• 한국IT서비스학회지
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• 제19권3호
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• pp.35-56
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• 2020

The purpose of this study is to measure corporate personality by analyzing the internal employees' corporate reviews and to identify the impact of the representative corporate personality on the relationship between job satisfaction of internal employees and the turnover rate of the company. To this end, we first created a dictionary of words representing the corporate personality with a Word2vec method based on words explaining five corporate personalities, such as reliability, initiative, practicality, activism, and femininity, obtained from the preceding study. Next, we analyzed reviews which were written by internal employees on their companies to measure the score of corporate personality at a review level, aggregated the review level scores for each company to calculate the company level score of corporate personality, and assigned to each company the corporate personality with the maximum score among the five such scores. Also, job satisfaction and turnover rate were measured from internal employees' corporate evaluation scores and the percentage of former employees of each company who left a review on the company, respectively. This study collected datasets of corporate reviews, employee information, and corporate information from Job-Planet from 2014 to 2017, conducted a technical statistic check and correlation analysis to confirm the suitability of the datasets, and performed linear regression analysis to evaluate the research model and verify hypotheses. As a result of the analysis, the job satisfaction of the internal staff has a significant negative impact on the corporate's turnover rate. In addition, companies having a personality of reliability, initiative and femininity also showed a significant cause-and-effect relationship between job satisfaction and turnover rate and among them, job satisfaction of companies having a personality, initiative, showed a greater impact on turnover rate. In sum, we not only proposed a novel method of measuring corporate personality, but also showed that corporates need to identify its corporate personality and to utilize a different strategy to reduce their employee's turnover rate depending on the corporate personality.

• 사상체질의학회지
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• 제16권1호
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• pp.20-36
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• 2004

After studying the theory of JangBu(臟腑), that is a physiology of Sasang Constitutional Medicine, in Sasang Constitutional Medicine, the author could draw a conclusion as these. 1. The basic thought of Sasang Constitutional Medicine is emphatic on the human beings itself unlike the idea of traditional Oriental Medicine, that accentuate the universe.(The traditional Oriental Medicine has a concept that the human beings follows the order of universe, but Sasang Constitutional Medicine has a different idea that human beings has the free will to the universe and newly comprehend the relationships between human beings and universe.) 2. Like the preceding, the theory of JangBu(臟腑), the physiology of Sasang Constitutional Medicine, is based on the autonomic mechanisms of human body itself. 3. The medical philosophy of Sasang Constitutional Medicine is Sasang(四象), that is Sa(事), Sim(心), Sin(身) and Mul(物). This Sasang is a classification of universe include human beings.(Sa(事) is event, Sim(心) is mind, Sin(身) is body, and Mul(物) is things. these four elements express the universe and human.) 4. The JangBu(臟腑) theory of Sasang Constitutional Medicine regard mind condition as important. The mind condition is divided into two factors. The one is Seong(性) the other is Jeong(情). The Seong(性) is an attitude toward the world, and the Jeong(情) is response to the stimulation from the world. 5. By the actions of Seong(性) and Jeong(情), the human body has different JangBu(臟腑) function, so the human body can be grouped in four constitutions. 6. Because of emphasis on mind condition, the Sasang JangBu(臟腑) theory has activism of human beings itself. 7. This activismor practical philosophy of Sasang JangBu(臟腑) theory, that is a physiology of Sasang Constitutional Medicine, gave birth to ethics or morality in Medical philosophy, that the human practice of ethics or morality bring a health and well being of human body.

• 한국콘텐츠학회논문지
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• 제16권4호
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• pp.211-223
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• 2016

본 연구는 최근 사회복지 실천영역에서 행해지는 프로보노(pro bono)에 대한 탐색적 연구로 지속가능성을 분석하였다. 봉사활동이 범국민의 생활 형태로 확대되기 위해서는 바람직한 방향으로 봉사활동이 활성화 되고 지속되어야 한다. 개인이 보유한 전문지식과 기술을 살려 지역사회에 환원하는 맞춤형 봉사활동인 프로보노는 현시대의 새로운 봉사활동 이라고 할 수 있다. 구체적으로 봉사활동의 지속성이 유지되는 40대 이상의 전문적 지식과 기술을 가진 봉사활동가를 중심으로 프로보노의 지속가능성을 도출해 봄으로써 우리시대가 지향해야 할 봉사활동을 활성화 시키는 방안을 도출하고자 하였다. 프로보노의 지속요인으로는 프로보노 활동의 구체적 의미 및 효과성을 널리 알리는 등 프로보노 활동에 대한 적극적인 홍보, 프로보노를 적극적으로 비영리기관에 유인할 수 있는 역동적 관점의 프로보노 활동의 개발, 프로보노 활동의 다양화 및 세분화의 필요성, 프로보노 활동가들의 맞춤형 재교육 및 관계형성을 위한 자조집단의 구성 및 원조의 필요성이 강조되었다.

• 스마트미디어저널
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• 제3권1호
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• pp.46-51
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• 2014

현대적 관점의 디자인은 기업의 경제적 이윤창출을 목적으로 생산능률의 향상을 위한 디자인이나 판매 촉진을 위한 스타일링에 초점을 맞췄던 과거의 개념에서 변화하였다. '인간중심 디자인'으로 디자인이 시장과 자본의 원리뿐만 아니라 전통이나 문화에 적합한 인간 중심의 디자인, 문화중시의 디자인으로 나아가 사회적, 윤리적 책임과 가치가 함께 하는 디자인으로 향상되어 발전되어지고 있다. 이러한 현재의 디자인은 개인과 사회에서 만들어지고 습득된 문화에 기반을 두고 잠재되거나 표출된 사회적 가치를 중시하는 디자인의 결과물이며 이를 제공하는 디자이너의 책무로 여겨지기도 한다. 디자인의 사회적 영향에 대한 고려와 함께 검토되어야 하는 '디자인의 사회적 가치'실현을 위해 첫째, 소외되었으나 간과되어서는 안되는 이들을 위한 인간중심의 디자인과 둘째, 지역과 상황에 적합하며 지역사회 발전에 공헌하는 문화중심의 디자인과 셋째, 익숙한 아이디어들 선선한 패러다임으로 대체한 사용성 중심의 디자인에 대해 예시하였다. 이는 디자인이 갖는 가능과 의미를 목적적인 관점에서 제시하여 사회적 문제와 인간을 위한 방법을 디자인의 '문제의 발견'과 '문제해결 능력'에서 찾아 차후 사회적 가치의 실현과 확산에 대한 연구로 진행될 것이다.

• 기록학연구
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• 제41호
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• pp.113-173
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• 2014

최근 몇 년 동안 공공기관 외부에서 다양한 기록실천이 활발하게 모색되고 있다. 예를 들어, 현장을 가지고 진행되는 구술아카이브, 커뮤니티아카이브, 일상아카이브, 문화자원아카이브, 디지털아카이브 등이나 담론 실천적 성격의 포스트모더니즘 아카이브 등이 있다. 이 글에서는 이런 흐름을 '일상패러다임'으로 정리한 후, 여기에 적합한 새로운 기록방법론을 살펴보았다. 이런 문제의식을 바탕으로 기호론적 접근을 취하면서 기록방법론의 필요성과 방향, 대안을 제시했다. 특히, 기록에 적용할 수 있는 기호학적 방법론을 알아보았다. 이와 더불어 기록현장에서 기호실천이 어떻게 전개될 수 있을지도 구체적인 사례를 들어 설명했다. 물론 이것은 하나의 사례라는 점, 그리고 공공기관에도 적용될 수 있는 기록방법론이라는 점을 밝혀둔다. 기록을 보다 포괄적으로 이해할 수 있는 논의가 되기를 바란다.

• 한국연극학
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• 제49호
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• pp.171-208
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• 2013

Site-specific performance is always the real on-site work taking place at the site. Hence, it deals with the reality, in other words, the time of creation and formation. And it creates value and meaning through the interaction and continuous direct communication process between the performers, audience and the local residents. In this performance, the audience's status as the passive observer changes. They become the co-agent who actively lead and complete the performance through their own experience. We have examined the The Working Methods of Site-specific Performance and Aesthetics of Effect through four Korean performances ; Marie, An aesthetic experiment of site as the storyteller; Heterotopia and Urban Movement Research or Play: We Will Move Your Sofa, as performances which have Revealed history, politics, institution engraved in the site ; A Song of Mandala and Miracle, as a ritualistic site-specific performance at the historic site. Some remarks on Site-specific performance ; First, In Site-specific performance, the habitus peculiar to the stage art and the mode of reception are changed. Second, a new mode of theatrical communication requires creator and audience to have a sharp aesthetic sensibility and to change one's perceptual habit. Third, Site-specific performance can act as a demonstration for the viewpoints of political activism through what could be called a dramatic close-up effect. Fourth, Site-specific performance also has the risk of merely becoming an unfocused and scattered performance or degenerating into a pseudo-sightseeing. To avoid this, an in-depth study of the site and its socio-cultural context, and the clear motivation with which one is trying to reveal and tell from the site must be indispensable. As the co-agent, the audience should also be aware and think about what the given performance signifies today.

• 영어영문학
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• 제55권6호
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• pp.1163-1191
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• 2009

As many critics do, this article starts from the premise that Charles Waddell Chesnutt wrote The Conjure Woman with a distinct socio-ethical view to ameliorating white readers' racism. For this purpose of social activism, first, the author uses a racially submissive genre and narrator- antebellum plantation-dialect fiction and an old ex-slave Julius-in order to win the attention of white racists, who constituted the majority of the reading public of postbellum America. Chesnutt then allows this seemingly submissive ex-slave consecutively to wage narrative battles against a Northern white capitalist, John. This fiction's structure is thus based on interracial narrative conflict. Granted, the result of these narrative battles is Julius's defeat. Even though he sometimes has narrative success through his manipulation of either his white female auditor's sentimentalism or the white capitalist's racial prejudice, it does not lead to any fundamental change in the white audience members' awareness: John still regards Julius's tacitly reformoriented tales merely as nonsensical ghost stories invented by the absurd imagination of a subservient, entertaining, and exploitable black coachman. Admitting his defeat, Julius relinquishes his original goal of deterring John's capitalist exploitation of both racial Others and the natural environment of the South and finally decides to serve the economic power of white capitalism. This self-defeating conclusion, however, should not be identified with Chesnutt's failure as an author. Rather, it should be understood as an interim result of the black author's earnest experiment with literary media best suited to his reform project. In fact, this narrative failure reveals Chesnutt's accurate diagnosis of the postbellum literary world: a black voice is still feebly heard and even easily buried by the whites' capitalist ambition and consequently intensifying racism. Conclusively, Julius's narrative failure should be positively evaluated as Chesnutt's one step further in his gradual and lifelong progress to a narrative goopher effectively to engage whites' imagination and sympathy for a vision of equal interracial coexistence.

• 영어영문학
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• 제56권4호
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• pp.667-690
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• 2010

This essay attempts to read Percy Bysshe Shelley s The Mask of Anarchy by attending to a political agenda that Shelley seeks to propose and embody in the poem. This poem was written as a response to an exceptional political event, the Peterloo Massacre, and thus it is evident that Shelley intended to engage in contemporary politics by writing this poem. As many critics have pointed out, however, the way in which this poem addresses social, plitical issues is ambivalent and even confusing, since it contains many elements that contradict each other, and sometimes its political visions are based on incoherent conceptions. For this reason, this poem has been considered to be a failure as an occasional poem which should provide the reader with a clear direction for political actions. Faced with this critical problem, this essay proposes that the ambivalence this poem reveals-e.g., the confrontation between moderate artistic fantasy and radical tenets-is not a retreat from political activism, as some critics suggested, but a result of its creation and embodiment of a public sphere which invites various social classes and their positions. The mode in which Shelley conceives this unified public sphere in the course of writing The Mask of Anarchy can be interpreted in terms of the following three features. First, this poem underscores the significance of thoughts in constituting a communal space between people, thus asking the reader to participate in this process of thinking on given issues. Second, this poem suggests that people should enlighten each other by engaging in communicative reciprocations. Lastly, the public sphere formulated by the previous two features should incorporate various socio-political agents beyond class boundaries (even oppressors themselves) into its own working field. After explaining how these three features are manifested in the poem, this essay argues that the unified public sphere thus formed in the poem is the very agenda that Shelley aims to propose for the contemporaneous politics and culture. As a conclusion, this essay highlights how Shelley s project of creating a unified public sphere finally failed in contemporary history through observing two contrasting receptions of Shelley s works.

• 한국임상보건과학회지
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• 제1권1호
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• pp.63-74
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• 2013

Purpose. The purpose of this study was to contribute to the development of the sexual education program by examining status of Sexual Violence Consciousness and Cognition of Sexual Violence of University students Methods. The subjects were 240 University students located in J-city. Data were collected during the period from Nov. 12, 2012 to Nov. 13, 2012. For the data analysis, SPSS 12.0 K program was utilized to get frequency number, percentage, average, standard deviation and t-test. Results. The results present different degrees of man and women's cause of sexual violence cognition and consciousness were as following ; The several scores of women higher more than man parts were 'Think of the woman as a sexual target(t=3.86, p<0.001)','Men's sexual urges(t=3.98, p<0.001)', 'The low status of women in society (t=3.85, p<0.001)', 'Male-dominated society and culture(t=5.62, p<0.001)', 'Acceptance of men aggression and activism(t=5.19, p<0.001)','Weak punishment (t=7.25, p<0.001)'and Man higher more than women parts were 'overexposure of women(t=3.88, p<0.001)'. Conclusion. Results suggest that sexual education program should strategies to increase a positive Consciousness and Cognition of Sexual Violence in their education programs in order to improve Consciousness and Cognition of Sexual Violence in University students.

• 한국언론정보학보
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• 제81권
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• pp.75-121
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• 2017

마을미디어는 미디어교육이 마을공동체 운동과 결합하는 방식을 통해서 등장하고 있는 지역을 기반으로 하는 공동체미디어 활동이다. 2012년 서울시의 지원 정책과 함께 등장하여 서울뿐만 아니라 전국적으로 확대되고 있는 추세다. 본 연구는 마을미디어 활동가들의 실천 과정을 이해하고 규명하는 데에 그 목적이 있으며 이를 위해서 근거이론적 접근을 시도하였다. 2012년부터 지속적으로 활동해온 영상 및 라디오 분야 활동가를 연구 참여자로 설정하여 심층인터뷰를 진행하였다. 근거이론에 따라서 개방코딩한 결과 16개의 범주와 59개의 하위범주를 도출하였다. 축코딩 결과 지속가능한 마을미디어 활동 욕구라는 중심 현상을 발견하였으며, 마을 채널의 부재와 공적 지원의 불안정한 정황에서도 운영의 안정화와 마을미디어네트워크의 역량을 강화하기 위해 스페이스미디어 발명, 다각적 배급방법 모색, 네트워크 공동행동의 전략적 실천을 하고 있으며 그 결과 마을의 현안을 발굴하고 의제화하면서 마을공동체와 시민사회와 네트워크됨으로써 마을의 공론장 역할에 대한 기대와 욕구가 한층 더 커지고 있음을 확인할 수 있다.