• 한국콘텐츠학회논문지
• /
• 제16권4호
• /
• pp.503-515
• /
• 2016

브랜드 스토리텔링을 보여주는 다양한 광고를 포괄한 개념이 브랜디드 콘텐츠다. 새로 생겨난 모바일 음식 배달 어플리케이션 시장에서 업체들은 브랜디드 콘텐츠를 적극적으로 사용하여 도입기에는 낯선 서비스를 친숙하게 만들고, 정교화기에는 경쟁 업체에 비해 독특한 브랜드 이미지를 구축하려 하는 양상을 보였다. 본 연구는 '배달통', '배달의 민족', '요기요' 등 가장 대표적인 세 업체의 브랜디드 콘텐츠를 대상으로, 시기별로 달라진 브랜드 스토리텔링의 유형을 나누고 구조를 분석하여 그 전략을 드러내고자 하였다. 서사를 표현하는 양식에 따라 각기 다른 정서적 효과를 거두게 됨에도 불구하고 아직까지 브랜드 스토리텔링의 유형 및 구조를 고찰한 연구는 별로 없다. 본문에서는 노드롭 프라이의 서사 유형론을 빌려와, 브랜드가 하는 역할을 가지고 그 유형을 로맨스, 희극, 비극, 아이러니와 풍자로 나누었다. 그리고 이를 세 업체의 브랜디드 콘텐츠에 적용하여 그 유형을 분석하고 시기별로 달라진 전략까지 살펴보았다. 고전적인 로맨스 서사 유형을 넘어 다양한 서사적 유형은 시장 진입 시기를 극복하고 브랜드 포지셔닝을 하는데 효과를 거두고 있다. 본 연구가 앞으로 브랜디드 콘텐츠의 서사 전략을 연구하는데 도움이 되기를 기대한다.

• 복식
• /
• 제63권8호
• /
• pp.43-57
• /
• 2013

The purpose of this research is to systemize the fashion digital storytelling by analyzing the communication method and its elements, and extracting the characteristics and processes of digital storytelling. Based on the previous study on the characteristics and types of storytelling the following things have been researched: 1) the process of digital storytelling in the communication process, 2) the concept and the feature of the academia of digital storytelling 3) storytelling in the document research. On the groundwork of the document research, we were able to sort out the various types, and formed a system of the features in the fashion digital storytelling cases, mainly in the four collections (Milan, Paris, London, New York) from 2000's to recent years of 2010. The types of fashion digital storytelling are episode type, narrative type, and creative type. The characteristics of each of the types are as follows. Firstly, the episode type communicates through the digital media based on the information or fact of the fashion designer brand. Secondly, narrative type communicates with the consumers using previous literature or an existing idea of the original cultural form that is rearranged in digital story expressed by the digital media. Lastly, creative type makes the designer's and consumer's susceptibility and creativity communicate through the newly made story, which expresses the unique originality of the designer. It seems that the cases and studies of using the fashion digital storytelling will increase because of its short history and lack of the case study. Fashion designer brands will show their brand image using the digital storytelling because they are able to better express originality, creativity and imagination of the fashion designer, which were factors that could not be conveyed through fashion alone.

• 디지털콘텐츠학회 논문지
• /
• 제15권1호
• /
• pp.61-68
• /
• 2014

과거의 마케팅 방법이 객관적으로 고객의 이성에 호소했던 것이라면 스토리텔링 마케팅은 제품이나 브랜드의 가치를 주관적인 방법으로 고객의 감성에 호소한다. 스토리텔링은 제품이나 업체의 거부감을 사라지게하고 고객의 호감과 호의적 태도를 유도하는 방법으로 나타나게 되었다. 본 연구에서는 감성적 스토리텔링 광고와 유머광고의 유형에 있어 브랜드태도에 어떤 영향을 주는가에 대해 알아보기 위해 각 광고유형에 따른 제품의 품질, 브랜드이미지, 신뢰, 관심, 메시지, 광고모델, 구매의향, 흥미, 추천의 요소가 브랜드태도에 어떤 영향을 주는지 알아보고자 하였다. 그 결과 브랜드태도, 브랜드 이미지, 광고태도 형성에 있어 감성적 스토리텔링 광고가 유머광고 보다 더 영향을 미쳤으며 성별에 따라 광고의 유형에는 스토리텔링 광고다 더 영향을 미쳤으며 각 항목에 있어 남녀가 유의한 차이를 보이고 있다. 감성적 설득광고가 많아지고 있고 경쟁이 됨에 따라 차별적 광고가 필요하게 됨으로 광고유형에 따라 소비자에게 어떻게 영향을 주는가는 의미 있는 연구라 할 수 있다.

• 한국콘텐츠학회논문지
• /
• 제11권8호
• /
• pp.142-149
• /
• 2011

본 연구는 국내의 대표적 유가공(乳加功) 기업인 파스퇴르의 유산균 발효유 '쾌변 요구르트'에 대한 스토리텔링 캠페인 사례를 분석하였다. 파스퇴르의 스토리텔링 캠페인은 브랜딩과 포지셔닝 개발에 초점을 두었다. 브랜딩과 포지셔닝은 소비자 관점에서 브랜드전략을 수립하는 브랜드 스튜어드쉽 모델(Brand Stewardship Model;BSM)을 활용하여 설계하였다. BSM 분석결과, '쾌변 요구르트'라는 브랜드 네임이 탄생되었는데 그 배경은 후발주자로써 단기간 동안 소비자 이익을 대변할 수 있어야 한다는 것과 제품의 핵심가치인 '쾌변'을 브랜드화 해야 한다는 것이었다. 파스퇴르는 '쾌변'이라는 신제품의 브랜드명에 대한 부담을 완화하고, 짧은 기간 동안 브랜드 인지도를 확산시키기 위한 포지셔닝을 설정하였다. 최종적으로 결정된 '쾌변 요구르트'의 포지셔닝은 '안 나오면 쳐들어 간다'이다. 그 근거는, 소비자에게 익숙한 멜로디를 상징적으로 표현함으로써, 배변에 좋은 '쾌변'이라는 브랜드 이미지를 강화하는 것이다. 특히, 캠페인 초기 티저광고 형태로 집행된 '안 나오면 쳐들어 간다'는 신제품을 포지셔닝하는데 결정적으로 기여했다. 즉, 파스퇴르 사례는 브랜딩과 포지셔닝 간의 전략적 조합이 스토리텔링 캠페인에서 얼마나 중요한가를 증명했다는 의미에서 연구의 가치가 있다고 하겠다.

• 한국의류학회지
• /
• 제39권4호
• /
• pp.545-559
• /
• 2015

This research investigates consumer responses to different types of fashion film used in national women's wear brands. The content analysis was conducted as a preliminary study for women's wear fashion brand based on the 2012/2013 fashion brand yearbook. Three types of fashion film (Wearing Apparel Products, Brand Advertising and Storytelling were used as stimuli for the present study. We analyzed 224 data gathered using SPSS 22.0. The results showed significant differences among types of fashion film in regards to film attitude, product evaluation, creativity, information literacy, re-watching intention and word of mouth intention variables. This study revealed that the Brand Advertising type received the most positive evaluation in many aspects. Especially, the Storytelling type received the most positive evaluation in creativity. Wearing Apparel Products type gained high points in information literacy. The present study helps brand managers determine a fashion film that best suits each brand characteristics.

• 한국콘텐츠학회논문지
• /
• 제18권7호
• /
• pp.74-83
• /
• 2018

본 연구는 스토리텔링 광고에서 스토리유형에 따른 유명인 모델과 일반인 모델의 효과 차이를 분석하였다. 광고모델유형(유명인, 일반인)과 스토리유형(라이프체험형, 신화상징형)을 조작한 $2{\times}2$ 요인설계 실험이 진행되었다. 수도권에 거주하는 30-40대 여성 200명을 대상으로 온라인 조사를 수행하였다. 연구결과, 라이프체험형 광고의 경우, 광고태도, 브랜드태도, 구매의도 등 세 가지 종속변인 모두에 대해 일반인 모델이 유명인 모델보다 높은 광고효과를 보이는 것으로 나타났다. 신화상징형 광고의 경우, 광고태도에 대해서는 유명인 모델이 일반인 모델보다 높은 광고효과를 보이고 있었으나, 브랜드태도와 구매의도에 있어서는 모델 유형간 차이가 발견되지 않았다. 연구결과의 이론적 실무적 함의는 결론에서 논의되었다.

• Asia Marketing Journal
• /
• 제15권4호
• /
• pp.103-129
• /
• 2014

Differentiated positioning becomes increasingly difficult when brand salience weakens. Also, the daily increase in new media use and information load has led to a social climate that regards advertising stimuli as spamming. For these reasons, the focus of advertisement-related communication is shifting from persuading consumers through the direct delivery of information to an emphasis on appealing to their emotions using matching stimuli to enhance persuasion effects. Recently, both academia and industry have increasingly shown an interest in storytelling methods that can generate positive emotional responses and attitude changes by arousing consumers' narrative processing. The purpose of storytelling is to elicit consumers' emotional experience to meet the objectives of advertisement producers. Therefore, the most important requirement for storytelling in advertising is that it evokes consumers' sympathy for the main character in the advertisement. This does not involve advertisements directly persuading consumers, but rather, consumers themselves finding an answer through the advertisement's story. Thus, consumers have an indirect experience regarding the product features and usage through empathy with the advertisement's main character. In this study, we took the results of a precedent study as the starting point, according to which consumers' emotional response can be altered depending on the storytelling methods adopted for storytelling ads. Previous studies have reported that drama-type and vignette-type storytelling methods have a considerably different impact on the emotional responses of advertising audiences, due to their different structural characteristics. Thus, this study aims to verify that emotional response aroused by different types of advertisement storytelling (drama ads vs. vignette ads) can be controlled by the socio-psychological gender difference of advertising audiences and that the interaction effects between the socio-psychological gender differences of the audience and the gender stereotype of emotions to which advertisements appeal can exert an influence on emotional responses to types of storytelling in advertising. To achieve this, an experiment was conducted employing a between-group design consisting of 2 (storytelling type: drama ads vs. vignette ads) × 2 (socio-psychological gender of the audience: masculinity vs. femininity) × 2 (advertising appeal emotion type: male stereotype emotion vs. female stereotype emotion). The experiment revealed that the femininity group displayed a strong and consistent empathy for drama ads regardless of whether the ads appealed to masculine or feminine emotions, whereas the masculinity group displayed a stronger empathy for drama ads appealing to the emotional types matching its own gender as well as for vignette ads. The theoretical contribution of this study is significant in that it sheds light on the controllability of the audiences' emotional responses to advertisement storytelling depending on their socio-psychological gender and gender stereotype of emotions appealed to through advertising. Specifically, its considerable practical contribution consists in easing unnecessary creative constraints by comprehensively analyzing essential advertising strategic factors such as the target consumers' gender and the objective of the advertisement, in contrast to the oversimplified view of previous studies that considered emotional responses to storytelling ads were determined by the different types of production techniques used. This study revealed that emotional response to advertisement storytelling varies depending on the target gender of and emotion type appealed to by the advertisement. This suggests that an understanding of the targeted gender is necessary prior to producing an advertisement and that in deciding on an advertisement storytelling type, strategic attention should be directed to the advertisement's appeal concept or emotion type. Thus, it is safe to use drama-type storytelling that expresses masculine emotions (ex. fun, happy, encouraged) when the advertisement target, like Bacchus, includes both men and women. For brands and advertisements targeting only women (ex. female clothes), it is more effective to use a drama-type storytelling method that expresses feminine emotions (lovely, romantic, sad). The drama method can be still more effective than the vignette when women are the main target and a masculine concept-based creative is to be produced. However, when male consumers are targeted and the brand concept or advertisement concept is focused on feminine emotions (ex. romantic), vignette ads can more effectively induce empathy than drama ads.

• 한국의류산업학회지
• /
• 제20권2호
• /
• pp.143-155
• /
• 2018

The purpose of this study is elucidate the status and role of fashion house museums including art museums that are affiliated to luxury fashion brands. This study is significant in that it offers profound understanding of the history of luxury brands and the direction of communication these luxury brands are taking through online and offline museums. For research methods in this study, literature review and case studies were combined. Based on the luxury type classification by Sicard, the scope of research was determined to include the French classical luxury brands to modern luxury brands and contemporary luxury brands. Examining the current status of fashion house museums, it was found that Cartier Foundation for Contemporary Art is an art museum operated by the luxury fashion brand, Cartier. Other fashion house museums in operation included $Herm{\grave{e}}s$ Museum, Foundation Louis Vuitton Museum, $Crist{\acute{o}}bal$ Balenciaga Museum, Yves Saint Laurent Museum, Gucci Museum, Christian Dior Museum, Prada Foundation Museum, Ferragamo Museum, Armani Silos, and so on. As for online museums, there was Valentino Garavani Virtual Museum. These luxury fashion brands' museums serves the following roles: provides references to the fashion industry professionals and researchers; differentiates the brand as means of experience marketing; promotes the brand and enhances brand communication through exhibitions of the founder and designers; archive the brand's design and builds the brand's history as a means of storytelling marketing.

• 한국실내디자인학회:학술대회논문집
• /
• 한국실내디자인학회 2007년도 춘계학술대회 논문집
• /
• pp.137-142
• /
• 2007

Currently, brand apartment is positioning itself as one of the representative Korean housing. This allows to look into the planning side and cultural side of the Korean housing. The purpose of this study is to review the previous trend in apartment housing according to period, and to verify the trend of current Korean apartment housing by visiting the model houses in PanGyo, the new city. This study has chosen case study method of 11 cases which had been sorted out in different floor plan type and size. The findings of the study is as followed. In the aspect of spatial arrangement, it had been similar to the previous apartment plan but had a new attempt to break out from the old apartment structure by bring in round shaped living room. Also, due to the legalization of balcony expansion, various tries had been made to increase the level of function and to allow variety of usage. In the environmental aspect, the concept of wellbeing and health had been a great importance in apartment planning. In the digital aspect, various digital systems had been introduce for convenience and safety via home network system. Furthermore, based on the various lifestyle, the storytelling design concept applied in the interior design, which will have to effect the future model house design planning. Nonetheless, the current emphasis on universal design is expected to be treated one of the important concept in Korean apartment planning. This study has a significant meaning on readdressing current trend in Korean housing and to provide informations for future directions on Korean apartment planning.

• 패션비즈니스
• /
• 제21권5호
• /
• pp.61-77
• /
• 2017

Fashion companies are increasingly becoming aware of the importance of Digilog as a response strategy to an emotional stimulus, in order to win the hearts of consumers, because the Digilog provides a new type of emotional value. The features of Digilog found in modern fashion are characterized as follows: first, the "Fashion Image of Hybrid Nature" expresses nature in a new light or reinterprets existing expressions of nature, by using cutting-edge technology based on the psychological desire to return to, adapt with, and harmonize with nature. Second, the "Fashion Image of Nostalgia," which exhibits past forms of regressive fashion, is a fashion code that can be understood as a social trend. It has a digital exterior, with retro materials and old perfumes that reflect psychological comfort, as its expressive medium. Third, the "Lifestyle through the Technique of Interaction" is the sharing of information through consumer participation and delivery, or its interaction. Fourth, the "Fashion Design through the Technique of Customizing" allows consumers to actively participate in the design process. It reflects the consumer's desire to personally design fashion products. Fifth, the "Emotion Sharing through the Technique of Storytelling," which focuses on intangible values, is based on the sentiment of communication between the consumer and the brand, thereby satisfying the inner values as well as the aesthetic demands of consumers. This study confirmed that digital fashion, which uses digital technology based on analog sentiments, has opened up a new environment for fashion culture and has also widened the boundaries of fashion.