• Journal of architectural history
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• v.24 no.6
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• pp.35-44
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• 2015

The purpose of this study is to critically investigate the ways in which scholars and architects in Korea have theorised the tradition in Korean architecture from the early 20th century to the present. After opening the door to foreign powers, the most important issue to be resolved in Korea architecture has been the modernization of the traditional architecture. The successful modernization of Korean traditional architecture depends on successful theorization of the tradition. However, many attempts to theorise the uniqueness of tradition in Korean architecture had not been instrumental to the modernization of Korean traditional architecture. The reason why they were not successful lies in the lack of philosophical and methodological reflection upon how to approach the tradition. They were either trapped in ambiguous essentialism without systematic methods and theories, or simply inventing the tradition from the vantage point of the present. This paper argues that in order to theorise the tradition, one need to translate the tradition into contemporary architectural vocabularies. What is important in translating the tradition is not to directly apply contemporary concepts and perceptual frame of architecture to traditional architecture but to find the gaps and differences between the two. This will open hermeneutic spaces to translate the tradition into useful principles and vocabularies of comtemporary architecture.

• Journal of Ocean Engineering and Technology
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• v.17 no.5 s.54
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• pp.19-24
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• 2003

The question of wave source identification in a wave maker problem is the primary objective of the this paper. With the observed wave elevation, the existence of the wave maker velocity is discussed with the help of the mathematical theory of inverse problems. Utilizing the property of the Strum-Liouville system and compactness, the uniqueness and the ill-posedness(in the sense of stability) for the identification are proved.

• Korean Institute of Interior Design Journal
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• v.14 no.6 s.53
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• pp.185-192
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• 2005

The Tabernacle was Personally designed by God and was ordered from God to Moses to build it as the first Piece of church architecture that accurately showed God's love and will of salvation towards humankind. Tabernacles, through the architecture of tabernacles teaches the Lord being among us. His Holiness and man's sins, and also reflects the path of eternity as well as the good news and salvation through Jesus Christ. And the Tabernacle is talking of the Glory of New Jerusalem that is provided Kingdom of Heaven for us at the same time being a completion of a final and ultimate church constructed long predicted through the Bible being already designed by God. The external expression of modern architecture may follow the uniqueness of that age but the special quality of the interior and exterior symbolism of church architecture will have to consist the standards of God for He is the first, sincere designer.

• Journal of architectural history
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• v.7 no.2 s.15
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• pp.9-27
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• 1998

It could be said that the Kyongbok Palace, the main palace of the Chosun Dynasty which built in the early years of the Dynasty, had two main architectural characters. One ; the entire building complex was arranged under the influence of ancient Chinese building principle based on the Confucian ideas. Two ; building compositions and shape of each buildings were succeeded from the palace of the former Koryo Dynasty, especially on the latter periods of it. The architecture of the Kyongbok Palace had formed its own uniqueness by developing these two characters.

• Journal of the Korean Institute of Landscape Architecture
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• v.30 no.4
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• pp.9-18
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• 2002

This study investigated the influential range of landmarks and the relationship between landmarks and cognition factor so as to offer basic data to be used for the effective use and the management of landmarks. In this study, eighteen famous landmark in Seoul were selected and analyzed. The result of this study can be summarized as follows : 1) First, eighteen determining elements of cognition factors were selected via documents survey. Second, general cognition factors of landmarks were analysed using these elements through questionnaires to specialists. As a result of factor analysis, historic cultural factor, scale factor, visual form factor, locational factor and uniqueness factor were revealed. 2) According to revealed cognition factor, eighteen landmarks are categorized into four types using MDS method via questionnaire to resident in Seoul city. These four types of landmarks are: type I that are recognized by historic cultural factor; type II that are recognized by scale factor; type III that are recognized by uniqueness factor; and type IV that are recognized by visual form factor. 3) As the result of regression, the influential range of landmarks were revealed at about a 10km radius(type I : 12km type II : whole area of Seoul city≒15km, typeIII : 8.7km, typeIV : 8.5km). 4) As a result of analysing the correlation between the influential range and the cognition factor through multiple linear regression analysis, the locational factor is the main factor affecting the influential range of landmarks in every type. The uniqueness factor comes next, which affects influential range partially. 5) Except type 1, as a result of analysing the correlation between influential range and the physical heights of landmarks, a quadratic equation is revealed, showing that the influential range of landmarks over 200 meters in height shows a radical change. Landmarks can be used as reinforcement tools of legibility, effective tools for landscape management and for the improvement of a community's image. This study on the influential range of landmarks and main cognition factor can be utilized as a landmark management plan and in urban planning, such as a new town plan.

• Journal of Korean Society of Rural Planning
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• v.28 no.3
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• pp.25-33
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• 2022

Due to the standardized urban development since the industrial era, many urban spaces have experienced non-placeness. Recently, although interest in urban landscape, history, and cultural elements has been increasing, landscape management and control measures are being implemented mainly in large cities due to the low status of rural areas in the country. From this point of view, this study tried to lay the foundation for basic research in related fields by classifying the characteristics and types of streetscapes located near large cities, and to suggest directions that should be considered when managing streetscapes in the future. As a result of the analysis of landscape adjectives, the village felt secluded due to the low density compared to the city street overall, but it did not have a unique image of the region. Three factors were derived through factor analysis, and preference was affected in the order of aesthetic, regularity, and uniqueness. In addition, the research site was classified into three types through cluster analysis, and it was confirmed that the differences by type were due to aesthetics and naturalness. On the other hand, the uniqueness is generally low in all regions, so it seems that fundamental countermeasures are needed.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.34 no.4
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• pp.98-109
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• 2016

The purpose of this study is to identify characteristics of spatial structure of Jiangnan water town in China which has been developed along the water channel. Spatial structural characteristics of the water town, Wuzhen and Nanxun in Zhejiang Province are as follows. First, location of town, spatial framework, lot division, and architectural style get determined by the water channel. The water channel is constructed in cross shape, T-shape, or in combination. Secondly, public space of water town is established along main water channel. Visually and functionally alternating private buildings are established on the water channel side and they are creating unique landscape of Jiangnan water town in overall harmony. Thirdly, residential area is established on the east-west water channel side with southward sunny-faced arrangement and waterside residence is in introvert spatial structure with courtyard but the exterior space is connected with water channel intimately. Fourthly, various spatial components along the water channel enrich the sense of place in water town. The components are corridor with roof, tea house, waterside steps, waterside theater and watergate etc. Uniqueness of place is becoming the core competence in modern townscape. In this aspect, Jiangnan water town with historical and cultural accumulation is suggesting a significant implication. Major implications are as follows. First, promotion of proximity to the water is the basic value that the spatial plan of waterfront needs to pursue. Secondly, mixed use is essential for effective land use and revitalization of waterfront. Thirdly, waterfront plan based on the local uniqueness as the place asset is being required.

• Korean Institute of Interior Design Journal
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• v.14 no.5 s.52
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• pp.114-122
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• 2005

A study of light in Kahn's architecture must be significance as a work in building new architectural space and a new foundation for architecture, as well as clarification of the uniqueness of Kahn's architectural space and search for its significance. In addition, the study provides a greater comprehension of an the concept of Kahn's architecture by clarifying the degree of association of light into other concepts of architecture. Therefore, this study attempts to examine Louis I. Kahn's statement, sketch and work. His sketch along with the characteristics of the technique how to present it also enables comprehension of other aspects of architecture as a means to revive architecture. Khan's use of light enabled the evolution of primarily two types 'specular surface' and 'unique opening part' by associating them with the need to diminish glaringness. Each of these types has been evolved individually and is indicative of a concept of light that can be largely divided into ' object's light ' and ' space's light ' Object's light refers to a type in which the formative significance of structural part and different directions of light coexist, and its formative characteristics play a role that differentiate places within space. Space's light is present on wall spaces that limit space and exhibits its distinguished role differentiating places within space in the form of 'expression'.

• Architectural research
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• v.19 no.1
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• pp.21-26
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• 2017

This research examines the historic preservation of Korean modern architecture by applying Kenneth Frampton(1930-)'s concept of critical regionalism. It explores the representative Korean modern architect Gil-ryong Park (1898-1943) and two of his buildings: the Hwashin Department Store (1935) and the No-soo Park house (1937-1938). The former was in the hot spot on the preservation. There were plans to preserve this building but that it ended up being demolished in 1987. The latter building, however, has been preserved and is currently being used as a museum. These two Korean modern buildings are explored through the frame of Kenneth Frampton's critical regionalism, in particular focusing on three important concepts: "dialectical expression," "place-form," and "sustainability." In this sense, this research will provide pioneering research in understanding the preservation of Korean modern architecture through a representative Western modern theory. In the early $20^{th}$ century, Korean modern architecture, which was built during the Japanese colonial period (1910-1945), could be interpreted as critical regionalism because it represented a dialog between the West and the East, in particular between Western modernism, Japanese modernity, and Korean tradition in the East Asian context. Understanding Korean modernism in this context of a cross-cultural perspective enables scholars to define both the origins and uniqueness of Korean modern architecture.

• Journal of Environmental Science International
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• v.11 no.6
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• pp.471-482
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• 2002

The purpose of this study is in identifying the attraction degree of Seonunsan Provincial Park by quantitative analysis. For this, landscape slide test was performed by questionaries. And multiple regression analysis and Factor analysis were performed far identifying the attraction degree of users. The attraction degree of natural resources was evaluated by questionaries about the landscape scene of 120 slides which was pictured at the chief visual corridor So it is considered that tourism route far attracting people into natural characteristic resources should be developed. It is identified once again that factors of $\boxdr$Naturalness$\boxul$,$\boxdr$Uniqueness$\boxul$and $\boxdr$Mysteriousness$\boxul$are important in natural landscape. And 16 explanation variables which explain the attraction degree of viewing landscape were classified as 4 factors. Those were defined as $\boxdr$Ability (FⅠ)$\boxul$, $\boxdr$Season harmony (FII)$\boxul$,$\boxdr$Simplicity (FⅢ)$\boxul$ and $\boxdr$Legibility(FⅣ)$\boxul$. It is identified that the variables of FⅠ, mysteriousness, is a representative image which expresses the characteristics of Seonunsan Provincial Park.