• 제목/요약/키워드: The meanings of construction

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가족상 연구의 접근법 및 그 상용 (Approaches and the Application on the Study of Family Image)

  • 조은숙
    • 대한가정학회지
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    • 제33권1호
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    • pp.111-124
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    • 1995
  • The family image concept means the natural image people attach to the family, for example, the meanings of the family, the feeling about family. The family image reflects the intentionalitat of people's consciousness, so the study on the family image can be the first step of phenomenological reduction. And theories of discourse suggest that the power and authority of the society influences the construction of the family image. To identify the applicability of the family image conept and research method, 16 married people in seoul were interviewed intensively about their family image. The result reveals that the family image of the people was different more of less according to their position, but in general it was very positive and idealized.

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A Study on Le Corbusier's Carpenter Center for the Visual Arts : Focused on Experience of Architectural Promenade

  • Kim, Nam-Hoon
    • Architectural research
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    • 제14권2호
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    • pp.67-73
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    • 2012
  • The purpose of this study is to reveal the meaning of ramp of Le Corbusier's Carpenter Center for the Visual Arts focused on experience of architectural promenade. The Carpenter Center was completed in 1964, only a year earlier than the death of Le Corbusier and also, this building is the only building actually constructed in North America. Despite these important facts, the meanings of the ideas of this building have not been paid attention as much as other buildings constructed at the same period, such as, Venice Hospital and Un Pavillion D'exposition in Zurich. In his book, 'Oeuvre Complete 1957-1965', Le Corbusier mentioned Carpenter Center as an architectural experiments of his ideas. The study of carpenter center will be an important architectural subject to clarify the meaning of his later works and ideas.

Logic of Traditional Korean Settlements Nakan, Hahoe and Yangdong villages

  • Chang, Dong-Kuk;Park, Kang-Chul
    • 한국주거학회논문집
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    • 제10권3호
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    • pp.103-117
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    • 1999
  • Little research has been done regarding the explicit and objective analysis and explanation of the spatial logic of traditional Korean settlement patterns, in spite of many archeological and socio-historical studies. In this paper we present research into spatial mechanisms and their social meanings in three traditional villages in the southern province of Korea. Conventional space-syntax analysis of spatial configuration has been used to analysis and investigate the morphological forms and functions of the traditional villages. The research results show that the traditional Korean villages are spatially deeper and syntactically less connected than other comparable urban forms, such as old European cities. Configurational analysis of the three villages reveals that their spatial structures are configured to have their own spatial logic, not a geometric order but a spatial structure. What is however noteworthy is the way they embrace their own environmental context and factors and implement them into the process of urban growth or spatial construction.

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후기 구조주의 사유를 통해본 주거공간에 관한 연구 - 다이어그램을 통해 본 주거공간의 노마디즘적 특성 - (A Study on The Concept and Planning of Post-structuralism in the a Housing)

  • 나혜숙;안희영
    • 한국실내디자인학회:학술대회논문집
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    • 한국실내디자인학회 2006년도 추계학술발표대회 논문집
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    • pp.99-104
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    • 2006
  • As a main concern of social and cultural discussionin this era, this essay will be mentioned about that considering of the cogitation system of Post-structuralism and Influences on the contemporary residential space. It is redefined, analyzed and patternized the meanings of the nomadic space from Post-structuralism and diagram which is a intermediate element of the contemporary architectureby understanding of the philosophical and reappearing similarities in that. The aim of this study is that making theoretical basis for the construction of various modern residential space.

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거버넌스시대 기초자치단체의 대응 -구미지역을 중심으로- (A Study on The Response of Local Government Facing Governance Era)

  • 이성칠;이승희;김혜경
    • 디지털융복합연구
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    • 제6권2호
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    • pp.23-32
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    • 2008
  • This paper tried to discuss response of local government facing governance era. Governance is intended to introduce a variety of residents' participating systems to revive the citizen's society and strengthen the foundation for that purpose, thus seeking the paradigm for decentralized operation of the nation. As widely accepted, governance has many meanings connected with controling method of interdependence activity. However bureaucracy do not make decisions as one-side and vertical like past but is form of public decisions that stakeholder in policy. Firstly, we reviewed the terms of governance and policy issues and policies on governance. And also survey on actual performer associated with governance in Gumi. Next, proposals of the development of policy in governance, role of local government are made in terms of construction of governance.

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현대건축의 색채구조를 적용한 공간해석에 관한 연구 (A Study on the Space interpretation by Application of Color Structure in Contemporary Architecture)

  • 김선영
    • 한국실내디자인학회논문집
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    • 제20권3호
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    • pp.152-160
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    • 2011
  • Contemporary architecture pursues new method of Interpretation of Non-linear space as digital media appears. As various materials and new methods can be used due to developments in science and expansion of thinking, contemporary architectural color developed extensive possibilities. It means not only the change of drawings, method of architectural product and materials but also the change of value system for architectural space. Thus the purpose of this paper is to suggest interpretation of space applied by color structure, and this point of view was based on the three elements of color perception which are light source, reflector, and observer. According to this categorization, architectural color of exterior color, layer color and interaction color are explained via examples of colors recently used on the contemporary architectures. In summary, contemporary architecture can be explained by Non-construction space interpretation for intrinsic complex meanings. Therefore, it can be explained as moving space, collage, by picturesque space, moving blur color and emptiness of color. This pursues various point of views for space interpretation, therefore it can be developed to the identity of strengthening architectures' design concept.

수 세기와 수 개념의 발달 유형에 관한 이론 (Counting and the Development of Number Concepts)

  • 박만구
    • 한국수학교육학회지시리즈C:초등수학교육
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    • 제4권1호
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    • pp.43-49
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    • 2000
  • The purpose of this paper is to address the theory of counting and the development of number concepts. Leslie Steffe and his colleagues developed the theory of children's counting types using the teaching experiment. As the results of their research, they published two books: "Children's counting types" (Steffe, von Glasersfeld, Richards, '||'&'||' Cobb, 1983) and "Construction of arithmetic meanings and strategies" (Steffe, Cobb, & von Glasersfeld, 1988). They classified children's counting types into five categories: Perceptual Counting Stage, Figural Counting Stages, Initial Number Sequence Stage, Tacitly Nested Number Sequence Stage, and Explicitly Nested Number Sequence Stage. The meaning of this theory is added in the last part of this paper. this paper.

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현대한옥의 유형 분류 -2000년 이후 건축가의 디자인을 중심으로- (Type Classification of Contemporary Hanok -Focusing on Architects' Designs since 2000-)

  • 이용희;김현섭
    • 건축역사연구
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    • 제25권5호
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    • pp.51-62
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    • 2016
  • Since the recent Hanok boom in Korea, Contemporary Hanok has been evolving in terms of structure, space, form, etc. To get a comprehensive understanding of the diversified Contemporary Hanok, this paper aims at its type classification by analyzing architects' designs since 2000. The criteria for the classification are two: (1) renovation [Re] or new construction [New]; and (2) degree of Contemporary Hanok's deviation from the traditional Hanok's standard - maintaining the traditional form [Main]; changing space within the traditional form [Space]; changing the traditional frame [Frame]; and juxtaposing the traditional and the modern [Combi]. From the two criteria, this paper deduced eight types of Contemporary Hanok, named respectively: Re-Main, New-Main, Re-Space, New-Space, Re-Frame, New-Frame, Re-Combi, and New-Combi, and studied their cases. It can be argued that various aspects of Contemporary Hanok and their critical meanings were well-investigated through this type classification and case-studies.

복식에 나타난 해체주의 양식연구 -건축과 복식의 비교- (A Study of Deconstruction in Clothing -Comparison of Clothing with Architecture-)

  • 전혜정
    • 복식
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    • 제32권
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    • pp.293-312
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    • 1997
  • Deconstructionism is a philosophical stream in the latter half of 20'th century which goes against western metaphysics and tries to deconstruct the dualism e.g. eastern/west-ern man/woman. Its main concepts are 'indi-vidual' 'other' 'difference' 'restoration of the repressed' 'decentralization' 'Today it shows strong influences in literature art, and other social fields. This study investigated inner meanings and exterior forms represented in clothing on the base of Jacques Derrida's theory in order to re-search modes of deconstruction in is. And it compared clothing with architecture among other genres of art in order to discover similarities between through and modes of art in a certain period. For illuminating concept of deconstruction I referred to the literatures of preceding studies and for deconstruction's characteristics in both clothing and architec-ture I referred work's collection book $\ulcorner$collec-tions$\lrcorner$ and other related books dealing from 1960's to this point. As a rsult there are four modes of decons-truction in both clothing and architecture as follows; 1) Differenance which is a concept of the dif-ference in time and space as being trace. 2) In termeaning of meanings which is not present in reality but re-interpreted a new in the future. 3) Interxtuality in which a texte is not alone but with others 4) Dis.De phenomenon in which distortion and fragmentation forms occur as the result of the denial of perfection and reson. There are characteristics of modes of de-construction in clothing as follows; 1) Differance; R.Gigli, P. Rabanne. G.Bersace, V.Westwood are representatives of the cloth-ing which is combined with the past the pres-ent and the future or is re-viewed as the clothing of the past in the present point of view. J. Watanabe R. Dawakubo I miyake are representatives of the clothing which is out-date but re-viewed in the sense of recollec-tion and re-usage. 2) Intermeaning of meanings: R. kawakubo I, Miyake Y,Yamamoto are representatives of the clothing which is incomplete but re-interpreted in the future and appears to be new-fashioned according to ways of bnding wearing throwing on and tying J.C. Castel-bajac K.Hamnett S.Sprouse are representa-tives of the clothing which is made up of ab -stract forms scribbling or symbolic letters which appears to be different according to view-point of observers. 3) Intertextuality ;J.P.Gaultier K.Hamnett, Comme des Gar ons are representatives of intertextuality of gender which avoids the 여-ality of man/woman J.P Gaultier G,Versace J. galliano are representatives of the intertex-tuality of time place and occasion which mixes temporality extensity and purposiveness. J.P Gaultier G,Versace are representatives of the intertextuality of coordination which combines items different in image purpose and use. P.Rabanne A,Courr ges R,Gernreic I,Miyake are representatives of the intertextuality of mat-ter which uses heterogeneous matter different from cloth. 4) Dis.De-phenomenon: R, Kawakubo I.Mi-yake J.P.Gaultier are representatives of the de-composition which discloses distortion and exag-geration of form through destructing the estab-lished way of construction J.Galliano R.Kawa-kubo Devota Y Lomba arte representatives of the decentring which restores the repressed and the alienated on the one hane and shows front-centrality on the other. Comme des Gar ones is representative of the discontinuity because of which right and left up and down are not in har-mony with one another. J,Galliano J.P,Gaultier T,Mugler are representatives of the disruption by way of which one makes one's body exposed through intentional slashes or holes. As a consequence deconstructionism enabled us to investigate similarities between through of deconstruction and modes of art interms of diffrance Intermeaning of meanings intertextuality and Dis De-phenomenon. And we found that deconstruction was a phase of development in that it as a all-comprising and multiple concept tries to pursue the new through deconstruction.

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한국어 및 영어의 제외구문의 의미분석: 자유제외구문을 중심으로 (A Semantics of Exceptive Constructions in Korean and English.)

  • 윤재학
    • 한국언어정보학회지:언어와정보
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    • 제6권1호
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    • pp.1-20
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    • 2002
  • This paper examines existing approaches to exceptive constructions, which typically serve to maintain the use of universal quantifiers by diminishing the domain quantified over. It places a particular focus on constructions involving Korean oyey, Dutch behalve, and English apart from, other than, and aside from. These lexical items all share an interesting semantic property that they mean either 'except' or 'besides' depending upon their linguistic contexts, but they have largely been ignored in the literature of exceptive constructions. An observation is made that the two meanings of the ambiguous exceptive words are in complementary distribution with respect to types of quantifiers and that they are not an isolated fact. Based on this, a unifying formal semantic analysis is attempted for the constructions.

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