• Journal of the Korean Institute of Rural Architecture
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• v.17 no.1
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• pp.9-18
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• 2015

The purpose of this study is to analyze the usage of eco-friendly elements in Korean traditional architecture to evaluate Hanok(Unjoru and Jinwondang) according to Green Building Certification Criteria(G-SEED). The results of this study were as follows; Unjoru and Jinwondang was not enough to obtain certification points. From Site usage and Traffic category, Jinwondang gets more points than Unjoru. It's because Jinwondang is located in downtown Seoul, so it gets more points of traffic and neighborhood facility. From Energy and Environmental Pollution category, Jinwondang gets more points of energy performance than Unjoru, too. It's because Jinwondang secured insulation performance of wall and windows using insulator and glass. From Resources category, Unjoru gets more points than Jinwondang. It shows that modern Hanok was limited using natural resources. From Ecological Environments category, Jinwondang is located urban area, it's difficult to secure the open space, so Unjoru gets more points than Jinwondang. If Modern Honok installs a system that can getting point and secure insulation performance, it will be certificated according to G-SEED.

• Journal of the Korean housing association
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• v.27 no.1
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• pp.21-30
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• 2016

This study examines ways of housing usage and aspects of resident's life based on the representative traditional house "UNJORU" as time passed. In other words, it explains how the traditional life has changed. these days compared to late Joseon dynasty. It also explains how the meaning of the place changed by life style change and the aspect have changed in women's perspective. This is for restoring the time period that the life dairy was recorded later time period. We can trust Mrs. Lee who is the eldest resident of them at the present in UNJORU. The method of study proceeded by interview format. It is classified a meal place and a folk-beliefs the daily life the funeral rites non-daily life, such as in this process, was conducted to understand the consciousness and life form at the time of residents. As a result, Ryu's family life style has preferred a more modern life style than traditional life style by time as well as society changes. Through this research, It was possible to analyze how the external formality of traditional house has kept but internal formality has changed over time.

• Journal of the Korean housing association
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• v.25 no.5
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• pp.83-91
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• 2014

The main purpose of this research is to understand how the problems, which existing letter-shape houses have, are solved in Unjoru which is one of the letter-shape houses. Furthermore, there is the secondary purpose which is to realize the architectural characteristics of Unjoru through the process from the composition of rooms and buildings to the method of structure and roof formation. This research was approached in terms of architectural design, and as the result, the problems of the existing letter-shape houses was resolved by literally converting the shape of outdoor space to 品-shape form. Moreover through the result, it was recognized that the 占-Shape plan was flexible in responding to the demand of the times, such as the order of precedency within men and women and each generation. In addition to the previous results, it was confirmed that the location of major rooms was also decided by considering the interrelationship with natural environment of surrounding area. Also, in the whole proportion of building's plan, each building, such as ㄷ-shape Anchae and big-sized and middle-sized Sarangchae having 丁-shape form, and major rooms in the each building have proportion system such as 1:1, 3:4, $1:\sqrt{2}$, and 3:5 as aesthetic numerical value. Finally, it was understood that the architectural intention had double-sided characters, one side was authority and dignity in the aspect of shape and another side was practicality in aspect of inner housing life.

• Korean Journal of Heritage: History & Science
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• v.46 no.4
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• pp.48-63
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• 2013

The results of the study on the space planning and landscape design of Unjoru(雲鳥樓) through the 'Jeolla Gurye Omidong Gado(全羅求禮五美洞家圖)' drawn using GyeHwa(界畵) technique are as follows. First, 'Omidong Gado' is believed to date back to the period when Unjoru(1776~1783) was established for the following reasons: (1) The founder, Yoo-IJu(柳爾?), sent the drawing for the house while he was serving as the governor of YongCheon county(龍川府史). (2) It shows the typical dwelling houses' space division and its location is in a good spot with mountain in the back and water in front(背山臨水) and there is every indication of scheme drawing. (3) Front gate was changed and remodeled to a lofty gate in 1804. Second, Nogodan & Hyeongjebong of Jiri Mountain sit at the back of Unjoru, and faces Obong mountain and Gyejok mountain. In addition, the Dongbang stream flowing to the east well illustrates the Pungsu theory of mountain in the back and water in the front. Third, the house is structured in the shape resembling the character 品, divided into 5 areas by hierarchical order in the cross line from all directions. The site, which includes the outdoor yard and the back garden, consists of 5 blocks, 6 yards and 2 gardens. Fourth, the outdoor yard with aesthetical value and anti-fire function, is an ecological garden influenced by Confucianism and Taoism with a pond (BangJiWonDo Type, 方池圓島形) at the center. Fifth, the Sarang yard(舍廊庭) is decorated with terrace garden and flower garden, and the landscaping components such as oddly shaped stone, crane, plum, pine tree, tamarisk tree and flowering plants were used to depict the ideal fairy land and centrally placed tree for metaphysical symbolism. The upper floor of Sarangchae commands distant and medium range view, as well as upwards and downwards. The natural landscape intrudes inside, and at the same time, connects with the outside. Sixth, pine forest over the northern wall and the intentionally developed low hill are one of the traditional landscaping techniques that promotes pleasant residential environment as well as the aesthetics of balanced fullness.

• Korean Institute of Interior Design Journal
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• no.20
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• pp.10-16
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• 1999

The purpose of this study was the wumul-maru components of Sarang-taechong with themselves in traditional houses. Physical trace method was used for this study. The samples were taken from the Sarang-taechong of 6 traditional Korean houses, Yunkyungdang, the ancient Chusa estate, Sunkyojang, Chunghyodang, Yangjindang, Unjoru. The major findings were summarized as follows; 1) Regarding to the changgui't'ul(long board); the number was from 0(minimum) to 3(maximum), the size was $244.3{\times}4407.1mm$ on average, and the proportion was 1:18.9. 2) Regarding to the tongguit'ul(center board); the number was from 5(minimum) to 18(maximum), the size $188.7{\times}2374mm$ on average, and the proportion was 1:12.9. 3) Regarding to the marunol; the number was from 42(minimum) to 155(maximum), the size was $247{\times}574mm$ on average and the proportion was 1:2.29.

• Proceedings of the Korean Institute of Interior Design Conference
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• 1999.04a
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• pp.114-117
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• 1999

The purpose of this study was to compare with the characteristics of Wumul-maru components in upper class Chosun dynasty. Physical trace method was used for this study. The samples were taken from the Sarang-taechong of 6 traditional Korean houses, Yunkyungdang, the ancient Chusa estate, Sunkyojand, Chunghyodang, Yangjindang, Unjoru. The major findings were summarized as follows; 1) Regarding to the scale characteristics, the number of changguit'ul(long board) was 1, chungguit'ul(middle-length board) 5, tongguit'ul(center board) 8m and maruno. 98, and the size of changguit'ul was 253$\times$4478mm, chungguit'ul 182$\times$2396mm, tongguit'ul 179$\times$2310mm, and marunol 247$\times$574mm. 2) Regarding to the proportion characteristics, the proportion of changguit'ul was 1:18.2, chungguit'ul 1:16.7, tongguit'ul 1:12.9, and marunol 1:2.62 and the proportion of components was 1:3:4:17.

• Journal of architectural history
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• v.16 no.1
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• pp.69-82
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• 2007

[ $\sqcap$ ]' shape of Jeonnam Area has not been well-known so far. This study is about when, how and on what type the '$\sqcap$' shape had settled among many 'ㅡ' shape houses. The Anchae of Jeonnam Area which appeared 17C. contrasts with 'ㅡ' shape. Especially, the head family's house might have been expected to develop with special difference. 'ㅡ' shape had been built much more than the '$\sqcap$' shape around 20C when modernization had been ripen. It was big event that '$\sqcap$' shape, the head family's house, had been pulled down and then 'ㅡ' shape had been newly built. (Ui Seong-ryeol house) The reason why 'ㅡ' shape had been built instead of '$\sqcap$' shape might be that people accepted the change of 'modernization', that is to say, people accepted convenience and opening. The plan of '$\sqcap$' shape consists of Daecheong and Anbang at the center of Momche, and Jageunbang and Jangji at both sides. In the '$\sqcap$' shape, the center of Momche is wide dand light unlike 'ㅡ' shape. Unjoru, Nogudang, Yundoseo house have long wing and have more encircling Anmadang than other houses, which are well known for a house for a man of noble birth.