 이러한 미 개념으로 고찰한 대순사상의 미학은 천지공사의 미학과 상생의 미학, 치유의 미학이다. 천지공사에는 하느님이 화신(化身)하여 이 땅에 다녀가셨다는 역사가 담겨있다. 인간 '강증산'이 상제라는 깨달음은 충격적인 미적 모티브이자 대순진리회의 신학적 출발점이라 할 수 있다. 상생은 상호관계의 사회성을 심미적으로 나타내는 용어라고 볼 수 있으며 관계의 조화와 통일에 상생의 미학적 구조가 있다고 본다. 치유에는 인류를 무병의 선경세상으로 이끄는 상제의 신성한 숭고미와 인간을 안심·안신으로 나아가게 하는 절제미가 담겨있다 할 수 있다. 치유의 궁극적 가치인 의통은 인류의 이상을 실현해 주는 수도의 종착점이자, 아름다운 삶, 가치 있는 삶이라는 영적 쾌감을 주는 치유의 미학을 보여주고 있다. 미학의 시선으로 살펴본 대순사상의 미학적 특징은 진멸지경에 놓인 세상에서 창생을 구원하고자 우리 곁에 머물다간 상제의 '거룩한 수고'와 상생의 실천으로 치유를 이끌어 내는 미적 태도를 갖고 있음을 알 수 있다. 우리는 아름다운 여인을 보면 '여신(女神) 같다'고 하거나 '선녀(仙女) 같다'는 말을 한다. 아름다운 음악을 들으면 '천상(天上)의 소리'라 찬사하고 즐거움이 가득할 때는 '신(명)이 난다'고 표현한다. 신(神)은 곧 아름다움의 상징이며 신의 세계는 아름다움의 원형을 의미한다 할 수 있다. 아름다움에 대한 경험은 우리의 영혼을 신에게로 안내한다. 대순사상의 미적 체험은 감정적, 지적, 영적 환희의 절정을 이루는 종교체험으로 그 무엇과도 비교할 수 없는 아름다움을 인식하는 심미적 체험이라 할 수 있다.

• 한국의류학회지
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• 제38권4호
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• pp.482-494
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• 2014

This study researched TV makeup types with a focus on Korean aesthetics. First, natural beauty is expressed with a random form that excluded artificial techniques or decorations often shown in the form of incompletion and space through TV entertainment programs. Incompletion is what excludes artificial technique and denies the whole completion in expressing a face, it shows the intentional incompletion that leaves it as a bare face that has no type, no color, and no decoration. A pursuit for purity, as nature leads to realizing the internal world of concentrating on the essence of object. Space is what makes it empty without filling, it offers a mental space in the inner side so that diverse images can be imagined beyond external form. This trend is indicated similarly to the tendency that the recent global interest in naturalism yearns for purity in nature and wellbeing. The presentation of skin (preferably healthy looking skin) is given attention; consequently, the similarity was being shown between the TV makeup that focuses on expressing skin and recent trends.

• 복식문화연구
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• 제23권5호
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• pp.737-754
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• 2015

The structural aesthetics of architecture are becoming an inspirational source for many fashion designers and have been reborn in structural fashion. This study planned to analyze the method of expression of structural aesthetics expressed in modern structural fashion design and the construction method to maximize such an effect on the basis of the construction characteristic of Santiago Calatrava as the representative architect of the structural aesthetic. According to the study, the structural aesthetics expressed in modern structural fashion design are as follows: 1) The symbolical formative aesthetic expressed by symbolical inference and analyzation; 2) the dynamic beauty of physic expressed by visual emphasis and dynamics; and 3) the asymmetric beauty of symmetry expressed by metastasis toward the boundary between balance and imbalance. In addition, to maximize structural aesthetics, we used repetition and a progressive technique based on rhythm, asymmetry, and incision-based variances, such as balance, polygon flux, and inference, and analyzation-based distortion as the structuring principle. The following expression methods for maximizing structural aesthetics were found: 1) symbolical and structural exaggeration of appearance; 2) detail technique expansion and material property diversification; and 3) the three-dimensional transformation of structure and shell expression. Structural fashion design was found to have maximized structural aesthetics by using such expression methods to secure artistic esthetics, destroy existing shapes and patterns, and create unique shapes.

• 한국의류학회지
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• 제19권2호
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• pp.173-189
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• 1995

purpose of this study is to analyze the various phenomenon related to the subjectivism of aesthetic value for dress, which is impossible to describe with only functionalism, practically and objectivism of aesthetic value for dress based on Karl Rosencrantz\ulcorners theory of the Aesthetics of ugliness from the middle of 1980's to present. In other words, the ugliness had been selected and erected as the opposite meaning of beauty to head toward ultimate beauty, and clarify that ultimate beauty is achieved through the combination of beauty is achieved through the combination of beauty and ugliness. First, the ugliness and Rosencrantz\ulcorners theory of the Aesthetics of Ugliness had been examined theoretically in the aspect of the subjectivism of aesthetic value for dress and aesthetic category. The relationship between the artistic styles related to ugliness, such as Avant-garde, Primitivism of Expressionism, Grotesque, Decadence, Kitsch, Pastich\ulcornerParody, from the late 19c to present, and the dresses representing the ugly look such as Cyber Punk, Exotic look, Detester, Grunge, Hip-hop, etc, of 1990's had been studied by using photographic materials. In this study, the basic concepts of ugliness, including formlessness, inaccuracy and deformation, formed by K. Rosencrantz had been used to reveal the interaction between modem costume and the theory of ugliness.

• 한국의상디자인학회지
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• 제16권2호
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• pp.127-137
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• 2014

The following are summary and result of this study. The purpose of this study was to research into TV makeup types focusing on Korean aesthetics with recognizing importance of Korean thought amid what the global interest pays attention to South Korea thanks to the recent influence of Hanryu(Korean wave). The humorous beauty reflects Korean people's optimistic attitude dubbed the realization of joy, anger, sorrow, and pleasure through opposition and convergence in ambivalent emotion with the superb attitude available for escaping from a stoic life. This is being indicated in the shocking form of embracing the avant-garde experiment through transforming and distorting by positively accepting humor and ugliness, which are the form of distortion and exaggeration, which strive for departing from sorrow through TV entertainment programs. This trend is being shown similarly to the tendency of giving mental satisfaction to human being with amusement while accepting ugliness as new beauty with the de-centralized recognition in the late 20th century. Accordingly, as the makeup of focusing on presenting character begins to be noted even in makeup, the similarity was being shown to the recent trend. This study is expected to contribute to continuous development in our country's makeup and TV broadcasting art field by being expanded the atmosphere of more systematic and in-depth research.

• 복식문화연구
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• 제8권2호
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• pp.217-236
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• 2000

The study is on the beauty of the line in the Cho-sun Costume. In the aspect of the Costume Aesthetics and Study of Clothing Design, I try to find the beauty of the line in the external form and the immanent beauty of the external line in the Cho-sun Costume. The results of the study is that : 1) The beauty of the line external form have ① the functional beauty of the line ② the beauty of drape line ③ combination of the line of internal and external structure. ④ the beauty of wearing with the Chi-ma. ⑤ the beauty of sharp line in the ornaments 2) The immanent beauty of the line in the Cho-sun Costume : There are a natural beauty found by the reason of nature, temperate beauty, simple beauty in the Cho-sun Costume.