• 한국의류학회지
• /
• 제36권7호
• /
• pp.714-726
• /
• 2012

The Korean wave 'Hallyu' has proliferated in China and the trend is remarkable especially in wedding photography. Korean style wedding photography has gained wide popularity among newly married Chinese couples because it is regarded as fresh and trendy. Accordingly, there is an urgent need to develop and supply dress designs for Chinese brides who want Korean style wedding photography. This study outlined the current status of Hallyu and wedding photography in China in order to analyze dresses for wedding photography. Chinese brides were analyzed to outline the features of preferred designs. The dresses preferred by Chinese brides for wedding photography included wedding dresses, evening dresses, and casuals (respectively), and partly featured traditional dresses. The preferred design elements for wedding dresses and evening dresses were ball gown silhouettes, strapless necklines, and gather detail. As for the casuals preferred by Chinese brides, the romantic style was most preferred and the skirts, dresses, T-shirts and blouse items were preferred for the romantic style. Through the analysis, dress designs for Chinese brides who want Korean style wedding photography were developed to reflect Hallyu content as well as 2012 S/S fashion trends for wedding dresses, evening dresses, and casuals. Currently Korean style wedding photography is gaining popularity in China and Hallyu content is considered a fresh and competitive item that may strongly appeal to Chinese consumers. This study focused on the development of designs for wedding photography dresses with Hallyu related content and is to be used as a reference for the development of Hallyu related wedding products as well as the proliferation of Hallyu.

• 한국실내디자인학회논문집
• /
• 제17권2호
• /
• pp.3-12
• /
• 2008

Most of these cultural spaces are Western architecture which is completely unrelated to our traditional style. In Japan's colonial rule of Korea these Western formation flowed in and passed on by them. Therefore before the understanding of modem cultural space built in Japan's colonial rule of Korea, it's essential to study about the background of the western period in that time, architecture and trend of interior. Due to Great Depression and other reasons the economical modernism of architecture raised in this period. In this thesis, based on such background of period, cultural space has been divided into assembly, theatre and exhibition spaces. Those spaces were studied according to its expressional characteristics and brought to following conclusion from the analysis. The cultural spaces were created around 1930 due to an increase of demand when the modernism started to establish. Like other buildings cultural space expressed modernized elevation and space formation with ferroconcrete building. However until Japan's colonial period the cultural areas were not used for public but for Japanese authority class's social gatherings only. Consequently, unlike other buildings the classical elements that could express these characters were more used in cultural spaces especially in theater and exhibition areas. This distinctiveness didn't appear separately but according to type of rooms in one space. Once more, place like assembly space was expressed with modernism, special or recreation rooms where people pursue a comfort were expressed with decorative style. Also a special theater which was used for only one person was generally expressed with western style to represent the stem character such as power.

• 한국실내디자인학회논문집
• /
• 제21권3호
• /
• pp.111-118
• /
• 2012

The purpose of this study is to focus on living rooms that are preferred as a place for changing space image to the maximum and to find a method how finishing materials are expressed by selecting space with mix & match of many images. The study methods are as follows. First, understand the expressive trend of space images through the precedent studies and magazines, and examine its relationship with finishing materials. Second, select space images based on the contents understood earlier and extract adjective words that represent each space image through an expert survey. Third, find the cases where space images are expressed based on the extracted words and analyze expression methods of finishing materials. The results of the study are as follows. First, it was confirmed that recent space images are actively expressed through finishing materials. Second, space images selected through data related to the trend were classified as modern+natural, modern+traditional, modern+retro, classic+natural, classic+humor, and futurism+natural and 4 adjective words for each space image were extracted. Third, expressive elements of finishing materials were extracted as 'material'. 'texture', 'color', and 'pattern' through the precedent studies. Fourth, expressive methods of finishing materials for each space image could be suggested by analyzing the examples that show mix & match based on the contents extracted earlier. Lastly, it is expected to find various methods that lead space image into finishing materials by evaluating responses and changes in visual perception of residents according to expression of finishing materials based on this study.

• Journal of the Korean Institute of Landscape Architecture International Edition
• /
• 제1호
• /
• pp.111-119
• /
• 2001

This study aims both to analyze view resources of on agricultural village and its original view image in order to establish indexation and the direction of development and to present assessment model of agricultural view for expectations in plan change for and improvement of agricultural view and alternative valuation. To do this, I selected four agricultural villages as the case areas for this study and examined view resources and their residents' consciousness through a questionnaire and investigated the image preference degree of agricultural village view and view preference. The results of this study are as follows: 1. The newly-introduced artificial view elements, according to development, are a hindrance element of agricultural view; as such Commercial buildings and transmission towers show the highest frequency and are increasing. The problem is that development is being made without any systematic plan. 2. In the examination of images of agricultural villages, the traditional ones are 2.82 on average, which means the view is modern; the natural ones are 3.3 on average, which indicates natural images; the agricultural ones are 3.67 on average, which emerge as agricultural images. View preference degree is 3.34 on average, which is usually good. 3. It is proved that all of the variables of type of location form and view image increase the degree of view preference; size in causal relation can be identified by parameter estimate; that Type I. image variables of agricultural-ness contribute to the dependent variables, view preference degree. 4. It is identified that view preference degree according to location from emerges mountain type, champaign type, and suburbs type in order of preference.

• 한국실내디자인학회논문집
• /
• 제25권2호
• /
• pp.70-82
• /
• 2016

The playgrounds installed in the city try a variety of changes in play equipment more than traditional playgrounds, these playgrounds with formal rides are still different from nature friendly playground. For this reason, when in 2014 the department of environment pushed forward 'Aitteulag' project constructing ecological playground, the department aimed to provide the natural ecological spaces that are insufficient in the city and act as play space for children, leisure and community space for residents. Therefore, after inspecting 10 ecological playgrounds in Europe and Japan, in this study we suggested the construction guidelines of ideal ecological playground by comparing and analyzing these cases. We checked the environment-friendliness of these playgrounds in the 2 fields (playground component, ecological program) based on the ecological playground guidelines presented by the ministry of environment. The playground components are classified as siting location, spatial configurations, natural elements, play area, amusement facilities, play materials, open spaces, additional facilities. The ecological programs are divided into habitat, species, natural material, five senses. The following is the summary of the results about the reflection of eco-friendly planning factors. In terms of "habitat": bush and shade wood were highest at 95%. In terms of "species": local indigene(100%) and habitat for insects(95%) were higher than others. In terms of "natural material": wood(61.1%) was the highest. In terms of "details of wood(61.1%)": wood fence (95%), exploring wood and using sticks(85%) were higher than others. In terms of "five senses": hearing (32.1%), tactile(26.4%), and visual(23.9%) were in order. Therefore, on the basis of these results, this study proposed the planning factors that should be considered and complemented more in the construction of domestic urban ecological playground in future.

• 산업융합연구
• /
• 제22권2호
• /
• pp.13-22
• /
• 2024

현대 학습자들은 배경, 학습 스타일, 능력 등에서 다양한 차이를 보인다. 하지만 모든 학습자에게 동일한 학습 내용을 전달하는 전통적 교육 방법은 이러한 학습자의 다양성을 충분히 고려하지 못한다. 따라서 개별 학습자의 특성에 따라 최적의 학습 경험을 제공하는 맞춤형 학습 시스템의 구현은 오늘날 에듀테크 시대에 더욱 중요해졌다. 본 논문은 증가하는 학습자 중심의 교육 요구에 따라 학습자의 특성, 관심사, 학습 이력 등을 종합적으로 분석할 수 있는 모델들을 파악한 후 이를 기반으로 맞춤형 학습 시스템을 설계했다. 본 시스템은 학습자의 학습 이력을 기반으로 학습자의 현재 수준과 목표에 맞춘 자기주도적 학습을 지원하기 위해 강점과 약점을 파악할 수 있도록 설계되었으며 이 과정에서 시스템의 설계 변경 없이 필요한 학습 요소들을 확장할 수 있도록 구성하였다. 본 연구를 통해 사용자 맞춤형 학습 시스템 구축에 필요한 주요 기반을 파악하고 맞춤형 학습을 지원하기 위한 시스템 아키텍처를 효과적으로 구축할 수 있다.

• 디자인학연구
• /
• 제20권1호
• /
• pp.45-54
• /
• 2007

최근 각 지역 지자체는 지역진흥을 위해 지자체가 가지고 있는 전통과 문화유산을 개발시켜 지역의 특성으로 나타내어 관광자원화 하려는 연구가 활발히 진행되고 있다. 연구 대상지역인 약령시는 대구시의 도심지역 재활성화를 위한 정책 및 사업 계획 중 가장 핵심적인 장소로, 전통과 기능이 유지되고 있다. 선행연구인 "지역진흥을 위한 대구 약령시 재활성화 기초연구"를 통해 문제점 도출과 개발방향을 제시한바, 이를 바탕으로 약령시의 재활성화 할 수 있는 구체적인 방법을 제안하는 연구이다. 연구 방법은 (1)선행연구를 바탕으로 한 현장조사 및 확인 (2) 약령시의 심층 분석을 통한 개선 과제 및 잠재력을 파악하고 (3)재래시장 활성화를 위한 요소 및 방향 연구 (4) 연구결과를 토대로 지역디자인 센터의 환경디자인 디자인개발프로세스를 활용하여 디자인을 제안하였다. 디자인 제안으로 첫째, 기반시설 정비 및 확충으로 장소의 접근성을 용이하게 하고 둘째, 동선 계획에 의한 무계획한 도로망 정비로 공간 활용성의 극대화 추구 셋째, 장소의 특수성을 감안한 통일성과 정체성을 추구하며 넷째, 체험의 장과 이벤트 공간 확보를 통한 찾아가고 싶은 거리, 즐길 수 있는 거리를 제안하므로 선행연구에서 제시된 발전 과제인 도심 재개발 사업에 의한 재활성화 및 관광 자원의 산업화 개발을 도모하였다. 이렇게 볼 때 지역 진흥을 위해서는 지역마다 갖고 있는 지역 특성의 심층 분석을 통해 재활성화를 위한 연구가 지속되어 지역진흥을 꾀하여야 할 것이다.

• 조형예술학연구
• /
• 제3권
• /
• pp.87-144
• /
• 2001

This study looks into historical genealogy of autonomy in art criticism on modernism and presents the view of the judgment and correction about that. A matter of autonomy in art appeared in the attempt to totally reconsider and upset the theory of 'Mimesis' or 'Representation' which was the basis of traditional aesthetic theory. In the traditional theory of representation, they assumed primary image exists first and then tried to obtain visual similarity to it through art works. However, in the theory of autonomy in modernism, they maintained the reduction to pure form' or medium', regarding what art works represents and how similar to primary image are not the true essence of art. In the early 20th century, C. Bell laid the foundation stone of the theory of Formalism', providing that a matter of autonomy is significant form', which is the combination of lines and colors Aesthetic autonomy theory came to a climax by C. Greenberg, who systemized art criticism on modernism in the middle 20th century. According to his theory, the pursuit of the essence of form resulted in the specificity of medium' and flatness. They thought that the autonomy of art would be achieved by eliminating outward social factors from art works. This theory ended by Minimalism preventing the instructive function of art work and only emphasizing its material property. Since the middle 20th century, the autonomy theory was confronted with the limit and intense attack because it resulted in this fixed canon and materialism, so they began laying emphasis on those extrinsic factors around art works such as human life, society, history, and so on. This study focuses on arguing and complementing the limit of autonomy such as the adhesive and fixed canon, and then defining the more dynamic area of it. For this, first, I introduced the view of T. J. Clark and T. Crow who criticized the aesthetic autonomy theory. They denied the transcendental structure of form, and found form only in the association with substantial life and society. And they insisted the dynamism of form by emphasizing form as a result of negation insisted by avant-garde. Second, I researched the view of A. C, Danto and M. Fried, who complemented the traditional autonomy theory. They made autonomy emerge from the fixation of form like flatness through connecting essentialism with historical view. In conclusion, I insist that autonomic position of art make it possible to connect or mediate between material form and human or social elements. Therefore, autonomy should not be reduced to the axis of form or that of society but make interaction between two heterogeneous axes.

• 한국실내디자인학회논문집
• /
• 제24권5호
• /
• pp.108-116
• /
• 2015

This study intends to research the spatial characteristics of Asian interim housing that accommodates sufferers pro tempore after disasters. The scope of this research covers the interim spaces used for housing people after natural disasters that occurred in Asia for the past fifteen years. Within this scope, literature review was conducted as the basis to derive the characteristics and environmental elements of interim housing, which provided the criteria to compare and evaluate cases of interim housing along with characteristic elements required of interim housing found in previous studies. According to literature review, interim housing can be classified by life-span, region, economy, climate, type, number of household, square measure, residential cost, structure/material, and service life. Within the scope of the present research, literature review showed a total of twenty-eight cases of interim housing in fifteen countries revealing a high rate of disaster occurrence in the subtropic and tropic climate of Southeast Asia. A great percentage of interim housing was used for long-term stay of over a year. The structure of interim housing varied from lightweight steel, wooden, masonry, membrane, to traditional structure and the type were divided into temporary shelter, transitional housing, temporary housing, and permanent housing. Followed by literature review, the characteristics required of post-disaster interim housing were analyzed based on previous research and case studies. The characteristics of interim housing can be divided into environmental, technological, and socio-cultural ones. Sub-characterical items according to such division include amenity, health, surroundings, structure, convenience, eco-friendliness, safety, communication, and locality. As a result of evaluation, most items met the required characteristics of interim housing, while technological characteristics such as structure and convenience varied with the types of interim housing and appeared even unnecessary in some cases. According to analysis, amenity is maintained through the structural and material characteristics of interim housing and is also facilitated by increasing number of infrastructure such as educational, sanitary, and convenience facilities provided by the governmental and organizational bodies. It is expected that this study will be utilized as preliminary data for follow-up studies that improve the environment of post-disaster interim housing suitable for domestic circumstances in environmental, technological, and socio-cultural respects.

• 한국의류학회지
• /
• 제33권12호
• /
• pp.1924-1934
• /
• 2009

현대사회의 혼합화 현상과 니트웨어의 수요 증가에 따른 독특한 질감이 요구되어지고 있어 이에 따른 전략적인 방안들이 절실히 요구되고 있다. 본 연구는 세계 4대 컬렉션의 2000~2008년의 여성컬렉션의 횡편 니트 3~8게이지의 자료를 선정, 현대 니트패션에 나타난 혼합현상을 출현 빈도와 표현특성으로 분석하였다. 혼합현상은 상 하위문화의 혼합, 남 여 성의 혼합, 스타일의 혼합, 공간의 혼합, 타소재의 혼합, 기능의 혼합의 순으로 나타났으며, 2004년에 가장 높은 빈도수를 나타냈다. 혼합현상의 표현특성에서 가장 높은 빈도수를 나타낸 상 하위문화의 혼합은 고급스러운 소재, 고상한 무늬와 색상의 상 하위개념의 경계성의 모호와 남 여 성의 혼합은 기능성과 편리성의 추구와 양성성의 공유로 특성을 나타냈다. 스타일의 혼합은 니트패션의 전통적인 형태에서 정형과 비정형의 스타일의 혼합으로 특성을 나타냈고, 공간의 혼합은 니트의 역사가 깊은 북유럽의 전통적 니트문양이 현대적인 요소와 혼합된 특성을 나타내고 있었다. 타소재의 혼합은 장식적인 소재와 본래의 기능적인 용도를 초월하여 부분적으로 혼합되었고, 기능의 혼합은 두 가지 아이템의 용도로 활용 가능한 특성을 나타냈다. 이와 같이 현대 니트패션에 나타난 혼합 현상은 타영역의 혼합으로 상상력이 더해져 그 표현 가능성의 범위가 점차 확대되어 가고 있다.