• 한국조경학회지
• /
• 제15권3호
• /
• pp.1-10
• /
• 1988

The initial selection of plants is the decisive step in the ultimate success of any landscape planting. This study intended to establish a reasonable selecting criteria of tree in the landscape through the holistic consideration of aesthetic, functional, cultural, operational and ecological viewpoints. The matrices of evaluating the fitness of tree were modulated to 10 categories ; availability from the established nursery. aesthetic value, indigenous to the locality, maintenance, soil fertility requirement, environmental tolerances. growth rate. wild-life food production. use of plants in design and user's likes. This 10 categories were weighted to their fitness as high(10 points), medium(8 points) and low(5points). Thus suitable plants were identified which got 70 more points from total 100 points. Such a method was believed as a rational process to get trust from client. to persuade uneducated client and to be free from designer's prejudice through a case study. But it is important to landscape designer to recognize the relationship between the rationality which prevails throughout the modern technical world and the intuitive aspects of design that are essential for developing creative solutions to encourage creativity as well as analytical responsibility.

• 휴양 및 경관연구
• /
• 제12권4호
• /
• pp.79-90
• /
• 2018

Yesan-gun was selected to receive a "Village Community Garden Project" in 2018 to foster a sense of community and improve the urban landscape by working with neighbors to create a happy living space for residents. Yesan-gun selected Sapti Park, located in Yesan-eup, as the project site. The project was carried out through the design charrette method (an intense period of collaborative creativity) to allow residents to propose and design park concepts themselves for the community garden construction project to ensure that that the park facilities would provide something for everyone to enjoy. This study followed the actual design project that actively introduced the design charrette in planning the community garden, describing the entire design process from planning to construction and revealing how the opinions of residents were projected onto the design drawings. The purpose of the project was to advance user-participation design methods by reviewing the progress of the design charrette process and to examine how storytelling, the act of conveying ideas through a fun and persuasive story, transformed the plans for the community garden.

• International journal of advanced smart convergence
• /
• 제8권1호
• /
• pp.126-132
• /
• 2019

Creative thinking appears even before it is expressed in language, and its existence is revealed through emotion, intuition, image and body feeling before logic or linguistics rules work. In this study, Lego is intended to present experimental child interactive content that is applied with a computer vision based on image processing techniques. In the case of infants, the main purpose of this content is the development of hand muscles and the ability to implement imagination. The purpose of the analysis algorithm of the OpenCV library and the image processing using the 'VVVV' that is implemented as a 'Node' in the midst of perceptual changes in image processing technology that are representative of object recognition, and the objective is to use a webcam to film, recognize, derive results that match the analysis and produce interactive content that is completed by the user participating. Research shows what Lego children have made, and children can create things themselves and develop creativity. Furthermore, we expect to be able to infer a diverse and individualistic person's thinking based on more data.

• 한국문헌정보학회지
• /
• 제54권1호
• /
• pp.223-242
• /
• 2020

창의력, 비판적 사고력, 의사소통역량, 그리고 협업역량으로 대변되는 대학의 미래 학습 및 혁신 역량 교육을 효과적으로 지원하기 위해 대학도서관의 공간혁신이 과제로 대두되고 있다. 본 연구에서는 이용자와 사서의 관점에서 대학도서관 공간에 대한 인식 및 수요를 파악하고 이를 통해 공간혁신의 방향성 수립을 위한 기초자료를 제시하고자 하였다. 본 연구를 위해, 이용자와 사서를 위한 각각의 설문지를 설계하고 대학도서관의 이용자 363명과 대학도서관 사서 186명의 응답을 수집하여 그들의 도서관 공간 및 공간서비스에 대한 인식과 수요를 분석하였다. 그리고 이용자의 공간에 대한 인식은 이용자의 특성별, 이용행태별 차이를 분석하고, 사서의 공간에 대한 인식은 소속도서관 규모, 사서의 인구통계학적 특성별로 차이를 분석하였다. 또한 공간 및 공간서비스에 대한 인식은 이용자와 사서간 차이분석을 실시하였다. 본 논문의 결과는 수요자 기반의 도서관 신축이나 공간 재구성 계획 시 참고할만한 자료가 될 수 있을 것이다.

• 한국전자통신학회논문지
• /
• 제16권5호
• /
• pp.909-916
• /
• 2021

3D 프린터는 개인의 창의력을 실제로 구현할 수 있는 장점이 있다. 이 특성을 활용하려는 사람들은 증가하고 있지만 적합한 프린팅 교육의 기회 부족과 잘못된 출력 방법으로 문제 발생의 어려움을 겪는다. 따라서 저하된 출력물 품질이 사용자의 관심을 낮춰 점차 3D 프린터의 활용빈도 수를 감소시키게 된다. 본 연구에서는 3D 프린터의 오작동 해결과 편의성의 개선을 위해 직접 기기를 작동하면서 발생하는 문제를 파악하고 분석했다. 여러 문제점 중 안착 불량, 스트링 현상, 노즐 막힘을 중점으로 해결과 완화 연구를 진행하였다. 또한, 3D 프린터의 기능을 실험을 통해 재료소모량 감소와 출력시간 단축 방법을 고찰했다. 최종적으로 3D 프린팅 중 빈번하게 발생하는 출력문제를 해결해 외관이 온전한 출력물을 얻을 수 있었고 편의성을 개선하였다.

• 디지털융복합연구
• /
• 제17권6호
• /
• pp.59-67
• /
• 2019

본 연구는 브랜디드 콘텐츠에 대한 특성이 수용자 효과에 미치는 영향을 알아보기 위해 남, 여 대학생 286명의 설문조사 데이터를 바탕으로 진행되었다. 연구결과 첫째, 브랜디드 콘텐츠 이용만족에는 오락성, 공감성, 창의성, 간접성이 정(+)의 영향을 미치는 것으로 확인되었다. 둘째, 브랜디드 콘텐츠의 공유의도와 지속적 이용의도에는 오락성만이 정(+)의 영향을 미치는 것으로 확인되었다. 결론적으로 브랜디드 콘텐츠 특성 5가지 중 정보성 요인은 이용만족, 공유의도, 지속적 이용의도와 같은 수용자 효과에 어떠한 영향도 미치지 않고 있음을 확인하였다. 이러한 연구결과는 브랜디드 콘텐츠에 대한 이용자들의 행태를 이해함으로써 이용자들의 욕구에 부합하고 편의에 맞는 양질의 콘텐츠 개발을 위한 유용한 실증적 자료를 제공하고, 관련 연구의 확장에 기초자료를 제공할 수 있을 것으로 기대한다.

• 문화기술의 융합
• /
• 제9권4호
• /
• pp.667-679
• /
• 2023

이미지 생성형 AI의 등장으로 미술, 디자인 전문가가 아니어도 텍스트 입력을 통해 완성도 높은 그림 작품을 만들 수 있게 되었다. 생성 이미지의 활용 가능성과 예술 산업에 미치는 영향력이 높아짐에 따라 사용자가 AI와 공동 창작하는 과정을 어떻게 인식하는지에 대해 연구 필요성이 제기되고 있다. 이에 본 연구에서는 일반 사용자들을 대상으로 이미지 생성형 AI 창작에 대한 예상 과정과 체감 과정을 알아보고 어떤 과정이 사용자의 창작 주체감에 영향을 미치는지 알아보는 실험 연구를 진행하였다. 연구 결과 사용자들이 기대한 창작 과정과 체감한 창작 과정 간 격차가 있는 것으로 나타났으며 창작 주체감은 낮게 인식하는 경향을 보였다. 이에 AI가 사용자의 창작 의도를 지원하는 조력자의 역할로 작용하여 사용자가 높은 창작 주체감을 경험할 수 있도록 8가지 방법을 제언한다. 본 연구를 통해 사용자 중심적인 창작 경험을 고려하여 향후 이미지 생성형 AI의 발전에 기여할 수 있다.

• 한국의상디자인학회지
• /
• 제14권2호
• /
• pp.1-10
• /
• 2012

Clothing design is one of design products for human, the end user and corresponds to artifacts. Sometimes artifacts with one mono module exist, and so does artifacts assembled and combined with multi modules of same shape and size or various shapes and sizes and thus all design products can be understood by modularity concept. The purpose of this study was to make a new suggestion for the clothing design and production of high uniqueness and creativity by reviewing and synthesizing the foundation of clothing modularity concept as the original clothing design figures from the history have shown various modularity concept evolution from mono module to multi module stages. The methods of this study were to identify clothing modularity and analyze the type, evolving direction, and category of clothing modularity, and the value of clothing modularization design through comprehensive literature reviews on topic-related books and theses. The original clothing figures with Significance from the clothing history were analyzed in evolution sequence for application direction and value of clothing modularity in flat pattern. Clothing modularity in ancient clothing figures was classified as three types of the fixed, drapery, and straight lined in evolving direction from clothing of mono module to flat patterned clothing. The direction of clothing modularity was identified as mono- dual-triple-multi into another level of multi modularity after intentional devolution. The categorization of clothing modularity was identified in terms of clothing flat construction, clothing design construction, and clothing form modeling. The value of clothing modularization design using clothing modularity was identified as economical efficiency, convenience, promptitude, adaptability, functionality, and creativity.

• 복식
• /
• 제63권6호
• /
• pp.97-112
• /
• 2013

In this study, physical, social and psychological repression embodied by the body and clothing are referred to instinctual, power and creative desires, respectively, from the point of biological, social and aesthetic views. Desire refers to a behavior to overcome men's imperfections with individual security, sense of belonging and the pursuit of an ideal, which are obtained by living as a social creature. Repression through the body is sub-categorized depending on whether it is temporary or permanent. Repression expressed through clothing is seen through revealing/concealing, contraction/expansion, and deconstruction/ reconstruction. What enables human beings to embrace changes in fashion without fierce resistance or backlash is the changes of formativeness demonstrated by repression through the body and clothing. The aesthetic values drawn from the exhibition of repression and on the body and clothing are categorized into narcissism, fetishism and aestheticism. While narcissism is an instinctive desire grounded on the originality and confidence of the self that results in refusing repression, fetishism is a desire for power that expedites repression in the pursuit of materialistic value or sexual fantasy. Aestheticism is a desire for creativity that symbolizes the body-and-clothing repression in the pursuit of aesthetic idealism. Repression evokes desire, and the pursuit of desire leads to another repression. The aesthetic values of desire for instinct, power and creativity can be substituted with each other for interpretation according to the attitudes of an initiator, a user and a spectator.

• 미술이론과 현장
• /
• 제14호
• /
• pp.87-124
• /
• 2012

This paper focuses on the social implication of new media art, which has evolved with the advance of technology. To understand the notion of human-computer interactivity in media art, it examines the meaning of "cybernetics" theory invented by Norbert Wiener just after WWII, who provided "control and communication" as central components of his theory of messages. It goes on to investigate the application of cybernetics theory onto art since the 1960s, to which Roy Ascott made a significant contribution by developing telematic art, utilizing the network of telecommunication. This paper underlines the significance of the relationship between human and machine, art and technology in transforming the work of art as a site of communication and experience. The interactivity in new media art transforms the viewer into the user of the work, who is now provided free will to make decisions on his or her action with the work. The artist is no longer a godlike figure who determines the meaning of the work, yet becomes another user of his or her own work, with which to interact. This paper believes that the interaction between man and machine, art and technology can lead to various ways of interaction between humans, thereby restoring a sense of community while liberating humans from conventional limitations on their creativity. This paper considers the development of new media art more than a mere invention of new aesthetic styles employing advanced technology. Rather, new media art provides a critical shift in subverting the modernist autonomy that advocates the medium specificity. New media art envisions a new art, which would embrace impurity into art, allowing the coexistence of autonomy and heteronomy, embracing a technological other, thereby expanding human relations. By enabling the birth of the user in experiencing the work, interactive new media art produces an open arena, in which the user can create the work while communicating with the work and other users. The user now has freedom to visit the work, to take a journey on his or her own, and to make decisions on what to choose and what to do with the work. This paper contends that there is a significant parallel between new media artists' interest in creating new experiences of the art and Jacques Ranci$\grave{e}$re's concept of the aesthetic regime of art. In his argument for eliminating hierarchy in art and for embracing impurity, Ranci$\grave{e}$re provides a vision for art, which is related to life and ultimately reshapes life. Ranci$\grave{e}$re's critique of both formalist modernism and Jean-Francois Lyotard's postmodern view underlines the social implication of new media art practices, which seek to form "the common of a community."