• 제목/요약/키워드: Villa architecture

검색결과 58건 처리시간 0.018초

빌라 로톤다(Villa Rotonda)와 빌라 피사니(Villa Pisani)의 비교에 관한 연구 (A Study on the Comparison of Villa Rotonda and Villa Pisani)

  • 홍석주;이은정
    • 한국디지털건축인테리어학회논문집
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    • 제12권4호
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    • pp.77-85
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    • 2012
  • The works of Vicenzo Scamozzi, the successor of Andrea Palladio are able to be comparable with Palladio's works in various ways. When comparing Villa Pisani of Scamozzi with Villa Rotonda of Palladio, their difference is evident. Both Villa Pisani and Rotonda are vacation villas located on low hills and have the magnificent beauty that overpowers their surrounding rural sceneries. However, Scamozzi doesn't show an obsession about Palladio's proportion. Palladio expressed the symbolic meaning of the villa as the center of surrounding rural scenery by having same porticos for all four facades of a square. On the contrary, Scamozzi built a portico only for one facade and constructed open loggias with serliana motif for other three facades. These loggias help lighting and ventilation of rooms located behind of loggias. Geometric innocence that is pursued by Palladio's villa can be understood as the archeological classism based on the nature interpretation from a classical viewpoint. On the contrary, Scamozzi pursued his own architectural characters that apply buildings to fit to their environment.

하드리안 별장에서의 배치계획의 특성에 관한 연구 (A Study on the Characteristic of Site Planning of Hadrian's Villa)

  • 김석만
    • 건축역사연구
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    • 제25권1호
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    • pp.7-21
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    • 2016
  • The purpose of this paper is to study on the characteristic of site planning of Hadrian's villa. The whole site planning of Hadrian's villa can be divided by different characteristic four groups(I-IV). It is analysed to the whole site plan of such huge complex and the site planning of partial each group which is organically connected each other. The results of this study are as follows: 1. Hadrian's villa was arranged in adapt to natural condition according to a gentle inclination by topography and terrain of the whole site which many different buildings are oriented towards natural landscape of the site and the site surroundings. 2. The site planning of Hadrian's villa is composed of dividing into four groups as plan segmentalized through various land use plan, considering for territory of functional aspect and direction of axis formed by situation and direction of topography and terrain. 3. The concept of site planning to buildings of Hadrian's villa is composed through each other connection; the first, meeting, crossing and merging with each other from arrangement by several axises, the second, change of direction with as the center a part of corner of buildings and the third, facing or inserting system to side and side, side and a part of corner of building.

르 코르뷔지에의 에라즈리스 주택계획안과 안토닌 레이몬드의 카루이자와 별장의 상관성에 관한 연구 (Relationship between Le Corbusier's Errazuris House Project and Antonin Raymond's Karuizawa Villa)

  • 김경연;전병권
    • 대한건축학회논문집:계획계
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    • 제34권1호
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    • pp.15-22
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    • 2018
  • Raymond, who adopted Le Corbusier's Errazuris House Project, built Karuizawa Villa by incorporating Japan's aspiration for Western modern architecture and strong convictions regarding the preservation of traditional culture heritage, which were prevalent in Japan at the time. Despite the controversy over his plagiarism, Karuizawa Villa shows several unique architectural characteristics. First, in terms of the arrangement and access system, the villa has a common space that affords a view of the lake by accessing from the mountain side. Second, in terms of spatial composition, the common space is connected to the mesonnette by placing a trail to enable enjoyment of natural scenery. In particular, personal space is planned in the shape of a cross by connecting several surfaces to the outside in order to secure enjoyment of the natural environment. Lastly, in the aspect of structure and materials, both architectural buildings adopted masonry by using natural stone as well as building materials suitable for each region and climate by using logs in constructing the main columns and beams. Through Karuizawa Villa, Raymond is considered to have established his own style by combining the standard of Western modern architecture and the elements of Japanese traditional architecture while valuing local architectural technology.

르 코르뷔지에의 '새로운 건축의 5원칙'에 영향을 받은 달라바 주택에 적용된 렘 콜하스의 건축개념에 관한 고찰 (A Study on the Features of Architectural Concept of Rem Koolhaas Applied in Villa Dall'Ava influenced by Le Corbusier's 'Five Points of a New Architecture')

  • 김종성
    • 대한건축학회논문집:계획계
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    • 제35권9호
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    • pp.119-129
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    • 2019
  • The purpose of this paper is to study the meaning of Rem Koolhaas's works focused on Villa Dall'Ava. This House which offers a fine example of the early architectural concepts of Rem Koolhaas was completed in 1991, 7 year earlier than the Maison Bordeaux and also this work is the only one house constructed in Paris. Rem Koolhaas, one of the most influential architects representing contemporary architecture in these days is interpreted so diversely as new constructivism, deconstruction and new scientism etc. The relationship between Modernism architecture and the architecture of Rem Koolhaas is supposed in various point of view in recent studies. Although the leading background on which the architectural inclination of Rem Koolhaas is de-constructivism, various interviews, editorials and other perspectives give clue that Rem Koolhaas was influenced by Modernism. His architectural concept is connected with the architectural principles of Le Corbusier: 'Five Points of a New Architecture' and 'Dom-ino system', which are especially applied a lot to Villa Dall'Ava in the modified form. This study is to research the architectural characteristics of Villa Dall'Ava by analyzing the layout, plan, elevation, section and structure, which revealed the architectural connectivity between the concept of Rem Koolhaas and the architectural principles of Le Corbusier which had a great effects on architectural history and became a fundamental elements for the change into the modern architecture. In practice, the architectural work of Rem Koolhaas remind the architectural principles of Le Corbusier. This research appraises each points of 'Five Points of a New Architecture' in regarding with Villa Dall'Ava whose study will be important to find the meaning of the works and ideas of Rem Koolhaas.

데이터스케이프 설계방법을 적용한 Villa VPRO 공간분석 연구 (A Study on analyzing the space of Villa VPRO used datascape design strategy)

  • 박영경
    • 한국실내디자인학회논문집
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    • 제13권3호
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    • pp.145-152
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    • 2004
  • The European architects including MVRDV, Rem Koolhaas, Van Berkel, and Zaha Hadid tend to use the their own design strategy based on the objective data. This Architectural design method leads to make new paradigm of contemporary architecture. For the purpose of the understanding a part of new architecture paradigm I will analyze the case of Villa VPRO designed by MVRDV. At the result, I can draw the following conclusions. First, through collecting and analyzing data, drawing design concept and planning the space program, they decided on the design strategies of Villa VPRO. They designed the space volume having 42.4m$\times$42.4m floors and infiltrated environmental elements to solve the problems about deep space. Second, Villa VPRO was constructed by 'creative space-making system: a series of floors much like a geological formation, the continuous floors interconnected by spatial means, the precision bombardments of snake-like holes, open elevations, the stacking spaces. Third, Villa VPRO produced the spectacle space effect the various formation of continuous floors make a lot of difference space types in this building. Also they lead to move naturally and give event space. A numbers of holes and openness make it possible to provide friendly environment with combining light and air with views of the surrounding and transparency. And using the method of stacking many types of space make the differences in height.

왕유의 자연미와 망천별업의 조경사적 의의 (The Meaning of Wangwei's Natural Beauty and His Garden, Wangchuan Villa)

  • 박희성;조정송
    • 한국조경학회지
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    • 제29권2호
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    • pp.1-13
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    • 2001
  • Beginning in the Wei-Chin and Liu Ch´ao era(AD. 220-589), an awareness of natural beauty emerged as the major interest of scholars which created such a social atmosphere that served as the foundation of prosperous Chinese art. During the T´ang period, the desire to achieve natural beauty began to dominate every field of art including gardening. This study covers the T´ang period when scholars began to be conscious of aesthetics. The main objective of this study is to examine the significance of natural beauty as interpreted by Wangwei, an artist representative of the period, and of Wangchuan Villa in relation to aspects of garden theory. This study is mainly based on Wangwei´s anthology, landscape painting describing Wangchuan Villa, and historical records related to the Villa. The summary of conclusions of this study is as follows: 1) Wangwei´s concept of natural beauty is a combination of objective natural beauty and pastoral beauty, which stresses the essential beauty of nature. Moreover, he considered nature as a religious Utopia. 2)Wangchuan Villa, where Wangwei stayed until his death, was a place of seclusion representing his idea of natural beauty. There, he was able to realize the paradise of Buddhism full of zen aspirations. 3)From the perspective of garden theory, Wangchuan Villa can be classified as a suburb villa in terms of location, as a landscape garden in terms of elements, and as a villa based on a typical private land system in terms of forms. In addition, it may be considered as a garden that laid the foundation to realize a field of non-visible image and non-visible landscape, which is fundamental element of scholarly garden design.

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르 꼬르뷔지에의 빌라 내부 공간에 관한 연구 (A Study on the Interior Space of Le Corbusier's Villas)

  • 남경숙
    • 한국실내디자인학회논문집
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    • 제7호
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    • pp.64-69
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    • 1996
  • Le Corbusier planned and began to build space of new architecture expression around 1920s by connecting his theory of architecture of a great influence upon his creation of works with the puristic plincipes. The objective of this study consists in enguiring into the interior space of Le Corbusier's villa in 1920s and 1930s , especially into villa La Roche-Jeanneret , villa Terrasses, and villa Savoye. The constituents of the villas introduced new architectural concepts, including geometry, economics , and his new five architectural factors, and there appeared such phenomena as were shown in the paintings of the purist period, such as transparency, contrast , etc. We can see through this study, that Le Corbusider's architectural purpose is the realisation of his architectural and puristic. concepts.

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빌라 데스테의 정원건축적 특성에 관한 연구 (A Study on the Characteristics of Garden Architecture in Italian Renaissance Villa d'Este)

  • 김은영;김규연;최종희
    • 한국전통조경학회지
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    • 제40권4호
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    • pp.49-57
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    • 2022
  • 본 연구는 이탈리아 르네상스 정원의 조영배경, 입지 및 공간구성특성 구명에 있어 주요한 역할을 점유하고 있는 빌라 데스테의 정원건축적 특성을 구명하는데 목적을 두고 수행되었다. 연구를 위한 조사는 문헌조사와 현지조사로 구분하여 이루어졌으며, 자세한 내용은 다음과 같다. 첫째, 조영의 경우 16세기 중후반 설계가 피로 리고리오(Pirro Ligorio)가 이폴리토 데스테(Ippolito d'Este) 추기경의 지시 하에 빌라 조영이 시작되었으며, 이후 데스테 가문 소유로 계승되다 재정난으로 1850년 추기경 구스타프 폰 호엔로헤(Gustav von Hohenlohe)에게 소유권이 이전되어 훼손된 정원 복구에 힘썼고 세계 1차 대전을 겪으며 이탈리아 정부 소속으로 소유권이 넘겨진 빌라 데스테는 전쟁으로 인해 무너진 빌라의 대규모 복구 작업이 시작되고 세계 2차 대전을 겪었다. 또 한번 피해를 입은 빌라 데스테는 복구 과정까지 거친 후 현재는 많은 방문객을 받으며 운영되어지고 있다. 둘째, 입지의 경우 도심에 위치하는 우르바나 성격을 가지며, 산기슭에 위치한 계곡형의 지형조건을 가지고 있다.셋째, 공간구성의 경우 16세기 초기 코르틸레 델 벨베데레와 빌라 마다마의 노단의 설치, 기하학적 대칭 등의 조영원칙들에 영향을 받아 축선과 직교하며 정원의 각 부분이 전개된다. 주요 건물은 구릉에 위치하여 한눈에 정원과 주변 경관을 조망할 수 있도록 하였다. 넷째, 구성요소 중 건조물의 경우 계단, 로지아, 중정, 석굴 등이 있었고 구성요소 중 빌라 데스테의 가장 두드러지는 특징인 수경관에는 분수, 캐스케이드, 벽천, 연못 등이, 식생으로는 월계수, 가시나무, 감탕나무 등이 있다.

1900년대 이후의 교외 주택에서 나타나는 중심성과 외향적 형태에 관한 연구 - 빌라 로톤다와 빌라 에모를 기준으로 - (A Research about the Centrality and Outer Form of Suburban Houses Since 1900 - focused on Villa Rotonda and Villa Emo in Italy -)

  • 이진희
    • 한국주거학회논문집
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    • 제24권6호
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    • pp.123-132
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    • 2013
  • This study covers centrality of villas after Renaissance and architectural forms corresponding to the nature in the aspect of Karl Popper and Gilles Deleuze. In addition, the researcher tries to understand the changes in architectural forms according to the changes in places. To do that, Pascal and Hans Meyer's theory was introduced as a major theory. The researcher tries to set up the standard by analyzing the architectural form related with the nature and the form of center in the housing through Villa Rotonda and Villa Emo. And with key analysis of the centrality and architectural form corresponding to the nature and the four houses that are historically and morphologically important. It is found that due to the development in modern technology and materials, a variety of architectural approach is developed and they are implemented as various architectural forms. However, due to various theories of modern architectural approach, it is found that the morphological differences of suburban housing exists by forming a universal relationship constructed by four architects. The researcher expects to be understood and realized in real life construction.

빌라 사보아의 재료 패턴 및 색채 사용 연구 (A Study on the Usage of the Color and the Pattern of Materials in Villa Savoye)

  • 김소희
    • 한국실내디자인학회논문집
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    • 제17권5호
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    • pp.133-140
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    • 2008
  • This study is purposed to understand the usage of the color and the material pattern in detail and to apply for interior architecture. Many documents have prescribed the color and the pattern at random. While the usage of the color and the materials was ignored rather than architectural form, the importance of the color and the materials stands out in modern interior space. The villa, the weekend home of the Savoye family, was built between 1928 and 1931. Particularly, the villa Savoye was focused for this study. Le Corbusier viewed case pieces for storage and wall partition for division as architecture, and he units furniture and architecture by developing partition that could be painted either the wall color to become part of the wall or in contrasting colors to stand out as wall partition. He loved white and lie believed in using it for interiors, but noted that it should also be balanced with a wall related polychromy. Color became an integral part of white structure of the villa savoye that was raised on stilt with an exterior wall at the base painted green as a visual connection with the lawn. Color was used architecturally in the interior as well, with white walls interrupted by planes of pink, blue and red ocher and it gives the space an unexpected playfulness with tile color of the finishing materials. the various usage of the color and material patterns constitute an element of great architectural richness. They have a unique principle based on emotional order and make the man move to another space and experience the spacial connection.