• 벤처창업연구
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• 제7권4호
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• pp.21-32
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• 2012

현재 한국의 미용업계는 전통적인 영세 이미지를 벗고 대외적의로 외형을 키우고 있는 실정이며 그 변화와 경쟁의 속도는 심화되고 있다. 미용업의 경영 최우선의 특징은 사람을 자원으로 하고 있는 산업이므로, 인사관리는 그 무엇보다도 중요하다고 볼 수 있으며, 인사관리는 타 직종에 비해 매우 비중을 차지하고 있는 것이 현실이기 때문에 본 연구의 문제점은 여기서부터 출발한다. 또한, 미용 서비스업의 관리자 리더십이 미용종사자의 장기근속의도 즉, 조직시민행동과 이직의도에 어떠한 영향을 미치며, 리더십이 어느 정도의 이직률을 낮출 수 있는지 알아 보고자 한다. 미용 산업의 특성상 인적 자원의 의존도가 크기 때문에, 미용실 내에서 경영관리자의 역할과 임무는 매우 중요하다. 급변하는 경제 환경에도 불구하고 미용실의 원장이나 관리자는 아직도 과거의 주먹구구식 경영방식을 크게 벗어나지 못하고 있다. 조직을 운영하는 원장이나 관리자의 리더십에 대한 개념의 부재가 큰 요인으로 작용하고 있다고 해도 과언은 아니다. 고객의 니즈는 하루가 다르게 변화하고 있는데, 유능한 인적 자원의 빈번한 이직으로 고객의 신뢰도가 감소하고 양질의 서비스를 제공하기 어려워지고, 경영적 측면에서는 재교육이라는 비용이 발생함으로 경제적 손실로 이어져 경영악화를 초래하는 악순환이 반복되고 있다. 이에 본 연구에서는, 원장 또는 관리자의 리더십 유형이 미용종사자들의 장기근속의도에 어떠한 영향을 주는 가를 알아보는 것은 중요한 지침이 될 것이다. 비전 제시와 목표설정 그리고 조직시민행동 등과 같은 리더십의 새로운 인식의 변화와 경영목표에 달성을 목표로, 기존의 리더십 틀을 재구성하고, 미용업 종사자들의 이직요인들과 이직의도를 파악함으로써 미용 산업의 발전 방안을 모색해 보고자 한다. 분석결과를 요약하면 다음과 같다. 가설1을 검증한 결과에 의하면, 미용서비스종사자의 조직시민행동 향상을 위해서는 변혁적 리더십의 하위요인별 카리스마, 개별적 고려, 지적 자극이 중요한 요인임을 알 수 있다. 가설 2는 미용서비스종사자의 이직의도의 감소를 위해서는 변혁적 리더십의 하위요인별 카리스마, 분발고취가 중요한 요인임을 알 수 있다. 가설 3은 미용서비스종사자의 조직시민행동 향상을 위해서는 거래적 리더십의 하위요인별 조건적 보상, 예외적 관리가 중요한 요인임을 알 수 있다. 가설 4는 미용서비스종사자의 이직의도의 감소를 위해서는 거래적 리더십의 하위요인별 조건적 보상이 중요한 요인임을 알 수 있다. 오늘날, 미용계의 경영환경은 업소간의 경쟁력 심화, 유능한 직원의 채용 어려움으로 인해 유망한 성장산업으로 위치한 미용이 제대로 자리매김을 못하고 있는 실정이다. 따라서 변화하지 않으면 살아남을 수 없고, 업무의 전문성이 요구되는 것만큼 인적자원의 관리는 곧 경제적 이득을 가져올 수 있으므로 이직관리에 대한 경영자의 인식전환이 절실히 요구되어지고 있다.

• 한국의류산업학회지
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• 제9권6호
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• pp.645-650
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• 2007

Three hundred of women between twenty and over seventy living around Andong, Sangju, Youngju and northern part of Kyungsang Province replied consumer research on industrialization of traditional clothing products in that area. An age distribution of the women is 60 people (20.0%) between 20 and 34 years old, 147 people (49.1%) between 35 and 54 years old, 93 people (27.9%) over 55 years old and the subject of study included in middle-aged and old-aged is 77.0%. A direct questionnaire and enclosed questionnaire are used to measure. The questions consist of questions about current circumstances of traditional clothing production, features of natural fabrics in the northern part of Kyungsang Province, distributive process, features classified by kinds, directions of development and economic conditions of natural fabrics. Andong has a traditionally unique culture throughout Korea. If Andongpo are developed as clothing fabrics harmonized beauty of tradition with modern characteristics, fashion business in the northern part of Kyungsang Province will be improved. In addition, encouraging majority of the young to participate in this movement is regarded as beneficial for the reinforcement of competitiveness against other regions and public relations of the region. As one of the solutions to development of this traditional clothing business, its own program made by industry-academic cooperation for the development of clothing products which is suitable for traditional fabric in Andong should be implemented.

• 한국주거학회논문집
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• 제12권1호
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• pp.33-43
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• 2001

This study tried to analyze the composition relation of a form in Korean traditional architecture through the viewpoint of visual perception and through the analysis by the number and quantity, and to analyze and implied relationship between the form composition of the traditional architecture and the principles of perception in the contemporary viewpoint by reviewing all the aspects on how to be perceived. Architecture has been studied in the relationship of the form and the space both existing together, so has Korean traditional architecture. But in the present condition with the construction norm of the traditional architecture-well known for its beauty in shape-and documents not existing, so that the study on Korean traditional architecture in the aspects of the form has to be undertaken on the basis of researching the existing architecture theoretically and architecture-relating documents actually. Therefore this study tries to review the mathematical principle and the ideological background of those days, and the attitude of ancestors treatment to the architecture by researching the existing architectural figure. Using mathematical analysis method with the basis of the above synthetically, this study aims at the analysis in the aspects of the visual perception on the form of Korea an traditional architecture.

• 복식
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• 제62권7호
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• pp.54-66
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• 2012

This research analyzes the late Joseon's variously developed characteristics of women's underwear and its formative elements, and ultimately aims to apply such characteristics to designing modern outfits. The main purpose of the presented work is to give guidelines on utilizing the fashion legacy in a various way, and inheriting the traditional concept of beauty by developing it into modern fashion designs. The designing and producing of the work is based on the analysis of previous researches, genre paintings, and traditional costumes in museums. Based on this research, the application of traditional underwear design to today's outfits involves the following points. First, the presented work features the formative outlines of traditional underwear as an inspiration for outer garments. Secondly, various traditional textiles are used such as ramie fabrics, damask silk, silk fabrics, fur, etc. for four seasons and they are turned to practical use for modern outfits. Third, colors of choice are white and low saturation colors to create an elegant and serene atmosphere. Finally, traditional sewing techniques are specifically applied to modern fashion designs. Included are: Nubim technique, Gob-sol technique, and the patching method. This work pursues the design of practical use by tying up clothes with straps and knots to prevent them from falling off.

• 농촌계획
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• 제5권2호
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• pp.46-55
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• 1999

This paper examines the pastoral ideal and its legacy to landscape design. We have had the routine convention of experiencing natural beauty from the picture-like nature. We, who would liken a scenic view to a picture, often equate natural beauty with superficial representations of nature shown in pastoral literature and traditional landscape paintings: the lush of towering trees, the field of endless green, the soft babbling flow of the river and the crisp clear sky. It is not a portrayal of nature as it is, but in fact a conceptual expression of its ideal form. The ideological root of that natural beauty can be retraced to the pastoral ideal, so eagerly longed for by people of the western world. A pastoral landscape graciously marked with leisurely peace and subtle harmony is what we identify as beautiful nature. In fact, however, it is no more than an artificial refuge in contextual isolation from its surrounding, and a by-stander's nature seen purely through the eyes of the outsider. The tradition of pastoralism, reaching its peak in the 18th century with its English Landscape Garden style, was transplanted into the real world through the practice of landscape architecture. Landscape design in such a form is just a static means of decoration devoid of meaning and process. And we simply identify the green ornamentation with nature.

• 복식
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• 제62권1호
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• pp.29-48
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• 2012

From ancient to modern days, Koreans have preferred and even worshiped white clothes to the extent that they are called "the white-clad race", and the color black has seldom been used for women's clothes. In western countries too, it was only after Chanel that black color came to represent feminine beauty. Black clothes were introduced in Korea after the opening of its ports to foreign countries in 1876 and have mainly been worn as a practical clolor for winter coats and school uniforms. The traditional preference for white and other bright colors continued well into the 1980s. However, the industrialization and urbanization caused by economic development and the influx of western cultures and ideas in the 1980s brought about the westernization of Korean aesthetic consciousness and resulted in the phenomenon of modern Korean women's preference for black fashion that became conspicuous from 1991. With the introduction of western fashion after the opening of the country in 1876, the spiritual values contained in preference for white clothes have been substituted by materialistic values as people accepted the practical beauty of black fashion, and the inclination toward intrinsic natural beauty intrinsic in the aesthetic senses that preferred white clothes has been replaced by the preference for modern, elegant and sensual beauties of black fashion whose preference has begun in the 1990s.

• 패션비즈니스
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• 제13권2호
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• pp.30-49
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• 2009

This study was intended to research how such Japonisme affected the western fashion and to consider that the unique Japanese fashion was implemented in the western mode as the traditional aesthetic sense got jointed with the western culture together and was expressed as the modern Japonisme beauty. The beauty of 'Date' was the aesthetic sense created focused on the noble culture of public family. On the contrary, 'Iki', 'Wabi', 'Sabi' and 'Shibusa' is the Japanese lower middle class's universal living aesthetics. 'Kawaii' is influence on an animation, cartoon and character industry as well as the whole world’s fashion style as one of the common aesthetic sense of the world people in the modern time. That is, Japanese fashion designers expressed the human body with such the aesthetic sense by the design of shape, space, fusion, amusement through clothes. It could be concluded that they created an autonomous amusement’s design world over the visual beauty of human body.

• 한국가구학회지
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• 제25권3호
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• pp.155-164
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• 2014

The culture of Korea shows political and religious discrimination by changed the era, but in the culture the inherent spirit of Koreans has been more specific at various angles to. But in the last several decades looking at the domestic furniture design field, the introduction of Western technology with high-tech, the mechanical plastics of modern Western European furniture, and imitations have been flooded. Owing to them our spirit were soon altered and made to face the current leads to confusion. Fortunately, in the latest national and international design fair the domestic furniture companies are breaking the ambiguous identity of the design in the meantime they keep studying and developing of our spirit and the demands of the times. Moreover, a new awareness and heightened interest on Korean traditional and stylish furniture are more elevated. At this moment, a study on the Connectivity of Aesthetic Consciousness Appearing in Korean Traditional Architecture and Furniture is required to overcome the today's confusion and to establish identity and the direction of the domestic furniture industry. Thus, this paper purposes to present the new direction for domestic furniture industry by researching and analyzing on the Korean traditional architecture and traditional furniture with the Korean spirit and a sense of beauty.

• 한국수학사학회지
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• 제21권2호
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• pp.71-80
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• 2008

본 논문은 기하 프로그램 GSP(Geometer's SkechPad)를 응용하여, 수학이 흥미롭고 재미있는 교과목이며, 또 다양한 영역 속에서 아름답게 활용될 수 있는 것을 보이고자, 테셀레이션의 도형을 평면기하에서 평행이동, 미끄럼반사 등으로 우리 고유의 독특한 태극무늬와 단청문양, 흉배에 사용하였던 구름무늬 등을 현대적인 감각으로 디자인 한 것을 GSP(Geometr's SkechPad) 4.0 으로 작도하였다.

• 한국의류산업학회지
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• 제7권4호
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• pp.394-400
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• 2005

The purpose of this study is to investigate historical background which uses and characteristics of Korean traditional incense and how to use it in clothes. Incense was at first introduced to Korea in the period of King Nulji of Shilla dynasty. First introduction to this nation, incense was already regarded as divine. It was then developed with five main uses, tribute, fragrance, purification, anti bacteria, and cure. Incense used by fragrance and anti-bacteria in clothes. It make emit a fragrance from the clothes or decorate clothes with ornaments. Incense was also to prevent clothes or books from being damaged by insects and maintain them over a long period. It used one of the factor for beauty of costume.