• 복식문화연구
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• 제9권2호
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• pp.250-258
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• 2001

The objective of this study was to trace and to identify the meaning of jeobli接籬. This word is found as one of the early costume terminologies of China. later the jeobli was introduced to Koguryo. The jeobli of China and Koguryo were included in this study. Sources of information for this research were collected from the written records including visual information from ancient paintings and tumb paintings as well as figurins. The results of important findings and conclusions of this study can be summerized as follows: It was found that the jeobli 接籬 was synonymous with the cheobli 睫離. Also it appeared that it was called baikrosa. It revealed that the word jeobli had different meanings. first, ti was the name of a white hat which was worn by the people of Chin dynasty. It was a white felt hat made of white great plumes and feathers. Second, it was a dialect for maqna, a kind of a veil which was worn by the women of the Northern dynasty. That, it meant the chaikkun, a kind of knot coverings. The jeobli, a kind of a white felt hat, was also used by the people of Koguryo. The jeobli of Koguryo was made of the pig hair from Malgal. It is considered that he shape of this white hat seems to be a kind of conical hat. Also, it was fond that the jeobli as the meaning of chaik kun was worn by the people of Kogure. it was a small white square hat. It was worn by the nobles.

• 한국의류학회지
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• 제14권4호
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• pp.281-291
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• 1990

Experiment I and II had done to develop the solar heat proof hat for field work in the summer. In the experiment I physical characteristics of several fabrics was tested to determine which one Is proper to make the solar heat proof hat. On the base of above results in the experiment II three improved solar heat proof hat was deviced and tested solar heat proof effect and compared the existing summer working hat by wearing trials in the environmental chamber. The results obtained were as follows. 1. In the view of the physical characteristics of six fabrics (Blue T/C, White poplin, Vapor transfer silver coating nylon taffeta, No vapor trans(or silver coating nylon taffeta, Aluminum coating T/C, Microporous fabric), the light color T/C and no vapor transfer silver coating nylon ta(feta is proper to make improved solar heat proof working hat. 2. Three improved hats that are made of white T/C, grey T/C and no vapor transfer silver coating nylon taffeta have more solar heat proof effect than the existing summer working hat. 3. Among the three improved hats, the improved hat that is made of no vapor transfer silver coating nylon taffeta is most effective to proof the solar heat.

• 복식
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• 제61권9호
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• pp.84-96
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• 2011

This paper investigates the formative features and the historical meaning of the Korean dress collection held in the Museum of Archaeology and Anthropology in Cambridge. The Museum holds a total of eleven items of koran dresses that were donated by two anthropologists in the first half of the twentieth century. Male dresses consist of a white cotton jacket (Jeogori), a under-vest (Deungbaeja) made of light wisteria rings, a headband (Manggeon) made of horsehair, a broad brimmed top hat (Gat) made of black horsehair gauze, an oilskin cover (Galmo) drawn over the hat in wet weather, and a hemispherical hat box (Gatjib). Female dresses comprise a pink silk jacket (Jeogori), a blue silk skirt (Chima) with pleats, a pair of woman's white cotton trousers (Sokgot), a black silk cap (Jobawi) decorated with pink tassels and imitation pearls, and a pair of green and magenta silk shoes (Danghye) with leather soles and metal rivets. Theses Korean dresses show what the western anthropologists had interests in. When collectors collect the folk objects, they thought much of the specificity of shape and material, the esthetic appreciation, and the representation of daily life. In terms of the value as the historical materials in the history of Korean dress, the under-vest of wisteria, the hat box, and the female dresses are worth paying attention to. The under-vest is one that was produced in earlier time among the remaining under-vests. The hat box represents that the hat belonged to the merchant classes. The female dress items show daily dresses worn by women of higher classes of the society in the 1920s.

• 한국통계학회:학술대회논문집
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• 한국통계학회 2005년도 춘계 학술발표회 논문집
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• pp.173-178
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• 2005

We derive an It${\hat{o}}$ formula for generalized functionals for the fractional Brownian sheet with arbitrary Hurst parameter ${H_1},\;H_2$ ${\epsilon}$ (0,1). As an application, we consider a stochastic integral representation for the local time of the fractional Brownian sheet.

• 한국의상디자인학회지
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• 제18권4호
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• pp.141-158
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• 2016

The objective of this study is to examine the type and characteristics of hat, and also to analyze the formative characteristics of hats shown in $Pr{\hat{e}}t-{\grave{a}}$-porter Collection. The literature review focused on the relevant technical books and preceding researches while the case study targeted 1,561 photos of hats shown in the 'Donga TV Collection'. The research range was from the S/S season of 2012 to the F/W season of 2015/16. The results of this study are as follows. 1. A hat is composed of crown and brim. In the results of classifying hats based on it, there were 572 crown-type hats, 533 hat-type, 219 cap-type, 156 irregular-type, and 81 brim-type in the order. 2. For the crown-type hats, they were mainly like cylindrical-type, bell-type, dome-type, and circle-type, using colors like black, beige, brown, red, mustard, and grey, and materials like wool, fur, velvet, straw, and metal while they were decorated with bead or lace. 3. For the hat-type hats, they were mainly like bell-type, ladder-type, and hemisphere-type, using colors like peach, white, gold, brown, and khaki, and materials like silk, cotton, straw, and wool while they were decorated with feather and ribbon. 4. For the cap-type hats, they were mainly like hemisphere-type, using colors like white, black, khaki, mustard, and purple, and materials like fur, leather, and wool while they were decorated with wappen and chain. 5. For the irregular-type hats, they were mainly like sandglass-type, box-type, animal-type, trumpet-type, and bell-type, using colors like purple, orange, pink, yellow, and sky-blue, and materials like metal, feather, mesh, plastic, straw, and linen while they were decorated with ribbon, net, bell, and flower. 6. For the brim-type visor, they were mainly like square-type, using colors like transparent, yellow, and black, and materials like plastic, cotton, leather, and metal.

• 한국추진공학회지
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• 제23권5호
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• pp.53-59
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• 2019

고체연료는 추진제 연소 시 산화제와 반응하여 추진제 성능을 증가시키는 역할을 한다. 대표적인 고체연료는 Al, RDX, HMX 등이 있다. 이들 물질은 연소 시 수분과 만나 흰색 연기를 발생시키고, 일산화탄소, 이산화탄소, 메탄가스 등의 환경유해 물질을 다량 발생시킨다. 이러한 문제를 해결하기 위해 본 연구에서는 고체 연료로 사용 가능한 고질소 에너지 물질인 hydrazinium 5-aminotetrazolate(HAT)를 제조하였다. 분광분석(NMR)을 통해 HAT의 구조를 분석하였으며, DSC를 이용하여 열특성 분석을 하였다. 또한, EXPLO5 프로그램을 이용하여 비추력, 가스발생량 등을 계산하였다.

• 복식
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• 제53권3호
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• pp.107-119
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• 2003

The purpose of this study is to explore ways toward the hat design development by looking into the formative and aesthetic characteristics of the works of Philip Treacy, the designer who raised hats to one of the important fashion accessories. This study concretely investigates the formative characteristics of Treacy's hats in terms of shapes, materials, colours and decorations. According to this study, the shape of his hats shows the natural and specific objects in three dimensions, not in basic shape of hats. He uses combination of a variety of materials, adding unique materials to existing ones, so that they not only create a specific atmosphere but also extend the limitation which used to be thought as materials for hats. In the field of colour, he mainly used black and white until 1999, but since 2000 he has been using vivid and splendid colors. And he uses feathers or nets for decorations of the hats. As the result of the comprehensive analysis of Treacy's works, this study characterizes his works by surrealistic, three-dimensional, rhythmic and future-oriented. Therefore, Philip Treacy's hat design can be defined three dimensional considering the formative beauty, and can be characterized by use of unique materials, vivid & bold colours, moderate decorations, f variety of lines, and asymmetrical structures. These characteristics show surrealistic, three-dimensional and futuristic message which rhythm can be felt. He presents unlimited capability in hat designs as a representative of human being's basic will for creating new ones beyond this real world. It is considered that this study can help broaden the limitation of the hat design which used to repeat simple forms in the Past and help explore ways for developmental direction of hat design in the future.

• 복식
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• 제58권3호
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• pp.105-115
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• 2008

A Go-go-kwan is a particular hat which has worn by married woman in Mongol and Yuan dynasty in China. It is also widely called as a Boktak in Mongol. The Go-go-kwan, recorded in jip-sa and in the miniature painting of 14th century is the early type of go-go-kwan. Later type can be seen from the relic collections of Gyeonggi Provincial Museum in Korea. The Go-go-kwan is composed with three parts ; feather part, tube part and hat part. Among the feathers, the largest one is as long as four times of the length of the tube and the shortest one is half the length of the tube. The tube is made of light weight wood such as white birch or bamboo, and covered with silk. Some of the hats were made exactly to fit on the head whereas others were designed to wear on the head as like jobawi.

• Wind and Structures
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• 제5권5호
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• pp.423-440
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• 2002

The effects of the nonlinear (quadratic) term in wind pressure have been analyzed in many papers with reference to linear structural models. The present paper addresses the problem of the response of nonlinear structures to stochastic nonlinear wind pressure. Adopting a single-degree-of-freedom structural model with polynomial nonlinearity, the solution is obtained by means of the moment equation approach in the context of It$\hat{o}$'s stochastic differential calculus. To do so, wind turbulence is idealized as the output of a linear filter excited by a Gaussian white noise. Response statistical moments are computed for both the equivalent linear system and the actual nonlinear one. In the second case, since the moment equations form an infinite hierarchy, a suitable iterative procedure is used to close it. The numerical analyses regard a Duffing oscillator, and the results compare well with Monte Carlo simulation.

• 한국수자원학회논문집
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• 제52권11호
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• pp.905-916
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• 2019

본 연구에서는 이변량 웨이블릿 분석에 있어 모 웨이블릿이 어떤 영향을 미치는지를 파악하였다. 모 웨이블릿으로는 관련 연구에서 많이 사용되고 있는 총 네 가지(Bump, Mexican hat, Morlet, Paul)를 선정하였다. 이들 모 웨이블릿은 먼저 백색잡음과 다양한 주기의 사인곡선을 결합하여 만든 시계열의 이변량 분석에 적용하여 그 결과를 평가하였다. 또한 실제 시계열인 북극진동지수(AOI)와 남방진동지수(SOI)를 이변량 분석하여 모의된 시계열의 분석 결과가 실제 자료의 분석결과에도 일관되게 유지되는지를 판단하였다. 본 연구의 결과를 요약하면 다음과 같다. 먼저, Bump와 Morlet 모 웨이블릿의 경우가 이론적인 예측에 보다 잘 부합하는 것으로 나타났으며, 반대로 Mexican hat 모 웨이블릿은 상대적으로 단주기의 변동 특성을, Paul 모 웨이블릿의 경우에는 장주기의 변동 특성을 잘 보여주는 것으로 나타났다. 둘째, Mexican hat과 Paul 모 웨이블릿의 경우에는 스케일 간섭이 매우 크게 나타남을 확인할 수 있었다. Bump와 Morlet 모 웨이블릿에서는 이러한 문제점이 나타나지 않았다. 소위 동조화(co-movement)를 탐색하는 능력은 Morlet와 Paul 모 웨이블릿이 가지고 있는 것으로 파악되었다. 특히, Morlet의 경우 이 특성이 더욱 명확히 나타남을 확인하였다. 결과적으로 Morlet 모 웨이블릿이 이변량 웨이블릿 분석에 가장 무난한 것으로 확인되었다. 마지막으로, AOI와 SOI 자료의 이변량 웨이블릿 분석에서는 대략 2-4년 정도의 주기성분이 약 20년 빈도로 서로 동조하고 있음을 확인할 수 있었다.