• 복식문화연구
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• 제32권2호
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• pp.299-320
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• 2024

Traditional culture contributes to the diversification of modern fashion design and the inheritance of local cultural identity. This study aims to identify the characteristics of traditional handicrafts reflected in modern fashion design in India. For this purpose, it focused on Sabyasachi Mukherjee, Manish Malhotra, and Ritu Kumar, who are currently leading the Indian fashion design field. The methodology involved conducting literature research and analyzing case studies. In the literature, the techniques of Indian traditional crafts such as embroidery, dyeing, and weaving were examined and five design elements of traditional crafts were defined. Through content analysis of 30 images from the three designers' Instagram accounts, the design characteristics of traditional handicrafts expressed in contemporary Indian fashion design were derived: cultural inheritance using traditional Indian clothing items, traditional materials and practices applied to contemporary clothing, craftsmanship that artistically improves complex details using embroidery techniques, various combinations based on the traditional meaning of colors, and narrative expression using patterns containing India's cultural identity. Incorporating these traditional handicrafts into fashion design, closely linked to everyday life, aids in conveying and enhancing their significance. The cases demonstrate the successful integration of conservation into contemporary fashion design. This study sheds light on the application of traditional culture in modern fashion design.

• International Journal of Internet, Broadcasting and Communication
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• 제16권1호
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• pp.72-79
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• 2024

This study focuses on combining traditional craft lacquer thread sculpture and augmented reality (AR) technology to develop digital educational content. In this way, we not only make it easier and easier for children to learn and understand the traditional craftsmanship of lacquer thread sculpture, but also finds a new direction for traditional craft education. First, through literature research, the production process of traditional craft lacquer thread sculpture is summarized. Through an in-depth understanding of traditional craft lacquer thread sculpture, it provides a theoretical basis for subsequent AR digital content development to achieve educational goals. Next, we used AR technology to design and produce the digital content of the traditional craft lacquer thread sculpture. This study proposes the application of AR technology and the design and production methods of digital content. It is hoped that the methods and experiences we have proposed will not only provide reference for the development of similar digital content in the future, but also provide new educational methods for the inheritance of traditional crafts.

• 한국가구학회지
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• 제24권4호
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• pp.389-399
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• 2013

This study focuses a comparison of Korean and Western Furniture culture on traditional cupboard terms to make the people understand and distinguish the form of the various Korean and Western cupboard made by the craftsmanship before the industrial Revolution. As the result, the Korean cupboard shows Kangwon Chanjang/cupboard, Gyeonggi Chanjang/cupboard by the local name, dwiju Chanjang/cupboard, three-tiered Chanjang/cupboard, four-tired Chanjang/cupboard, two-tiered Chantak/cupboard, three-tiered Chantak/cupboard in the terms of the form. Korean cupboards are called Chanjang and Chantak. The Western cupboard shows cupboard, buffet, livery cupboard, cupboard-bed, corner cupboard, court cupboard, turkey-breast cupboard, pot cupboard, press, press cupboard, hall cupboard, sideboard, hunt sideboard, huntboard, cabinet, corner cabinet, writing cabinet, art cabinet, china cabinet, dresser, safe, meat safe, wall closet, wall cupboard, hanging corner cupboard, food cupboard in the terms of the various forms.

• International Journal of Costume and Fashion
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• 제12권1호
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• pp.83-95
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• 2012

This study aims to develop the 21st century eco design-based fashion products by examining Taller Flora products and presenting eco design approaches. Eco design terms were examined based on literature, and Taller Flora products were explored based on literature and websites. The following research issues were discussed. First, eco design terms are totally handled, thus defining the eco design. Second, eco design-oriented Taller Flora products are examined to explore design approaches. Eco design aims to conserve and heal the global environment with focus on a greater understanding of and interest in nature. As such, eco design is based on a new modern concept of aestheticism that seeks to minimize environmental damage caused by the three processes of production and distribution use and disposal, to take social and moral responsibilities for such activities, and to avoid hurting the environment. Taller Flora brands seek to produce products by keeping close ties with indigenous communities in various nations, and by emphasizing and embracing indigenous people's craftsmanship spirit and creativity Indigenous people use eco-friendly materials and produce products with craftsmanship spirit, and their cooperation by linking different cooperative networks is a good model for strengthening fair trade networks. These addresses the problem of expanding design work through traditional crafting. Therefore, the features of Taller Flora brands presented a new method to approach the eco fashion. The research findings are expected to help develop the eco design of fashion products.

• KSII Transactions on Internet and Information Systems (TIIS)
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• 제10권8호
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• pp.3925-3942
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• 2016

Like natural climate change on the planet earth, the climate in software development environments is also changing (fast). Like the natural weather, the software environment is also disruptive. As the climate experts alert and suggest taking necessary measures to overcome certain challenges to make this earth a safer and comfortable living place, likewise this article also alerts the relevant stakeholders of software craftsmanship about the dynamic challenges that traditional Software Engineering (SE) with purely "Engineering mind-set" is not capable to respond. Hence, some new thoughts to overcome such challenges are shared. Fundamentally, based on the historical evidences, this article presents the authors' observation about continuous shift from traditional "Engineering-based" software development approaches to disruptive approaches - "Vibrant Softology". The authors see the cause of this shift as disruptive transformational force, which is so powerful that it is uncontrollably diminishing the "Engineering-based" approach from software development environments. The authors align it with climate change analogy. Based on this analogy, the authors feel the need to theoretically re-coin the notion of SE to some new term; perhaps Vibrant/Dynamic Softology (VS or DS). Hence, the authors suggest "a new (disruptive and dynamic) way of thinking is required to develop software". It is worth mentioning that the purpose of article and this new theory is not to disparage the notion of software engineering altogether, rather the aim is to highlight the importance of transformation from SE to its next level (perhaps VS/DS) due to the emerging needs in the software craftsmanship environment.

• 헤리티지:역사와 과학
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• 제48권1호
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• pp.96-131
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• 2015

한지는 우리의 옛 선조들의 뛰어난 기술과 장인정신으로 오늘날에도 그 가치와 기술을 높게 평가받고 있는 귀중한 문화유산으로 이는 그 시대의 장인정신과 축적된 기술, 한지제조에 적합한 천혜의 자연조건인 닥섬유와 물과 햇빛과 더불어 환경친화적이고 보존성이 우수한 천연자숙제 및 점질물 등이 잘 어우러진 산물이라고 할 수 있다. 한지는 닥나무 껍질(저피(楮皮))을 가공하여 손으로 만든 종이를 일컫는 것으로 조선 말엽 일본을 통하여 서양식 기계로 제조한 종이가 생산되면서 그간의 종이는 한지라 하고 서양의 종이를 양지라 구분하여 부른다. 한지는 재료 및 초지방법에 따라 다양하게 불리고 사용되어져 왔으며, 그 기능 또한 다양하게 활용되어져 왔다. 또한 한지는 과거 삼국시대부터 조선 시대에 이르기까지 동양 3국(한국, 중국, 일본) 중에서 독특하고 우수한 품질로 각광을 받아왔고, 오늘날 한지 특유의 우수한 보존성으로 수많은 국가지정 지류문화재들이 지금까지 잘 전승되고 있다. 아울러 세계적으로 그 가치를 인정한 UNESCO 세계기록유산에 한국은 모두 11건이 등재되었는데 그 중 전통한지로 구성되어 있는 기록물은 8건으로 "훈민정음, 조선왕조실록, 직지심체요절, 승정원일기, 조선왕조의궤, 동의보감, 일성록, 난중일기" 등이 이에 해당된다. 이러한 한지의 우수한 보존과학적 특징을 규명하기 위하여 다양한 연구 사업들이 진행되어져 왔다. 한지에 대한 분석기술과 제조기술개발, 복원기술연구 등을 통하여 우리 전통한지에 대한 우수성을 과학적으로 재입증하고 우리나라를 대표하는 전통문화유산의 하나로써 그 명맥을 유지해 나가야할 것이다.

• 헤리티지:역사와 과학
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• 제45권4호
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• pp.104-113
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• 2012

전통 직물공예는 소재한 지역의 역사와 환경, 생활양식을 반영하여 전승되어 왔다. 일정 지역에서 오랜 기간 지속되어 오면서 지역적 대표성을 얻었으며, 이를 통해서 지역산업으로서 기능해 왔다. 그러나 생활양식의 변화 등 사회 경제 문화적 요인으로 전통 직물공예는 위기의 상황에 처하였고, 이에 따라 정부차원의 보호조치가 이루어졌다. 대표적인 보호조치가 문화재 지정을 통한 '전통'에 대한 보전으로, 이는 전통 직물공예를 만드는 제작 기술을 무형문화재로 지정하는 방식이다. 이 같은 문화재 지정은 급속히 변화되는 전통 직물공예의 환경 변화에 있어서 해당 기술을 보호하고 다음 세대로 전승시켜나가는데 중요한 보호조치로서 기능하였다. 그렇지만 전통 직물공예는 문화재이기 이전에 지역산업으로서 오래전부터 지역경제에 이바지해왔다. 이 같은 점에서 문화재 지정을 통한 보호만으로는 대처하기 힘든 부분들이 있는 것도 사실이다. 또한 공예기술의 특성상 제조기술과 재료, 도구의 발달은 불가피하므로 이에 맞춰 '전통' 이라는 요건을 제시하고 이를 준수할 필요도 있다. 이에 따라 본 글에서는 일본 오지야치지미 에치고죠후의 사례를 통해서 현 시점에서 전통 직물공예가 문화재 지정과 전통 공예산업으로서 어떻게 지속 가능한지에 대해 살펴보고자 한다.

• 공학교육연구
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• 제22권5호
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• pp.49-55
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• 2019

Folded structure is widely applied in various engineering fields. Many of the Japanese folding fans in the Edo era (1603-1868) have been successfully blended with the processing technology of "natural materials" that is the origin of Japan's "Monodzukuri" (craftsmanship) and its application "artistic originality". The charm of a fan lies in the diversity of stereoscopic expression not born in plane representation. For example, the effects of folds, the expression of the front and back sides flowing from the front to the back by double-sided description, and the two-layer effect of raising the backside from the surface using the permeability of Japanese paper, the calculated depiction are also seen. Moreover, by handling the fan, it also produced an illusion effect which skillfully calculated the change due to movement of the viewpoint. Students experience the natural materials such as Japanese paper, bamboo and starch paste, which are the materials of paint and fan at the time, and processing method, and know the difference with the current one. This study is to verify the effectiveness of engineering education which gains experience by making concrete fans and to understand deeply this traditional technology with the artistry of a Japanese fan at the same time. And we can learn from the characteristics of the fan to Japan's history and culture.

• 한국콘텐츠학회논문지
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• 제10권12호
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• pp.181-189
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• 2010

우리나라에서 전통 공예는 중요무형문화재로 지정 보호되고 있기는 하지만 현대 생활에서는 그 활용도가 높지 않다. 그러나 현재 전통문화산업의 전략적 비중이 높아져가고, 문화적 요소가 산업의 경쟁력을 좌우하는 시대가 도래되었다. 또한 전통공예의 활성화에 대한 관심과 요구가 커지고 있으나, 전통공예는 그 특성상 여전히 여러 가지 문제점들을 안고 있다. 따라서 전통공예의 기술보전과 산업적 활용이라는 두 가지 과제를 효과적으로 실천할 수 있는 방안이 다각도로 모색되어야 한다. 이에 본 연구에서는 중요무형문화의 종류 중 전통공예기술을 다양한 각도에서 분류하여 그 특징을 분석함으로써 현대의 실생활에 활용도가 높은 공예기술을 찾아 체계적으로 정리하고자 한다. 그리고 이 연구를 통해 전통 공예기술이 전승이나 보존의 한계에서 벗어나 현대적인 기술로서의 발전 가능성과 다양한 산업화 방안을 모색할 수 있는 가이드 라인이 되고자한다.

• 한국실내디자인학회논문집
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• 제13호
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• pp.231-237
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• 1997

One of the clearest reactions against Modern architecture, and its planning ideology of comprechensive development, was the neo-Regional movement which arose at more or less the same time in serval countries. In the mid-fifties architects in Mexico started to design architectures which mixed vermacular and Modern methodology to recall traditional buildings. This popular alternative to Modernism had caught on in Mexico by the recent to become the accepted approach for the most regional building built by the Mexican architects. The regional architecture provided the continual activity, safety and economy of traditional life which was lacking in so many Modern building, while the these ages provided a cultural continuity. Anonymity of craftsmanship, but personalization of each building; enclosed wall of strong color, wide inward opening, but flat roof; emotional layouts and poetic outdoor water space, but variable massing; as it the buildings had been constructed over several years-these were the contradictory signs of neo-Regionalism. The Regional architecture has direct reference to human inhabitation and use, and it embraces mystery, poetic sense, a quality we are losing in Modern life. There is a freedom from rules, which shows up especially in an insouciant use of color, just for fuv.