• Title/Summary/Keyword: W. H. 오든

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W. H. 오든의 시학과 정치성 (W. H. Auden's Poetics and the Political)

  • 황준호
    • 영어영문학
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    • 제55권2호
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    • pp.315-335
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    • 2009

  • Controversies over W. H. Auden's "political" poetry remind us of an old but perhaps never easily resolved problem about the relationship between poetry (literature) and politics. Auden has arguably been referred to as a "leftist" or "Marxist" because of his political viewpoint registered in "Spain" or "September 1, 1939," which embodies his contemporaries' loss and fear, brought by the socio-political turmoil, economic depression, and moral conflicts of the 1930s. Interestingly, however, Auden is known to have an ambivalent position toward the political reality. He once disavowed the above "political" poems as "dishonest" in the preface of the 1966 edition of Collected Poems and declared, "poetry makes nothing happen" in "In Memory of W. B. Yeats," which seemingly acknowledges the political incapacity of poetry. Auden's position and poetry should be understood as the result of complicated interactions between his perspectives on society, human beings, and poetics. Auden definitely believed in the role of poetry in such a politically demanding time, yet was not concerned with the anticipation of certain immediate changes effected by poetry in real situations. Instead, he sought the intellectual and moral effects that poetry could give his readers to help them survive the dismal circumstances of the 1930s. This is what distinguished Auden's poetry from political propaganda. In doing so, Auden's poetry captures the zeitgeist of his generation and has privileged him as the leading voice of his time, but it has also encouraged the following generations to confront different socio-political difficulties. This is something poetry can make happen politically, and the survival of Auden's "memorable speech" proves the legitimacy of his frequently misunderstood poetics.

NC선반 2축 제어기의 개발 및 실증실험 (A development and test of NC lathe 2-axis controller)

  • 이우석;오철수
    • 대한전기학회:학술대회논문집
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    • 대한전기학회 1995년도 하계학술대회 논문집 A
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    • pp.21-23
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    • 1995

  • This paper is dealing with development of H/W and S/W of Retro-Fit NC lathe controller. Especially, S/W program is handling the tool nose radius compensation. A test of S/W program execution in the developed H/W has been made and its result showed a reasonable application in real practice.

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Pre_Buffered 키스트림을 이용한 효율적인 암호처리 구현 (Efficient Implementation of Crypto Processing Based on Pre_Buffered Key Stream Method)

  • 강철오;김은찬;박재민;류재철
    • 정보보호학회논문지
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    • 제23권6호
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    • pp.989-1000
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    • 2013

  • 모바일기기, 이동통신망, 유 무선 통신망의 발전으로 모바일 오피스 도입이 확산되고 있으나, 적절한 보안 대책 선행이 요구되고 있다. 본 논문은 모바일 환경의 통신 구간 보안을 위해 H/W 토큰을 이용한 IPSec VPN 솔루션을 구현함에 있어, H/W 토큰의 I/O 지연에 따른 성능 문제를 극복하는 방안으로 카운터 모드를 이용한 스트림 암호방식을 적용하되 키스트림을 버퍼링하는 방안을 제안하고, 버퍼링 방식이 IP 패킷의 가변 크기, 유실 및 비순차적인 전송 환경에서도 적용 가능한 설계를 제시하고, 구현 결과를 버퍼링을 적용하지 않은 기존 방식과 성능 비교를 통해 제안한 방식의 효율성을 증명한다.

  • https://doi.org/10.13089/JKIISC.2013.23.6.989 인용 PDF KSCI HTML

오든의 시와 이탈리아 (Italy in W. H. Auden's Poetry)

  • 박연성
    • 영어영문학
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    • 제55권5호
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    • pp.843-863
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    • 2009

  • This paper aims at tracing the appearance of Italy in W. H. Auden's poems. Auden summered on Ischia, an island in the Gulf of Naples, between 1948 and 1957. In the process of ten years of contact with Italy, Auden' poetry developed out of Italy, and contributed to the world's picture of Italy by English poets. In the early part of his stay, Auden was fascinated with Italy and found a source of vitality for composing his poems. But Auden's initial view of Italian culture evolved from extolling its virtues to a more critical one weighing its losses and benefits. The happiest mood is reflected in "In Praise of Limestone", in which the ground itself becomes a symbol of Eden. "Ischia" introduces the real landscape of the island. Auden partly admits the darkness of the island in the aspects of its past history and legends, but the poem is still mainly about praising the beauty of the island and the comfort that it gives to the poet. In "Goodbye to the Mezzogiorno" the negative side of the island's life comes to light. There was something in the setting, warm and beautiful as it was, that no longer suited Auden's temperament and Auden bids farewell to his Mediterranean period. His view of Italy is a restricted and detached one seen through the eyes of a successful Anglo-American poet. Auden's cosmopolitan character often is defined such terms as "the Wandering Jew," "alien" or "stateless Auden". But our reading of his poems dealing with Italy reveals his true characteristics which can not transcend his evolving views.