• 농촌지도와개발
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• 제18권4호
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• pp.1011-1049
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• 2011

This study is mainly to investigate the influences of both Western's utopian socialism and cooperatives ideas on the process of China's rural cooperation from 1919(the occurrence of 5.4 movement) to 1958(the completion of People's commune). To accomplish this, first, we will discuss that how these two ideas emerged as an alternative to Western capitalism in the before/early 20th century were introduced into China and how these ideas effected on the process of the China's Communist Revolution. Then, we will review the process of China's rural cooperation during the 1950s' new socialist nation-building period since the foundation of New China(1949), the sharp debates about rural cooperation in the process of its realization, and the reasons of radically promoting rural cooperation in the late 1950s. Finally, through these debates and experiences regarding rural cooperation in rural China during 1919-1958, any implications in solving rural cooperation problems of contemporary China facing difficulties will be provided.

• 중국학논총
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• 제63호
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• pp.251-273
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• 2019

China in the sixteenth century was exposed to various problems, and the surrounding nations were growing as potential threats by building up their powers and forming an unstable political state by losing control of civilization in politics, economy, knowledge, ideas and ideas. Especially, Mateo Ricci's knowledge and ideas were enough to attract the Chinese knowledge society. However, the influx of Western astronomy and world maps was not only a substitute for the notion of heaven and earth of Chinese tradition, but it destroyed all the knowledge and ideology of China, the foundation of political power and knowledge power. It transformed China in the center of the world into China in some parts of the world. It also brought about a great change in the civilization map of culture and savagery. As a result, the relationship between 'center and periphery', 'civilization and barbarians' could not be established, and the title of Chinese as a unique and exclusive civilization could no longer be maintained.

• Safety and Health at Work
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• 제3권1호
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• pp.71-76
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• 2012

Malignant mesothelioma is an uncommon but rapidly fatal disease for which the principal aetiological agent is exposure to asbestos. Mesothelioma is of particular significance in Australia where asbestos use was very widespread from the 1950s until the 1980s. Exposure to asbestos includes occupational exposure associated with working with asbestos or in workplaces where asbestos is used and also 'take-home' exposure of family members of asbestos exposed workers. Asbestos exposure may also be nonoccupational, occurring as a consequence of using asbestos products in non-occupational contexts and passive exposure is also possible, such as exposure to asbestos products in the built environment or proximity to an environmental source of exposure, for example an asbestos production plant. The extremely long latency period for this disease makes exposure assessment problematic in the context of a mesothelioma registry. OccIDEAS, a recently developed online tool for retrospective exposure assessment, has been adapted for use in the Australian Mesothelioma Registry (AMR) to enable systematic retrospective exposure assessment of consenting cases. Twelve occupational questionnaire modules and one non-occupational module have been developed for the AMR, which form the basis of structured interviews using OccIDEAS, which also stores collected data and provides a framework for generating metrics of exposure.

• 만화애니메이션 연구
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• 통권42호
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• pp.81-104
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• 2016

<센과 치히로의 행방불명>은 2002년 한국에서 개봉되어 200만 관객이상을 동원하며 흥행돌풍을 일으킨 작품이다. 미야자키 하야오라는 거장의 작품이라는 수식어가 붙기 이전에 작품자체의 아름다운 경관묘사와 괴상하고 코믹하게 생긴 생물체들의 등장, 그리고 상상력을 자극하는 수많은 작품 내의 장치들은 관객들에게 심심한 재미와 궁금증을 유발한다. 미야자키 하야오 감독의 작품은 흡입력이 좋다. 그래서 쉽게 이해할 수 있는 작품이라고 생각할 수 있지만 작품을 분석한다면 미야자키 하야오 감독의 작품은 다양한 방면에서 해석이 가능하다. 작품자체에 대한 기술적인 분석에서부터 작품에 내재된 문화적, 철학적 요소까지 그 범위를 확장한다면, 한 작품으로 논할 수 있는 주제는 프리즘에 투영된 빛의 모습처럼 아주 다양하다. 이러한 이유로 <센과 치히로의 행방불명>은 논문연구에 자주 등장하는 소재이다. 본 연구는 기연구와 차별화된 연구를 위하여 동양사상뿐만 아니라 서양사상을 그 분석틀로 하여 해석하고자 한다. 표면적으로는 동양사상과 서양사상은 양극적인 의미로 받아들여 질 수 있지만 이번 연구를 통해서 동양사상과 서양사상의 본질은 동일함을 시사하는 계기가 될 것이다. <센과 치히로의 행방불명>의 다원적 해석을 통해 인간 삶의 본질과 지향점에 대한 화두를 던져보고자 한다.

• 한국철학논집
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• 제27호
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• pp.363-386
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• 2009

이 논문은 학문과 교육의 성격이 변화된 정보화된 현실 사회의 상황을 직시하면서, 이런 사회야말로 학문과 인격 완성의 일치를 지향하는 철학 교육이 절실히 요청된다는 주장을 피력하고자 기술되었다. 정보화된 사회에서 지식은 이제 자기 목적이 아니라, 팔리기 위해서 생산된다. 학문은 이제 진(眞)-선(善)-미(美)를 해명하는 목적이 아니라, 부(富)와 능률성을 추구하는 수단이 되었다. 지식은 수단으로서 팔리기 위해 생산되고, 따라서 목적으로서 인간이란 이미 상실된 시대가 바로 현재 우리의 상황이라고 하겠다. 그런데 이런 상황은 오히려 목적 자체로서 인간 존재 자신에 대한 이해와 세계를 바라보는 관점 정립에 기여하는 철학의 교육이 절실히 필요로 한다고 판단된다. 이러한 문제의식에서 본 논문은 고전적인 철학의 교육이념과 방법이 제시되어있는 플라톤의 「태양의 비유」 「선분의 비유」, 그리고 「동굴의 비유」에 각별히 주목하면서, 이와 대비되는 유가철학 이념과 교육방법 등을 제시하였다. 우리는 철학이란 1) 존재에 대한 경이감, 혹은 현실의 자기 존재에 대한 우환의식에서 출발하여(초발심(初發心)), 2) 철저한 철학적 태도전환을 수행해야 하며, 3) 궁극자에 대한 절대적인 인식을 요구하며, 4) 이러한 인식에 기반하여 이타행(利他行)을 실천할 때 비로소 완성된다는 점에 주목하면서 유가철학의 교육 이념과 방법을 기술하였다.

• 대순사상논총
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• 제26집
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• pp.111-142
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• 2016

'In-Jon(人尊)' is one of a concept which constitute the mainstay of Daesoon thought. To be superficial, the concept is appeared to be limited at a area of anthropology, but In-Jon is a large concept which includes ontology and epistemology. Because the essence of human being is connected with God and the such possibility is related to the mission of human being's subject who exists in world. Advanced researches to analysis of in-jon tend to focus on rise of human status but this study do on universal subject not particular subject. This is to elaborate the point of issue. The point of view as rise of human status overlooks problem of relationship between human entities. who ingenerate hierarchy. In-jon is the universal subject of philosophical subject concepts which western philosophy have taken as main problem since Descartes. So we have to consider In-jon to be conceptual continuity concerning stream of history of ideas and communicate with ideas. A precedent study on 'injon' concept has weak conceptual analysis, which only emphasizes the greatness of mankind as compared with others. But that can't reveal In-jon based on the Daesoon thought. So I try to engraft the concept on development of subject ideas to get academic objectivity. In-jon is great in having universal subject to expand the authority of God to all creation. That is the last goal which subject can reaches through the development. Considering this regard the research direction of this study is very encouraging and significant. Western philosophy has important philosopher of the three, Descartes, Kant, Hegel. Those are a spectrum who show an aspect of subject ideas. The subject idea has become the middle of philosophical system since Descartes in modern. It is the right and necessary process to philosophy because human being has spirit or reason connected with God. So In-jon in Daesoon thought is academic concept comprising ontological and epistemological properties. So I try to analyse In-jon through that and have In-jon join the ranks of mainstream academics in this paper

• 한국복식학회:학술대회논문집
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• 한국복식학회 2003년도 International Costume Conference
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• pp.71-71
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• 2003

In the 21st century, people expect new era and are skeptical about standardized life made by mechanization as well as information. They start to regard the Oriental culture, which was thought to be quite different from the Western culture, as an alternative overcoming Western ideas spiritual crisis because the Oriental culture has exotic beauty.

• 복식문화연구
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• 제19권3호
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• pp.501-517
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• 2011

This study investigates the concept of the body in Korean traditional costume by comparing the traditional costumes of the west and those of Korea while focusing on the relationship between the body and dress. In order to make a comparison of the traditional perspectives on the body in western and Korean costumes, this study examines the literature of history, art, medicine, philosophy as well as dress from the mid-fourteenth century to the nineteenth century pertaining to the west and those of the Joseon Dynasty Korea. Western dress assumes apparent formal structures and pursues overall harmony via the completeness of its entities, while traditional Korean dress subordinates the parts to the whole, emphasizing the organic total. Whereas the proportion of bodily structure is stressed in western traditional costume, in Korean costume the body is perceived as a whole. By revealing the body through the three dimensionalities of dress, the focus on the erogenous body parts is shifting in conventional western dress according to changes in aesthetic consciousness, which reflects the western ideas of objectiveness and self-centeredness. In traditional Korean dress, in the space between the body and dress, the emphasis is on planarization of the dress, which assumes the oriental relationship-centeredness concept.

• The International Journal of Costume Culture
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• 제8권2호
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• pp.85-96
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• 2005

The purposes of this study were to examine young women's fashion and their values in South Korea in the 1970s and to explore the dynamics of how the changes in values affected fashion. Fifteen Korean women who were college students in the 1970s were interviewed. With industrialization and acculturation to Western customs in the 1970s, Korean women's fashion reflected the permeation of new ideas and behaviors into the culture. New ideas of 'pursuing a career' or 'gaining professional success' rooted in the women's movement were most important and were reflected in the prevalence of casual and comfortable styles. However, 'having a good husband and being a good wife' was also important. In addition to the transition in gender roles, Korea was fast moving from a collectivist to an individualistic society and underwent the process of melding traditional and newly-adopted values in their acculturation to the West. This study helps us better understand Korea's acculturation process through dress and the dynamics involved between fashion and value changes.

• 복식
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• 제63권2호
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• pp.125-143
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• 2013

This study aims to clarify the identity of contemporary Chinese fashion design by examining how the characteristics of Chinese tradition are accepted and presented in fashion under the influences of western cultures. This study performed a literature survey on related works. Also this study performed demonstrative analysis of Chinese daily newspapers (People's Daily and Xinmin Evening News, 2007-2010) and fashion collections by Chinese and Chinese descent designers(2007-2011). The results are as follows: First, China is trying to express Chinese traditional ideas and factors in the design areas, and also trying to achieve an universal generalization. Second, the Chinese designers emphasized traditional ideas and culture in their designs. The Chinese descent designers were affected more by western culture. The common aesthetic consciousness were the beauties of sophisticated and splendorous decoration, vastness and elegance. Also the compromised images, neutral images and antique images were common in both groups. Third, the Chinese designers presented fashion designs on formalized and imitation stage. Also they tried to make a metaphorical stage. The Chinese descent designers showed designs on a metaphorical stage. In conclusion, the contemporary Chinese fashion design should find the way to globalize and identity of the traditional culture code simultaneously.