• 인간행동과 음악연구
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• 제2권2호
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• pp.69-79
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• 2005

This study was purported to examine the definition of tone deafness, various factors for the cause based on literature review of research findings, and to examine therapeutic application of music for treatment of tone deafness. With research, it was found that there can be three different kinds of tone deafness; amusia, agnosia, and asonia. Literature review showed that tone deafness has been frequently dealt in many research in order to verify the causal factors, such as gender, age, and environments. With time, the research trend on tone deafness has shifted towards neurological approach closely examining brain activity, presenting the statement that the brain's capacity to perceive modest pitch changes may be congenitally impaired. Also physiological factors contribute to tone deafness called diplacusis, which is a phenomenon wherein a given tone is heard as different pitches by the two ears, resulting in conflicting bilateral perception of pitch. Music can be used for treatment of various factors causing tone deafness. The most efficient intervention was singing program. Pitch-matching training can be effective training using operant conditioning procedure. Successive approximation or reinforcement of correct response alone was more efficient procedure in helping uncertain singers to sing on pitch. Also progressive breathing exercises helped the training the pitch-matching where one had to coordinate hearing and voice.

• 전기학회논문지
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• 제63권1호
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• pp.156-161
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• 2014

With the proliferation of digital music, public's interest in music and desire to sing well are increasing. This paper presents the implementation of a tone correction system through a visualization of comparison between music and humming data. For this we extract MIDI note from music and humming data and then design a matching engine using DTW algorithm which is for robust matching results against local timing variation and inaccurate tempo. This system is expected to correct the user's wrong tone by visualization and feedback from the result.

• 한국인쇄학회지
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• 제1권1호
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• pp.7-41
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• 1983

Reproduced colors which are half-tone printed at the rate of 10,20,30, ...100% half-tone dot area by each process ink- cyan, magenta, yellow and at the rates of 0,30,60, 100% half-tone dot areas by the mean color mixing of black, cyan, magenta and yellow, are colorimetric analyzed by make use of the 1931 CIE XYZ system of color specification and matching the Munsell color system. Espacially, magenta and secondary colors which are contained magenta, do not have good uniformity and proportionalization in the dominant wavelength and the excitation purity. Half-tone colors without reflection of blue light, are reproduced ideal color with the excitation purity 100% in wavelengths from 555nm to 600nm.

• 감성과학
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• 제17권2호
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• pp.123-134
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• 2014

스타일이나 색채 톤과 같은 의복 요소에 대한 사용자의 감성은 섬유패션산업에서 소비자와 시장에 대하여 제품의 호소력에 큰 영향을 미친다. 따라서 호소력 높은 섬유패션 제품을 개발하기 위해서는 의복의 감성과 적절한 용도의 관련성과 같은 상호관련 또는 복합적 연구가 필수적이며 이를 위해서는 과학적인 방법을 이용하여야 한다. 본 연구의 목적은 색채 톤과 여성의 대표적인 의복 블라우스의 감성을 측정하고 블라우스 종류에 따른 최적의 색채 톤을 발견하는 것이다. 대학생을 대상으로 설문조사를 통하여 블라우스 종류와 색채 톤 사이에 의미있는 연관성을 발견하였다. 대학생들이 가장 선호하는 종류는 셔츠 블라우스와 브라이트 톤이었다. 비비드 톤도 선호하였지만 블라우스로는 부적합하다고 응답하였다. 블라우스에는 색채톤 중에서 브라이트 톤이 가장 잘 어울린다고 답하였으며 각 블라우스 종류마다 1-2가지 최적 색채 톤이 있다고 답하였으며 블라우스의 감성과 색채 톤의 감성 간에 깊은 상관이 있었으며 블라우스의 감성에 따라서 최적 색채 톤이 결정되었다. 이는 성별, 전공유무와 상관이 없이 거의 동일하였다.

• 한국인쇄학회지
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• 제2권1호
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• pp.1-21
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• 1984

Reproduced colors which are half-tone dot printed at the rate of 10, 20, 30, 100% half-tone dot area by each process ink-cyan, magenta and yellow ant at the rate of 10, 20, 30, 100% by the mean color mixing of black, cyan, magenta and yellow, are colorimetric analyzed by make use of the 1931 CIE XYZ system of color specification and matching the Munsell color system. With increased half-tone areas, 1. Yellow has ideal reflectance curve, but magneta has nonideal reflectance curve. 2. Yellow and cyan have almost standard dominant wavelengths but magenta has complementary wavelengths. 3. Yellow has higher excitation purities in primary colors, but low excitation purities in secondary and third colors. 4. Value function is decreased and generally the range of value function in chromaticity diafgram is extented. 5. The properties of black and CMY printed materials have not equality, therefore black process ink is necessery in half-tone printing process.

• 복식문화연구
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• 제16권2호
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• pp.293-304
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• 2008

The objectives of this study were to investigate the images in men's hairstyle by hair color, tone, texture, and perceiver's gender, and to examine the characteristics of hairstyle appropriate to seasons. A quasi-experimental method by questionnaire was used, and the experimental design was $4{\times}3{\times}2{\times}2$(hair color$\times$tone$\times$texture$\times$perceiver's$\times$gender) factorial design. The subjects were 372 men and women in their 20s through 50s. five factors of men's hairstyle image were derived by factor analysis: individuality, dignity, romanticism, refinement, and activity. Black hair was perceived to be high in dignity and activity. Bright tone was perceived to be high in individuality, but low in dignity. Men's wave hair was perceived to be higher in individuality than straight hair, but lower in dignity. Perceiver's gender did not give significant influence on evaluation of all image factors. In brown, neutral tone was perceived to be higher in dignity. romanticism, and activity than dark or bright tone. In black, wave hair was perceived to be more refined than straight hair. Black hair matches with winter the most, and yellow matches with spring the most. In terms of tone, dark tone matches with winter; neutral tone matches with autumn; bright tone matches with summer. The results of this study verified that hair color and texture affect men's image perception, and matching hair colors are associated with seasons.

• 한국생활과학회지
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• 제14권5호
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• pp.833-846
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• 2005

The purpose of this study is to find out the various impressions that tone-on-tone coloration of shirts and ties gives. This experiment was based on the $2\times4\times4\times2$ factorial designs; colors (purple and green), shirt tones (vivid, light, dull, and dark), tie tones (vivid, light, dull, and dark) and perceivers' genders (male and female). The materials in the experiment developed for this study were composed of various stimuli and the response scales for each stimulus. The stimuli were 32 upper body photographs, which were color printed by CAD system (4D-box program). We unified those colors of shirts and ties, and then made shirt and tie tone different. 27 bi-polar adjectives, each of which was graded into seven in its degree, were used to evaluate the impression. The subjects of this research were 192 male and 192 female college students in Gyeongnam province including Jinju City. The data was analyzed by using SPSS program. Analyzing methods were one-way ANOVA and LSD test. The items of the adjectives were classified into 5 impression dimensions; potency, activeness, attractiveness, visibility and tenderness. In conclusion the impression through matching shirts and ties could be varied by the colors and the tones of shirts and ties. This study can be used as the basic color data in the males' clothes market which gradually pursuits high-quality, personality, and variety.

• 한국생활과학회지
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• 제15권4호
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• pp.611-622
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• 2006

The purpose of this study is to investigate the effect of eyeshadow color (brown, purple, and blue), lipstick color (red, orange, and purple), and lipstick tone(vivid, light, dull, and dark) on the makeup image. The experimental materials used for this study were sets of stimulus and response scales (7 point semantic). The stimuli were 36 color pictures manipulated with the combination of eyeshadow color, lipstick color, and lipstick tone using computer simulation. The subjects were 216 female undergraduates living in Jinju city. The data was analyzed by using SPSS program. Analyzing methods were ANOVA and Duncan test. The result of this study are as follows. Image factor of the stimulus was composed of 4 different components (attractiveness and gracefulness, visibility, cuteness, and softness), Among them, the attractiveness and gracefulness and the visibility were important. Each dimensional image was affected by color coordination of eyeshadow color, lipstick color and lipstick tone. Therefore, the face image through matching eyeshadow and lipstick could be varied by the eyeshadow color, lipstick color and tones.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2003년도 추계종합학술대회 논문집
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• pp.223-226
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• 2003

칼라 영상에서 측면 얼굴 검출시 피부색 검출에 의해 얼굴 후보 영역을 결정하고 템플릿 매칭에 의해 최종 얼굴을 확인하는 방법이 있다. Gang Wei는 측면 얼굴의 좌우 템플릿과 hausdorff 방법에 의한 유사도 측정으로 얼굴 영역을 결정하였다. 이때 측면얼굴은 목 부분이 넓게 퍼져 있는 부분에서 정확도를 높이기 위해 반복 분할 과정을 수행하여 수직 방향으로 3화소 단위로 분할하여 템플릿 매칭을 하였다. 본 논문에서는 측면 얼굴이 좌측 또는 우측 얼굴중의 하나라는 가정 아래, 일단 피부색에 의한 얼굴후보 영역을 수직으로 1/2로 분리한 후 좌측은 좌측후보, 우측은 우측 후보로 가정하여 템플릿 매칭을 하여 좌/우 얼굴을 인식한다. 이는 기존 연구 방식에 비해 적은 분할로 빠른 얼굴 검출을 할 수 있다.

• 한국의상디자인학회지
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• 제6권3호
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• pp.139-152
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• 2004

The main objective of this research is to investigate the color coordination types and their characteristics of contemporary female fashion by reviewing 'pre-a-porter Collections' of four collections (i.e., cities) - Paris, Milan, New York, London - from the periods of 2000 S/S to 2002/3 A/W. Through the review of various books and articles written on the subject, the color coordination types and their characteristics were categorized and defined. The data was collected by reviewing 'pre-a-porter Collections' magazine and total 4,269 observations were made. These in turn were categorized into eight color coordination and three color tone categories through the content analysis. Frequency analysis was used to analyse the data. The findings are as follows; First of all, there were 8 observable color coordination categories in contemporary women's fashion. The most used color coordination was chromatic & achromatic color coordination. It was followed by chromatic identical, and then by achromatic identical color coordination. These three color coordinations were the majority, comprizing 73.4％ of the total. The rest were in the order of complementary, gradation, similarity, accent. And the most used tone type was contrasting tone and followed by similar and identical. Next, the analysis of each coordination categories shows that; The chromatic identical coordination focused on presenting its own unity or break it using the contrasting color tone. Meanwhile, the achromatic identical coordination project a clean and strong feeling through black and white combination or a subtle feeling through the different material combination. The chromatic & achromatic coordination showed strong colors and contrasting tones of clear and bright colors. Meanwhile, the characteristics of complementary coordinations are that these coordinations seem to free the colors and show the subtle changes in tones very clearly. The gradation coordination was used to create a cool and lively feeling. Next, the similarity coordination seems to create feminine and warm feeling by taking advantage of similar color feelings, often through the use of warm to warm, cool to cool color matching. Lastly, the accent coordination, through the use of contrasting tones emphasizes the differences in colors, while separation coordination mostly uses black and white on various color coordinations.