• 한국응용곤충학회지
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• 제22권4호
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• pp.233-236
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• 1983

시설원예의 중요해충인 온실가루이의 국내에서의 정착가능여부를 파악하기 위해 수행된 각태별 저온처리 시험결과는 다음과 같다. 1. 난은 $-5^{\circ}C$, 3시간처리에서 부화율이 현저히 떨어졌으며 $-10^{\circ}C$, 3일간처리에서 부화능력을 완전 상실하였다. 2. 유충은 $-5^{\circ}C$, 3일간처리에서 용화율이 현저히 떨어졌으며 $-20^{\circ}C$, 3일간처리에서 용화능력을 완전상실하였다. 3. 용은 $-15^{\circ}C$, 3일간처리에서 우화율이 현저히 떨어졌으며 $-20^{\circ}C$, 3일간처리에서 우화능력을 완전상실하였다. 4. 성충은 $-7.5^{\circ}C$ 3일간처리에서 생존율이 현저히 떨어졌으며 $-10^{\circ}C$, 3일간처리에서 완전사멸하였다. 이상의 결과로 미루어보아 국내의 중남부지역에서는 용태로 월동이 가능하고 제주도 및 남해안지역에서는 각태모두 월동이 가능할 것으로 고려된다.

• 한국응용곤충학회지
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• 제59권4호
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• pp.411-416
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• 2020

2015년부터 2018년까지 시설하우스에서 토마토 재배기간인 11월부터 이듬해 5월까지 충남 논산, 부여, 전북 익산에서 가루이의 종류와 발생 현황을 조사하였다. 반면 5월부터 10월까지는 억제재배를 하는 전북 장수지역에서 조사를 수행하였다. 시기별로 가루이를 채집하여 동정한 결과 온실가루이(Trialeurodes vaporariorum)와 담배가루이(Bemisia tabaci)의 발생이 확인되었다. 주로 온실가루이와 담배가루이가 혼재되어 있는 경우가 많았으며 두 종 중 담배가루이의 발생이 높게 나타났다. 가루이의 발생은 3월 하순부터 증가하기 시작하여 5월에는 밀도가 급격하게 증가하였고 수확기가 끝나는 시점에서는 밀도가 가장 높았다. 따라서, 시설하우스에서 가루이의 효율적 방제를 위해서는 촉성재배는 3월 상순부터, 억제작형은 6월 상순부터 예찰하고 밀도가 증가하기 전에 초기 방제하여야 할 것이다.

• 복식
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• 제32권
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• pp.293-312
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• 1997

Deconstructionism is a philosophical stream in the latter half of 20'th century which goes against western metaphysics and tries to deconstruct the dualism e.g. eastern/west-ern man/woman. Its main concepts are 'indi-vidual' 'other' 'difference' 'restoration of the repressed' 'decentralization' 'Today it shows strong influences in literature art, and other social fields. This study investigated inner meanings and exterior forms represented in clothing on the base of Jacques Derrida's theory in order to re-search modes of deconstruction in is. And it compared clothing with architecture among other genres of art in order to discover similarities between through and modes of art in a certain period. For illuminating concept of deconstruction I referred to the literatures of preceding studies and for deconstruction's characteristics in both clothing and architec-ture I referred work's collection book $\ulcorner$collec-tions$\lrcorner$ and other related books dealing from 1960's to this point. As a rsult there are four modes of decons-truction in both clothing and architecture as follows; 1) Differenance which is a concept of the dif-ference in time and space as being trace. 2) In termeaning of meanings which is not present in reality but re-interpreted a new in the future. 3) Interxtuality in which a texte is not alone but with others 4) Dis.De phenomenon in which distortion and fragmentation forms occur as the result of the denial of perfection and reson. There are characteristics of modes of de-construction in clothing as follows; 1) Differance; R.Gigli, P. Rabanne. G.Bersace, V.Westwood are representatives of the cloth-ing which is combined with the past the pres-ent and the future or is re-viewed as the clothing of the past in the present point of view. J. Watanabe R. Dawakubo I miyake are representatives of the clothing which is out-date but re-viewed in the sense of recollec-tion and re-usage. 2) Intermeaning of meanings: R. kawakubo I, Miyake Y,Yamamoto are representatives of the clothing which is incomplete but re-interpreted in the future and appears to be new-fashioned according to ways of bnding wearing throwing on and tying J.C. Castel-bajac K.Hamnett S.Sprouse are representa-tives of the clothing which is made up of ab -stract forms scribbling or symbolic letters which appears to be different according to view-point of observers. 3) Intertextuality ;J.P.Gaultier K.Hamnett, Comme des Gar ons are representatives of intertextuality of gender which avoids the 여-ality of man/woman J.P Gaultier G,Versace J. galliano are representatives of the intertex-tuality of time place and occasion which mixes temporality extensity and purposiveness. J.P Gaultier G,Versace are representatives of the intertextuality of coordination which combines items different in image purpose and use. P.Rabanne A,Courr ges R,Gernreic I,Miyake are representatives of the intertextuality of mat-ter which uses heterogeneous matter different from cloth. 4) Dis.De-phenomenon: R, Kawakubo I.Mi-yake J.P.Gaultier are representatives of the de-composition which discloses distortion and exag-geration of form through destructing the estab-lished way of construction J.Galliano R.Kawa-kubo Devota Y Lomba arte representatives of the decentring which restores the repressed and the alienated on the one hane and shows front-centrality on the other. Comme des Gar ones is representative of the discontinuity because of which right and left up and down are not in har-mony with one another. J,Galliano J.P,Gaultier T,Mugler are representatives of the disruption by way of which one makes one's body exposed through intentional slashes or holes. As a consequence deconstructionism enabled us to investigate similarities between through of deconstruction and modes of art interms of diffrance Intermeaning of meanings intertextuality and Dis De-phenomenon. And we found that deconstruction was a phase of development in that it as a all-comprising and multiple concept tries to pursue the new through deconstruction.