• 한국주거학회논문집
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• 제15권5호
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• pp.85-96
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• 2004

The purpose of this study was to (md out the characteristics of the residential house in Ulleung Island in terms of building materials, structure and construction method, structural design by actual field surveys. This study found several facts; First, the house was classified into the log house and mud-wall house according to building material for wall structure. The log house prevailed in the early days of the settlement in the island because of affulent timber materials available around. However, the mud wall house became a popular type in later days because of the depletion of timber materials. Second, the Udeki wall was an unique installation reflecting the severe climate conditions of Ulleung Island. However, many aspects of the Udeki wall was changed according to the change of living style and the introduction of modem heating systems in terms of its function, size, building material, layout position etc. Third, the roofing material also has been changed from materials available locally to slate materials transported from the mainland. Fourth, the bamboo slender-ribbed door as a single-swing door type was popular and later time the single-sliding door or three ribbed door was widely used in rooms installed later instead. Fifth, the roof was placed over the room, kitchen, and Chukdam (outer wall) and this was a resonable way to cope with heavy snowfalls in the winter season in Ulleung Island.

• 한국주거학회논문집
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• 제8권2호
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• pp.27-35
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• 1997

In the beginning of the 1930's. Le Corbusier's new attention turned toward the local conditions of construction, which can be associated with the prevailing sprit of regionalism and vernaculaire culture. What especially concerns us here is the reference that Le Corbusier makes to vernacular architecture, which we have seen to be the soure of his late houses. During the 1950's, with the United' habitation and the Jaoul houses, Le Corbusier ushered in a new housing trend onto the scene. noteworthy for its use of raw materials and for its opposition to the international style.

• 한국실내디자인학회논문집
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• 제19권1호
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• pp.169-179
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• 2010

Since modernization period thru Japanese colonial era the modern architect began to play a important role for Korean housing architecture. So called 'House as an Art Work', detached houses by prominent architects, belong to a meaningful sector in Korean modern housing architecture. The harmony with tradition was always big issue for such works. This study aims to understand how paradigms for tradition were interpreted with the changes of the time. The analysis showed various tryout by architects, that concretize traditional characteristics in their work. For example, traditional lifestyle were clearly reflected in the floorplan during 30's and 40's. In the 70's building mass and formative roof design were emphasized to present traditional image. As well as it represented primitive esthetic and vernacular decoration. In addition, expressive tendency, that demonstrates korean sentiment through material and its texture, got a preference. Since latter half of 80's some traditional architectural elements were modernized and space characteristics were newly created from acculturation. Furthermore the philosophy of "Subdivision of building wings and Emptiness" follows this trend. This type made a courtyard and connected articulated building masses each other. "Sympathy with Nature" were most essential for a traditional houses in contrast with western architecture. Many architects today make various method to bring nature into interior space and to contemplate nature In the house. Such kinds of adaptation to tradition could be understood as a unique process to manifest identity of Korean modern houses.

• 한국농촌건축학회논문집
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• 제14권4호
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• pp.55-65
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• 2012

Urban traditional housing is a type of the urban housing which have developed by itself from the traditional vernacular houses and it has continued with a traditional feature in the westernization and modernization affection of Korea. Also, the urban traditional housing is still one of the housing in the present and it makes a urban village with a rich culture benefit and fresh natural environment. The purpose of this study is to analyze the periodical characteristics of urban traditional house in korea's provincial town Gyeongju. The local range is Hwang-Nam Hanok Conservation Area in Gyeongju and the period range is 1874~2000s. So the first period from 1874 to 1909, the second period is 1910 to 1945, the third period is 1946 to 1969, the fourth period is 1970s, and the fifth period is since the 1980s. This classification will be considered of the social phenomenon at the time. The total number of target houses are 8 houses. They were analyzed by layout, floor plan, and elevation characteristics of urban traditional house. For structure of this study, Chapter 1, establishes the goal and range of study. Chapter 2, 3, examines distinctions of urban traditional house with traditional house, and meaning of urban traditional house, and transition of urban traditional house. Chapter 4, establishes formality to analysis, and performed from plan to elevation analysis, observation survey, and interview through door-to-door survey, and clarifies trend and characteristic of urban traditional house's change by integrating the results, and Chapter 5, is results integrating the above studies.

• 한국농촌건축학회논문집
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• 제18권1호
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• pp.75-82
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• 2016

The goal of this study is to identify the new Architectural type of house and Landscape design pattern of the collective housing area in American garden city, Midlothian near Richmond of Virginia. I had been surveyed old houses of the Virginia and new single family houses and landscape design style of Mariners village to find a different style of houses and lots. The Richmond, capital city of Virginia, is surrounded by five suburban areas and counties. One of them is the Chesterfield where it has main street of Midlothian garden city. The city of Midlothian has a function of residence area both to stay in the forest garden and to go to downtown office of Richmond. There are a lot of collective housing area out of the capital city. I surveyed house form, lots, and site design pattern of the Mariners village in Midlothian. The community of Mariners shows a particular characteristics and harmonious pattern of suburban residence area in a view point of new project. There are three results of this study as follows: First, the types of house in suburban garden city, Midlothian, are focused on vernacular Colonial style with country house, traditional house, and front gable house form which are an unique new American single home. Second, the landscape design of this collective housing area, the Mariners village, has a unity view of residence community, harmony between house and lots, and a sensitive cul-de-sac pattern and loops type with rational land using based on the forest topology. Third, the Mariners village shows that the design concept of landscape architecture has to consider of traditionalism, naturalism, and living condition of residents.

• 한국농촌건축학회논문집
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• 제25권2호
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• pp.43-50
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• 2023

This study is an architectural and landscaping analysis view to rural landscape paintings painted by Vincent van Gogh in the late 19th century. The purpose of this research is to discover the expressive techniques of Western art that Van Gogh's landscape paintings have, and to understand the characteristics of the architectural object in his landscape paintings from February 1888 to April 1889 in Arles, southern France. The method of this study is to analyze the landscape paintings of Van Gogh painted during 15 months in Arles. Among the total paintings in Arles, 47% of the paintings he made were landscapes. The following conclusions have three views. First, Vincent van Gogh was born into a Protestant family in the Netherlands and become an artist in his late twenties. While living in Arles, he painted prolific landscapes. Farming, farmers, and rural area related to normal living are the main subjects of paintings. It can be seen as showing the view that everyday life is sublime and should be included as a unitary value. Second, Gogh's rural landscape paintings were painted with linear and aerial perspective with other the expressive techniques, and plane painting structure that leads to two dimension. Third, from an architectural point of view, Van Gogh's paintings depicted simple vernacular architecture such as traditional rural house, mas, thatched houses, and mills in southern France. This means the normal value of the rural landscape through the eyes of the painter.

• 한국산학기술학회논문지
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• 제13권9호
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• pp.4310-4318
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• 2012

대량생산을 통한 표준화, 새로운 기술의 구조와 공법, 유동적으로 일체화된 내부공간이라는 특성들로 설명되는 케이스 스터디 하우스의 산업화된 모더니즘적 시각에서 벗어나 이를 지역화된 모더니즘의 시각으로 분석하여 이들 주택들의 공통적인 특성들을 정리하면 첫째, 지역의 환경적 요인과 도시의 수평성에 대응한 다양한 굴절형의 배치형태. 둘째, 파티오라는 독특한 문화를 함축한 내외부공간의 강한 연계성, 셋째 지역산업과 연계된 다양한 재료의 사용을 들 수 있으며 이들은 유럽 모더니즘과는 구별되는 지역성을 다양한 건축의 구성요소들로서 구체적으로 유형화하고 있다.

• 한국농촌건축학회논문집
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• 제16권1호
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• pp.35-42
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• 2014

Due to the development of civilization, the humans is privileged the rich of technologies for housing thermal environment. But, this kind of technological development caused enough trouble of energy excessive consumption. For solve this problem, many researchers strive to exploit the low energy sustainable techniques. For such a reason, the eco-friendly techniques of vernacular house are resurfacing. These traditional techniques are applied to a development of eco-friendly modern housing. They are no longer recognized as outdated products. On this context, this study proposes an scientific analysis on the thermal environment characteristics of Neolithic thatched-roof dugout hut(Um house). So far the several studies have been carried out in viewpoint of the history and structural compositions of the Um house which has been used as the normal housing for about 1000 years in the Neolithic era, however the thermal characteristics analysis of the Um house has never been studied. Um house is not a housing which has been composed by the scientific analysis or architectural design technology, but evolved empirically over a long period. This study on the thermal environment characteristics of Um house would provide basic information for the development of korean eco-friendly rural housing by korean climate characteristics. In this study, the thermal environmental characteristics of the Um house in the Neolithic era was analysed experimentally. The results of this study could be summarized as follows: 1. When the solar insolation and the ambient temperature in the daytime were $420W/m^2$ and $17^{\circ}C$ respectively, the surface temperature of the Um house roof covered with the rice straw was $37^{\circ}C$ and that in the roof $32^{\circ}C$, and in the conditions above the air temperature in the room was $15^{\circ}C$. 2. When the ambient relative humidity was 40%, that in the room of the Um house 50%, and at the ambient relative humidity of 90~100%, that in the room was 60%. 3. Through the experimental analysis, it was verified that the enthalpy and relative humidity is in an inverse relationship. 4. In general the comfort degree in the living space is changed with the seasonal climate, also in this study, the comfort degree in the room of the Um house in October and November was higher than that in May and June.

• 한국산학기술학회논문지
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• 제14권2호
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• pp.955-961
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• 2013

본 연구는 친환경 건축의 대안으로 부각되고 있는 한옥의 열환경 평가를 수행하기 위하여 한옥을 구성하고 있는 건축요소의 전열 메카니즘을 규명하기 한옥건축부재의 규격화와 모델링을 통하여 열환경을 평가하였다. 최근 친환경 건축, 생태건축의 모델로 일반의 한옥 선호도는 높아지고 있으나, 한옥의 우수성이 정성적으로만 평가되고 있다. 이에 한옥의 건축재료 및 형태와 같은 건축요소를 고려, 한옥 건축요소의 Geometry를 작성하여 솔리드 모델을 구축하고, 열환경 평가의 도구로써 CFD를 적용하여 한옥의 실내 열환경을 평가하고자 하였다. 본 연구에서는 복잡한 형태의 Geometry 작성이 가능한 CATIA와 환경 시물레이션 Code인 FLUENT 등의 상용 Code를 활용함으로써 연구의 신뢰성을 높이고자 하였다. 본 연구는 일차적으로 서울지방에 건축된 한옥의 기준모델을 설정하여 벽, 천정, 바닥, 창호 등 건축요소의 부위별 형태를 고찰하고, Geometry작성의 입력자료로 사용하기 위하여 각 부위별 치수체계를 구축하였다. 건축요소의 부위별 각각의 형태를 솔리드 모델로 구축하기 위하여 단계별로 벽, 천정, 바닥, 창호 등에 관한 건축요소의 Geometry를 모델링하여 CFD 입력자료로 활용하여 열환경 시물레이션을 수행하였다.

• 건축역사연구
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• 제14권4호
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• pp.59-72
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• 2005

Architectural embodiment of a national identity has long been a significant topic in Korean architectural circles. For this reason, it must be helpful to examine the so-called, 'National Romanticism' of Finnish architecture around 1900 in that Finnish architects of the time struggled to embody their national identity through their projects. Considering the historical and linguistic affinities between Finland and Korea, the Finnish architectural situation draws . our additional attention. This paper aims at showing its historical background, the meaning of each type of buildings in the stream, and limitations it implies. The atmosphere of Finnish nationalist movement, which was provoked by [Kalevala] publications (1835; 1845) and shown in Karelianism, was heightened by Tsarist Empire's Russification programme of Finland in the late 19th century Architecture was one of the most important genres expressing her national identity. Finnish national romantic architecture could be divided into three. The first is a log house style for artists' studio house, motivated by the Finnish vernacular farmstead - especially by Karelian farmhouse. This type of building signifies the Finns' will to return to their motherly soil. The second is a stone architecture style for public buildings, inspired by Finnish church or castle of an early medieval time. By using roughly-cut granite as the main exterior material, buildings of this type symbolise the toughness of legendary heroes and Finns' desire for national Independence. The third type of building was based on both of the former or more dependent on architects' Imagination and creativity. However, Finnish national romantic architecture has been criticised by some critics owing to its decorative, eclectic and self-indulgent characteristics. Probably, it was not really national but rather inter-national because of the Influences of English Arts and Crafts Movement, the American Richardsonian architecture and the continental Art Nouveau. And the negative images of 'national' and 'romantic' made some historians coin other terms like 'national realism' or 'material realism'. As another limitation, one raises the low degree of its contribution to the entire architectural history. Despite these criticisms, however, this paper argues that Finnish national romantic architecture is meaningful in itself, particularly because it illustrates vividly Finns' struggle to search for their national identity and, after all, their craving for national independence.