• 제목/요약/키워드: awareness of body shapes

검색결과 7건 처리시간 0.023초

서울에 거주하는 청소년기 여학생들의 체형인식도, 체중조절 및 식이장애 실태 (Awareness of Body Shape, Weight Control, and Eating Disorders in Female Adolescents Living in Seoul)

  • 김연겸;윤기선
    • 대한영양사협회학술지
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    • 제15권3호
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    • pp.232-252
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    • 2009
  • This study investigated dieting behavior, awareness of body shapes, and eating disorders in female adolescents according to age and BMI. The Eating Attitude Test for Korean Adolescents (EAT-26KA) and sociocultural standards were used to measure eating disorders and sociocultural attitudes related to appearance, respectively. In addition, the BDI (Beck Depression Inventory) scale was used to measure the correlation between disordered eating and depression. The data were collected from 390 female adolescents living in Seoul and were analyzed using SPSS15.0. The results indicated that subjects wanted to be thinner despite having a normal body weight (BMI 19.35${\pm}$2.73). They also thought of themselves as fat and with desires to be slimmer, and viewed "diet and exercise" as the best way to lose weight. About 67.4% of the respondents had tried a diet and had experienced dizziness, anorexia, and general exhaustion while dieting. Also, 5.1% of the subjects were classified as eating disorder and suffered from stress to be thin. In addition, 85.0% of the subjects with eating disorder had tried a diet due to "appearance". They thought that "being underweight" was an ideal body image and considered themselves fat, although their BMIs were in the normal range (19.94${\pm}$2.02). In terms of symptoms during dieting, many of the subjects dealing with an eating disorder felt dizzy, had low energy, and were depressed. In conclusion, we must educate young females about healthy eating and positive body image to prevent the development of adolescent eating disorders.

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Unveiling the Unconscious Mindset about the Ideal Body -Suggestions for Fashion Education

  • Jung Soo Lee
    • 한국의류학회지
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    • 제47권3호
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    • pp.409-424
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    • 2023
  • This study aimed to reveal prospective fashion designers' predominant perceptions regarding the ideal body size and shape and to suggest an educational guideline for the design process. Sketch tasks and surveys involving the college students in a fashion design department were conducted over the course of a year. A total of 113 participants designed a white cotton shirt for women in their 30s and 40s. Immediately after the sketching task, the participants answered survey questions on the specific body sizes and shapes they had been picturing. According to the results, the participants designed shirts for a medium-sized, hourglass body shape. As the percentage of women in their 30s and 40s with an hourglass shape is low, a discrepancy exists between the ideal design and the body of the actual consumer. Furthermore, 55% of the participants indicated that they would change the design for a woman with a different body shape. The majority of the participants agreed that understanding the body shape and size is important when initiating ideas. These findings can help educators understand the importance of improving designers' awareness of various body sizes and shapes; they also suggest new directions for fashion design education.

일부 여대생의 체중조절 실태 및 신체상 (Weight Control Practices and Body Image of Female College Students)

  • 정승교
    • 보건교육건강증진학회지
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    • 제18권3호
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    • pp.163-175
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    • 2001
  • The purpose of this study is to collect fundamental data for weight control education based on obesity, weight control practices and body image in female college students. Those surveyed were 364 female college students attending universities in Seoul, Kyoung-Gi and Chung Cheung Buk Do. The data were collected from June 1, 1999 to September 10, 1999. The resulting data are as follows: 1. The mean BMI of the female college students was 19.78:t1.87kg/$\textrm{m}^2$, which comes within the range of normal weight. Underweight, normal weight and overweight students were respectively 27.2%, 66.8% and 5.5%. As many as 7.1% of the underweight students and 42.8% of the normal weight students described themselves as being "fatty". 2. Of these subjects, 83.5% reported wanting to lose weight, and the primary reason of weight control was to improve their appearance. The mean weight that they wanted to lose was 5.2$\pm$2.7kg, and 68.7% of the respondents had tried to lose weight. Among them, the most frequently reported weight control behavior was dieting followed by exercise, 30% reported fasting, 3.6% reported using drugs, 4.4% reported smoking and 3.6% reported vomiting. As to the weight loss effect, 96.7% of the subjects used behavior modification, 82.5% of the students exercised, and 76.1% of the dieters reported they had lost weight. 3. As to body image, many female college students were dissatisfied with their body figures, especially thighs(70.3%), hips(60.4%), abdomens(60.2%), and weight(55.2%). The body image of the students that perceived themselves as "fatty" was the lowest. 4. There were significant differences in the mean weight that they wanted to lose and the weight control attempts according to weight perception. Those that perceived themselves as "fatty" wanted to lose more weight, and had more weight control experiences. In conclusion, attempts at weight control are common in the female college students and many students appear to be dissatisfied with their body shapes. It is important to educate about healthy weight control methods and raise their awareness of the positive body image.ss of the positive body image.

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루돌프 슈타이너 제1괴테아눔의 인지학적 특성에 관한 연구 (A Study on the Anthroposophic Characteristics of Rudolf Steiner's the First Goetheanum)

  • 박윤준
    • 한국디지털건축인테리어학회논문집
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    • 제6권1호
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    • pp.25-32
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    • 2006
  • This paper is a study on the anthroposophic characteristics shown in the first Goetheanum. Rudolf Steiner promoted anthroposophy base on the critique of modem times. His philosophy has developed in various areas such as medical science, agriculture, education, and art. In particular, his thinking was well expressed in the first Goetheanum which was built for Anthroposophical Society. The anthrososophic architectural theory is defined here as application of cosmology, metamorphology and geometry. Steiner defined geometry as a unconscious awareness inscribed in skeletal system of human body as humans have evolved in the process of cosmological development. As a result, Steiner's architecture was able to create metamorphological spaces with harmonizing geometric and organic factors. In respect of decoration, the shapes of plants applied to the decoration still kept individuality because of being made manually, thus perfect symmetrical architecture was impossible. Moreover, the first Goetheanum placed an emphasis on formative dynamics. This was to wake an individual's self-conscienceless up, by enabling him to experience with all the senses without reasoning from the precedent.

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대학생의 체질량지수, 체형인식, 비만스트레스, 자아존중감에 따른 체중조절행동 예측요인 (Predictors of Weight Control Behavior According to College Students' BMI, Perception of Body Shape, Obesity Stress, and Self-Esteem)

  • 김종임
    • 한국산학기술학회논문지
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    • 제17권6호
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    • pp.438-448
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    • 2016
  • 본 연구는 대학생들의 체중조절행동에 영향을 미치는 요인을 파악하고자 실시하였다. 연구대상자는 C지역 대학에 재학 중인 대학생을 대상으로 자가보고식 설문조사로 시행되었다. 조사기간은 2015.12.01-12.20일 까지였고, 분석대상은 289명 이었다. 자료는 기술적 통계, t-tset, ANOVA, pearson correlation과 stepwise multiple regression으로 분석 하였다. 그 결과 대학생들은 자신의 체형에 대한 인식에 왜곡된 현상이 두드러지며, 특히 타인평가에 의한 체형인식과 비만스트레스, 체중조절경험이 체중조절행동에 영향을 미치는 것으로 나타났다. 체중조절행동과의 상관관계에서는 본인체형인식(r=.31, p<.001), 타인평가체형(r=.30, p<.001), 비만스트레스(r=.43, p<.001)등이 체중조절행동과 관련성이 높게 나타났다. 다중회귀분석결과, 체중조절행동에 영향을 미치는 요인으로는 비만스트레스(${\beta}=.37$, p<.001), 타인평가체형(${\beta}=.15$, p=.009)이 밀접하게 관련되는 영향요인임을 알 수 있었으며, 이 변수들의 설명력은 20% 인 것으로 나타났다(F=37.30, p<.001). 결론적으로, 대학생의 체형인식에서 타인평가체형, 비만스트레스가 체중조절행동관련 예측요인으로 나타났다. 이러한 예측요인 등을 파악하여 자신의 체형을 객관적으로 판단하여 인식할 수 있고 적절한 체중조절을 할 수 있는 정보제공, 식이와 운동을 격려하는 예방프로그램, 건강교육 및 중재 프로그램의 개발과 실시가 필요하다고 생각된다.

서양신발의 사적 고찰과 미적 가치 I (A Study on the Blistery of Western Shoes and Their Aesthetic Value)

  • 김민자;최현숙;이현주
    • 복식
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    • 제51권5호
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    • pp.157-173
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    • 2001
  • In fashion, there are various cultural aspects that exist in complexity, where according to the era, even fashion items newly develop and prevail into various designs in the organic function with reality of related cultural phenomenon and aesthetic aim. Among the fashion items, the shoe is historically considered as the shield from lust and also the provision of praise against the most emotional incitement. Mankind has started wearing shoes out of the functional purpose of protection since the ancient Egyptian times. Thereafter humankind has been creating shoes artistically in respect to shape, color, and quality of material, etc, as an expression of aesthetical awareness and introspective desire for beauty. As modern fashion increasingly regards the total fashion image much more important than each items consisting the whole outfit, the role of shoe became essential more than ever. Contrary to its relative importance, little academic attention was given to this area yet, while prestigious museums and galleries in Europe and the USA have held exhibitions of shoes in view of both historical and artistic aspects. This study aims to make a historical inquiry of western shoes. through which their aesthetic values can be drawn. Literature on this subject including aesthetics, history of costume and arts were referred. Fashion magazines and catalogues were investigated for additional information. The process and results of this study are meant to be a suggestion not only to further studies but also to artistic and creative shoe design. Originated for the functional purpose, shoes have evolved in various shapes with different meanings attached to it. When the technological development made the satisfaction for functional needs possible, the intrinsic attribute, the aesthetic value was pursued. The historical contemplations of shoes from Egyptian times to the 1990's led to the results that the intrinsic aesthetic value of shoes can be summarized as follows: 1) protection and extension of body, 2) need for decoration, 3) erotic expression, 4) symbol of dignity and class, 5) fashion.

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포인트 클라우드 형태의 인터랙티브 홀로그램 콘텐츠 (Point Cloud Content in Form of Interactive Holograms)

  • 김동현;김상욱
    • 한국콘텐츠학회논문지
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    • 제12권9호
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    • pp.40-47
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    • 2012
  • 미디어 아트는 새로운 경로의 인식과 지각을 동반하고, 기존의 미술과는 다른 인간의 신체를 도구화 하여 상호작용을 만들어내는 새로운 감상방식을 제안한다. 시각적인 영상을 제작하는 방식 중 포인트 클라우드는 점으로 형태를 표현한다는 점에 있어 서양미술의 점묘법과 유사하며 이는 전통회화 기법을 디지털 기술을 활용해 재구성한다는 의미를 가진다. 본 논문에서는 미학적 요소와 디지털 기술을 융합한 새로운 감상방식으로 포인트 클라우드 형태의 영상을 제작하여 홀로그램 필름에 투사하고, 관람자의 손짓이 영상과 상호작용하는 콘텐츠를 제시한다. 콘텐츠 제작은 콘텐츠 제작 배경 의도를 기획하고 포인트 클라우드 형태의 이미지 제작, 상호작용을 위한 3D 제스처 디자인 과정을 거쳐 최종적으로 홀로그램 필름에 투사하는 과정을 거친다. 콘텐츠는 사람의 의식 속에서 일어나는 기억의 회상 과정을 시각적, 체감적으로 표현한다. 이를 위해 기억의 회상 과정을 불확실한 기억, 기억의 구체화, 완전한 회상으로 설정하였다. 불확실한 기억은 포인트 클라우드 형태의 이미지를 통해 모호한 형태의 이미지로 표현되고, 상호작용으로 이미지를 조작하는 행위를 통해 기억을 구체화 해 나가면서 완전한 회상을 하게 된다.