• 한국가구학회지
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• 제23권3호
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• pp.252-260
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• 2012

Cultural products, applying the design elements of cultural heritage Bekuje content of the product, we chose the useful material that can be used on a desk stand in the smart-phone Sticky Notes (Post-it) for use in modern life. The goal of the development design, developed in the design and excavation element modeling can be taking advantage of the characteristics of traditional decor come connected by a pattern of Baekje, eggplant in harmony with modern life, a new sense was harmony, design. He stressed the beauty of decorative molding to apply discriminatory morphological changes associated with each, a unique pattern of human pattern Jinmyosu Bekuje was elected to the motif of cultural property. You can also use a visual representation of the beauty obviously sophisticated pattern that appears frequently in Baekje, was also emphasized inheritance and traditions of Korea. We also attempted a new way to make sure we can diversify and whether it is possible as a new form, enhance the value of products, from concept to molt general existing tourism products.

• 한국가구학회지
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• 제23권3호
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• pp.290-297
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• 2012

Recently, interest in wooden construction have been growing by increasing needs and demands for eco-friendly and traditional wooden building(Hanok). Especially, Hanok has the technical development in manufacturing the mortise-tenon joint without fasteners(precut), so it could be called to modernization, industrialization and popularization. But the structural design and analysis of the structure were not regulated and had the difficulty to consider the variation of wooden member and to conduct the difficulty in the structural analysis and the design of the joint. In this study, the stiffness ratio of wooden mortise and tenon joint was evaluated according to the vertical loading, lintel and loading speed. The joint was distinguished in semi-rigid joint regardless of their factors. The stiffness ratio was 0.40 in vertical loading, 0.50 without vertical loading and 0.44 in horizontal loading with high speed. This study would be utilized to the structural analysis and design with structural analysis and design program.

• 한국가구학회지
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• 제24권4호
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• pp.444-451
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• 2013

In this paper, experimental results were presented on the moment resistance of a concealed timber post base joint aimed at replacing in a modern design introduced lately the wood to wood joints used in the traditional Korean timber house - Hanok. Preliminary results showed that the original configuration of the joint offers a limited moment resistance and a low ductility and energy dissipation. In an attempt to mitigate those limitations without undergoing major changes in the connector, three new configurations were proposed and investigated. Motivated by the wish to prevent the early failure in welds, a first approach consists in directly bolting the connector's upper plate to lower the stress on the weak welds. Alternatively, another approach focused on increasing the strength of these welds by extending their length to the full width of the metal wings. Finally, a third configuration investigated the effect of those two approaches combined. In conclusion, reinforcing the welds found out to be the best option among the presented ones. As a result, this connector considered to show proper ability for use in earthquake-resistant structures with suited lateral-resistant structural elements.

• 한국가구학회지
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• 제24권4호
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• pp.416-425
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• 2013

Luis Barragan's Architecture has creative feature that Mexican environment and traditional culture were complete by color. Thus the color of his work makes our emotions rich and colorful. He said "My architecture is autobiographical..." at speech in Pritz price. As we can see in his architectural philosophy that sentimental architecture is important than theorical system, his works are impression of empirical factor with intuition. "Color is a complement to the architecture. It serve to enlarge or reduce a space. It's also useful for adding that touch of magic a place needs", stated Barragan. During his process of shaping space, Barragan drew on color in the same way as an architectural component, according it a spatial funtion and expressive vale. he allied it with light, deeming it a crucial vehical for conveying the emotive attributes a site. The capacity of color to express sensitivity and sensuality within an architecture space is liked to its psycho-physiological qualities. In this kind of view, color featyre in Barragan's work is one of the most important tools to realize sentimental architecture, not only is result of the Mexican regional color. As a result, make focus on analyzing various meaning of the color in Barragan's architecture like poetic and habitable structure.

• 한국가구학회지
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• 제27권3호
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• pp.185-196
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• 2016

This study is about watching the changes in Modern and Contemporary ages, through Traditional Ottchil Painting analyzed the formative characteristics presented on 23 pieces of Najeon Master Bong-Ryong Kim. He restored and reproduced the Ottchil Painting Technique by making Najeon ware (lacquer ware inlaid with the mother-of-pearl) on the Korean Modern and Contemporary period. The formative characteristics of his Ottchil Painting Technique are as follows. He used a lot of the Myochilchaehoi Technique as the technique of expression, along with the Najeon Yanggam Technique mixed with Myochilchaehoi Technique. The frame material of Ottchil Painting Ware is handcrafted wood. And in the painting foundation, red is presented more than black. The colors of painting and the pattern drawn on the foundation of Ottchil painting are mainly bright red, blue, yellow, black, and white (five-color). The main pattern used is the dragon, and the subordinate patterns are clouds and Arabesque. Also, the main pattern is solo, and the subordinate pattern is mostly an arrangement combination of radiation symmetry. This style of art was most commonly used for painting fruit trays. As stated above, Bong-Ryong Kim presented various and masterful aesthetic quality based on sincere and exquisite Najeon ware production skills.

• 한국가구학회지
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• 제17권1호
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• pp.23-32
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• 2006

This study was carried out to explore a new application of traditional Hanji and obtain fundamental properties for producing Hanji wallpaper by incorporating ceramics from wood and rice-husk as an interior building material. The results of properties determined were summarized as follows: The addition of ceramics in Hanji paper reduced its apparent density, but increased bulk density due to the ceramic particles distributed on the surface and inside the fiber of Hanji wallpapers. In particular, woodceramic particles were specifically distributed on the fiber surface, while particles of rice-husk ceramics were permeated into the inside surface of fibers. The density of rice-husk ceramics were greater than that of woodceramics. The physical properties of Hanji wallpapers, such as breaking strength, wet breaking strength, burst strength, tear index and folding endurance were deteriorated with the addition of ceramics. However, the addition of woodceramics in the Hanji wallpaper resulted in better strength in most cases than that of rice-husk ceramics, except tear strength. Therefore, an optimum addition level of woodceramics into the wallpaper was found to be 5% on the basis of intensity. The addition of ceramics also prolonged the combustion time because it lowered air permeability and brightness of the wallpaper.

• 한국실내디자인학회논문집
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• 제24권5호
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• pp.51-61
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• 2015

The purposes of this study were to examine the characteristics of elements composing the cultural identity of Chinese architectural and spatial design, and to analyze the expression characteristics and influencing factors of contemporary restaurant design. With these purposes, first, this study reviewed related literature in order to find the characteristics of tangible elements observed in intangible elements and space expression characteristics forming the cultural identity of China. Second, this study conducted a case study in order to understand the expression characteristics of the design of Chinese restaurants in Shanghai and to find factors influencing the design. In order to sample the subjects of the case study, the researcher selected 18 restaurants that were recommended repeatedly in books on Chinese restaurants and tourism and major Internet sites or highly evaluated by visitors, and then choose 15 of them that were found to be fit for the purpose of the survey. According to the result of the survey, the restaurants were largely grouped by type into 10 cases of fine dining, 3 of middle-class casual dining, 1 of fast food, and 1 of luxury tea house serving traditional tea and snacks. Of these restaurants, 46.7% (7 cases) were of CM-CM-CM type, namely, using contemporary simple elements in all of external spaces, indoor spaces, and decorations, 20% (3 cases) were of CM-CM-CT type, using contemporary and simple external and indoor spaces, and traditional furniture or articles, 20% (3 cases) were of CT-CM-CT type, using traditional external spaces such as traditional buildings, contemporary simple finishing of indoor spaces, and traditional articles such as palace lanterns and traditional doors and windows, and 13.3% (2 cases) were of CT-CT-CT type, using traditional elements in their original forms in general. Through this research and survey, cultural identity showing Chinese traditions observed in the expression characteristics of restaurant spatial designs was confirmed, and it was also found that the identity was underlain by ideologies, values, lifestyles, etc. that had long accumulated through the long history of the country and exerted a great influence.

• 한국산림과학회지
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• 제95권5호
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• pp.524-531
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• 2006

Neem tree (Azadirachta indica), native to the Indian sub-continent, has been known since the ancient time for its medicinal and insect repellent properties. In recent years, Neem has attracted global attention due to its potential as a source of natural drugs and also environment-friendly pesticides. In the households. The distribution and traditional practice on Neem can be important to the agriculturist, ethno-pharmaceutical developers and to the rural development practitioners in Bangladesh. An exploratory survey on the distribution and traditional practice on Neem tree in the rural homesteads of Chittagong coastal plain, Bangladesh, was conducted over a period of three months from September 2002 to November 2002. It was found that maximum, 64% households used seedling as planting material having 40% maximum sources Within the major tree species present in the homesteads, Neem accounted for 12% among the total individuals. It was found that the availability of Neem trees was found maximum, 31%, in the homesteads of medium sized households. Maximum, 42% individuals of Neem were found within the DBH of 10.1 to 20 cm; and 37% within the 3.1 to 6 m height classes. Neem trees were found to be used maximum, 88% for furniture. The findings of the study will be of immense importance for the rural development practitioners and ethno pharmacological developers in Bangladesh.

• 디자인학연구
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• 16호
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• pp.101-110
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• 1996

추사고택은 조선조 상류주택의 전형적인 사례로서 실내공간의 구성방법과 요소를 분석해 본 결과 다양한 요인을 배경으로 한 분화과정 속에서 다기능을 수용할 수 있는 융통성을 가진 전형화 된 공간의 특성을 지니게 되었다고 요약할 수 있다. 계단식의 입면을 구성하는 엄격한 계층성에 의한 장소 성을 표현되는 일례가 되며, 마루와 온돌의 높이는 신분상의 위계질서와 음양사상을 나타내고 있다. 입면을 구성하는 목가구식 구조의 노출천장과 창호는 4계절의 기후변화 속에서 에너지를 효율적으로 관리하기에 적합하며, 자연미와 전통적 조형미가 어우러져 한옥 고유 미를 창조하고 있다. 추사고택에서 천장 고와 입면을 구성하는 요소들의 치수를 조사해본 결과, 대청의 입면 적 척도는 각 부재의 치수와 함께 사용자의 인체치수와 관계가 있었다. 평면 구성상의 특징은 규격화이며, 이것은 칸의 개념으로 설명할 수 있다. 기둥 간격 차이는 성별, 인체 치수 차이로 추측할 수 있다. 또한 1칸을 기본 모듈로 하여 규칙적인 공간 단위를 병렬로 증식시켜 확장한 것은 주인의 일상생활이 하인의 도움을 받아 이루어졌기 때문에 동선을 그리 중요하게 여기지 않은 결과이다. 추사고택 안채는 폐쇄적인 ㅁ 자형, 사랑채는 개방적인 ㄱ 자형으로 구성되어있는데, 이는 조선조의 남녀 지위차등과 내외사상, 그리고 자연 환경 적 요인이 복합적으로 주거의 평면 구성에 영향을 미쳤음을 보여주는 것이다. 그러나 본 연구가 조선시대 상류 주택 중 한 사례에 한정되었으므로, 현존하는 많은 사례 조사가 지속적으로 이루어져 본 연구의 미비점이 보완되어 더욱 체계적인 연구가 되어야 할 것으로 사료된다.

• 대한가정학회지
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• 제31권3호
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• pp.197-212
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• 1993

The purpose of this study was to find out the physical change of the farm house and its anbang(the main room : master bed room), to identify the behavioral changes : activity and awareness of anbang, and to clarify the relationship between the physical changes of the farm house, and the behavioral changes of housing life-style in the anbang space. Bibliographical studies, cultural approaches and field survey method with questionnaire were used to collect data from 55 residents of Anwhari and Yangkyori in Pyong Teck Koon. Tables and drawings were made to analyze the data. The major findings were 1) the heating system of the ondol anbang. The most popular type is the double heating system(new pipes added to the traditional ondol). This combination ondol system brought some conviniences to the farmers. This change in structure of the ondol were of four types : Complete change in style, enlarged-completely changed style, partially changed style, enlarged-partially changed style. 2) from 1960 through 1970 lighting of the anbang changed room oil lamp to electricity. 3) the finishing material of the anbang floor changed from traditional oil paper and straw mats to vinyl flooring. 4) Traditional furniture and small decor items are gradually disappearing and are being replaced by modern items. 5) The awareness and actual use of the ondol anbang has not much changed from the multi-functional and sacred space of daily living : which are the characteristics of Korean traditional ondol anbang. The biggest consistency in the ondol anbang is the heating system of the floor, which is the characteristic of ondol culture in Korea. This system will continue regardless of time and place in Korea.