• 한국실내디자인학회논문집
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• 제13권5호
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• pp.215-222
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• 2004

Buildings' outward appearances, sidewalks, and street lights have long been regarded as important factors identifying the street landscape of a city. On the other hand, the interior spaces of a building have been known to have less correlation with street landscape. This paper, which did not use standardized urban street landscape application methods, attempts, based on an experiment involving Pimatgol, to prove that small changes in interior design influence the street landscapes of cities and even provide new vigorousness. Pimatgol is a type of village that still possesses a traditional Korean lyrical atmosphere. This paper also attempts to, with the use of a physical model and a digital simulation of small changes interior design, such as changes in materials, size of the opening, location of furniture, or a change of lights, uncover positive changes in street landscape. Computer simulation is one of the extraordinarily useful techniques to predict lighting performance, changing interior space and present visual image. As a result, this study can be a valuable guideline for the future streetscape reform project to lead the demanding effects of the interior space.

• 한국농촌건축학회논문집
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• 제16권1호
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• pp.79-86
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• 2014

As the seeking of environmental condition, the environmental friendly village has became important to planning and designing with neighbor communities. Our village was inferior to new order and identity is weakened, environmental maintenance. According to the situation the purpose of this paper is derived the plan point of environmental elements to be good for living in urban countryside villages. The primary research was to be planning directions and improvements through the present situation investigation. The results of this study are as follows. Through the two case study-village ; Yeochan-ri, Unjeong-dong in Gangwon province, environmental elements are classified such as superior 5parts and 17points in order to happiness of neighbor community. There are summarized a historical & traditional part, building, street/park/furniture, living and vision of village. Specially residents appealed to inconvenience by infringement of a large building in a small dwelling village. The data of this paper is effective in specialists carry out the planning and evaluation indicators regarding rural village. Finally regional experts by a rural field and local residents are necessary collaboration at the planning and maintenance of residential settlement through the pleasant participation.

• 한국실내디자인학회논문집
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• 제27호
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• pp.120-127
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• 2001

The purpose of this study is to examine the characteristics of space design of Isamu Noguchi's works barred on the stage sets and environmental designs. From the end of 19th century, space which was begun to be studied about in architects has continued to be researched by not only scientists but artists. Recently, space Is expressed in free and new forms due to diversity of societies and advancement of technology, As a result, space has become an essential part in art and is used in the titles of many art exhibitions. This study scrutinizes space in Isamu Noguchi's works. No other 20th century artist has as clear and progressive space conception as Noguchi's. His notion of modern art was modified through space in the tradition of cubism and Russian Constructivism and Bauhaus. Combined with his experience in the traditional Japanese houses and gardens, these influences led toward a broadened conception of sculpture as the creation of living space. These modernist's characteristics are found in his early expression of stage sets for choreographer Martha Graham, and they would lead to a wide range of design activities, from gardens and interiors to fountains and furniture. Isamu Noguchi had created a body of work that crossed the boundary between fine and applied art as a sculptor, and as an environmental designer.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2007년도 추계학술발표대회 논문집
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• pp.49-53
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• 2007

Children's museum has roles of the characterized place for children as well as the museum for education. Therefore, specific color selection especially for children is one of the most important points to be considered. This study is the short investigation on various interior color systems of children's museums in Korea. In case of Children's Museum in National Museum of Korea, each exhibition area is apparently divided by adopting colors in accord with the subject of each space. Middle color in that museum generally gives stability, and clear color and accent color give better perception and vitality Children's folk Museum has adopted Korean traditional colors, O-Bang Colors, which have indicated Korean tradition for ages. All sections in Incheon Children's Museum are spatially divided, but similar colors of ceiling, wall, and floor give boring atmosphere. Since original colors of furniture in Science section distract attraction of children, proper color selection should be required for better reaction from children. Therefore, this research is aiming for detailed investigation in color system of children's museum and the proper interior color planning of the next children's museums with their main purpose for children in the future.

• 교육시설 논문지
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• 제26권3호
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• pp.33-41
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• 2019

As the information age matures, the learning style of youth is changing rapidly. Students study at a variety of places such as cafe or lobbies utilizing various digital learning devices. Along with the place changes, learning methods are also changing. Student-centered learning methods such as smart learning, collaborative learning, and activity-based learning are increasingly being utilized instead of the traditional instructor-centered learning in which knowledge is unilaterally delivered. Accordingly, many universities are remodeling central libraries, and they are also transforming lobby spaces of the college buildings into simple but useful learning spaces. In this study, we analyze the characteristics of learning spaces in universities from the standpoint of the students. According to the analysis, overall satisfaction is high in terms of comfortable physical learning environments such as Wi-Fi, furniture, lighting, etc. But the spaces are still optimized for individual and intensive learning. There seems to be a lack of effort to support collaborative learning or activity-based learning. This observation is confirmed by the characteristics of the central library, and it is considered that the reason why the college buildings are preferred by students is that college buildings are more suitable for collaborative or activity-based learning than libraries.

• Journal of the Korean Wood Science and Technology
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• 제50권6호
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• pp.375-391
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• 2022

Improving public awareness of wood is crucial for expanding the use of wood and establishing a wood culture. In this study, the environment and trends of the public's wood utilization were analyzed using a questionnaire survey and online text mining at a time when eco-friendly practices are gaining popularity. As a result of reducing climatic and environmental concerns and its positive physical and psychological effects, the use of wood is predicted to rise in areas intimately connected to everyday living, such as wood furniture, wooden structures, and interior materials. Nonetheless, there was a negative awareness that wood was expensive, difficult to maintain, and associated with deforestation. The correlations between wood-related search terms on major Korean portal sites were analyzed and categorized into five groups: Wooden architecture, cultural education, woodworking, wood industry, and wood policy. As a building material, wood was seen as more traditional and friendly than reinforced concrete and stone. Eighty-six percent of respondents expected to utilize wood as a building material in the future, regardless of whether the wood is domestically produced or imported. Sixty-five percent responded favorably about the effects of wood on the health of wooden home inhabitants. It is believed that both active publicity and quantifiable value analysis of human and environmental friendliness are required to increase pro-environment awareness of wood utilization.

• 건축역사연구
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• 제32권5호
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• pp.107-117
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• 2023

There are records and claims that tung oil was applied to Korean traditional buildings and furniture as finishing paint. Records of the use of tung oil(桐油) exist in the Annals of the Joseon Dynasty(朝鮮王朝實錄) and The Royal Protocols of the Joseon Dynasty(朝鮮王朝儀軌). However, there is also a claim that tung oil was not produced in Korea on its own, and that tung oil was not applied to important buildings such as palaces. Silhak scholar(實學者) Seo Yu-gu says that in Korea, people do not know how to grow tung trees, and boiled perilla oil is called tung oil. If tung oil was used in the Joseon Dynasty, it would be necessary to use tung oil for waterproof coating to preserve current architectural heritage, otherwise, tung oil coating would not be desirable. Analyzing the Yeonggeon Uigwe(營建儀軌) among the Joseon Dynasty's Uigwes shows that tung oil is neither mentioned nor used. In addition, as a result of analyzing the Uigwes mentioned in tung oil, it was found that perilla oil or Myeongyu(明油), not tung oil, was recorded in the actual material used. Therefore, the records of the use of tung oil during the Joseon Dynasty can be seen as records using Myeongyu(明油) or Beopryeon perilla oil(法煉荏油).

• 디자인학연구
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• 제13권3호
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• pp.281-292
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• 2000

현대의 급속한 경제 성장과 새로운 트랜드의 등장은 사회전반에 걸쳐 많은 변화를 가져왔으며, 특히 주생활에 있어서 생활패턴의 변화와 거주자 요구의 다양화 양상에 많은 영향을 주었다. 이러한 주생활의 변화는 가족유형에 많은 영향을 미쳐서 전형적인 가족유형에서 점차 다양한 가족유형이 일반화되어 가고 있다. 이에 따라 현재의 주택 계획에 대한 재검토와 함께 다양하게 표출되는 거주자의 요구에 부응할 수 있는 새로운 주거 공간의 제안이 이루어져야 할 시점에 이르렀다. 그러나 이러한 거주자 요구의 다양화와 생활 패턴의 변화에도 불구하고 현재까지 공급되어 온 대부분의 아파트를 비롯한 공동 주택은 몇 가지 유형으로 패턴화 되어 있으며, 대량공급정책으로 인한 천편일률적인 공간구성과 과밀화, 고정화 양상이 심화되고 있는 실정이다. 이러한 문제점에 대한 대처방안으로 거주자 생활 패턴의 변화에 대응하는 주거 공간의 제시가 요구되고 있다. 따라서 본 연구에서는 거주자 생활패턴의 변화에 따른 공간의 변화에 대응하기 위한 방안으로 Wall Storage System을 활용한 주거공간의 가변화를 연구하고자 한다.

• 한국실내디자인학회논문집
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• 제22권5호
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• pp.42-50
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• 2013

The upscale Korean restaurants that appeared as a way for the globalization of Korean food by introducing Western modern elements into Korean traditional elements are presenting a new direction. For this study, the researcher visited a total of ten modernized upscale Korean restaurants including five ones in each of Seoul (Dadam, Bistro Seoul, Bicena, Today, and Poom Seoul) and New York (Gaonnuri, Danji, Ban, Jung Restaurant, Korea Spoon), where the globalization of Korean food is concentrated, and the results of comparing, investigating, and analyzing the characteristics of interior and spatial design through observation, photo taking, sketches and preparing a questionnaire were as follows. First, a modernized upscale Korean restaurant was first built in New York in 2011, and then also appeared in Seoul in 2012. The Korean restaurants in New York were mostly operated by individual person, while the Korean restaurants in Seoul were operated by large corporation. Second, the spatial configuration elements were classified into the reception, garden and rooms in Seoul and into the reception, bar hall and rooms in New York depending on the function of the interior space, showing differences in the spatial configuration elements of the garden and bar. There was a difference in spatial layout; the restaurants in Seoul were room-centered, while the ones in New York were hall-centered. Third, in terms of spatial design elements, the size of the space and furniture in the reception space of the Korean restaurants in New York were smaller as compare to those in Seoul, while the restaurants in New York represented Korean atmosphere by decorating many Korean traditional elements. The Korean restaurants in New York gave consistency to the design of the hall space as compared to the restaurants in Seoul by decorating interior decorative accessories associated with the restaurant name. The Korean restaurants in Seoul decorated room space by using more traditional elements as compared to the restaurants in New York. Fourth, in terms of food design elements, the restaurants in Seoul are characterized by the introduction of Western services and table setting, while the restaurants in New York sought originality that applied foreign ways as compared to the restaurants in Seoul. The results of this study can be used as useful basic data when setting the interior spatial design guidelines for the modernized upscale Korean restaurants that advance into the world beyond Seoul and New York, and it is expected that in-depth follow-up studies would be conducted in various cities beyond Seoul and New York where there are modernized upscale Korean restaurants based on the results of this study.

• 헤리티지:역사와 과학
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• 제43권3호
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• pp.334-365
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• 2010

나전도안은 작품을 완성하는 데 필요한 모든 공정이 들어있는 것으로 기물의 종류와 형태, 크기, 장석과 나전 문양에 대한 내용이 포함되어 있다. 또 일부는 제작시기와 제작자를 비롯하여 작품 제작을 주문한 수요자에 대한 정보가 남아 있다. 본고에서는 송방웅(중요무형문화재 제10호 나전장) 소장 나전도안 도안 1,700여 점을 중심으로 일제강점기부터 현재에 이르는 기간 동안 시대별로 유행했던 문양과 기물, 그리고 수요자와 수급형태에 대해 알아보고자 한다. 도안의 대표적인 문양으로는 화조, 사군자, 문화재, 풍속인물, 수복자, 산수 등이 있다. 문양도안은 시대에 따라 변화하는데 근대를 대표하는 일제강점기에는 일본에 의해 작품제작과 수급이 통제되었던 배경과 맞물려 일본의 취향을 따른 문양 도안이 많다. 수요층도 일본인을 중심으로 일본과 친분이 있는 계층이 주를 이루었던 것으로 보인다. 도안의 중요성에 대한 인식도 시대적인 정황과 관계된 것으로 보이는데, 송주안이 일본에 거주하였던 시기와 남아있는 도안 중 가장 이른 것의 시대가 일치하는 것으로 보아 일찍이 공예 도안연구가 활성화되었던 일본의 영향을 받았던 것으로 추정된다. 그러나 일본과는 소재, 제작방식, 수급체제가 달랐던 만큼 일본과 한국의 도안에는 큰 차이가 있다. 해방 이후 현대로 접어든 1950년대에는 6.25 전쟁 이후 미군이 새로운 수요층으로 출현하여 이들이 선호하였던 소품을 장식하기 위한 한국적인 문양도안이 주를 이루게 된다. 1960년대 후반부터 1970년대까지는 외국산 자개가 수입되고 사용량이 증가하면서 도안의 크기와 내용, 종류가 다양해지며 조각법, 부식법 등의 새로운 기법도 등장하게 된다. 1970년대에는 경제성장과 맞물려 나전공예품에 대한 관심과 인기가 높았기 때문에 수요층이 다양하였다. 나전공예품은 전적으로 주문에 의해 생산되었는데, 수요층은 각종 단체와 가구 중개상, 그리고 개인으로 분류된다. 이 시기의 수요층 가운데 주목되는 것은 도안에 '부산 좌천동'과 '점촌'으로 표기된 가구 중개상과 개인 수요자인 '진범모친'이다. 부산 좌천동은 1970년대 자개골목으로 유명했던 곳으로 이곳의 상인들은 통영으로부터 다양한 종류의 나전공예품을 납품받아 재판매하였으며, 점촌은 문경의 탄광촌으로 이곳의 "김씨"가 광부들을 상대하던 접대부를 상대로 통영에서 만들어진 나전공예품을 조달하였다. 진범모친은 나전공예품을 소유하기 위해 개인들이 모여 만든 계의 대표로서 부산 대신동에 살았으며 통영에 삼층장을 비롯한 각종 나전공예품을 주문하였다. 1980년대에는 아파트 문화의 정착으로 붙박이장과 거실장, 주방기구, 소파 등 새로운 양식의 가구가 사용되면서 자개장의 입지가 크게 좁아졌다. 한때 통영에서는 끊음질이 크게 유행하여 나전공예품 제작이 활성화되는 듯하였으나 1980년대 말 이후, 사회 전반적으로 나전공예에 대한 선호도가 떨어져 수요자가 감소하였고, 이에 따라 나전 작품의 제작도 자연스럽게 줄어들게 되었다. 현재는 몇몇 장인들에 의해 명맥만이 유지되고 있다.