• 제목/요약/키워드: art and fashion

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노년기 여성의 하반신 체형분석에 따른 스커트 원형 제작에 관한 연구 (A research on the pattern fabrication of skirt due to the lower body type of the old aged woman)

  • 김경희;이건희
    • 패션비즈니스
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    • 제15권5호
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    • pp.178-194
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    • 2011
  • Due to the population growth of the old aged, Korea is also entering into an aging society. But a research on the pattern design to the old aged is much to be desired. The purpose of this research is to design skirt pattern fitted for each body type by categorizing the lower body type of the old aged woman. For the way of research, categorized the body type by using the female measuring size from the 65 years old to 99 years old which has been measured by the Korean body size research as an assay data, and base on this data, a suitable skirt pattern for each body type of the old aged woman was designed by practicing the exterior evaluation. The data analysis was done with the statistical treatment in SPSS 12.0, and the results are as follows. The lower body type of the old aged woman were divided into the type 1. The circumference article is the biggest compared to the height article regarding to the lower body type of the old aged woman. The type 2. The height article and the circumference and thickness articles are the poorest. The type 3. The height article is the biggest and the hip width and calf circumference are thicker than the waist width. The type 4. The height article is the lowest and the waist width is thicker instead the hip and leg are thinner. In type 1, The pattern was modified by increasing 1cm a length of the dart and raising up 1.2cm at the cross point between side line and waist line. In type 2, the basic pattern was used, and in type 3, using the outline of the basic pattern however, increased 1cm a length of the dart and modified the amounts of dart by handling the art in curve, and modified the waist line to be more three-dimensional curves by raising up 1 cm at the cross point between waist line and side line and falling down 0.5cm at the cross point between the back center line and the waist line. In type 4, modified the amounts of front and back dart to 1.25cm, and raised up 0.8cm at the cross point between side line and waist line, and modified the waist line and the side seam line in a gentle curve by reducing circumference of the skirt tail to 1cm from the side seam line.

패션디자인 작품에 나타난 형태미 분석 -비요네와 디올의 작품을 중심으로- (Analysis of Formal Aesthetics of Fashion Designer's Works -Focused on Madeleine Vionnet & Christian Dior-)

  • 윤지영
    • 한국의류학회지
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    • 제29권12호
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    • pp.1582-1594
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    • 2005
  • 이 연구의 목적은 패션디자인에서의 형태의 중요성을 이해하는 새로운 시각을 제시하는데 있다. 뵐플린과 드롱의 이론을 바탕으로 Flat St Rounded, Closed & Opened 과 Part & Whole의 세 가지 형태를 보는 시각을 가지고 Vionnet와 Dior 작품에서의 형태미를 분석하는데 적용시켜 고찰해 보았다. Vonnet와 Dior은 그들의 디자인에서 형태와 구조를 디자인의 기본원리로 하여 기하학적인 형태를 그들의 디자인에 적용시킨 디자이너들이다. Vionnet의 10작품과 Dior의 11작품을 선정해 Belong의 visual priorities diagram을 적용시켜 각 디자이너 작품의 형태미를 고찰하고 비교해 보았다. Vionnet는 의복과 인간의 신체 사이의 관계를 통해 새로운 형태미학을 창조해 냈으며 그녀의 작품은 2차원 또는 3차원이라는 공간의 차이에 따라 형태의 전위를 보여주는 독특한 형태학적 특성을 보여주고 있다 그녀의 작품은 2차원의 공간에서는 평면적이고 닫힌 형태인 삼각형, 사각형, 원으로 구성되어 있으나 바이어스 재단에 의한 입체재단 방법을 통해 3차원의 공간에서는 입체적이고 열린 형태로의 형태변형을 한다는 특징을 나타낸다. Dior의 작품은 인체의 자연스러운 형태보다는 인위적인 형태미를 보여주고 있으며 이는 Vionnet작품과의 커다란 차이점이다. Dior은 3차원의 공간에서 구, 각기둥, 원기둥, 각뿔, 입방체와 같은 입체 기하학의 형태를 사용하여 의복의 형태를 만들어 냈고 이는 다아트 변형, 보닝, 개더, 턱, 플리츠, 셔링과 같은 구조주의적인 기술을 통해 실현되고 있다. Dior의 작품은 3차원의 공간에서 인체의 형태와는 무관한 의복 자체만의 형태를 가지고 있으며 이는 입체적이고 닫힌 형태적 특성을 가진다.

경극분장의 상징적 의미와 특성에 관한 연구 (A Study of the Symbolic Meanings and Characteristics of Makeup in Beijing Opera)

  • 문정은
    • 복식
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    • 제59권1호
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    • pp.29-46
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    • 2009
  • Aiming at finding symbolistic meanings and characteristics of makeup in Chinese Beijing Opera("BO"), this study formulated a theoretical framework mainly from literature in the Symbolism and symbolistically analyzed materials related to BO makeup from literature, internet web pages and illustrated news concerning performing arts. Main objects to analyze are the characteristics of four main roles in BO and the patterns, symbols, ornaments and traditions of Beijing Opera facial makeup("BOFM"). Four main roles are Sheng, Tan, Ching and Chou, categorized by gender, age, social position and personality. The result to analyze symbolistic meanings and characteristics of makeups for the roles in BO are as follows: the patterns and colors of BOFM function as explanations to help audiences understand each role's personality and dramatic situations as well as provide hints about the development and ending of an opera: that is, BO makeup is a communicative intermediary between audiences and actors in BO. It tends to follow the stereotypes, which conventionally dress and exaggerate the characters of roles, and copy the traditional Chinese perception about colors. Thus, by the metaphysical and typical expression of BOFM, Chinese people have not been pursuing the realism in opera but applying BO makeup to a mutual communication method between audiences and performing artists as to share their collective cultural heritages and spirits. Threfore, BO makeup has been an interacting language between the two entities and grown within the history of BO as a beauty art to highlight a BO by its unique systems, ornaments and beauty.

화장품업체의 내부마케팅이 방문판매원의 직무만족, 조직몰입, 고객지향성 및 판매성과에 미치는 영향 (Effects of Internal Marketing of Cosmetic Retailers on Door-to-Door Salesperson's Job Satisfaction, Organization Commitment, Customer Orientation and Sales Performance)

  • 이민지;정성지;안시현;장미순;최소라;김나미;김태은
    • 한국의상디자인학회지
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    • 제18권3호
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    • pp.1-19
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    • 2016
  • This study tried to find out implementation factors of internal marketing for a cosmetic retailer, and to look into their effects on Salesperson's job satisfaction, organization commitment, customer orientation and sales performance. For this, this study inquired into the concepts and relationships of internal marketing, job satisfaction, organization commitment, customer orientation and sales performance through literature review; and tested the relationships between the variables by setting up a research model and hypotheses. The findings of this study may be summarized as follows: First, it was found that the better the education & training, the supervisor support and the compensation system among internal marketing factors of a cosmetic retailer were, the higher a door-to-door salesperson's job satisfaction was. Second, it was found that the better internal communication and the education & training among internal marketing factors of a cosmetic retailer were, the higher a door-to-door salesperson's organization commitment was. Third, the higher the job satisfaction of a door-to-door salesperson in a cosmetic retailer was, the higher the organization commitment was. Fourth, it was found that the higher the organization commitment of a door-to-door salesperson in a cosmetic retailer was, the higher the customer orientation was. Fifth, it was found that the higher the organization commitment and customer orientation of a door-to-door salesperson in a cosmetic retailer were, the higher the sales performance was. In conclusion, the internal marketing increases door-to-door Salesperson's job satisfaction, and enhances the sense of belonging to their cosmetic retailer. Further, they come to have a customer-oriented attitude in serving customers, which is directly connected to sales performance, and thus the retailer can create profits through internal marketing. Therefore, a cosmetic retailer will need to strengthen internal communication activities through diverse methods, expand and activate employees' professional education, and develop fair and just compensation system; and supervisors will need to give support to employees, trusting their judgment.

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현대 복식에 나타난 포스트모더니즘 양식 연구 -90년대 후반 복식을 중심으로- (A Study on Postmodernism Style of Fashion - Concentrating on the 1996-2000-)

  • 김희균;전혜정
    • 한국의류학회지
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    • 제29권3_4호
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    • pp.569-575
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    • 2005
  • The objective of this study is to consider the concept of postmodernism and the characteristics concerning the stage of the development, and to investigate the effect of the postmodernism on the clothing. Postmodernism is the result of the late capitalism and its characteristics are the narrative, mixture and deconstruction. First, since it is impossible to express the social culture of various society through one theoretical disclosure, the novel value on the narrative is provided and its characteristics arise. Hence, the society becomes afford to accept the other and provides the novel value to the absolute sub-concept. Second, the recognization and emphasis of the narrative in the post modem society bring about the repulsion as to the strict classification between the high culture and low one established from modernism and the closure between each genre of the art, and this causes to raise the composed characteristics which borrow or mix the style and image of different age and culture. Third, the deconstructive feature arises which eliminates the boundary between the high and low class, the past and future and the destruction and construction. This means not only anther recomposition but also skeptical attitude about it.

20-30대 해외여행자의 여행활동과 쇼핑행동에 관한 연구 (A Study on Travel Activity and Shopping Behavior of 20's-30's Korean Overseas Travelers)

  • 전양진
    • Human Ecology Research
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    • 제54권5호
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    • pp.529-539
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    • 2016
  • This study confirmed shopping behavior of Korean young overseas tourists and its effect on travel evaluation. I first identified core factors of travel activity preference, travel shopping propensity, and shopping products. The effect of shopping product satisfaction on tour satisfaction and post-tour intention was then investigated. Based on travel activities, tourists were grouped, and their characteristics were compared. An online survey method was performed to obtain data of 20's-30's Korean unmarried people, while factor analysis, regression analysis, chi-square test, analysis of variance (ANOVA), and cluster analysis were applied to analyze data. The results were as follows. First, six travel activities (city life, art/shopping, cultural experience, entertainment, field experience, and friendship), three shopping propensity (novelty/uniqueness, utility, and prestige), and four product groups (fashion goods, household goods, crafts, and foods) were found by factor analyses. Second, travel activity tended to influence shopping propensity, which then influenced shopping products preference. All factors of travel activity seemed to affect the three travel shopping propensities. Third, shopping satisfaction was shown to affect tour satisfaction, and posttour behavior. Finally, four tourist groups (active, social, pleasure, and passive) differed in terms of preferred tour activities, shopping propensity, and tour behavior. Active tourists rated the highest scores and passive ones rated the lowest for most evaluations.

A Study of the Relationship between Face Satisfaction and Makeup Satisfaction

  • Kuh, Ja-Myung
    • The International Journal of Costume Culture
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    • 제6권2호
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    • pp.93-104
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    • 2003
  • The purpose of this study was to investigate the relationship between women's face satisfaction and makeup satisfaction, to disclose the differences of makeup satisfaction according to demographic variables, and to examine how makeup satisfaction was influenced by face satisfaction and demographic variables. The subjects were 200 women over age 17 living in Seoul and its peripheral areas. The results of this study were as follows: Face satisfaction were drawn three factors. Factor 1 was face contour satisfaction, Factor 2 was skin satisfaction, and Factor 3 was lips and eyes satisfaction. There were significant positive relationship between factors of face satisfaction and makeup satisfaction. Also, the face contour satisfaction was in positive correlation with satisfaction of features, and the skin satisfaction was in positive correlation with that of features. There were significant positive correlations between makeup satisfaction and face shape, eyes, nose, lips, chin, and cheek bone satisfaction. Face satisfaction didn't show significant difference according to demographic variables, but makeup satisfaction showed significant difference according to age and occupation. Face satisfaction was influenced by the facial face, clarity of skin, elasticity of skin, skin color, and ages. The explanatory power of the 4 variables were 24.5%. Makeup satisfaction was influenced by lips and eyes satisfaction, ages, and skin care level. The explanatory power of the 3 variables were 13.3%.

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패션 영역에서 디지털 전환 관련 연구동향 및 지식구조 (Research Trends and Knowledge Structure of Digital Transformation in Fashion)

  • 최영현;정진하;이규혜
    • 디지털융복합연구
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    • 제19권3호
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    • pp.319-329
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    • 2021
  • 본 연구에서는 정보학적 접근을 통해 디지털 전환을 다룬 국내 패션 관련 연구동향과 지식구조를 밝히는 것을 목적으로 하였다. 국내 학술연구에서 나타난 관련 연구의 연도별, 학술지별 현황을 파악하고, 네트워크 분석을 통해 주요 연구 주제어를 도출하며, 시기별 주요 연구 동향과 지식 구조를 분석했다. 2010년부터 2020년까지 국내 학술 플랫폼에 게재된 159편의 연구를 수집했고, Python 3.7을 통해 데이터를 정제했으며, NodeXL 1.0.1을 통해 중심성 측정 및 네트워크 구현을 진행했다. 분석 결과 관련 연구는 2016년을 기점으로 활발하게 진행되었으며, 주로 의류학, 예술학 학술지에 밀집된 것으로 나타났다. 온라인 플랫폼, AR/VR이 가장 많이 언급되는 주제어로 나타났으며, 소비자 심리분석, 마케팅 전략 제시, 사례 분석이 주요 연구 방법으로 사용되고 있었다. 군집화를 통해 의류학의 세부 분과별 주요 연구 내용을 도출할 수 있었다. 시기별 주요 주제 분석 결과, 시간이 지남에 따라 소비자 중심의 연구에서 플랫폼이나 서비스에 대한 전략 제시 또는 디자인 개발 연구로 보다 다양하게 변화하고 있었다. 본 연구는 디지털 전환에 대한 패션 분야의 통찰력을 높이는데 기여하고, 관련 주제의 연구를 설계하는데 기초연구로 사용될 수 있을 것이다.

한국 청소년기 여성의 브래지어 착용 실태 조사 (A Study on the Korean Adolescent Girls' Wearing Condition of Brassiere)

  • 최영림;양희순
    • 한국의류학회지
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    • 제41권4호
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    • pp.741-751
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    • 2017
  • Adolescent girls experience significant breast growth is a significant secondary sexual characteristic development; their breasts are clearly different from adults' in volume, location and shape. This study was designed to understand brassiere wearing conditions and practices of adolescent girls aged between 15 and 18, as well as to identify problems and solutions so that it can serve as basic guidelines to develop patterns and sizes for adolescent brassieres. This researcher first studied brassiere wearing conditions and size fitness of adolescent girls. We analyzed the 439 collected responses from an online survey. The survey questionnaires encompassed brassiere wearing conditions and practices, brassiere size awareness, brassiere design preference, and brassiere purchase behavior. The survey found that 55.8% of the responders did not accurately understand their brassiere sizes, and those who understood their size showed a higher satisfaction and less discomfort than those who did not. This study found a requirement to educate adolescent girls on how to select and wear the right-sized brassieres. It is also necessary to promote different brassiere designs for adolescent girls' size and body shape.

현대 메이크업에 표현된 추 이미지에 관한 연구 -색채 표현을 중심으로- (A Study on the Ugliness Images Expressed in Modern Make-up -Focused on the Color Expressions-)

  • 변영희;채금석
    • 복식
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    • 제54권5호
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    • pp.27-39
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    • 2004
  • Since around 1990. some experimental and shocking ugliness images have been expressed in Fashion and Make-up as well as Fine arts. The purpose of this study is to investigate the trends of ugliness images expressed in Modern Make-up from 1995 to 2003, especially focusing on color, and to enlarge the expressions through formative elements and to anticipate the prospect of Make-up in the future. Ugliness is the most negative aesthetic value which is lack of beauty. The 20 century art trends representing the ugly shape have been distorted or deformed or destroyed and extremely exaggerated with yellow, red, black, blue, white, green. The image and color of ugliness can be summarized as historical, avant-garde, decadence, de-constructive, humorous, futuristic trend and Most of colors are the achromatic ones like black, white, dark gray and red. blue, dark brown and so on. These colors cause some negative attributes such as fear. anger, death, devil, Pain, bad, ill omen, sorrow, despair and the like. At the turning Point in 21C are to be extended the range of color according to the experimental attempts such as informal, collage, graphic and the forth. Lastly, The characteristics of ugliness images expressed in the color of Modern Make-up have been analyzed into formlessness and inaccuracy and deformation by Karl Rosenkranz's theory.